This document provides information about the traditional music styles of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, and Thailand. It defines vocal and instrumental music and describes some of the main musical instruments and ensembles used in the different cultures, such as the Pinpeat ensemble and Piphat ensemble in Cambodia, Gamelan ensembles and their instruments in Indonesia, musical ensembles incorporating gongs and xylophones in Malaysia, and the Piphat, Khrueang Sai, and Mahori ensembles common in Thailand. The document encourages reflecting on the current world situation and composing a song that could serve as a message to all.
SOUTHEAST ASIA MUSIC Grade 8 Presentation .pptxpolojahazelle17
This document provides information about the music styles of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, and Thailand. It discusses traditional musical instruments and ensembles for each country. In Indonesia, it focuses on gamelan ensembles and their various instruments. In Malaysia, it outlines genres like dikir barat and instruments like agung and kulintang. For Thailand, it describes the piphat and khruang sai ensembles and their percussion and string components.
The document provides information about the music traditions of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, Myanmar, Thailand, Laos, Vietnam, and Singapore. It describes the influences on the music such as Indian, Chinese, European and how the music has blended traditions. It provides details about traditional musical instruments and ensembles from each country.
The document provides information about the traditional music of Malaysia, Singapore, Indonesia, Thailand, Cambodia, Laos, and Myanmar. It discusses the history and culture that influenced the development of music in each country. It also describes some of the main musical instruments used and different genres of music like gamelan from Indonesia and piphat ensembles from Thailand. The objectives are to differentiate the histories of Malaysia and Singapore, analyze music elements, and identify forms and styles to perform folk songs from the regions.
1. The document discusses the traditional music of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, and Thailand.
2. It describes important musical ensembles for each country, such as the Pinpeat orchestra in Cambodia, Gamelan orchestras in Indonesia, and the Hsaing Waing ensemble in Myanmar.
3. The document also provides details on musical scales, instruments, and types of performances for each Southeast Asian country.
This document provides an overview of the traditional music of Southeast Asia, focusing on Cambodia and Indonesia. It describes the Pinpeat ensemble that accompanies Cambodian royal and religious ceremonies, including xylophones, drums, gong circles, and finger cymbals. In Indonesia, it outlines the slendro and peloq musical scales and notes that gamelan orchestras featuring metallophones, xylophones, drums, and gongs are most prominent. Vocal music often accompanies gamelan ensembles through pesindhen female soloists and gerong male choruses.
The document provides information about the music cultures of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, Vietnam, and Singapore. It describes the musical instruments, scales, ensembles, genres, and historical influences of each country's traditional and classical music. Key influences mentioned include Indian, Chinese, Arabic, European, and neighboring Southeast Asian musical traditions.
This document provides information about the music traditions of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, Myanmar, Laos, Thailand, Vietnam, and Singapore. It discusses traditional musical instruments, scales, genres, and the cultural and historical influences on the development of music in each country/region. Key influences mentioned include Indian, Chinese, European and other neighboring Southeast Asian musical traditions. The document also provides an example of a traditional Malay children's song.
The document provides information about the music traditions of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, and Vietnam. It discusses the influences on the music such as from India, China, and European colonizers. It also describes some popular musical instruments and ensembles from each country such as the pinpeat orchestra in Cambodia, gamelan in Indonesia, hsaing waing in Myanmar, and the khene in Laos.
SOUTHEAST ASIA MUSIC Grade 8 Presentation .pptxpolojahazelle17
This document provides information about the music styles of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, and Thailand. It discusses traditional musical instruments and ensembles for each country. In Indonesia, it focuses on gamelan ensembles and their various instruments. In Malaysia, it outlines genres like dikir barat and instruments like agung and kulintang. For Thailand, it describes the piphat and khruang sai ensembles and their percussion and string components.
The document provides information about the music traditions of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, Myanmar, Thailand, Laos, Vietnam, and Singapore. It describes the influences on the music such as Indian, Chinese, European and how the music has blended traditions. It provides details about traditional musical instruments and ensembles from each country.
The document provides information about the traditional music of Malaysia, Singapore, Indonesia, Thailand, Cambodia, Laos, and Myanmar. It discusses the history and culture that influenced the development of music in each country. It also describes some of the main musical instruments used and different genres of music like gamelan from Indonesia and piphat ensembles from Thailand. The objectives are to differentiate the histories of Malaysia and Singapore, analyze music elements, and identify forms and styles to perform folk songs from the regions.
1. The document discusses the traditional music of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, and Thailand.
2. It describes important musical ensembles for each country, such as the Pinpeat orchestra in Cambodia, Gamelan orchestras in Indonesia, and the Hsaing Waing ensemble in Myanmar.
3. The document also provides details on musical scales, instruments, and types of performances for each Southeast Asian country.
This document provides an overview of the traditional music of Southeast Asia, focusing on Cambodia and Indonesia. It describes the Pinpeat ensemble that accompanies Cambodian royal and religious ceremonies, including xylophones, drums, gong circles, and finger cymbals. In Indonesia, it outlines the slendro and peloq musical scales and notes that gamelan orchestras featuring metallophones, xylophones, drums, and gongs are most prominent. Vocal music often accompanies gamelan ensembles through pesindhen female soloists and gerong male choruses.
The document provides information about the music cultures of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, Vietnam, and Singapore. It describes the musical instruments, scales, ensembles, genres, and historical influences of each country's traditional and classical music. Key influences mentioned include Indian, Chinese, Arabic, European, and neighboring Southeast Asian musical traditions.
This document provides information about the music traditions of several Southeast Asian countries, including Cambodia, Indonesia, Malaysia, Myanmar, Laos, Thailand, Vietnam, and Singapore. It discusses traditional musical instruments, scales, genres, and the cultural and historical influences on the development of music in each country/region. Key influences mentioned include Indian, Chinese, European and other neighboring Southeast Asian musical traditions. The document also provides an example of a traditional Malay children's song.
The document provides information about the music traditions of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, and Vietnam. It discusses the influences on the music such as from India, China, and European colonizers. It also describes some popular musical instruments and ensembles from each country such as the pinpeat orchestra in Cambodia, gamelan in Indonesia, hsaing waing in Myanmar, and the khene in Laos.
This document provides an overview of the traditional music styles of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, Vietnam, and Singapore. It describes the musical influences in each country, characteristic musical scales and instruments, and examples of traditional musical ensembles. The region's music is diverse due to its complex history and cultural exchanges between different ethnic groups over time.
The document provides an overview of traditional music styles in several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, and Thailand. It describes distinguishing musical elements such as scales, instruments, and ensembles used in court music, folk music, and ceremonies in each area. The music has been influenced by interactions with neighboring cultures like India, China, and Arab cultures but also maintains unique indigenous characteristics related to each country's history and traditions.
The document discusses the traditional musical ensembles of several Southeast Asian countries. It describes the Pinpeat ensemble of Cambodia, which usually accompanies royal and religious ceremonies and consists of nine to ten instruments similar to Thailand's Piphat ensemble. It also outlines the Gamelan orchestras of Indonesia, noting they contain various metallophones, xylophones, drums and gongs. Finally, it discusses the Hsaing Waing folk music ensemble of Myanmar, made up mainly of different gongs and drums, as well as the saung gauk harp and pattala xylophone used in more formal performances.
The document discusses gamelan music from Indonesia and Bali. It describes the typical instrumentation of gamelan orchestras, which includes metallophones, xylophones, gongs, drums and flutes. It notes that Javanese gamelan has a more solemn and percussive sound, while Balinese gamelan is faster, louder and more rhythmic. It also discusses the tuning systems, rhythmic structures and vocal forms used in gamelan music from these two regions.
The document provides information about the music traditions of several Southeast Asian countries. It discusses the influences on and characteristics of the music of Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, Vietnam, and Singapore. For each country, it describes prominent musical instruments, scales, ensembles, genres, and how their music has incorporated elements from neighboring cultures over time.
Southeast Asian Music (Grade 8 MAPEH - First Quarter)Ian Bernardino
A simple PowerPoint Presentation of the music in SouthEast Asia :)
Download at http://dapalan.com/BBHr
This is made by Ian A. Bernardino .
Twitter: @ianburst
Facebook: www.facebook.com/ian.bernardino1
The document provides information about the traditional music of Indonesia. It discusses the gamelan, which is a traditional Indonesian ensemble consisting mainly of percussion instruments. It is most prominently used in the islands of Java and Bali. The gamelan features instruments like the bonang (gongs), gender (metallophone), saron (bars played on the floor), kenong (small punctuating gongs), gong ageng (largest gong), kempul (hanging gongs), ceng-ceng (small cymbals), and kendang/gendang (two-headed drum). Indonesian music also includes vocal styles like narrative songs and devotional music, as well as genres performed with
1. The document discusses the traditional music of Cambodia and Myanmar, including their main instrumental ensembles and instruments.
2. The Pinpeat ensemble is described as Cambodia's royal orchestra, consisting of instruments like drums, xylophones, gongs, and vocals.
3. Myanmar's main ensembles are the outdoor Sidaw and indoor Saung, with the Sidaw including reed pipes, bells, and drums, and the Saung centered around the arched harp.
Myanmar was formerly known as Burma until 1989 when its name was officially changed by the military government. Early civilization in Myanmar dates back to the 1st century based on archaeological evidence of ancient Pyu Kingdoms. The music of Myanmar shares similarities with neighboring Chinese and Thai traditions due to its longest border being with China. Traditional folk music uses various gongs, drums, and other instruments depending on the performance.
This presentation is for those students or teachers who are looking for some PPT presentation for their class as a means of reference. This PPT is not really as good as what others expected to be, but take my word for it, this will help you. Enjoy learning!
Vocal music features singing while instrumental music uses only instruments. The document then provides information about the traditional music of several Southeast Asian countries. It notes that Cambodian court music is similar to Java's and features large orchestras with gongs and struck keys. It also describes the popular Gamelan orchestras of Indonesia and their regional variations in Bali and Java. The document gives brief overviews of the traditional music of Myanmar, Thailand, Laos, and Cambodia, including descriptions of various folk and court ensembles.
Indonesian music has a rich history and plays an important role in Javanese and Balinese culture and ceremonies. Gamelan is Indonesia's most well-known traditional orchestra, consisting of varied percussion instruments like metallophones, gongs, and membranophones that produce solemn or brilliant sounds depending on the region. Vocal music also features groups like gerong male choruses and pesidhen female soloists.
The document provides an overview of the traditional music styles and instruments of several Southeast Asian countries, including Thailand, Cambodia, Indonesia, Malaysia, Singapore, Myanmar, Laos, and Vietnam. It describes drums, gongs, xylophones, gamelan orchestras, and other indigenous instruments used in ceremonies, dances, shadow puppet plays, and other cultural events. The activities encourage students to listen to and analyze Southeast Asian music, perform songs using various instruments, and evaluate musical performances using elements of musical style.
Southeast Asia includes 11 countries located south of China, east of India, and north of Australia. The region has great diversity in religion, culture, and history. Indonesia, the largest country in Southeast Asia, has over 17,000 islands and a rich musical tradition centered around gamelan ensembles. Gamelan features tuned percussion instruments like gongs, bells, and drums. It includes scales like slendro and pelog and varies between islands. Javanese and Balinese gamelan differ in uses, instrumentation, and playing styles. Gamelan is an integral part of Indonesian culture accompanying ceremonies and events.
Here are the answers:
1. Myanmar
2. Molam
3. Molam
4. Strophic
5. Loi loi khratong
The Southeast Asian countries are:
1. Philippines
2. Singapore
3. Thailand
4. Brunei
5. Laos
6. Cambodia
7. Vietnam
8. East Timor
9. Malaysia
10. Indonesia
Cambodia and Myanmar have similar traditional musical instruments and styles. Cambodian music includes genres like kar, arak, and ayai repartee that are used for weddings, rituals, and entertainment. The pinpeat ensemble accompanies royal and temple activities, consisting of gongs, drums, and reed organs. Myanmar music is melodic and commonly in 4/4 or 2/4 time. The sidaw and saung are classical ensembles, with the saung featuring a harp. Traditional instruments include drums, xylophones, zithers, flutes, and mouth organs. Folk music includes mahagita court songs and genres for horses, longing, and worship accompanied by the
Indonesia is an archipelago of over 17,500 islands in Southeast Asia, with a population of over 238 million. Traditional Indonesian music features gong-and-drum ensembles that accompany rituals and religious epics. The gamelan orchestra, featuring gongs, xylophones, drums, flutes and zithers, performs at ceremonies and supports dance and puppetry. Regional styles include the faster tempo gamelan gong kebyar from Bali.
A simple powerpoint presentation for MAPEH 8 Quarter 1 about the MUSIC of SOUTHEAST ASIAN regions and how their culture particularly their music has been influenced by their neighbouring states.
The document discusses music in Indonesia. It provides background information on Indonesia and describes the two main scales used in traditional Indonesian music called slendro and peloq. It then focuses on gamelan music, the most popular form of music in Indonesia, describing the typical instruments used in a gamelan orchestra such as metallophones, kendang drums, gongs, suling flutes, and bonang gongs. It provides details on each of these instruments and explains that gamelan features both instrumental music and vocal music to accompany dances and puppet performances.
Indonesia is an archipelago country in Southeast Asia and Oceania comprised of over 17,000 islands. Its capital is Jakarta and it has a diverse population and culture influenced by various ethnic groups. Gamelan is a traditional Indonesian musical ensemble that is central to Indonesian culture, consisting of metallophones, gongs, and drums. It is played for important events and ceremonies and accompanies other art forms like wayang kulit puppet shows.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
This document provides an overview of the traditional music styles of several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, Vietnam, and Singapore. It describes the musical influences in each country, characteristic musical scales and instruments, and examples of traditional musical ensembles. The region's music is diverse due to its complex history and cultural exchanges between different ethnic groups over time.
The document provides an overview of traditional music styles in several Southeast Asian countries, including Cambodia, Indonesia, Myanmar, Malaysia, and Thailand. It describes distinguishing musical elements such as scales, instruments, and ensembles used in court music, folk music, and ceremonies in each area. The music has been influenced by interactions with neighboring cultures like India, China, and Arab cultures but also maintains unique indigenous characteristics related to each country's history and traditions.
The document discusses the traditional musical ensembles of several Southeast Asian countries. It describes the Pinpeat ensemble of Cambodia, which usually accompanies royal and religious ceremonies and consists of nine to ten instruments similar to Thailand's Piphat ensemble. It also outlines the Gamelan orchestras of Indonesia, noting they contain various metallophones, xylophones, drums and gongs. Finally, it discusses the Hsaing Waing folk music ensemble of Myanmar, made up mainly of different gongs and drums, as well as the saung gauk harp and pattala xylophone used in more formal performances.
The document discusses gamelan music from Indonesia and Bali. It describes the typical instrumentation of gamelan orchestras, which includes metallophones, xylophones, gongs, drums and flutes. It notes that Javanese gamelan has a more solemn and percussive sound, while Balinese gamelan is faster, louder and more rhythmic. It also discusses the tuning systems, rhythmic structures and vocal forms used in gamelan music from these two regions.
The document provides information about the music traditions of several Southeast Asian countries. It discusses the influences on and characteristics of the music of Cambodia, Indonesia, Myanmar, Malaysia, Thailand, Laos, Vietnam, and Singapore. For each country, it describes prominent musical instruments, scales, ensembles, genres, and how their music has incorporated elements from neighboring cultures over time.
Southeast Asian Music (Grade 8 MAPEH - First Quarter)Ian Bernardino
A simple PowerPoint Presentation of the music in SouthEast Asia :)
Download at http://dapalan.com/BBHr
This is made by Ian A. Bernardino .
Twitter: @ianburst
Facebook: www.facebook.com/ian.bernardino1
The document provides information about the traditional music of Indonesia. It discusses the gamelan, which is a traditional Indonesian ensemble consisting mainly of percussion instruments. It is most prominently used in the islands of Java and Bali. The gamelan features instruments like the bonang (gongs), gender (metallophone), saron (bars played on the floor), kenong (small punctuating gongs), gong ageng (largest gong), kempul (hanging gongs), ceng-ceng (small cymbals), and kendang/gendang (two-headed drum). Indonesian music also includes vocal styles like narrative songs and devotional music, as well as genres performed with
1. The document discusses the traditional music of Cambodia and Myanmar, including their main instrumental ensembles and instruments.
2. The Pinpeat ensemble is described as Cambodia's royal orchestra, consisting of instruments like drums, xylophones, gongs, and vocals.
3. Myanmar's main ensembles are the outdoor Sidaw and indoor Saung, with the Sidaw including reed pipes, bells, and drums, and the Saung centered around the arched harp.
Myanmar was formerly known as Burma until 1989 when its name was officially changed by the military government. Early civilization in Myanmar dates back to the 1st century based on archaeological evidence of ancient Pyu Kingdoms. The music of Myanmar shares similarities with neighboring Chinese and Thai traditions due to its longest border being with China. Traditional folk music uses various gongs, drums, and other instruments depending on the performance.
This presentation is for those students or teachers who are looking for some PPT presentation for their class as a means of reference. This PPT is not really as good as what others expected to be, but take my word for it, this will help you. Enjoy learning!
Vocal music features singing while instrumental music uses only instruments. The document then provides information about the traditional music of several Southeast Asian countries. It notes that Cambodian court music is similar to Java's and features large orchestras with gongs and struck keys. It also describes the popular Gamelan orchestras of Indonesia and their regional variations in Bali and Java. The document gives brief overviews of the traditional music of Myanmar, Thailand, Laos, and Cambodia, including descriptions of various folk and court ensembles.
Indonesian music has a rich history and plays an important role in Javanese and Balinese culture and ceremonies. Gamelan is Indonesia's most well-known traditional orchestra, consisting of varied percussion instruments like metallophones, gongs, and membranophones that produce solemn or brilliant sounds depending on the region. Vocal music also features groups like gerong male choruses and pesidhen female soloists.
The document provides an overview of the traditional music styles and instruments of several Southeast Asian countries, including Thailand, Cambodia, Indonesia, Malaysia, Singapore, Myanmar, Laos, and Vietnam. It describes drums, gongs, xylophones, gamelan orchestras, and other indigenous instruments used in ceremonies, dances, shadow puppet plays, and other cultural events. The activities encourage students to listen to and analyze Southeast Asian music, perform songs using various instruments, and evaluate musical performances using elements of musical style.
Southeast Asia includes 11 countries located south of China, east of India, and north of Australia. The region has great diversity in religion, culture, and history. Indonesia, the largest country in Southeast Asia, has over 17,000 islands and a rich musical tradition centered around gamelan ensembles. Gamelan features tuned percussion instruments like gongs, bells, and drums. It includes scales like slendro and pelog and varies between islands. Javanese and Balinese gamelan differ in uses, instrumentation, and playing styles. Gamelan is an integral part of Indonesian culture accompanying ceremonies and events.
Here are the answers:
1. Myanmar
2. Molam
3. Molam
4. Strophic
5. Loi loi khratong
The Southeast Asian countries are:
1. Philippines
2. Singapore
3. Thailand
4. Brunei
5. Laos
6. Cambodia
7. Vietnam
8. East Timor
9. Malaysia
10. Indonesia
Cambodia and Myanmar have similar traditional musical instruments and styles. Cambodian music includes genres like kar, arak, and ayai repartee that are used for weddings, rituals, and entertainment. The pinpeat ensemble accompanies royal and temple activities, consisting of gongs, drums, and reed organs. Myanmar music is melodic and commonly in 4/4 or 2/4 time. The sidaw and saung are classical ensembles, with the saung featuring a harp. Traditional instruments include drums, xylophones, zithers, flutes, and mouth organs. Folk music includes mahagita court songs and genres for horses, longing, and worship accompanied by the
Indonesia is an archipelago of over 17,500 islands in Southeast Asia, with a population of over 238 million. Traditional Indonesian music features gong-and-drum ensembles that accompany rituals and religious epics. The gamelan orchestra, featuring gongs, xylophones, drums, flutes and zithers, performs at ceremonies and supports dance and puppetry. Regional styles include the faster tempo gamelan gong kebyar from Bali.
A simple powerpoint presentation for MAPEH 8 Quarter 1 about the MUSIC of SOUTHEAST ASIAN regions and how their culture particularly their music has been influenced by their neighbouring states.
The document discusses music in Indonesia. It provides background information on Indonesia and describes the two main scales used in traditional Indonesian music called slendro and peloq. It then focuses on gamelan music, the most popular form of music in Indonesia, describing the typical instruments used in a gamelan orchestra such as metallophones, kendang drums, gongs, suling flutes, and bonang gongs. It provides details on each of these instruments and explains that gamelan features both instrumental music and vocal music to accompany dances and puppet performances.
Indonesia is an archipelago country in Southeast Asia and Oceania comprised of over 17,000 islands. Its capital is Jakarta and it has a diverse population and culture influenced by various ethnic groups. Gamelan is a traditional Indonesian musical ensemble that is central to Indonesian culture, consisting of metallophones, gongs, and drums. It is played for important events and ceremonies and accompanies other art forms like wayang kulit puppet shows.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
2. IDENTIFY THE DIFFERENCE BETWEEN
VOCAL MUSIC AND INSTRUMENTAL
MUSIC.
Vocal Music is defined as a music that is
made specifically for voices. It may be
performed with or without musical
instruments.
Instrumental Music is defined as a
music that is made solely for instruments,
without voices.
4. CAMBODIA
• Cambodia is one of the most beautiful countries in
Southeast Asia.
• Art music is highly influenced by ancient forms as well
as Hindu forms
• Cambodian court music is roughly similar to that of
Java, Indonesia. They feature choruses with large
orchestras based on struck keys and gongs.
5. CAMBODIA
• The Pinpeat is a Cambodian musical
ensemble or an orchestra that usually
accompanies ceremonial music of the
royal courts and temples.
10. SKORTHOM - two big drums similar to
Japanese (membranophone)
11.
12. INDONESIA
Indonesia is an archipelago in Southeast
Asia comprising approximately 17,500 islands.
With over 238 million people, Indonesia is the
world's fourth most populous country and is the
fourth biggest nation of the world.
Through interaction with other cultures such
as Indian, Arabic, Chinese and European, a wide
range of musical styles has been developed.
13. There are two basic kinds of
Indonesian music scale:
Slendro – five (5) equidistant tones in
octave
Pelog – heptatonic (7) tone scale with
semi tone
14. There are two basic kinds of
Indonesian music scale:
Polyphonic stratification kind of melody
is a result of hocket/Interlock.
Interlocking is a common technique used
in gong ensembles.
Irama – is an Indonesian term for tempo
15. GAMELAN ENSEMBLES
The word gamelan
comes from the low
Javanese word
gamelan, which may
refer to a type of mallet
of which instruments are
struck with or the act of
striking with a mallet.
16. GAMELAN ENSEMBLES INSTRUMENTS
1. Kendang
Used as the instrument to
arrange the flow or the
tempo of play. One can
make the tempo faster
and slower by hitting the
Kendang either slow or
fast.
17. 2. Gong
In the Gamelan orchestra
the usage of Gong is really
important, to ends the Gatra and
also the start sign and the ending
sign for the Gendhing.
In some areas in Indonesia, gong
usually used for many
ceremonies, wedding, and also
other purposes.
18. 3. Siter
It made from the high
skill crafting from the
instrument makers that
can be commonly found
in the area of Central
and East Java. It has an
unique sound to
strengthen the rhythm of
Gamelan.
19. 4. Saron
One set of Gamelan usually contains
four Sarons.
Saron also include in the family instruments
of Balungan.
20. 5. Rebab
The next instrument is the
Rebab, way we usually use the
other musical instrument, the
violin.
Considered as the leader of the
music, because it’s placed first
in all performances.
21. 6. Bonang
Bonang is like small little gongs that
placed on a wooden self and held together
by some ropes.
It used as the accompaniment and yet to
make the tempo more slower or faster.
22. 7. Kethuk Kempyang
Just the same like Rebab and the other
instruments, the Kethuk Kempyang also has
its vantages to play and arrange the
rhythmed based on the song speed on
every performance.
23. 8. Kenong
The Kenong has the function to make the
make the rhythm more clear and sound.
24. 9. Kempul
• Kempul is one set of instruments in
Gamelan orchestra that look like gong. It
can also produce more higher sound
than the lower sound of a gong.
• It also looks more smaller than the
ordinary gong
• Kempul also usually used to fill the actor
during performances that held.
25. 10. Gambang
This one is the fastest instrument that
must be played in a full speed by the
players. The sounds of it is really beautiful,
especially when played in a fast speed.
27. MALAYSIA
Malaysian music is largely based on
percussion instruments. It has
multicultural influence and believed to
have originated in the Kelantan-Pattani
region with a mixture of Indian,
Chinese, Thai, and Indonesian
influences.
28. MALAYSIA
The music of Malaysia may be
categorized into two types:
1. Classical and Folk music emerged
during the pre-colonial period and
still exists in the form of vocal, dance
and theatrical music.
29. MALAYSIA
2. Syncretic or Acculturated music
developed during the post
Portuguese period (16th century). It
contains elements from both local
music and foreign elements of
Arabian, Persian, Indian, Chinese,
and Western musical and theatrical
sources
30. MALAYSIA MUSICAL INSTRUMENTS
1. AGUNG AND KULINTANG
In East Malaysia, gong-based musical
ensemble such as agung and kulintang are
commonly used in ceremonies such as
funerals and weddings. These ensembles are
also common in neighbouring regions such
as in the southern Philippines, Kalimantan in
Indonesia and Brunei.
31. 2. KERTOK
Kertok is a type of musical
ensemble that consists of the xylophone
played in traditional Malay function
Kertok is from Malaysia. This is musical
ensemble from Malay Peninsula that
consists of xylophones played swiftly
and rhythmically in traditional Malay
Functions.
MALAYSIA MUSICAL INSTRUMENTS
32. MALAYSIA MUSICAL INSTRUMENTS
3. DIKIR BARAT
Dikir barat is a style of
Malay choral singing popular in
Singapore and Malaysia. With
a flexible format that
incorporates singing, poetry,
movement and music, dikir
barat is a form of entertainment
that cuts across various
segments of society.
33. 4. SILAT MELAYU
Silat Melayu is a martial art practiced
by the Malay communities. At present day,
any type of Silat practiced in the country
may be called Silat Melayu or a blanket
term to describe any silat performed by a
Malay.
MALAYSIA MUSICAL INSTRUMENTS
35. THAILAND
Music of this country is based on five-
tone or seven-tone scale. Its folk music has
simple songs with simple melodic lines.
Songs of Thailand have inherently poetic
lyrics which allow a singer or a performer to
easily define the melodic lines. It provides
the singer the opportunity to improvise
song or text suitable for a given situation.
36. Thailand Musical Ensembles
PIPHAT
The Piphat ensemble is made up of percussion
and wind instruments. The most common Piphat is
known as the piphat mai khaeng. This ensemble
uses the Xylophones, such as the Ranat Ek, and
Ranat Ek Lek, and also uses wind instrumenst
such as the Pi Nai. Gong circles such as the Khong
Wong Lek are also used in this ensembles. Piphat
ensembles sometimes use hard mallets, and
sometimes use soft mallets.
37. KHRUEANG SAI
The Khruang Sai ensemble is made up of mostly
stringed instruments, but also a few hand drums and
cymbals. The Khruang Sai normally is made up of
the stringed instruments of Thailand, but
occasionally will incorporate a violin into it. This
ensemble is the quietest ensemble, it is used to
accompany singing, dancing, and on holidays. There
are several different types of Khruang Sai
ensembles, which use different combinations of the
stringed instruments.
38. Thailand Musical Ensembles
MAHORI
The Mahori ensemble was traditionally
made up of women. The Mahori played in
the courts of Thailand. The Mahori is
made up of instruments from both the
Piphat, and Kruang Sai ensembles.
39. REFLECT-PROJECT
• Activity:
Think of the current situation that we are all
in. Reflect everything that is happening to the
world now and compose a song that will serve as
your message to everyone who is fighting for
equality. Align your composition to the different
characteristics of Southeast Asian music.
40. Write words that describe Southeast Asian music that start
with the letters spelled out as Southeast Asia.