16th cen. northern renaissance 2011
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The document summarizes 16th century art in Northern Europe and Spain. It describes how the Protestant Reformation led by Martin Luther influenced artists like Albrecht Durer, who incorporated both Northern European and Italian artistic styles. It also discusses Lucas Cranach the Elder's allegorical works and portraits by Hans Holbein the Younger of Henry VIII and Erasmus. The document concludes with works by Hieronymus Bosch, Pieter Aertsen, and paintings by Pieter Bruegel the Elder depicting peasant life and the Tower of Babel.
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Role of the Artist in the Renaissance
1) Nanni di Banco's relief Sculptors at Work depicts stoneworkers and sculptors working side by side, showing that in the early Renaissance there was no distinction between manual and creative labor.
2) In the Middle Ages, artists were considered skilled craftsmen similar to other laborers, but during the Renaissance artistic skills began to be seen as intellectual work.
3) As artists gained prestige and celebrity status, they began portraying themselves as gentlemen through self-portraits, reflecting their new social standing.
Counter Reformation - Chapter 22
1. The Spanish Empire expanded greatly in the 15th-16th centuries through explorers like Christopher Columbus and conquistadors like Hernan Cortes and Francisco Pizarro, who conquered the Aztec and Inca empires respectively.
2. The acquisition of gold and silver from the Americas motivated further colonization and the wealth was important for the Spanish monarchy.
3. The Council of Trent from 1545-1563 reformed the Catholic Church in response to the Protestant Reformation, emphasizing traditional doctrine and imagery over new artistic styles like Mannerism.
Music of the renaissance
The Renaissance period in western history began in 1400 AD in Florence, Italy and spread across Europe over the next 200 years. During this time, European society transitioned from a purely religious orientation to a more secular one based on reason and science. In music, sacred vocal works like motets and masses remained important but new secular forms like the madrigal also emerged. The most significant development was the rise of instrumental music written for groups of instruments to accompany vocal works or as independent art forms. Important Renaissance composers included Josquin des Prez, Giovanni Palestrina, Orlando de Lassus, William Byrd, and Giovanni Gabrieli.
AHTR Northern Renaissance
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
Northern Renaissance
The document discusses the spread of the Northern Renaissance from Italy to other parts of Europe in the 15th and 16th centuries. Key artists of the Northern Renaissance such as Jan van Eyck and Hieronymus Bosch are mentioned for their highly detailed realist style. The document also outlines some of the political, religious, and economic developments occurring in major European powers such as Spain, England, and the Netherlands during this period.
Gothic Sculpture
Gothic sculpture evolved from the Early Gothic period to the High Gothic period towards greater naturalism and accurate representation of the human form. Sculptures on Gothic cathedrals, which served as "Bibles for the poor", became more three-dimensional, showed a greater sense of the body beneath drapery, and had more realistic proportions and facial expressions. This naturalism was influenced by the rediscovery of classical learning at universities and a new interest in scientific observation and recorded reality.
Ch.1/L2 - the Northern Renaissance
The Northern Renaissance began in the 15th century as ideas from the Italian Renaissance spread north. Key developments included the end of the plague, growth of cities and merchant wealth after wars, and artists studying in Italy and spreading new techniques. Northern rulers hired Italian artists, and ideas spread through invasions and artists moving. Flemish and German painters like Van Eyck, Durer, and Bruegel gained prominence. Northern humanists like Erasmus and More sought to reform society through education and Christianity. Gutenberg's printing press mass-produced books and spread Renaissance ideas across Europe.
Northern renaissance
The Renaissance spread from Italy to Northern Europe in the 15th century, as the Hundred Years' War ended and cities grew. It began in Flanders and was influenced by wealthy rulers who employed Italian artists. Northern Humanism focused more on Christianity than classical texts and emphasized education. Figures like Desiderius Erasmus and Thomas More criticized the Catholic Church and societal issues through works like The Praise of Folly and Utopia. The printing press also helped spread new ideas.
Recommended
Role of the Artist in the Renaissance
1) Nanni di Banco's relief Sculptors at Work depicts stoneworkers and sculptors working side by side, showing that in the early Renaissance there was no distinction between manual and creative labor.
2) In the Middle Ages, artists were considered skilled craftsmen similar to other laborers, but during the Renaissance artistic skills began to be seen as intellectual work.
3) As artists gained prestige and celebrity status, they began portraying themselves as gentlemen through self-portraits, reflecting their new social standing.
Counter Reformation - Chapter 22
1. The Spanish Empire expanded greatly in the 15th-16th centuries through explorers like Christopher Columbus and conquistadors like Hernan Cortes and Francisco Pizarro, who conquered the Aztec and Inca empires respectively.
2. The acquisition of gold and silver from the Americas motivated further colonization and the wealth was important for the Spanish monarchy.
3. The Council of Trent from 1545-1563 reformed the Catholic Church in response to the Protestant Reformation, emphasizing traditional doctrine and imagery over new artistic styles like Mannerism.
Music of the renaissance
The Renaissance period in western history began in 1400 AD in Florence, Italy and spread across Europe over the next 200 years. During this time, European society transitioned from a purely religious orientation to a more secular one based on reason and science. In music, sacred vocal works like motets and masses remained important but new secular forms like the madrigal also emerged. The most significant development was the rise of instrumental music written for groups of instruments to accompany vocal works or as independent art forms. Important Renaissance composers included Josquin des Prez, Giovanni Palestrina, Orlando de Lassus, William Byrd, and Giovanni Gabrieli.
AHTR Northern Renaissance
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
Northern Renaissance
The document discusses the spread of the Northern Renaissance from Italy to other parts of Europe in the 15th and 16th centuries. Key artists of the Northern Renaissance such as Jan van Eyck and Hieronymus Bosch are mentioned for their highly detailed realist style. The document also outlines some of the political, religious, and economic developments occurring in major European powers such as Spain, England, and the Netherlands during this period.
Gothic Sculpture
Gothic sculpture evolved from the Early Gothic period to the High Gothic period towards greater naturalism and accurate representation of the human form. Sculptures on Gothic cathedrals, which served as "Bibles for the poor", became more three-dimensional, showed a greater sense of the body beneath drapery, and had more realistic proportions and facial expressions. This naturalism was influenced by the rediscovery of classical learning at universities and a new interest in scientific observation and recorded reality.
Ch.1/L2 - the Northern Renaissance
The Northern Renaissance began in the 15th century as ideas from the Italian Renaissance spread north. Key developments included the end of the plague, growth of cities and merchant wealth after wars, and artists studying in Italy and spreading new techniques. Northern rulers hired Italian artists, and ideas spread through invasions and artists moving. Flemish and German painters like Van Eyck, Durer, and Bruegel gained prominence. Northern humanists like Erasmus and More sought to reform society through education and Christianity. Gutenberg's printing press mass-produced books and spread Renaissance ideas across Europe.
Northern renaissance
The Renaissance spread from Italy to Northern Europe in the 15th century, as the Hundred Years' War ended and cities grew. It began in Flanders and was influenced by wealthy rulers who employed Italian artists. Northern Humanism focused more on Christianity than classical texts and emphasized education. Figures like Desiderius Erasmus and Thomas More criticized the Catholic Church and societal issues through works like The Praise of Folly and Utopia. The printing press also helped spread new ideas.
Northern renaissance
The document summarizes key aspects of the Northern Renaissance, including:
The printing press spread new ideas and learning through universities, higher literacy, and interest in education, while some saw books as less beautiful and scribes lost work. Northern writers like Erasmus and More were critical of the Church and governments. Northern artists like the Van Eycks captured detail and emotion in paintings, while Durer, Brueghel and Holbein created influential works in engraving, woodcuts and portraiture. Northern humanism reflected a more realistic view of society than Italian art.
Chapter 23 – Baroque art –
1) The document discusses the key events and figures of the Protestant Reformation and Catholic Counter-Reformation in the 16th century, including Martin Luther's dissatisfaction with the Catholic Church and resulting reforms.
2) It profiles influential artists from this period like Durer, Cranach, Bruegel and El Greco, noting how their works reflected and influenced the religious changes taking place across Europe.
3) The document also examines the growth of political powers like Spain and France during this time as well as the development of artistic styles such as realism that flourished in the 15th-16th centuries.
Mannerism
Mannerism was an artistic movement between 1520-1600 that emphasized compositional tension and instability rather than the balance and harmony of the Renaissance. The document lists influential Mannerist artists such as Michelangelo, Parmigianino, Bronzino, Tintoretto, El Greco, Cellini, and architects Michelangelo, Ammanati, and Palladio. It also references important Mannerist works like Michelangelo's Last Judgment, Parmigianino's Madonna with the Long Neck, and Palladio's Villa Rotunda.
Ch20 15th century art in northern europe and spain
1) The document discusses art in Northern Europe and Spain during the 15th century, a time of economic and political changes.
2) A key development was the rise of oil painting in Flanders, which allowed for new techniques like glazing layers of color to create illusionistic effects.
3) Major artists from this period included Jan van Eyck, Rogier van der Weyden, and Hieronymus Bosch. Their works often had religious subjects and used oil painting techniques to realistic depict human emotion and drama.
Baroque 4: Dutch Genre
Dutch genre painting flourished after the Thirty Years' War as the Dutch Republic grew wealthy through trade. With the Protestant faith banning religious images, artists turned to depicting everyday middle class scenes that reflected Calvinist values like hard work and modest prosperity. Genre works included portraits, landscapes showing the industrious Dutch landscape, and still lifes sometimes including vanitas symbols about the transience of life. These paintings served as morality lessons on virtuous behavior based on the Protestant work ethic.
Mannerism
The document lists notable artists and artworks from the Mannerism period between 1525-1600, including paintings by El Greco, Rosso Fiorentino, Tintoretto, Veronese, and Sofonisba Anguissola. It also mentions sculptures by Cellini and Giambologna, and architectural works by Palladio, including Villa Capra in Vicenza, Italy. Additional references are made to Thomas Jefferson's Monticello home and the Rotunda at the University of Virginia, inspired by Palladio's designs.
Proto-Renaissance
The document discusses art before and during the Renaissance period. It notes that during the Middle Ages, the church was very powerful in Europe and art was abstract and served to communicate religious ideas to illiterate populations. It contrasts this with Renaissance art which embraced more naturalistic styles and individualism as humanist thought grew. The document uses Giotto as an example of an early Renaissance artist who moved away from medieval abstraction and began directly observing nature.
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The Northern Renaissance spread ideas from Italy to other parts of Europe, including England, France, Germany, and Flanders. Notable Northern Renaissance artists included Albrecht Durer and Hans Holbein from Germany, who created woodcuts, engravings, and portraits. Jan van Eyck and Pieter Bruegel from Flanders were early adopters of oil painting and captured realistic scenes of peasant life. During the English Renaissance, Queen Elizabeth I reigned during the "Golden Era" and supported the arts. William Shakespeare wrote famous plays that examined human nature, drawing from Classical influences. The printing press, invented by Johannes Gutenberg, helped spread Renaissance ideas across Europe through cheaper, faster book production.
Baroque 1: The Counter Reformation
The Catholic Counter Reformation was a response by the Catholic Church to the Protestant Reformation. It included reforms decreed by the Council of Trent from 1545-1563 to clarify church doctrine. The Council instituted reforms like ending the sale of indulgences but also reaffirmed Catholic stances on issues like justification by faith alone. The Jesuit order was founded to spread Catholicism worldwide more effectively. The Counter Reformation also included a crackdown on heresy through the Inquisition and tighter regulation of religious art to keep imagery focused on spiritual messages.
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Romanesque Sculpture
The document discusses Romanesque sculpture from the 11th-12th centuries found on church portals and other architectural elements. It notes that while Romanesque architecture drew from Roman influences, sculpture style drew from illuminated manuscripts with exaggerated gestures and expression. Common themes in portal sculpture included the Theophany of Christ and the Last Judgement. The portal at Autun is highlighted for its vivid carvings by Gislebertus depicting the separation of souls by St. Michael and their fate as the blessed or damned as shown through their body language and reactions. The graphic imagery warned pilgrims of their need for salvation through the church.
Napoleon Bonaparte and the transition to Romanticism
Napoleon Bonaparte rose to power in France after the Reign of Terror. He was elected First Consul in 1799 and later crowned Emperor in 1804. Artists like Jacques-Louis David were commissioned to create works glorifying Napoleon that helped transition French art from Neoclassicism to Romanticism. David initially depicted Napoleon as a noble leader, but later works by artists like Antoine-Jean Gros portrayed Napoleon in dramatic, exaggerated styles that emphasized emotion and individual genius, reflecting the emerging Romantic aesthetic.
Baroque art in the Hispanic Kingdoms
The Baroque style in Spain was characterized by decorative exuberance in both interiors and exteriors of buildings like churches and squares. Sculpture focused on religious themes featuring realistic, dramatic portrayals of wounds, pain, and suffering. Painting reached its Golden age in the 17th century with exceptionally realistic and religious works commissioned by royalty and the Church. Some of the most famous artists of this period were José de Ribera, Francisco Zurbarán, Bartolomé Esteban Murillo, and Diego Velázquez, considered a genius and the court painter to Spanish kings Philip III and Philip IV.
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The document defines key terms from the Renaissance and Reformation periods. It explains that the Renaissance was a period of creativity from 1350-1500 marked by a rebirth of ideas and humanism. The Reformation began in 1517 as a religious movement that led to the formation of Protestants who broke from the Catholic Church. Important figures during these periods included Michelangelo, Leonardo da Vinci, Martin Luther, Johann Gutenberg, and William Shakespeare.
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The document provides an overview of the Baroque period in arts and music from 1600-1750. It describes the ornate and elaborate characteristics of Baroque architecture, painting, and music. Some key points include: Baroque music had elements of unity, continuity, and terraced dynamics; important vocal forms that emerged were opera, cantata, and oratorio; and influential Baroque composers mentioned were Monteverdi, Handel, Bach, and Vivaldi.
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The document provides an overview of major artistic developments during the Baroque period in Europe between the 17th century. It summarizes key architectural works from this time including St. Peter's Basilica in Rome designed by Maderno and Bernini. Major artists of the Baroque era featured include Bernini, Caravaggio, Velazquez, Rembrandt, Vermeer, Rubens and Poussin. Their important works are briefly described. Developments in France are also covered including the transformation of Versailles into an elaborate palace under Mansart and other French Baroque artists like La Tour.
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The Baroque style flourished in the Hispanic Monarchy during the 17th century. Architecture was characterized by decorative exuberance both inside and out, with churches and squares being the main works. Sculpture focused on religious themes and depicted realistic, often dramatic, images of pain and suffering. Painting was at its Golden Age, with renowned artists like Ribera, Murillo, Zurbarán, and Velázquez producing oil paintings on religious and royal commissions that used techniques like chiaroscuro and complex compositions. Velázquez in particular was a genius known for his portraits, still lifes, and scenes of everyday life.
Mannerism & Baroque
The document provides an overview of several major artistic periods and styles between the 16th and 18th centuries in Europe, including Mannerism, Baroque, and Rococo. [1] Mannerism emphasized style over substance and featured twisted figures. [2] Baroque art was characterized by bright colors, dramatic emotions, and grand themes as seen in the works of Bernini and Rubens. [3] Rococo emerged in the 18th century as a lighter and more delicate offshoot of Baroque featuring pastoral scenes and pastel colors.
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The Renaissance in Northern Europe had key differences from Italy, being driven more by religious reform against the Catholic Church than humanism. Realism and detailed naturalism were more common, as were portraits of the middle class. Flemish masters like Van Eyck and Van der Weyden pioneered oil painting techniques and included hidden details. Matsys combined realism with symbolism. Northern Mannerism developed under Francis I in France. Dürer and Cranach documented the German Reformation, while Bosch and Bruegel critiqued society. El Greco reflected Spain's religious tensions through elongated figures.
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Northern renaissance
The document summarizes key aspects of the Northern Renaissance, including:
The printing press spread new ideas and learning through universities, higher literacy, and interest in education, while some saw books as less beautiful and scribes lost work. Northern writers like Erasmus and More were critical of the Church and governments. Northern artists like the Van Eycks captured detail and emotion in paintings, while Durer, Brueghel and Holbein created influential works in engraving, woodcuts and portraiture. Northern humanism reflected a more realistic view of society than Italian art.
Chapter 23 – Baroque art –
1) The document discusses the key events and figures of the Protestant Reformation and Catholic Counter-Reformation in the 16th century, including Martin Luther's dissatisfaction with the Catholic Church and resulting reforms.
2) It profiles influential artists from this period like Durer, Cranach, Bruegel and El Greco, noting how their works reflected and influenced the religious changes taking place across Europe.
3) The document also examines the growth of political powers like Spain and France during this time as well as the development of artistic styles such as realism that flourished in the 15th-16th centuries.
Mannerism
Mannerism was an artistic movement between 1520-1600 that emphasized compositional tension and instability rather than the balance and harmony of the Renaissance. The document lists influential Mannerist artists such as Michelangelo, Parmigianino, Bronzino, Tintoretto, El Greco, Cellini, and architects Michelangelo, Ammanati, and Palladio. It also references important Mannerist works like Michelangelo's Last Judgment, Parmigianino's Madonna with the Long Neck, and Palladio's Villa Rotunda.
Ch20 15th century art in northern europe and spain
1) The document discusses art in Northern Europe and Spain during the 15th century, a time of economic and political changes.
2) A key development was the rise of oil painting in Flanders, which allowed for new techniques like glazing layers of color to create illusionistic effects.
3) Major artists from this period included Jan van Eyck, Rogier van der Weyden, and Hieronymus Bosch. Their works often had religious subjects and used oil painting techniques to realistic depict human emotion and drama.
Baroque 4: Dutch Genre
Dutch genre painting flourished after the Thirty Years' War as the Dutch Republic grew wealthy through trade. With the Protestant faith banning religious images, artists turned to depicting everyday middle class scenes that reflected Calvinist values like hard work and modest prosperity. Genre works included portraits, landscapes showing the industrious Dutch landscape, and still lifes sometimes including vanitas symbols about the transience of life. These paintings served as morality lessons on virtuous behavior based on the Protestant work ethic.
Mannerism
The document lists notable artists and artworks from the Mannerism period between 1525-1600, including paintings by El Greco, Rosso Fiorentino, Tintoretto, Veronese, and Sofonisba Anguissola. It also mentions sculptures by Cellini and Giambologna, and architectural works by Palladio, including Villa Capra in Vicenza, Italy. Additional references are made to Thomas Jefferson's Monticello home and the Rotunda at the University of Virginia, inspired by Palladio's designs.
Proto-Renaissance
The document discusses art before and during the Renaissance period. It notes that during the Middle Ages, the church was very powerful in Europe and art was abstract and served to communicate religious ideas to illiterate populations. It contrasts this with Renaissance art which embraced more naturalistic styles and individualism as humanist thought grew. The document uses Giotto as an example of an early Renaissance artist who moved away from medieval abstraction and began directly observing nature.
Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peni...
A introduction to key artists, regions, religions, and history of the northern Renaissance and Iberian peninsula. Based off of Stokstad's Art History textbook, Volume II, 3rd edition.
The Renaissance lecture 4 (Northern Renaissance)
The Northern Renaissance spread ideas from Italy to other parts of Europe, including England, France, Germany, and Flanders. Notable Northern Renaissance artists included Albrecht Durer and Hans Holbein from Germany, who created woodcuts, engravings, and portraits. Jan van Eyck and Pieter Bruegel from Flanders were early adopters of oil painting and captured realistic scenes of peasant life. During the English Renaissance, Queen Elizabeth I reigned during the "Golden Era" and supported the arts. William Shakespeare wrote famous plays that examined human nature, drawing from Classical influences. The printing press, invented by Johannes Gutenberg, helped spread Renaissance ideas across Europe through cheaper, faster book production.
Baroque 1: The Counter Reformation
The Catholic Counter Reformation was a response by the Catholic Church to the Protestant Reformation. It included reforms decreed by the Council of Trent from 1545-1563 to clarify church doctrine. The Council instituted reforms like ending the sale of indulgences but also reaffirmed Catholic stances on issues like justification by faith alone. The Jesuit order was founded to spread Catholicism worldwide more effectively. The Counter Reformation also included a crackdown on heresy through the Inquisition and tighter regulation of religious art to keep imagery focused on spiritual messages.
Cinquecento italy
This document provides an overview of Italian art from the Cinquecento period, or 16th century. It discusses major artists such as Leonardo da Vinci, Michelangelo, Raphael, Titian, and Palladio. Their most famous works are described, including Leonardo's Last Supper and Mona Lisa, Michelangelo's Sistine Chapel ceiling and Last Judgment, and Palladio's influential architectural designs. The document also notes key developments in painting techniques, patronage, and the role of the Catholic Church and humanism in shaping Renaissance art.
Romanesque Sculpture
The document discusses Romanesque sculpture from the 11th-12th centuries found on church portals and other architectural elements. It notes that while Romanesque architecture drew from Roman influences, sculpture style drew from illuminated manuscripts with exaggerated gestures and expression. Common themes in portal sculpture included the Theophany of Christ and the Last Judgement. The portal at Autun is highlighted for its vivid carvings by Gislebertus depicting the separation of souls by St. Michael and their fate as the blessed or damned as shown through their body language and reactions. The graphic imagery warned pilgrims of their need for salvation through the church.
Napoleon Bonaparte and the transition to Romanticism
Napoleon Bonaparte rose to power in France after the Reign of Terror. He was elected First Consul in 1799 and later crowned Emperor in 1804. Artists like Jacques-Louis David were commissioned to create works glorifying Napoleon that helped transition French art from Neoclassicism to Romanticism. David initially depicted Napoleon as a noble leader, but later works by artists like Antoine-Jean Gros portrayed Napoleon in dramatic, exaggerated styles that emphasized emotion and individual genius, reflecting the emerging Romantic aesthetic.
Baroque art in the Hispanic Kingdoms
The Baroque style in Spain was characterized by decorative exuberance in both interiors and exteriors of buildings like churches and squares. Sculpture focused on religious themes featuring realistic, dramatic portrayals of wounds, pain, and suffering. Painting reached its Golden age in the 17th century with exceptionally realistic and religious works commissioned by royalty and the Church. Some of the most famous artists of this period were José de Ribera, Francisco Zurbarán, Bartolomé Esteban Murillo, and Diego Velázquez, considered a genius and the court painter to Spanish kings Philip III and Philip IV.
Renaissance and reformation vocabulary
The document defines key terms from the Renaissance and Reformation periods. It explains that the Renaissance was a period of creativity from 1350-1500 marked by a rebirth of ideas and humanism. The Reformation began in 1517 as a religious movement that led to the formation of Protestants who broke from the Catholic Church. Important figures during these periods included Michelangelo, Leonardo da Vinci, Martin Luther, Johann Gutenberg, and William Shakespeare.
Baroque period
The document provides an overview of the Baroque period in arts and music from 1600-1750. It describes the ornate and elaborate characteristics of Baroque architecture, painting, and music. Some key points include: Baroque music had elements of unity, continuity, and terraced dynamics; important vocal forms that emerged were opera, cantata, and oratorio; and influential Baroque composers mentioned were Monteverdi, Handel, Bach, and Vivaldi.
Chapter 24 Baroque Updated
The document provides an overview of major artistic developments during the Baroque period in Europe between the 17th century. It summarizes key architectural works from this time including St. Peter's Basilica in Rome designed by Maderno and Bernini. Major artists of the Baroque era featured include Bernini, Caravaggio, Velazquez, Rembrandt, Vermeer, Rubens and Poussin. Their important works are briefly described. Developments in France are also covered including the transformation of Versailles into an elaborate palace under Mansart and other French Baroque artists like La Tour.
Baroque Art in the Hispanic Monarchy
The Baroque style flourished in the Hispanic Monarchy during the 17th century. Architecture was characterized by decorative exuberance both inside and out, with churches and squares being the main works. Sculpture focused on religious themes and depicted realistic, often dramatic, images of pain and suffering. Painting was at its Golden Age, with renowned artists like Ribera, Murillo, Zurbarán, and Velázquez producing oil paintings on religious and royal commissions that used techniques like chiaroscuro and complex compositions. Velázquez in particular was a genius known for his portraits, still lifes, and scenes of everyday life.
Mannerism & Baroque
The document provides an overview of several major artistic periods and styles between the 16th and 18th centuries in Europe, including Mannerism, Baroque, and Rococo. [1] Mannerism emphasized style over substance and featured twisted figures. [2] Baroque art was characterized by bright colors, dramatic emotions, and grand themes as seen in the works of Bernini and Rubens. [3] Rococo emerged in the 18th century as a lighter and more delicate offshoot of Baroque featuring pastoral scenes and pastel colors.
Important dates in the medieval & renaissance
The document summarizes important dates and events from the late Medieval and Renaissance periods between 1215 A.D. and 1600 A.D., including the signing of the Magna Carta, the Black Death plague, the invention of the printing press, works by famous writers like Chaucer and Shakespeare, and artistic masterpieces by Leonardo da Vinci and Michelangelo.
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Ch20 15th century art in northern europe and spain
Ch20 15th century art in northern europe and spain
Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peni...
Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peni...
Napoleon Bonaparte and the transition to Romanticism
Napoleon Bonaparte and the transition to Romanticism
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Renaissance art
The document discusses artworks from the Italian Renaissance and Northern Renaissance between 1430-1600, including paintings, architecture, and maps. It mentions works by prominent artists like Michelangelo, Raphael, da Vinci, Botticelli, Donatello, Van Eyck, Bruegel, Bosch, Dürer, Holbein, and El Greco. The works covered various topics through different artistic mediums and originated from Italy, the Low Countries, Germany, and Spain during the Renaissance period.
The Rebirth Moves North: The Art of the Northern Renaissance
The Renaissance in Northern Europe had key differences from Italy, being driven more by religious reform against the Catholic Church than humanism. Realism and detailed naturalism were more common, as were portraits of the middle class. Flemish masters like Van Eyck and Van der Weyden pioneered oil painting techniques and included hidden details. Matsys combined realism with symbolism. Northern Mannerism developed under Francis I in France. Dürer and Cranach documented the German Reformation, while Bosch and Bruegel critiqued society. El Greco reflected Spain's religious tensions through elongated figures.
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3) Leonardo da Vinci was born in 1452 and the Gutenberg Bible was published in 1454, revolutionizing literacy. Major explorations also began in this time, with
Unit 6. reformation & renaissance
The Renaissance began in 15th century Italy and spread across Europe, reviving principles of classical antiquity. Architects designed buildings with harmonious proportions inspired by ancient Greece and Rome, using elements like domes, columns, and pediments. The Renaissance style is exemplified in the architecture of figures like Brunelleschi, Bramante, and Palladio. Renaissance art featured ideals of beauty, realism, and humanism as seen in the works of artists like Michelangelo, Leonardo da Vinci, Raphael, and Botticelli. The movement had influences across different regions of Europe through various architectural styles and artists.
Art history chap._23_a
This document provides an overview of 16th century art in Northern Europe and Spain during the Protestant Reformation. It discusses key events like the rise of Protestantism led by Martin Luther and the resulting Catholic Counter-Reformation. Important artists from this period like Durer, Cranach, Holbein and others are mentioned along with their works that explored religious and political ideas through imagery. Architecture from this time in countries like France, Germany and the Netherlands is also summarized.
Renaissance Art
During the Renaissance, art was commissioned by powerful groups and individuals to glorify themselves and promote particular religious doctrines. Subject matter became more secular over time, depicting myths and portraits that displayed wealth and physical uniqueness. Artists gained more social status and signed their works, seeing themselves as divine creators on par with God. The culture of the Renaissance mainly affected the educated elite and mercantile class.
Chapter 8 northern renaissance
The document provides an overview of important developments in Northern Renaissance art and literature from the 15th to 16th centuries. It discusses influential artists like Jan van Eyck, Hieronymus Bosch, Albrecht Dürer, and Hans Holbein the Younger who helped establish oil painting as a major artistic medium. It also mentions key literary works such as William Shakespeare's plays, Miguel de Cervantes' Don Quixote, and Dante's Divine Comedy. The document covers major historical events of the Protestant Reformation as well as the growth of printmaking technology.
Albrecht Durer
Albrecht Durer was a prominent German Renaissance painter and printmaker who lived from 1471-1528. He was renowned for his innovative prints that influenced artists across Europe. Durer made two trips to Italy where he was exposed to Italian Renaissance art, and brought these influences back to Germany. In addition to being a talented artist, Durer made important contributions to art theory and mathematics through his written works. He had a significant influence on European art and the adoption of Lutheranism in Nuremberg.
Albrecht Durer of Nuremberg
Albrecht Durer was a prominent German Renaissance painter and printmaker who lived from 1471-1528. He was renowned for his innovative prints that influenced artists across Europe. Durer made two trips to Italy where he was exposed to Italian Renaissance art, and brought these influences back to Germany. In addition to being a talented artist, Durer made important contributions to art theory and mathematics through his written works. He had a significant influence on European art in the centuries following his death.
Northern Renaissance Art
The document provides an overview of Northern Renaissance art from 1500-1600 in Northern Europe and Spain. It discusses major artists and styles that emerged in this period in countries like Germany, France, the Netherlands, and Spain. Key figures mentioned include Matthias Grünewald, Albrecht Dürer, Hans Holbein, Hieronymus Bosch, and El Greco. The document also examines how the Protestant Reformation and Catholic Counter-Reformation impacted religious art in different regions.
Chapter18
This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
Chapter18, N. Europe & Spain, 1500-1600
This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
Baroque 2011
The document provides an overview of Baroque art in 17th century Europe, highlighting prominent artists and works from Italy, Spain, Flanders, Holland, and France. In Italy, artists like Bernini promoted the Catholic Counter-Reformation through works commissioned by the Roman Catholic Church. Caravaggio and Gentileschi developed a tenebrist style. In Spain, artists focused on religious scenes of martyrdom and death. Rubens was a leading painter in Flanders. Dutch artists like Rembrandt and Vermeer captured the Protestant middle class through portraits and genre scenes. In France, classical influences were seen in works by Poussin, while Versailles was constructed under Louis XIV. English Baroque architecture, led
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Junior Certificate History Notes on the Renaissance (Rebirth) for the Irish Second Level History Curriculum.
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16th cen. northern renaissance 2011
- 1. 16 th Century Art in Northern Europe & Spain
- 2. Europe in the 16 th Century
- 4. North vs. South Intensely mystical & emotional Italian Humanism
- 5. Grunewald, Isenheim Altarpiece, 1510-1515
- 6. View w/ open wings
- 8. Third opening, Shrine by Nikolaus Hagenauer in 1490
- 10. Durer, Self Portrait , 1498 & 1500
- 12. Four Horsemen of the Apocalypse (St. John’s vision on Revelation), 1497-98
- 13. Durer, The Fall of Man (Adam & Eve) 1504
- 14. Durer, Knight, Death and the Devil, 1513
- 15. Young Hare , 1520 Great Piece of Turf , 1503
- 16. Durer, The Four Apostles 1526
- 17. LUCAS CRANACH THE ELDER, Allegory of Law and Grace , ca. 1530
- 18. Hans HOLBEIN the younger, The French Ambassadors , 1533
- 21. Holbein Portraits- Erasmus of Rotterdam , 1523
- 22. Portrait of Henry VIII 1536
- 23. Portrait of Anne of Cleves c.1539
- 24. Hieronymus Bosch, Garden of Earthly Delights , 1505-1510
- 28. PIETER AERTSEN, Butcher’s Stall , 1551.
- 29. CATERINA VAN HEMESSEN, Self-Portrait , 1548.
- 30. Bruegel the Elder, Hunters in the Snow, 1565
- 32. Bruegel, The Peasant Wedding 1568
- 33. Bruegel, The Peasant Dance, 1568
- 34. Bruegel, The Tower of Babel, 1563
- 35. July 2008
- 36. Portal, Colegio de San Gregorio, Valladolid, Spain, ca. 1498.
- 37. El Greco, Burial of Count Orgaz, 1586