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This document discusses the key camera controls of shutter speed, aperture, and ISO that impact photographs. It explains that shutter speed controls the duration that the camera sensor is exposed to light, with faster speeds stopping action and slower speeds creating blur. Aperture refers to the opening in the lens and impacts the amount of light entering the camera as well as depth of field, with smaller apertures corresponding to larger f-numbers and greater depth of field. ISO adjusts the camera's sensitivity to light, with higher ISO numbers allowing for faster shutter speeds or smaller apertures in lower light conditions but also increasing image noise. The document provides examples of how different shutter speeds, apertures, and ISO settings impact photographs.
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- ISO makes the camera more or less sensitive to light, with higher ISOs allowing faster shutter speeds or smaller
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The document discusses the three main camera controls that influence light exposure: aperture, shutter speed, and ISO. [1] Aperture controls the amount of light by changing the diameter of the lens opening, with smaller apertures admitting less light. [2] Shutter speed controls the duration that the camera sensor is exposed to light, with faster speeds admitting less light. [3] ISO is the light sensitivity of the camera's sensor, with higher ISO numbers corresponding to greater sensitivity in low-light conditions. The relationship between these controls allows photographers to properly expose photographs in different lighting situations.
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Objective:
1. To learn how to use the exposure triangle to set a correct exposure in your camera.
2. To learn about the link between ISO, shutter speed and aperture.
3. To learn what aperture is, and how to use it creatively.
4. To learn what shutter speed is, and how to produce blur or freeze motion photos.
5. To learn what ISO is, and how to prevent 'noisy' photos.
Target Audience: Photography Enthusiasts
Agenda:
• To understand Correct Photograhy Exposure.
• To understand the components of Exposure Triangle.
• To know how to balance all the three elements of Exposure Triangle to achieve a desired result.
• Understanding the purpose and value of exposure is a must for photographers, particularly beginners who are serious about developing their craft.
Expected Outcomes:
By the end of the ppt/pdf, the participants will be able to:
1) Better understanding of each of the three exposure settings, how they are measured, what they do, and how they interact.
2) Better equipped to manipulate the exposure of your images, as well as the artistic presentation of motion, depth of field, and digital noise.
3) Better control of the manual mode in camera.
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Objective:
1. To learn how to use the exposure triangle to set a correct exposure in your camera.
2. To learn about the link between ISO, shutter speed and aperture.
3. To learn what aperture is, and how to use it creatively.
4. To learn what shutter speed is, and how to produce blur or freeze motion photos.
5. To learn what ISO is, and how to prevent 'noisy' photos.
Target Audience: Photography Enthusiasts
Agenda:
• To understand Correct Photograhy Exposure.
• To understand the components of Exposure Triangle.
• To know how to balance all the three elements of Exposure Triangle to achieve a desired result.
• Understanding the purpose and value of exposure is a must for photographers, particularly beginners who are serious about developing their craft.
Expected Outcomes:
By the end of the ppt/pdf, the participants will be able to:
1) Better understanding of each of the three exposure settings, how they are measured, what they do, and how they interact.
2) Better equipped to manipulate the exposure of your images, as well as the artistic presentation of motion, depth of field, and digital noise.
3) Better control of the manual mode in camera.
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[1] Depth of field depends on aperture and subject distance - wider apertures and closer subjects produce shallower depths of field, while smaller apertures increase depth of field. Telephoto lenses typically have shallower depths of field compared to wide angles.
[2] The rule of thirds involves dividing the frame into thirds, both horizontally and vertically, creating power points where the lines intersect. Placing subjects along these lines or points can create more balanced and appealing compositions.
[3] Tips are provided for applying the rule of thirds, such as placing
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Task 2 photography terminology work sheet
The document discusses various photographic terminology including shutter speed, ISO, aperture, and depth of field. It provides examples of how adjusting these settings can impact images. Shutter speed determines exposure time, affecting motion blur. ISO controls light sensitivity, with higher ISO increasing noise. Aperture impacts depth of field, with smaller apertures producing wider depth of field and more of an image in focus. The document demonstrates these concepts through example images taken with different camera settings.
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3. The focal length of the lens - Longer focal lengths result in a shallower depth of field.
MV
This document discusses various aspects of manual photography including focal length, lenses, depth of field, and composition. It addresses different types of lenses like wide angle, normal, zoom, telephoto, and fisheye lenses. Technical considerations like aperture, shutter speed, and ISO are covered as well as creative considerations like light, composition, and the decisive moment. Rules of composition like the rule of thirds are explained. The importance of finding inspiration and developing your personal vision is also emphasized.
EB
This document discusses key photography concepts including shutter speed, aperture, ISO, exposure, and bracketing. Shutter speed controls motion blur and stopping action, while aperture controls depth of field and amount of light. ISO increases light sensitivity and should be kept as low as possible to avoid noise. Exposure is determined by adjusting ISO for lighting conditions and combining aperture and shutter speed. Equivalent exposures allow changing aperture and shutter speed in opposite directions to maintain the same exposure. Bracketing involves changing one setting while keeping the others constant to provide editing options for difficult lighting situations.
KM1
This document provides a quick start guide for improving mobile photography skills. It recommends keeping an open mind and focusing on light. Zooming with your feet rather than the camera's digital zoom is suggested. Controlling exposure and focus separately allows better photos. Silencing the inner critic and shooting from the heart are advised. Setting goals, deadlines, and study time can help progress. Being ready to capture moments is emphasized for strong storytelling with mobile photography.
Writing for Radio
Radio storytelling uses narrative elements like setting scenes, raising questions, and introducing characters to engage listeners. Popular radio programs like "This American Life" and "Radiolab" employ storytelling techniques. When writing for radio, reporters log recorded interviews and natural sounds, choose relevant audio clips, and structure scripts with an intro, narrative, and conclusion. Writers aim to convey visual details, mix up audio lengths and styles, and craft a story using a conversational yet concise style.
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PB1
- 1. Understanding Shutter Speed, Aperture and ISO PHOTOGRAPHY BASICS Thursday, January 17, 13
- 2. the process and art of capturing light PHOTOGRAPHY In Greek: φῶς (photos) "light" and γραφή (graphé) "drawing" Thursday, January 17, 13
- 3. PHOTOGRAPHY Blending the Technical and Creative Thursday, January 17, 13
- 4. The Camera’s Eye Similar mechanics but far different in how they see light Thursday, January 17, 13
- 5. The Camera’s Eye Thursday, January 17, 13
- 6. Camera Mechanics DSLR “Digital Single Lens Reflex” Uses a mirror & prism system that permits the photographer to view through the lens what will be captured Thursday, January 17, 13
- 7. Thursday, January 17, 13
- 8. Camera Controls 3 main manual functions of the camera - Shutter Speed - - Aperture - - ISO - Thursday, January 17, 13
- 9. Creative Shutter Speeds A measurement of exposure to light Thursday, January 17, 13
- 10. Shutter Speed Thursday, January 17, 13
- 11. Fast Shutter Speeds Stops Action More light allows for faster shutter speeds Thursday, January 17, 13
- 12. Thursday, January 17, 13
- 13. Thursday, January 17, 13
- 14. Slower Shutter Speeds Generally slower than 1/30 sec Creates motion and blur helpful in low light situations Thursday, January 17, 13
- 15. Blur/Stop Action Thursday, January 17, 13
- 16. Blurring vs. Panning Thursday, January 17, 13
- 17. Thursday, January 17, 13
- 18. - Slow shutter speeds let in more light - Good for low light situations - Blur is an issue Thursday, January 17, 13
- 19. - Slow shutter speeds saturate color Thursday, January 17, 13
- 20. There is no magic number for correct shutter speed, every lighting condition is different Thursday, January 17, 13
- 21. A blurry photo can be caused by low light, subject movement, camera movement, a shutter speed that’s too slow... Thursday, January 17, 13
- 22. The more available light, the faster the shutter speed Thursday, January 17, 13
- 23. Always support the lens with your left hand Shutter speeds slower than 1/10 of a second require a tripod Thursday, January 17, 13
- 24. Obama, you’re doing it wrong! Thursday, January 17, 13
- 25. Thursday, January 17, 13
- 26. Aperture and Depth of Field Thursday, January 17, 13
- 27. Aperture Known as f/stop Controls amount of light Changes depth of field Works like the iris and pupil of your eye Thursday, January 17, 13
- 28. Aperture Think in reverse: small aperture, large number Amount of Light Depth of Field Page 20 Aperture controls Thursday, January 17, 13
- 29. Depth of Field Thursday, January 17, 13
- 30. Depth of Field Thursday, January 17, 13
- 31. Thursday, January 17, 13
- 32. Depth of Field Thursday, January 17, 13
- 33. Depth of Field Thursday, January 17, 13
- 34. - Use less depth of field to draw attention to specific areas Thursday, January 17, 13
- 35. ISO ISO increases sensitivity to light Lower the light, the higher the ISO Ranges from 100-3200 ISO or higher Thursday, January 17, 13
- 36. ISO 100 Thursday, January 17, 13
- 37. ISO 100 Thursday, January 17, 13
- 38. ISO 200 Thursday, January 17, 13
- 39. ISO 400 Thursday, January 17, 13
- 40. ISO 400 Thursday, January 17, 13
- 41. ISO 800 Thursday, January 17, 13
- 42. ISO 1600 Thursday, January 17, 13
- 43. ISO 1600 Thursday, January 17, 13
- 44. ISO 3200 Thursday, January 17, 13
- 45. ISO 3200 Thursday, January 17, 13
- 46. ISO 100 ISO 3200 Thursday, January 17, 13
- 47. ISO 200 ISO 3200 Thursday, January 17, 13
- 48. Read and review Pg. 1-25, 205-211 Thursday, January 17, 13
- 49. Determining Exposure 1. Adjust ISO for lighting condition Try to keep ISO as low as possible, prevent grain/noise Higher ISO’s will allow for faster shutter speeds 2. Shutter Speed and Aperture Combine aperture (f-stop) and shutter speed for correct exposure Thursday, January 17, 13
- 50. Equivalent Exposures Thursday, January 17, 13
- 51. Thursday, January 17, 13
- 52. Thursday, January 17, 13
- 53. Histograms and Exposure Thursday, January 17, 13
- 54. Thursday, January 17, 13
- 55. Nikon v. Canon Nikon D3000 Canon T3i Thursday, January 17, 13
- 56. Nikon v. Canon Nikon D3000 Canon T3i Thursday, January 17, 13