The document provides a summary of recent digital marketing and advertising news from November 16th. It discusses Pret A Manger's campaign donating to homeless charities for each Christmas menu item ordered and unlocking a Foursquare badge. It also mentions BMW's "window to the future" installation in New York City displaying electric concept cars and a Reebok campaign video featuring artist Swizz Beatz. The document is tagged with related keywords and companies.
The document provides examples of digital advertising campaigns from brands like Adidas, Nike, Evian, Volkswagen, Intel, and Snikers. It describes interactive digital displays, mobile apps, social media activations, and videos created by agencies to promote products and services in an engaging way. Trending digital strategies discussed include interactive windows, branded Twitter clients, music videos, ambient experiences, and viral buzz campaigns. The document emphasizes creativity in digital and mobile brand content.
The document discusses various digital marketing campaigns from different brands. It provides summaries of campaigns from Ballantine's, Sony, Old Spice, Amnesty International, Jean Paul Gaultier, Henkel, Nokia, IKEA, Leslip Francais, Metro Trains, and Stamped. The campaigns utilized tactics like branded games, videos, apps, and social media to promote products and causes.
This document discusses an interactive design class agenda and provides examples of using QR codes. The agenda outlines upcoming class dates and topics to be covered, including QR code types, using QR codes on business cards, and examples of QR code usage. The document then provides several examples of QR codes being used for interactive experiences, education, art, and marketing purposes. These include Samsung's interactive manual for seniors, an interactive book application for iPhone, and campaigns using QR codes on products in stores and on posters in cities.
The document discusses several digital marketing campaigns by different brands:
- An Aldo Shoes campaign on Instagram that had people upload photos of their shoes for a chance to win surprise shoes. It received 500 uploads and high engagement.
- A Nike campaign partnering with Path to share sports efforts and engage communities around using Nike fuel bands.
- A Talksport campaign on Twitter to live stream sports commentary for the Premier League in multiple languages.
- An Intermarche campaign on Facebook for its 10th anniversary that involved customers in planning a collaborative birthday broadcast.
- A Mercedes campaign creating an interactive TV ad for its new A-Class that invited audience participation on Twitter to drive the story.
The document summarizes several innovative digital marketing campaigns and technologies. It discusses projects using augmented reality, interactive videos, mobile applications, social media integration, and other interactive formats. The purpose is to highlight interesting and surprising cases from the world of internet marketing and technical innovations.
Ralph is a digital production company with offices in London, New York, and LA. They create engaging video and social media content to promote brands. They have experience producing interactive and personalized videos, social media games, and mobile apps for clients across media, entertainment, and technology. Some of their notable past projects include interactive experiences for Breaking Bad, YouTube, FX, and AT&T.
A 7-minute presentation given by Laura Seargeant Richardson, Principal Designer, frog design at ToyCon 2009, on the topic: "We Are All Designers of Play." Introduces the core attributes of: Reinvent, Rejuvenate, Reflect for toy companies to consider when designing next generation products.
This document provides summaries of digital marketing topics and innovative marketing campaigns, including:
1) An alternative reality game promoting The Dark Knight that engaged over 10 million online members in 380 cities.
2) A face tracking display in outdoor advertising that showed different images depending on whether a person was looking at or away from the display.
3) A Twitter-based contest by Philips for users to submit 140-character TV commercial ideas with the winning idea being produced and aired.
4) A campaign promoting airport shuttle buses over driving by installing a display of 50 cars fused together on the highway to the airport.
The document provides examples of digital advertising campaigns from brands like Adidas, Nike, Evian, Volkswagen, Intel, and Snikers. It describes interactive digital displays, mobile apps, social media activations, and videos created by agencies to promote products and services in an engaging way. Trending digital strategies discussed include interactive windows, branded Twitter clients, music videos, ambient experiences, and viral buzz campaigns. The document emphasizes creativity in digital and mobile brand content.
The document discusses various digital marketing campaigns from different brands. It provides summaries of campaigns from Ballantine's, Sony, Old Spice, Amnesty International, Jean Paul Gaultier, Henkel, Nokia, IKEA, Leslip Francais, Metro Trains, and Stamped. The campaigns utilized tactics like branded games, videos, apps, and social media to promote products and causes.
This document discusses an interactive design class agenda and provides examples of using QR codes. The agenda outlines upcoming class dates and topics to be covered, including QR code types, using QR codes on business cards, and examples of QR code usage. The document then provides several examples of QR codes being used for interactive experiences, education, art, and marketing purposes. These include Samsung's interactive manual for seniors, an interactive book application for iPhone, and campaigns using QR codes on products in stores and on posters in cities.
The document discusses several digital marketing campaigns by different brands:
- An Aldo Shoes campaign on Instagram that had people upload photos of their shoes for a chance to win surprise shoes. It received 500 uploads and high engagement.
- A Nike campaign partnering with Path to share sports efforts and engage communities around using Nike fuel bands.
- A Talksport campaign on Twitter to live stream sports commentary for the Premier League in multiple languages.
- An Intermarche campaign on Facebook for its 10th anniversary that involved customers in planning a collaborative birthday broadcast.
- A Mercedes campaign creating an interactive TV ad for its new A-Class that invited audience participation on Twitter to drive the story.
The document summarizes several innovative digital marketing campaigns and technologies. It discusses projects using augmented reality, interactive videos, mobile applications, social media integration, and other interactive formats. The purpose is to highlight interesting and surprising cases from the world of internet marketing and technical innovations.
Ralph is a digital production company with offices in London, New York, and LA. They create engaging video and social media content to promote brands. They have experience producing interactive and personalized videos, social media games, and mobile apps for clients across media, entertainment, and technology. Some of their notable past projects include interactive experiences for Breaking Bad, YouTube, FX, and AT&T.
A 7-minute presentation given by Laura Seargeant Richardson, Principal Designer, frog design at ToyCon 2009, on the topic: "We Are All Designers of Play." Introduces the core attributes of: Reinvent, Rejuvenate, Reflect for toy companies to consider when designing next generation products.
This document provides summaries of digital marketing topics and innovative marketing campaigns, including:
1) An alternative reality game promoting The Dark Knight that engaged over 10 million online members in 380 cities.
2) A face tracking display in outdoor advertising that showed different images depending on whether a person was looking at or away from the display.
3) A Twitter-based contest by Philips for users to submit 140-character TV commercial ideas with the winning idea being produced and aired.
4) A campaign promoting airport shuttle buses over driving by installing a display of 50 cars fused together on the highway to the airport.
This document provides information about recycling and how to make a vase out of a plastic bottle. It discusses that recycling one ton of paper saves 17 trees, 7,000 gallons of water, and other resources. It also details the 9 step process to turn a plastic bottle into a vase by cutting it, folding the strips outward, and weaving them in a pattern. The overall message is that recycling helps the earth and can be a fun activity.
The document discusses conventions that are commonly used in horror movie trailers. It notes that horror trailers typically use dark lighting and run-down settings to create an atmosphere of fear. They also often show subtitles written in a blood-like font and portray antagonists as inhuman monsters. Additionally, victims are usually first shown as normal people who then become haunted or hurt by evil forces. Trailers may include reviews from magazines to make the film appear more appealing.
The document provides a detailed analysis of the trailers for the films A Nightmare on Elm Street and Insidious. It summarizes the key elements of each trailer in terms of cinematography, lighting, sound design, editing and how they work to establish atmosphere, build tension and suspense, and introduce the films' antagonists. Specific shots, scenes and techniques are described to show how the trailers effectively utilize visual and audio elements to immerse the audience and pique their interest in the horror movies being advertised.
Este documento proporciona una receta para spiedini de pollo que sirve 4 personas. Incluye instrucciones para preparar una salsa de tomate estofada, rebozar trozos de pechuga de pollo en pan rallado y parmesano, y luego cocinarlos en pinchos de madera. Las instrucciones finales son para cocinar la pasta al dente y servirla con la salsa de tomate y los pinchos de pollo encima, adornado con perejil y queso parmesano.
This document provides a history of horror films decade by decade from the 1890s to the 2000s. Some of the key developments include the first horror films in the late 19th century from France and Germany. In the 1930s, Universal Studios had great success with monster movies like Dracula and Frankenstein. The 1960s saw influential films that reflected social issues of the time and changed genres, like Night of the Living Dead for zombies. Slashers rose to popularity in the 1980s with films like Friday the 13th while the 1990s brought critical acclaim for films like The Silence of the Lambs. In the 2000s, remakes were common but international horror brought new innovations.
The trailer opens with shots establishing the main protagonists and setting up the romantic comedy genre. It then shows the protagonists going on a disastrous first date through captions. Their lives are disrupted when they are made guardians of a baby against their will. The trailer uses montages to show their struggles with parenthood turning to love through restoring equilibrium, making the audience want to see the romance play out. It leaves the audience with shots of the famous actors and reminding them of the film title.
The document identifies regulatory challenges for the Dutch electricity sector to achieve full decarbonization by 2050 in line with the EU target. It analyzes aspects of the Dutch power system and identifies regulatory responses. Section 1 examines production, transport, distribution and consumption and recommends regulations to encourage sustainable adoption and remove barriers. Section 2 looks at the future power system and considers issues like investment climate, price volatility, efficiency incentives and universal access. It argues regulation can complement the market to address limitations and failures in achieving long term decarbonization goals.
The document provides definitions for three key acronyms: GRP refers to the government of the Republic of the Philippines, MNLF refers to the Moro National Liberation Front, and MILF refers to the Moro Islamic Liberation Front.
Post-production refers to all production stages that occur after filming ends, including editing the finished film, adding or removing sound, editing lighting, and adding special effects. It is the process of assembling all of the visual and audio components of a film, including editing, sound design, color correction, and visual effects.
If your mts file has been corrupted , then you don't need to worry at all as you can repair all mts files easily and efficiently . It is possible with the help of mts recovery tool.
The film poster summarizes the plot of the comedy film "The Hangover" in 3 sentences:
The main image shows three disheveled men - one with a missing tooth, another with a cut lip, and a baby strapped to the third man's chest - implying they had a wild night in Vegas and are now suffering from hangovers. The tagline "Some guys just can't handle Vegas" provides context that the men got into trouble in Vegas. Elements like the bright colors, gold, and dazzling lights in the background reflect the glamorous Vegas setting and highlight the humor in the men's ragged appearances.
Barack Obama was born in 1961 in Honolulu and faced some family problems growing up. He graduated from Columbia University in 1983 and Harvard Law School in 1991. Obama worked as a civil rights lawyer in Chicago and was elected to the Illinois State Senate in 1996. He was elected as the junior United States Senator from Illinois in 2004 and worked to end the Iraq war. In 2008, Obama was elected the 44th President of the United States, becoming the first African American president and facing major challenges with the budget, economy, healthcare, and other issues.
This document is an insight report from Studio Output that summarizes entertainment industry trends, including:
1) The rise of "second screens" like tablets and laptops that enhance TV viewing through social media integration and personalized recommendations.
2) A focus on individualized and personalized content through platforms that allow users to curate magazines and scrapbooks from various sources.
3) Content producers utilizing multiple platforms like never before through initiatives like live streaming fashion shows and releasing TV shows on Twitter.
4) Interactive hardware changing engagement with brands through innovations like Google Glass and touchscreen movies.
An agency in Amsterdam called Muse held a competition for internships using the Draw Something app, where applicants would draw creative interpretations of prompts to score an internship. Cadbury launched a Facebook app for its "Keep Team GB Pumped Parade" to rally support for British Olympic athletes, letting users create avatars to join the virtual parade and enter weekly prize draws. Project Re:Brief by Google and an ad agency reimagined four classic US ads, including a Coca-Cola ad, for the digital age.
This document discusses various examples of interactive design and integrated media. It begins with examples of using QR codes in advertising campaigns for brands like Bluefly, vitaminwater, and Boardwalk Empire. It then shows examples of interactive installations, including a Nike display that allowed users to control a video with their feet on a soccer ball. Other examples include an Absolut film launched on an interactive "movie theater" website, public art projects like placing red cubes around a city, and a music video filmed entirely with webcams across different locations.
From Retail to Wetail: the future of retail communicationAlessandro Panella
The retail landscape has changed dramatically over the last 10 years. New technologies have forced retailers to rethink their business models and the way they will engage with consumers and shoppers in the future.
“I think that a lot of retailers are facing up to the fact that the world is omni-channel or multichannel. The point is that retailers have to realize that they need to engage with shoppers whenever and wherever those shoppers are thinking about purchasing.” says Bryan Roberts from Kantar Retail in the latest Brand Z report about the most valuable Retailer Brands in 2012.
During that period of time we’ve seen a pure-play e-commerce retailer, Amazon, become the most valuable retailer brand in the world. The role of the physical store has changed – moving away from merchandising products to offering unique brand experiences. To put it in the words of Vittorio Radice, CEO of leading Italian department store La Rinascente, “We want to be the place where we know that the people shopping there are not actually shopping for products, they‘re shopping for an experience.”
This transformation is happening everywhere. Discounters have recognized the need to reinvent themselves and provide better quality and service instead of just cheap prices as evidenced by the move of Aldi Süd in Germany who is planning to grow the share of branded products in its assortment to as much as 25%. Shoppers should no longer be called shoppers if one thinks about the traditional definition: “One who visits stores in search of merchandise or bargains.” The times when people were searching for just merchandise or bargains are gone. The explosion of social media and the many possible brand interactions have created a new breed of shoppers. These people want to have a say in what is sold, they join forces to gain better prices and are more than happy to share their experiences if they feel listened to.
So how do retail brands strive in such an environment? How will they engage with the new breed of shoppers? What does the future of retail communication look like? These are just some of the questions we will raise in this study and we hope that you’ll find the answers interesting.
This document discusses various experiential marketing techniques used by brands, including projection mapping, RFID, virtual and augmented reality, wearable technology, and interactive photo activations. It provides examples of how brands have incorporated these technologies and interactive elements into events, retail spaces, festivals, and other venues to creatively engage audiences. The key aspects covered include capturing consumer data, creating shareable experiences, extending brand interactions beyond events, and making experiences personalized.
This document provides an overview and analysis of web design trends for 2013-2014. It examines 11 major trends, including the era of content-centric design, storytelling, responsive websites, flat design, parallax scrolling, video backgrounds, and non-standard navigation. For each trend, 15 examples of websites demonstrating that trend are provided and analyzed. The document suggests that these trends reflect an increased focus on usability, content, and adapting to different devices and screen sizes. It aims to identify popular patterns that can inspire web designers.
Digital Revolution and Consumer Trends for 2013 Own Company
Whirlpool EMEA presents: Digital School, Lesson 9 | Consumer Trends 2013.
- Generation G
- Point & Know
- Maturialism
- Social Lite
- Pricing Pandemonium
- Be Ethical
- Be Faster & Friendly
- Second screen
- Data shaped
- The mass and the virgin Consumers
Flavio Vidigal - Creative process and Creative TasksStas Kremnev
Absolutely superb presentation from Flavio Vidigal (Firstborn) about creativity and working on briefs. Chinese VW cases and especially Intel x Toshiba collaborative campaign are must.
This document provides a summary of 10 retail and shopper trends for 2013 as observed by Cheil UAE. The trends include: [1] Servitude, with brands providing high levels of service to demanding customers; [2] New and Improved, with consumers attracted to new products and experiences; and [3] The Bond Effect, with brands using technology to create exciting experiences for digital consumers. The trends are illustrated by examples relevant to the United Arab Emirates market. Cheil UAE is an advertising agency that develops annual trend reports by observing global and local research.
This document provides information about recycling and how to make a vase out of a plastic bottle. It discusses that recycling one ton of paper saves 17 trees, 7,000 gallons of water, and other resources. It also details the 9 step process to turn a plastic bottle into a vase by cutting it, folding the strips outward, and weaving them in a pattern. The overall message is that recycling helps the earth and can be a fun activity.
The document discusses conventions that are commonly used in horror movie trailers. It notes that horror trailers typically use dark lighting and run-down settings to create an atmosphere of fear. They also often show subtitles written in a blood-like font and portray antagonists as inhuman monsters. Additionally, victims are usually first shown as normal people who then become haunted or hurt by evil forces. Trailers may include reviews from magazines to make the film appear more appealing.
The document provides a detailed analysis of the trailers for the films A Nightmare on Elm Street and Insidious. It summarizes the key elements of each trailer in terms of cinematography, lighting, sound design, editing and how they work to establish atmosphere, build tension and suspense, and introduce the films' antagonists. Specific shots, scenes and techniques are described to show how the trailers effectively utilize visual and audio elements to immerse the audience and pique their interest in the horror movies being advertised.
Este documento proporciona una receta para spiedini de pollo que sirve 4 personas. Incluye instrucciones para preparar una salsa de tomate estofada, rebozar trozos de pechuga de pollo en pan rallado y parmesano, y luego cocinarlos en pinchos de madera. Las instrucciones finales son para cocinar la pasta al dente y servirla con la salsa de tomate y los pinchos de pollo encima, adornado con perejil y queso parmesano.
This document provides a history of horror films decade by decade from the 1890s to the 2000s. Some of the key developments include the first horror films in the late 19th century from France and Germany. In the 1930s, Universal Studios had great success with monster movies like Dracula and Frankenstein. The 1960s saw influential films that reflected social issues of the time and changed genres, like Night of the Living Dead for zombies. Slashers rose to popularity in the 1980s with films like Friday the 13th while the 1990s brought critical acclaim for films like The Silence of the Lambs. In the 2000s, remakes were common but international horror brought new innovations.
The trailer opens with shots establishing the main protagonists and setting up the romantic comedy genre. It then shows the protagonists going on a disastrous first date through captions. Their lives are disrupted when they are made guardians of a baby against their will. The trailer uses montages to show their struggles with parenthood turning to love through restoring equilibrium, making the audience want to see the romance play out. It leaves the audience with shots of the famous actors and reminding them of the film title.
The document identifies regulatory challenges for the Dutch electricity sector to achieve full decarbonization by 2050 in line with the EU target. It analyzes aspects of the Dutch power system and identifies regulatory responses. Section 1 examines production, transport, distribution and consumption and recommends regulations to encourage sustainable adoption and remove barriers. Section 2 looks at the future power system and considers issues like investment climate, price volatility, efficiency incentives and universal access. It argues regulation can complement the market to address limitations and failures in achieving long term decarbonization goals.
The document provides definitions for three key acronyms: GRP refers to the government of the Republic of the Philippines, MNLF refers to the Moro National Liberation Front, and MILF refers to the Moro Islamic Liberation Front.
Post-production refers to all production stages that occur after filming ends, including editing the finished film, adding or removing sound, editing lighting, and adding special effects. It is the process of assembling all of the visual and audio components of a film, including editing, sound design, color correction, and visual effects.
If your mts file has been corrupted , then you don't need to worry at all as you can repair all mts files easily and efficiently . It is possible with the help of mts recovery tool.
The film poster summarizes the plot of the comedy film "The Hangover" in 3 sentences:
The main image shows three disheveled men - one with a missing tooth, another with a cut lip, and a baby strapped to the third man's chest - implying they had a wild night in Vegas and are now suffering from hangovers. The tagline "Some guys just can't handle Vegas" provides context that the men got into trouble in Vegas. Elements like the bright colors, gold, and dazzling lights in the background reflect the glamorous Vegas setting and highlight the humor in the men's ragged appearances.
Barack Obama was born in 1961 in Honolulu and faced some family problems growing up. He graduated from Columbia University in 1983 and Harvard Law School in 1991. Obama worked as a civil rights lawyer in Chicago and was elected to the Illinois State Senate in 1996. He was elected as the junior United States Senator from Illinois in 2004 and worked to end the Iraq war. In 2008, Obama was elected the 44th President of the United States, becoming the first African American president and facing major challenges with the budget, economy, healthcare, and other issues.
This document is an insight report from Studio Output that summarizes entertainment industry trends, including:
1) The rise of "second screens" like tablets and laptops that enhance TV viewing through social media integration and personalized recommendations.
2) A focus on individualized and personalized content through platforms that allow users to curate magazines and scrapbooks from various sources.
3) Content producers utilizing multiple platforms like never before through initiatives like live streaming fashion shows and releasing TV shows on Twitter.
4) Interactive hardware changing engagement with brands through innovations like Google Glass and touchscreen movies.
An agency in Amsterdam called Muse held a competition for internships using the Draw Something app, where applicants would draw creative interpretations of prompts to score an internship. Cadbury launched a Facebook app for its "Keep Team GB Pumped Parade" to rally support for British Olympic athletes, letting users create avatars to join the virtual parade and enter weekly prize draws. Project Re:Brief by Google and an ad agency reimagined four classic US ads, including a Coca-Cola ad, for the digital age.
This document discusses various examples of interactive design and integrated media. It begins with examples of using QR codes in advertising campaigns for brands like Bluefly, vitaminwater, and Boardwalk Empire. It then shows examples of interactive installations, including a Nike display that allowed users to control a video with their feet on a soccer ball. Other examples include an Absolut film launched on an interactive "movie theater" website, public art projects like placing red cubes around a city, and a music video filmed entirely with webcams across different locations.
From Retail to Wetail: the future of retail communicationAlessandro Panella
The retail landscape has changed dramatically over the last 10 years. New technologies have forced retailers to rethink their business models and the way they will engage with consumers and shoppers in the future.
“I think that a lot of retailers are facing up to the fact that the world is omni-channel or multichannel. The point is that retailers have to realize that they need to engage with shoppers whenever and wherever those shoppers are thinking about purchasing.” says Bryan Roberts from Kantar Retail in the latest Brand Z report about the most valuable Retailer Brands in 2012.
During that period of time we’ve seen a pure-play e-commerce retailer, Amazon, become the most valuable retailer brand in the world. The role of the physical store has changed – moving away from merchandising products to offering unique brand experiences. To put it in the words of Vittorio Radice, CEO of leading Italian department store La Rinascente, “We want to be the place where we know that the people shopping there are not actually shopping for products, they‘re shopping for an experience.”
This transformation is happening everywhere. Discounters have recognized the need to reinvent themselves and provide better quality and service instead of just cheap prices as evidenced by the move of Aldi Süd in Germany who is planning to grow the share of branded products in its assortment to as much as 25%. Shoppers should no longer be called shoppers if one thinks about the traditional definition: “One who visits stores in search of merchandise or bargains.” The times when people were searching for just merchandise or bargains are gone. The explosion of social media and the many possible brand interactions have created a new breed of shoppers. These people want to have a say in what is sold, they join forces to gain better prices and are more than happy to share their experiences if they feel listened to.
So how do retail brands strive in such an environment? How will they engage with the new breed of shoppers? What does the future of retail communication look like? These are just some of the questions we will raise in this study and we hope that you’ll find the answers interesting.
This document discusses various experiential marketing techniques used by brands, including projection mapping, RFID, virtual and augmented reality, wearable technology, and interactive photo activations. It provides examples of how brands have incorporated these technologies and interactive elements into events, retail spaces, festivals, and other venues to creatively engage audiences. The key aspects covered include capturing consumer data, creating shareable experiences, extending brand interactions beyond events, and making experiences personalized.
This document provides an overview and analysis of web design trends for 2013-2014. It examines 11 major trends, including the era of content-centric design, storytelling, responsive websites, flat design, parallax scrolling, video backgrounds, and non-standard navigation. For each trend, 15 examples of websites demonstrating that trend are provided and analyzed. The document suggests that these trends reflect an increased focus on usability, content, and adapting to different devices and screen sizes. It aims to identify popular patterns that can inspire web designers.
Digital Revolution and Consumer Trends for 2013 Own Company
Whirlpool EMEA presents: Digital School, Lesson 9 | Consumer Trends 2013.
- Generation G
- Point & Know
- Maturialism
- Social Lite
- Pricing Pandemonium
- Be Ethical
- Be Faster & Friendly
- Second screen
- Data shaped
- The mass and the virgin Consumers
Flavio Vidigal - Creative process and Creative TasksStas Kremnev
Absolutely superb presentation from Flavio Vidigal (Firstborn) about creativity and working on briefs. Chinese VW cases and especially Intel x Toshiba collaborative campaign are must.
This document provides a summary of 10 retail and shopper trends for 2013 as observed by Cheil UAE. The trends include: [1] Servitude, with brands providing high levels of service to demanding customers; [2] New and Improved, with consumers attracted to new products and experiences; and [3] The Bond Effect, with brands using technology to create exciting experiences for digital consumers. The trends are illustrated by examples relevant to the United Arab Emirates market. Cheil UAE is an advertising agency that develops annual trend reports by observing global and local research.
Trendbüro's choice of topics that will influence consumer behavior in 2016.
Once again, Trendbüro chose the from-to perspective. Not a hot-or-not list, each pairing is a trend and its counter-trend, the evolution of hyper-relevant phenomena.
As such it reflects Trendbüro's belief that consumer trends are an evolving system of those mindsets that drive expectations and choices, and should play a key role in creating brand experiences.
"Consumers Willing To Interact In Return For A Worthwhile Experience" Naked C...brandedent
This document discusses the rise of branded entertainment, where brands create engaging content to interact with consumers rather than just product messaging. It notes that spending on branded entertainment has grown 9% annually in recent years. Branded entertainment takes many forms, from short films and videos to interactive experiences. The key is giving consumers a role in the narrative to make them a participant rather than passive viewer. However, the document warns of "branded content landfill" and says not all entertainment entertains, so brands must ensure their content truly resonates with audiences.
This document provides a summary of trends, creative works, and marketing strategies discussed in the November 2012 issue of the Cultural Fuel Trend Report. It highlights interactive digital window displays, QR code billboards, print ads without words, viral video campaigns, social media promotions, and customized online shopping experiences. The summary identifies new technologies, media, and techniques that marketers are using to engage customers.
The document discusses trends in digital marketing and fashion platforms. It notes that brands often adopt new platforms without understanding their full reach and impact. It emphasizes the importance of creating useful, branded content and having a creative social media strategy beyond just profiles. Examples are given of successful integrations between online and offline experiences like geo-located scavenger hunts. The conclusion advocates for making digital content useful, being creative on social media, leveraging offline events, and providing opportunities for online consumer interaction.
2014 Trends Digest Deck for Digital LeadersIan Crocombe
I summarized all the marketing trends so you didn’t have to!
- Frog Design tech trends 2014
- Most Contagious 2013
- LeWeb Paris December 2013 “The Next 10 Years”
- Journalism, Media and Technology predictions 2014
- eMarketer Key Digital Trends for 2014
- CES 2014 roundup
The last few weeks of 2013 saw a huge number of predictions, trends and lists of priorities for marketing in 2014.
I wanted to understand the digital shifts that are happening, so I digested all these 2014 marketing trends so you didn’t have to!
The big theme I’ve identified for 2014 is going to be “Marketing for a Connected World”, let me know what you think or if you’ve got any comments or questions.
“Great Creative Drives Great Results” by Joachim RavothJoachim Ravoth
This document summarizes a workshop about driving brand success through creative marketing strategies. It discusses case studies of how Mercedes-Benz successfully targeted younger consumers through an advertising campaign for the C-Coupe, and how MINI launched its brand in Canada and exceeded sales targets through a teaser marketing strategy across TV, magazines, outdoor advertising, and guerilla tactics. Both campaigns leveraged insights into their target audiences to connect with them through unexpected channels and established new brand perceptions.
Mateja Aleksic graduated from Hyper Island school for Interactive Art Direction and was employed as a Digital Creative at Draftfcb/Lowe office in Zurich, Switzerland. This document provides examples of Mateja's work over several years, including campaigns and digital projects for brands like Mini, Nivea, BMW, Greenpeace, Eucerin, Valser, and others. The work includes mobile apps, websites, banners, events, and other digital and print media.
The document discusses 5 principles of high performing experience brands in today's attention economy:
1. Add value - Brands need to give more than they take from consumers by offering value like helpful information or services.
2. Invite participation - Brands should focus on managing communities of supporters rather than rigid brand standards and invite participation through contributing ideas or influencing experiences.
3. User-first design - Brand experiences need to start with understanding consumers' behaviors and catering to their needs and wants to increase engagement without extra convincing.
4. Inspire sharing - Brands must provide compelling content or causes that consumers genuinely want to talk about and share with others through their personal networks.
5. Be
Fjord is a Design and Innovation division of Accenture Interactive. Every year the firm publishes a document called ‘Fjord Trends’. The 2016 edition took me 2 hours to read. As I read, I culled points that caught my attention. I present them as highlights with the hope that it will encourage you to read the full report available here.
http://bit.ly/2i1QLjU
BOBCM: Best of Branded Content Marketing Volume II (10th Anniversary Edition)Justin Kirby
Created in conjunction with the Branded Content Marketing Association, The Best of Branded Content Marketing 10th Anniversary Edition is the second in a series of social media and branded content ebooks.
This free, enhanced media ebook is an international collaboration containing 13 case studies of the best branded content marketing campaigns from cutting-edge brands and award-winning agencies around the world.
The case studies reveal the challenges faced, how solutions were developed and the results achieved. They include Unilever Dove’s ‘Real Beauty Sketches’ from Ogilvy Brazil, Metro Trains’ ‘Dumb Ways to Die’ from McCann Melbourne, Duck Tape’s ‘Race of Gentlemen’ from Tenthwave Digital in the USA, PepsiCo’s ‘Natural Love’ from Fuse Russia, Volvo Trucks’ ‘The Epic Split’ from Forsman & Bodenfors in Sweden, and more.
The book also contains ‘what is’, ‘how to’ and ‘what's next’ features from leading practitioners and academics. These features include market reports from Brazil and Russia, an Ipsos MORI and Oxford Brookes University research report, tips on how to create successful social video content, and an in-depth predictions report about the future of branded content marketing from 60+ experts around the world, including brand owners such as Eurostar.
Simultaneous BCMA launch events were hosted at DigitasLBI in London and MRY in New York in March 2014.
We hope you enjoy reading this book and find it useful for your work.
Cannes 2016 was incredibly stimulating. Spread out over several official and unofficial venues, it was a week of talks, presentations, meetings, awards and moments of wonder. Here are ten themes that we noticed, from Diversity to Virtual Reality, from Ad Tech to Artificial Intelligence
Similar to #04 Trendshare - TheLiquidWay - Nov. 16th 2012 (20)
The Evolution and Impact of OTT Platforms: A Deep Dive into the Future of Ent...ABHILASH DUTTA
This presentation provides a thorough examination of Over-the-Top (OTT) platforms, focusing on their development and substantial influence on the entertainment industry, with a particular emphasis on the Indian market.We begin with an introduction to OTT platforms, defining them as streaming services that deliver content directly over the internet, bypassing traditional broadcast channels. These platforms offer a variety of content, including movies, TV shows, and original productions, allowing users to access content on-demand across multiple devices.The historical context covers the early days of streaming, starting with Netflix's inception in 1997 as a DVD rental service and its transition to streaming in 2007. The presentation also highlights India's television journey, from the launch of Doordarshan in 1959 to the introduction of Direct-to-Home (DTH) satellite television in 2000, which expanded viewing choices and set the stage for the rise of OTT platforms like Big Flix, Ditto TV, Sony LIV, Hotstar, and Netflix. The business models of OTT platforms are explored in detail. Subscription Video on Demand (SVOD) models, exemplified by Netflix and Amazon Prime Video, offer unlimited content access for a monthly fee. Transactional Video on Demand (TVOD) models, like iTunes and Sky Box Office, allow users to pay for individual pieces of content. Advertising-Based Video on Demand (AVOD) models, such as YouTube and Facebook Watch, provide free content supported by advertisements. Hybrid models combine elements of SVOD and AVOD, offering flexibility to cater to diverse audience preferences.
Content acquisition strategies are also discussed, highlighting the dual approach of purchasing broadcasting rights for existing films and TV shows and investing in original content production. This section underscores the importance of a robust content library in attracting and retaining subscribers.The presentation addresses the challenges faced by OTT platforms, including the unpredictability of content acquisition and audience preferences. It emphasizes the difficulty of balancing content investment with returns in a competitive market, the high costs associated with marketing, and the need for continuous innovation and adaptation to stay relevant.
The impact of OTT platforms on the Bollywood film industry is significant. The competition for viewers has led to a decrease in cinema ticket sales, affecting the revenue of Bollywood films that traditionally rely on theatrical releases. Additionally, OTT platforms now pay less for film rights due to the uncertain success of films in cinemas.
Looking ahead, the future of OTT in India appears promising. The market is expected to grow by 20% annually, reaching a value of ₹1200 billion by the end of the decade. The increasing availability of affordable smartphones and internet access will drive this growth, making OTT platforms a primary source of entertainment for many viewers.
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At Techbox Square, in Singapore, we're not just creative web designers and developers, we're the driving force behind your brand identity. Contact us today.
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