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iDocs & social change
 why are interactive documentaries so good
           in the digital space???



            Siobhan O’Flynn, PhD
        CFC Media Lab, NarrativeNow
                October 27, 2011
                   @Sioflynn
        Innovation Days DigifestTO 2011
Form
Content
Agency
#1 Content becomes playful
  design for exploratory experience
Errol Morris 2008
#2 Design for the affordances of the medium
  Design a unique, immersive interface
Arte, Gaza/Sderot 2009
#3 Less is more
 Less should be beautiful, extraordinary
NFB’s Waterlife, 2009
#4 People are your medium
Ridley Scott, 2010
NY Times 2010
A Moment in Time
#5 Content creators are influencers
Arte, Prison Valley 2010
#6 Content creators are curators
NFB Highrise 2010-2011
#7 iDocs extend our everyday experience
    online
#8 iDocs extend response into action
in-doc social networking
     social activism
Thank you

    Siobhan O’Flynn, PhD
CFC Media Lab, NarrativeNow
        October 27, 2011
           @Sioflynn
Innovation Days DigifestTO 2011

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iDocs & social change 10 26 2011 digifest edit

Editor's Notes

  1. \n
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  4. Errol Morris&amp;#x2019; 2008 - the home page to this website loads with a series of polaroids, many familiar from the media coverage and as you roll over photos will pull to the foreground of the screen. The menu is beautifully designed reworking Aristotle&amp;#x2019;s three key elements, plot, character, setting &amp; you can click on any image also\n
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  10. Let&amp;#x2019;s remember that both of these sites are for a global audience, as are the Parallel Lines short films, \n
  11. \n
  12. And mostly recently on July 7 Ridley Scott&amp;#x2019;s Life in a Day was announced, described as a global experiment to create the world&apos;s largest user-generated feature film. 20 of the selected filmmakers will be invited to join Scott at Cannes - shooting is this Saturday. \n
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