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 We see the world in many different tints of light
 The problem is that our brains adjust what we see
to filter out these tints, so we are often unaware
that they exist at all...
Consider a summer’s day:
 We might have a red dawn glow to begin with…
 By noon, when the sun is high, we have bright
yellow…
 It might rain later, softening the light through grey
clouds…
 Before returning to a red sunset...
Things get more
complex when we add
artificial lighting (light
bulbs, etc...) into the
mix:
 The reason that pictures have an orange tint with
light bulbs and blue with fluorescent lights is
because different lights have different colour
temperatures
 This is a huge topic – for now just accept that
different lighting gives off different tints
 And all the time our
brain is ‘adjusting’ our
perception of these
changing tints:
 Unfortunately a camera is not as clever as our
brains
 It has no idea what colour light it is filming in
(despite advances in automatic sensors). This
usually produces some pretty horrendous tints
 Therefore you need to tell your camera what tint of
light it is filming in
 This is known as White Balancing
 White Balance works on the fact that all colours
can be produced from pure white light (think of
Newton and his prisms):
Pure White
Light...
...can be split into a
rainbow of colours
(With apologies to Pink Floyd!)
 So if we tell a camera what
white looks like in a given
light, it can work out what
every other colour should look
like. This produces accurate
colours, especially natural
skin tones:
The Golden Rule:
 White Balancing is dead easy to do and must be
done at every new location
 At the very least use Auto or one of the preset
modes
 Simply find the Manual White Balance control on
your camera (but don’t press it yet). Then get
somebody to hold up a sheet of white paper:
Camera
White Card
 Zoom in so that the white paper completely fills
the screen:
 ...then press the Manual White Balance button or
whatever option your camera has
 The biggest problem you will face is finding the
White Balance control
 Every camera has a different way of setting the
White Balance – some have buttons, some use an
on-screen menu, and some set the WB at the
moment they are switched on! Good Luck!
Photography: 5 - White Balancing

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Photography: 5 - White Balancing

  • 1.
  • 2.  We see the world in many different tints of light  The problem is that our brains adjust what we see to filter out these tints, so we are often unaware that they exist at all...
  • 3. Consider a summer’s day:  We might have a red dawn glow to begin with…  By noon, when the sun is high, we have bright yellow…  It might rain later, softening the light through grey clouds…  Before returning to a red sunset...
  • 4.
  • 5. Things get more complex when we add artificial lighting (light bulbs, etc...) into the mix:
  • 6.
  • 7.  The reason that pictures have an orange tint with light bulbs and blue with fluorescent lights is because different lights have different colour temperatures  This is a huge topic – for now just accept that different lighting gives off different tints
  • 8.  And all the time our brain is ‘adjusting’ our perception of these changing tints:
  • 9.  Unfortunately a camera is not as clever as our brains  It has no idea what colour light it is filming in (despite advances in automatic sensors). This usually produces some pretty horrendous tints
  • 10.  Therefore you need to tell your camera what tint of light it is filming in  This is known as White Balancing
  • 11.  White Balance works on the fact that all colours can be produced from pure white light (think of Newton and his prisms): Pure White Light... ...can be split into a rainbow of colours (With apologies to Pink Floyd!)
  • 12.  So if we tell a camera what white looks like in a given light, it can work out what every other colour should look like. This produces accurate colours, especially natural skin tones:
  • 13. The Golden Rule:  White Balancing is dead easy to do and must be done at every new location  At the very least use Auto or one of the preset modes
  • 14.  Simply find the Manual White Balance control on your camera (but don’t press it yet). Then get somebody to hold up a sheet of white paper: Camera White Card
  • 15.  Zoom in so that the white paper completely fills the screen:  ...then press the Manual White Balance button or whatever option your camera has
  • 16.  The biggest problem you will face is finding the White Balance control  Every camera has a different way of setting the White Balance – some have buttons, some use an on-screen menu, and some set the WB at the moment they are switched on! Good Luck!