Elizabethan Er Course Analysis

Elizabethan Er Course Analysis
Throughout this course, I learned a great deal about Shakespeare in the Elizabethan era. In addition,
I have learned a considerable amount about myself–including my professional and educational
goals. The themes and text discussed in this course have helped to develop my skills and prepare me
for the rest of my MA program and my future career. Shakespeare's works all have prominent
themes, but there some that resonated more than others did. For example, each module is divided by
theme– weeks two, three, and five are where I gained the most insight and understanding. During
week two, we discussed love and lust in both "The Rape of Lucrece" and "Venus and Adonis." With
these themes, the struggle between sexual desire and romantic love is argued ... Show more content
on Helpwriting.net ...
From "The Rape of Lucrece" to Much Ado About Nothing the course has covered a wide range of
reading. There were some that I found to be extremely interesting; "The Rape of Lucrece" and Much
Ado About Nothing all held more meaning to me than others. I suppose "The Rape of Lucrece" had
such an impact on me because of horrible nature of it all. I knew from the title to expect a rape, but I
didn't expect it to be done by a "friend" of Lucrece's husband. At the same time, I also didn't expect
such a "poor me" reaction from Lucrece. After the brutality, she resided herself to death instead of
killing the man who raped her or having her husband kill him; she didn't have any fight in her at all.
I suppose I should not have been so surprised since this story is from the Elizabethan era, but
typically, Shakespeare writes such strong female characters. I just made me question a lot about
Shakespeare's early writing. Conversely, Much Ado About Nothing restored my expectations for
Shakespeare's writing as he wrote brilliant characters, both male and female. Beatrice and Benedick
have so much wit and personality that they need their own play. Audiences would never have to
worry if Beatrice will end up like Lucrece because she's strong and independent; Beatrice stands on
her own two feet and would recover. I don't know why, but Beatrice's character makes me even
... Get more on HelpWriting.net ...

William Shakespeare Research Paper
William Shakespeare is one of the greatest writers in the English language, playwright and actor.
Shakespeare lived during the times of Elizabeth I and James I. He coined most of the new words
and phrases that are still used today. This paper will analyze various information regarding
Shakespeare's childhood, education, employment, etc.
Shakespeare was born in Stratford–upon–Avon, and was baptized on 26 April 1564. John
Shakespeare was his father who was a glove maker and wool merchant. On the other hand, his
mother was Mary Arden, the daughter of a well to do landowner from Wilmcote. Shakespeare was
the fourth of the eight children whereby only five of whom survived to maturity (Chedgzoy n.p). He
grew up in a small English Market town located hundred miles north–west of London that was
along the River Avon banks.
When he was four or five years, he was enrolled at the King's New School located in Stratford. The
school was located at a short distance from their house on Henley Street. In addition, King's New
School stood as a grammar school that operated for the benefits of civil servant sons like the
Shakespeare's father. Shakespeare learned his basic readings and writing skills from a hornbook (a
reading book for children), ... Show more content on Helpwriting.net ...
He got married when he was eighteen years old to Anne Hathaway, who was the daughter of a local
farmer. His marriage took place on 28 November 1582. Hathaway was eight years older than
Shakespeare was, and they got their first child Susanna six months after their wedding. After two
years of marriage, they conceived twin children, Hamnet and Judith though their son passed away
when he was eleven years old. There was a gap in scholar's recordings regarding Shakespeare's life
between the year 1585 and 1592. In the next mentioning of Shakespeare in London, he had made his
way to London without his family, and he was working in a

Allusions In A Midsummer's Night Dream
Iyanna Penigo
Ms. Chirat
Period 4
May 13, 2017 In the works of Midsummer's Night Dream, Venus and Adonis, and, Shakespeare uses
themes, motifs, allusions, and imagery to suggest his audience reread and deeply analyze confusing
passages several times to fully understand his masterpieces. In the play, A Midsummer's Night
Dream begins with Theseus, Duke of Athens, preparing for his marriage to Hippolyta, Queen of the
Amazons, with a four–day festival. Egeus, a citizen of Athens, goes to see Theseus with a complaint
against his daughter: although Egeus has promised Hermia in marriage to Demetrius, who loves her,
Lysander has won Hermia's heart and refuses to obey her father and marry Demetrius. "Theseus
speaks to Hermia, warning her to ... Show more content on Helpwriting.net ...
Shakespeare portrays the lovers as overly serious, as each is sincerely busy with his or her own
feelings: "Helena is fixed about her looks; Hermia becomes self–conscious about her height;
Demetrius is plotting on how to keep Hermia from marrying other men, and Lysander believes he is
the main character/superhero of this great story."(Shakespeare Act II Scene iii) The breezy world of
the fairies and the nonsensical predicaments in which the lovers find themselves is Shakespeare's
way of making light out of their grave concerns. Next, in Venus and Adonis, the world where there
is no man as greatly put together as Adonis. Venus, a goddess of love, sees Adonis and is filed with
love for him. Believing that Adonis is her one and only she has her mind set on coming down to
earth and making Adonis her's. Venus finally got to meet Adonis while he was on a morning hunt in
the fields. Once she catches his attention and encouraging him to dismount his horse and talk her,
Adonis reveals that he has no interest to talk to any woman, but she eventually forces him to do as
she pleases. The more she talks, the more she desires that he would look at her with kind eyes, but
the more Adonis wishes to leave and continue in with his hunting. Eventually broken free from
Venus's arms he gets on his horse

Romeo And Juliet Research Paper
William Shakespeare was born on April 23, 1564 in Stratford–upon–Avon and was baptized in the
Holy Trinity Church on April 26, 1564. His name can be spelt in many different ways. He got
married at the age of 18 to Anne Hathaway and had three children, but their third child was the only
one that survived infancy. He pursued in his acting career. His first two poems were "Venus and
Adonis", made in 1593, and "The Rape of Lucrece", made in 1594. He joined Lord Chamberlain's
company of actors in 1594. He then joined a group of Chamberlain's Men that would build and
operate "The Globe" (the most famous playhouse of its time.) He wrote 30 more plays in history,
comedy, tragedy, and romance. Shakespeare also wrote 152 sonnets (which are 14 ... Show more
content on Helpwriting.net ...
It is about two "star–cross'd lovers" whose families, Montague and Capulet, despise each other.
They were supposed to marry two different people, but instead they fall in love with each other at
the Capulet's ball. They secretly got married. Juliet's cousin, Tybalt, challenges Romeo to a duel but
he refuses. Romeo is exiled after the murder of a kinsman in the warring families' feud and is under
a penalty of death if he ever returns. Romeo secretly spends the night in Juliet's chamber. Capulet
agrees to marry Juliet to Count Paris and threatened to disown her if she refuses. She visits Friar
Laurence for help, and he offers her a potion that will put her in a death–like coma for "two and
forty hours." Friar promises to send a messenger to inform Romeo about the plan so he can reunite
with her when she awakens. Juliet takes the drug the night before the wedding and she is laid in the
family crypt when she is found "dead." The messenger doesn't reach Romeo and he is heartbroken.
He then buys a potion from an apothecary and goes to the Capulet crypt. Still believing that Juliet is
dead, he drinks the potion. Juliet then awakens and finds Romeo dead. She then grabs a dagger and
stabs herself. The Montague's and Capulet's find them dead and are reconciled by their children's
deaths and agree to end their violent

Themes In The Rape Of Lucrece
In The Rape of Lucrece, there is one theme throughout the poem, and that is to conquer. The themes
of war, violence, and the evidence of Tarquin's sexual conquest remain constant. However, this is
present specifically with the physical rape of Lucrece itself and the parading of her body around
Rome after her death. The constant air of sex and power dominates this poem. Lucrece is used as a
political symbol that must be conquered throughout the entirety of the reading. The Rape of Lucrece
displays the idea of male dominance and female silence in Tarquin's powerful rage and Lucrece's
ability to be dominated.
In the time of the Renaissance society, men often held positions of power over women. Women were
not seen as having an independent voice, as they were often seen as property of their fathers before
they were married. In The Rape of Lucrece, Tarquin is able to control Lucrece and silence her. The
physical act of raping her is able to dominate her physically and emotionally, and that is what
remains constant throughout this poem. If Lucrece has anything, it is her chastity which holds great
power, and that is stolen from her in such a grotesque way.
However, before the physical act can occur there are several obstacles that must be conquered
before Lucrece herself can be taken. This adds to the idea constant idea of war and power through
conquest. "The locks between her chamber and his will, each one by him enforced, retired his ward;
But as they open they all rate his ill. Which drives the creeping thief to some regard. The threshold
grates the door to have him heard" (302–306). This scene is the first obstacle that must be overcome
in the attempt to proceed with his final act. The locks to her door are squeaky as they open,
threatening to reveal Tarquin. The threshold rubs against the opening of the door, also attempting to
make his presence known. "Through little vents and crannies of the place the wind wars with his
torch to make him stay, and blows the smoke of it into his face" (310–312). Here, a second
challenge is presented. His torch is extinguished, which will make him unable to see in the dark
night, but he moves forward, determined to conquer each of these new obstacles.

Plato's Tripartite Soul In Book IV Of The Republic
In the Republic, Plato composes a theory of the psyche, the tripartite soul. Plato asserted that the
ψυχή (soul) is divided into three parts; the λογιστικός (logical), θυμοειδές (spirited), and the
ἐπιθυμητικόν (appetitive). In Book IV of the Republic, Plato attempts to answer whether the soul is
one or made of parts. Plato states, "We seem to perceive the soul behaving in contradictory ways or
reflecting two opposing states at once, we must conclude that the soul is many and not one." (Plato
p.131) In The Rape of Lucrece, William Shakespeare shows Sextus Tarquinius' progression through
each tripartite soul, but ultimately consumed by the appetitive soul. Milowicki states that
Shakespeare uses complex characters like Tarquinius to ... Show more content on Helpwriting.net ...
The tripartite soul is composed of three different parts; the spirited, the logical, and the appetitive.
The spirited soul revolves around the honor one may have. Tarquinius is warned by the spirited soul
before raping Lucrece; he is reminded of the shame that will come of him when he rapes Lucrece.
This loss of honor is detrimental to Tarquinius because honor is woven into Roman culture.
Tarquinius' actions also aide in Roman's conversion form a monarchy to a republic. The logical soul
attempts to prevent Tranquinius from raping Lucrece by damning his soul, breathe, and dream. The
logical soul is designed to help prevent destruction of the soul by bodily pleasures. The appetitive
soul inevitably engulfs Tarquinius causing him to act of the bodily pleasures that will harm him. The
appetitive soul desires bodily pleasures such as food, drink, and sexual intercourse. Lucrece
attempts to appeal to his spirited and logical soul to save her virtue, but her pleas are no match for
Tranquinius' appetitive soul. As one may see Shakespeare appears to use Tarquinius in The Rape of
Lucrece to create a character that embodies Plato's tripartite soul. Shakespeare uses tragedy after
Lucrece is raped to demonstrate the destruction that follows being consumed with the appetitive
soul. Plato assists the readers by stating in the republic when one is challenged with the appetitive
soul questions will rise. Each time an individual questions the desires of the appetitive soul the
answer will be yes. This question and answer is what drives Tranquinius to complete his shame

Twelfth Night Fickle Analysis
Another story where love is fickle is in Twelfth Night. Orsino loves Olivia and tries to woo her, but
Olivia rejects his love. However, when Orsino sends his manservant Cesario to declare Orsino's love
for Olivia, Olivia begins to fall in love with Cesario. Throughout the story, Orsino begins to take
interest in his manservant and Olivia falls deeper in love with Cesario. Orsino's love for Olivia is
love at first sight, which does not last very long when he begins to love Cesario. At the end of the
play, Olivia mistakes Sebastian for Cesario and marries Sebastian. In this play, Shakespeare shows
that love is fickle and characters marry before they truly know if they really love each other. Olivia's
marriage to Sebastian does not display any

"Sweet the use of adversity which is like a toad, ugly and venomous, wears yet a precious jewel in
his head." (William Shakespeare: As You like It, Act ll scene l.)
William Shakespeare, the name of a much appreciated and famous playwright/writer, who is this
man? Who is the man many English experts from around the world regard as the "most read and
performed playwright in the world"? (Shakespeare's life: April 23, 2014). Where was he born? Who
was his family? Where did he live? Who exactly was William Shakespeare?
John and Mary Shakespeare were simple people dealing in farm equipment and wool, when they
brought William, the third out of eight children, into the world on April 23, 1564, in the quiet town
of Stratford. Joan the first child ... Show more content on Helpwriting.net ...
They soon found themselves with three kids, Susana being the first (born in 1583) followed by the
twins, Hamnet and Judith in 1585 (William Shakespeare's biography: April 23, 2014). The time
period of 1585 to 1592 are recorded as the "lost years" because what William did, and lived is hazy,
and regarded as unreliable informations. It was, however, recorded that Hamnet died in an
unexplained accident in 1590 (Shakespeare's life: April 23, 2014).
Following the lost years was hi introduction into the theater and writing career, although that wasn't
always easy, he was torn between work in London and his family in Stratford, approximately thirty–
three miles away. In 1592 William reappeared as an "upstart crow", in a pamphlet by Robert Green.
By 1592, William had also already wrote and performed the plays 'Henry iv series', and 'The
comedy of Errors'. In 1593 when the theaters closed down due to outbreaks of the bubonic plague,
William wrote two long narratives 'Venis and Adonis', and 'The Rape of Lucrece'. 1594 Shakespeare
became a shareholder in the lord chamberlain's men, a popular acting company in London. By 1595
Shakespeare, along with other men, joined together to establish the polygonal theater. Through all
his works, by 1600's Shakespeare's name was well established in London (William Shakespeare:
April 23, 2014).
By 1616 Shakespeare health was declining drastically. In March of 1616 he went and had a will

Giambologna's Bronze Statue Of Venus And Cupid
Giambologna's follower's bronze statue "Venus and Cupid" depicts the womanly figure of Venus
wringing her hair, while a youthful Cupid clings to her leg. Venus stands with one foot atop a
dolphin, which spits water into the fountain, while a piece of cloth drapes across her lower body,
partially covering her nudity. Clutching her leg, Cupid stretches out a conch shell to catch the falling
drops of water from his mother's hair. The sculpture is especially fascinating in that water not only
spurts from the mouth of the dolphin, but a drop of water occasionally drips from Venus's hair,
lending to the realism of the action. Another interesting aspect of the portrait is the modified
proportions of the figure of Venus, such as her elongated legs ... Show more content on
Helpwriting.net ...
A gentleman describes Giulio Romano, an artist known for his paintings rather than his sculpture
work, as "that rare / Italian master" (3204–3205) and who depicted Hermione so perfectly that "one
would speak to her and stand in hope of / answer" (3209–3210) because of the life–like qualities of
the statue. Throughout Shakespeare's works, he infrequently mentions works of art coming from
Continental England, due to the Protestant–Catholic tensions that restricted travel and trade up until
approximately 1600 as animosities eased. For this reason, Shakespeare was likely ignorant of which
painters were typically considered worthy of recognition, such as Michelangelo and Raphael, and
instead chose an Italian artist with whom he was familiar. Shakespeare's detail about the realistic
mastery of Romano's work display a familiarity with his work that seems more than just second–
hand knowledge. An article by Debasish Lahiri describes how Shakespeare would have enjoyed
Romano's works because they varied from the typical religious subjects and instead portrayed a
sense of "vitality, illusionism and theatrical splendor" missing in English portraiture. Shakespeare's
nature would have resonated with Romano's creations, as he not only painted and intermittently
sculpted, but also "designed costumes for masquerades and court performances of

Miscommunication In Lucrece
Language is one of the most important aspects of communication yet it complex enough that a
simple miscommunication/misunderstanding could lead to violence. In Lucrece by William
Shakespeare, Lucrece is unable to protect herself from Tarquin's violence because she does not
possess that power as a pure, chaste women where Satan, in Paradise Lost by John Milton deceives
Eve into committing violence against Gd to eat the forbidden fruit by imbuing confidence into the
lowest of creatures, a snake. At the beginning of Lucrece, Collatine describes his new wife as the
most chaste, which provokes Tarquin, who has probably not been with a woman in a while since
they were at war, to head to his friend's residence to meet Lucrece. Collatine's confidence ... Show
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Satan had 'escaped' Hell, crawled through Chaos, disguised himself as a charb, and finally reached
Eve, alone. Satan's dedication to his mission is just as charged as Tarquin's, but instead of taking
what he wants by force, he convinces the Eve to eat the fruit knowingly that it is forbidden. Saran
uses language like: "by gift, and thy celestial beauty adore with ravishment beheld, her best beheld...
a goddess among gods, adored and served by angels numberless" (Milton, 9.540–548) when he talks
to Eve. Eve, who has only spoken to Adam instantly is drawn to this seductive language of the
snake. Adam has not treated Eve like an equal but this snake treats her in no way that she has been
treated before: with respect and

Women Portrayed In The Rape Of Lucrece
Written early in his career, The Rape of Lucrece was a riveting poem about the sexual assault of
ancient Roman woman Lucretia. With a serious tone, the poem highlights themes of power, lust,
male patriarchy. Aditionally, this poem highlights the lack of agency women experienced. With the
use of the Iambic pentameter, and ABABAB rhyme scheme, the poem intricately, details the horrific
crime against Lucrece. With a skewed view the relationship between characters Lucrece, Collatine
and Tarquin can be read as a love triangle. Traditionally, Shakespearean women have essentially
held no merit in his collections. Although women held no agency in his compilations, women were
stil essentially held as objects. Essentially Lucrece is an object of both ... Show more content on
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"...Whereat a waxen torch forthwith he lighteth, which must be lode–star to his lustful eye; And to
the flame thus speaks advisedly: 'As from this cold flint I enforc'd this fire, So Lucrece must I force
to my desire.' (178–182) Arriving at her residence ,Tarquin successfully masks his innermost desires
and identifies himself as a comrade of her husband. Lucrece extends common courtesy of Italian
culture and grants Tarquin a guest in her home. Moreover, later that night in Lucrece's manor
Tarquin experiences a sense of insomnia due to his lust and sexual desire for not only Lucrece, but a
lust for power to conquer over Collatine by violating his wife therefore tainting her chastity. During
his time of pondering, Tarquin was able to reflect what was he deeply seeking? "What win I if I gain
the thing I seek? A dream, a breath, a froth of fleeting joy. Who buys a minute's mirth to wail a
week? Or sells eternity to get a toy?" (211–215) Moreover throughout his deliberation Tarquin
briefly reflects on his relationship with Collatine." "Had Collatinus killed my son or sire, Or lain
inambush to betray my kufe, or were he not my dear friend, this desire might have excuse to work
upon his wife as in revenge of quittal of such strife, But as he is my kinsman, my dear friend, The
shame and fault finds no excuse nor end." (231–238).. Diregarding his thoughts of

Essay about Suicide in Hamlet
In Shakespeare's Hamlet, suicide is treated differently on the aspects of religion, morals, and
philosophical views. Suicide is the act of deliberately killing yourself in contrary to your own best
interests. In today's society suicide is highly looked down upon. But Shakespeare used suicide and
violence in almost all of his most popular plays. Many of his tragedies used the element of suicide,
some accomplished, others merely contemplated. Shakespeare used suicide as a dramatic device. A
character's suicide could promote a wide range of emotions: horror, condemnation to pity, and even
respect. Some of his suicides could even take titles like the noble soldier, the violated woman, and
star–crossed lovers. In Othello, Othello see suicide as ... Show more content on Helpwriting.net ...
During the Renaissance, the discovery of some of these ancient texts was a main spur for the ideas
that followed the Renaissance. Most of the Renaissance intellectuals generally affirmed with the
ideas of the church about suicide. In Shakespeare's time suicide had become a paradoxical issue. On
one side of the matter it carried the medieval Christian associations of shame and despair. On the
other side it was seen as a noble and courageous act in the growing Renaissance tradition. In Hamlet
the Christian view of suicide is best played out at Ophelia's funeral. Her ceremony is very
perfunctory and she can only be buried in consecrated grounds, grudgingly because of Ophelia's
high connections. Instead Shakespeare's plays pity his characters problems which drive them to
commit suicide and some approval for their courage. Hamlet has a reluctance to commit suicide
because of his religion that he believes in. In his first soliloquy he states "O, that this too too solid
flesh would melt,/ Thaw, and resolve itself into a dew,/ or that the Everlasting had not fixed/ his
canon 'gainst self slaughter." When he states that the "Everlasting had not fixed his canon against
self slaughter" he wishes that God had not made it a law to not commit suicide. Hamlet is a
Christian therefore if he were to take his own life it would be a sin against God. His soul would be
condemned and he does not know what would come from the afterlife. We see this best in

Titus Andronicus Gender Roles
Titus Andronicus is known as Shakespeare's' goriest and worst play. Yet, underneath the blood,
inner–country war, rape, and cannibalism lies a deeper representation. This representation being one
of gender roles as well as the societal, stereotypical importance given to either role. In Representing
Lavinia, Carolyn Sales discusses a legal case in the early 1600s that had to do with the ravishment
of a young girl. Back then, it was said that a man could only be prosecuted for ravishment if his
crime was "motivated by his intention to secure her property as his own" (203). This shows that
what was generally used to determine whether or not a rape could be condemned was whether or not
the victim, a woman, was actually "worth" something in terms ... Show more content on
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That woman being their mother. In The Gnawing Vulture, Deborah Willis discusses the stereotypes
regarding women and revenge and how women are usually nonviolent and are more susceptible to
being affected by violence and being a victim than men. She also states that revenge is normally
referred to as "purely a male problem or an effect of patriarchy." (224) This not only revolves
around the stereotype of women being calm, but also around the general misogynistic thought that
women are there for any man's whim and/or entertainment. Revenge by women is generally justified
as to the assumption that women are a silent, calm being. Womanly revenge is usually accepted
through the connection to either maternity or unusual circumstances with the association to
abnormal strength and defense, so as women are pushed down and taken granted of, when they
finally do retaliate, it can usually be

The Distinction Between Good And Evil In Lavinia's '
common example of such experience. Although Lavinia was never catcalled like what happens
today, she was fought over by wealthy men as her needs were ignored. The continued objectification
that she faces forced her to choose to personas, "identify with her body...in which case she denies
her mind and her spiritual self...or she can deny the body and consider the mind the real self" (101).
This condition is relevant in that after her attacks Lavinia is not quick to point out the culprits
behind the dreadful offense. To be fair she did have her tongue and hands removed so
communication was not going to be easy. In order to make her official statement about her rape, it
seemed as though she had to wait for her "spotlight" to receive the attention ... Show more content
It is quite obvious the distinction between not only the two leaders but more importantly the
different roles the only two women in the play portray. At first glance Tamora, the Queen of the
Goths is consumed with barbarism, unruly behavior and is a total and complete savage. The
distinction between good and evil is obvious as it is in complete contrast between the two states.
After Titus ritually sacrifices her first born son, Tamora does not hesitate to make Titus and his
family suffer, unlike Lavinia. She is able to achieve vengeance and rule the land through her ability
to manipulate and her good looks. Attractiveness was ultimately Lavinia's weakness and some
would say that led to her mutilation. In a critical essay written by Cynthia Marshall who offers a
feminist assessment of both the female characters, views Tamora as a diverged image of a woman
who's fate was determined by the patriarchal system in the drama. According to Ms. Cynthia
Marshall, Tamora is viewed as a figure who embodies male anxieties toward women. For unlike
Lavinia who is dependent on the assistance of men, Tamora is a capable woman who is also
independent and perverse. Even today

Titus Andronicus Revenge Quotes
The Tragedy of Revenge in Titus Andronicus
... I am Revenge, sent from below
To join with him and right his heinous wrongs.
Knock at his study, where they say he keeps
To ruminate strange plots of dire revenge.
Tell him Revenge is come to join with him.... (5.2.3–8)
Titus Andronicus is a play marked by acts of horrific violence and littered with the deaths and the
destruction of others. Each violent act in explaining and encouraging the motives of the characters.
Revenge is the characters of Titus and Tamora's only desire. The beginning of the play has Titus, the
mighty champion of Rome, bringing in his captors, Tamora, and her sons. To show good faith to the
people of Rome, Titus agrees to let the elder of Tamora's sons, Alarbus, to be ... Show more content
Tamora uses her sensuality to her advantage, first on Saturninus, when she tells him that she will be
his "handmaiden" only if he places her in a position of power, thus starting her on her path for
revenge. In her blindness to enact vengeance upon Titus; she hurt those closest to him, rather than
hurt Titus himself. Tamora did not care who was at fault or not, she just used them as pawns to hurt
Titus and make him pay for what he had done to her and her family. Their never–ending "one
upping" of the other leads to their own demise. According to Broude, "Titus is a figure with a strong
sense of justice and duty selected by the heavens to act as the agent of their vengeance in a society
where human justice has ceased to function" (502). Even though Titus sees his revenge as that of
serving the gods, he only sees what will benefit him and his family while seeking revenge upon

Tess Essay
Tess Durbeyfield is a victim of both external and internal forces. Passive and yielding, unsuspicious
and fundamentally pure, she suffers a weakness of will and reason, struggling against a fate that is
too strong for her to overcome. Tess falls victim to circumstance, society, and male idealism. Tess
may be unable to overcome these apparent difficulties is destroyed by her ravaging self–destructive
sense of guilt, life denial and the cruelty of two men.
It is primarily the death of the horse, Prince, the Durbeyfield's main source of livelihood that
commences the web of circumstance that envelops Tess. The imagery at this point in the novel
shows how distraught and guilt ridden Tess is as she places her hand upon Prince's wound in a ...
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After this sexual violation and corruption of innocence, Tess flees home. Although she has escaped
the trap of the sexually rapacious Alec for the time being, her circumstance is similar to that of a
wounded animal, her blood of innocence has been released. At this time Hardy gives reference to
Shakespeare's The Rape of Lucrece, "where the serpent hisses the sweet birds song". Tess is
undoubtedly a victim of male idealism and society. Her lack of understanding over such matters
only increases the guilt that already embodies her. To add further to her shame she chances upon a
holy man who paints exerts from the bible around the countryside. In red accusatory letters she
reads "THY, DAMNATION, SLUMBERETH, NOT" and is horrified to think how relevant it is to
her recent misfortunes. Tess at this stage is a victim to her own self–conscience; she becomes a
recluse trapped within her home, while in reality she has broken no law of nature.
Returning to work in the field, Tess witnesses the rabbits forced further into shelter as the cornrows
in which they dwell are reaped. This is symbolic of Tess's own situation as she is being separated
little by little from family and friends and more importantly from her own childhood innocence. The
baby she has baptized as Sorrow dies, his name being an indication of the anguish that has taken
place within Tess due to the circumstances of his conception. It also epitomizes what is going to
take place in the rest of her sorrowful life.
In

William Shakespeare was baptized on April 26, 1564, at the Holy Trinity Church in Stratford–upon–
Avon, England (Synopsis). His birthdate is unknown, but thought to be April 23, 1564.
Shakespeare's works have been performed throughout the world numerous times, but the history of
Shakespeare is still unknown. There are only two sources that that tell about Shakespeare's life, his
work and the church and courts documents. Shakespeare is the third child of John Shakespeare and
Mary Arden. He had two older sister's named Joan and Judith and three younger brother's named
Gilbert, Edmund, and Richard. Shakespeare's father was a leather merchant and his mother was a
local landed heiress. Before Shakespeare was born his father John became a wealthy ... Show more
Shakespeare was able to attract the attention of the Earl of Southampton in his early career.
Shakespeare dedicated his first and second published poems to him "Adonis and Venus" (1593 )and
"The Rape of Lucrece" (1594). 15 of the 37 plays written by Shakespeare were published by 1597.
here are civil records showing that around this time Shakespeare had purchased the second largest
house for his family called New House. It is a four–day ride by horse from Stratford to London, so it
is believed that Shakespeare spent most of his time in the city writing and acting and came home
once a year during the 40–day Lenten period, when the theatres were closed (Establishing Himself).
In 1599 Shakespeare and his business partners built the Globe their own theater on the South Bank
of the Thames River. Shakespeare purchased leases of real estate in 1605 for 440 pounds, which
doubled and earned him 60 pounds per year. Shakespeare's plays were written in the normal style of
the day, with complex metaphors and rhetorical

The Rape Of Lucrece Analysis
Tarquin's gesticulating and speaking in a foreign language as the ""straunger" eyes and "parling""
(Jacobson 351) suggests that his lust is ciphered due to appearing indecipherable to Lucrece.
Although Tarquin and Lucrece will wonder and worry if their acts and facial expressions will be
inscribed as enigmatic figures or "ciphered." For a few moments of sexual conquest, Tarquin
jeopardizes his reputation by "pawning his honor to obtained his lust" (Jacobson 353) and nullifying
his honor with a hypothetical "wealth" for lust: "Honor for wealth, and oft that wealth doth cost /
The death of all, and altogether lost" (Jacobson 353).
In our modern times, Mind–body dualism has been defined to identify the person with awareness
mentally, and the spoken word that expresses it physically. The rape of Lucrece is a more in–depth
portrayal of human identity, as shown when Tarquin silences Lucrece's arguments as he rapes her.
The act of the rape expresses, in some way, a symmetry, wherein Lucrece finds reason while her
emotions are in turmoil, ... Show more content on Helpwriting.net ...
He expresses fear of the outcome, including bringing disgrace to his name and reputation, it will
result in his children disavowing him, and could lead Collatine to seek revenge. But still he allows
all reason to give way to "affection" as Tarquin calls it, which carries a wide–ranging definition for
the time period, ranging from pure love to uncontrolled and disgraceful desire. '''Desire my pilot is,'''
Tarquin affirms (Belsey 98–99): Tarquin even hears the inner voice as he states to himself, "'I have
debated even in my soul What wrong, what shame, what sorrow I shall breed; But nothing can
affection's course control Or stop the headlong fury of his speed. I know repentant tears ensue the
deed, Reproach, disdain, and deadly enmity; Yet strive I to embrace mine infamy.'" (Belsey

Male Dishonor as Guilt and Shame in The Rape of Lucrece...
Male Dishonor as Guilt and Shame in The Rape of Lucrece
Inasmuch as a woman's virginity or chastity is imagined as an object that can be "owned," rape
becomes a property crime, consisting in the theft of a woman's "virtue" from its rightful "owner,"
her male guardian. Bernice Harris articulates this view with respect to Titus Andronicus: "The
definition of the word is based on ownership: 'rape' is an appropriate term only if what is taken is
not rightfully owned" (388). The man who can claim ownership of a woman is subsequently
"dishonored" when she is violated: "'Honour,' then, is a function of ownership" (389).
While it is tempting to see the Shakespearean concept of rape entirely in such terms, such a view is
not ... Show more content on Helpwriting.net ...
By contrast, the pagan–humanist tradition, with its pantheon of capricious and often morally suspect
gods, upheld a highly public ideal of honor, whereby behavior could be regulated. Whereas guilt can
be either private or public, shame is necessarily a public affair. Guilt, as much a theological as
ethical construct, requires appropriate punishment, but shame requires simply appropriate action to
eliminate its source. Without dwelling on these distinctions, however, Williams argues that in the
early modern period these contradictory sets of values operated simultaneously, and it is this tension
that informs the often contradictory treatment of rape in such texts as Titus Andronicus and Lucrece.
In The Rape of Lucrece this tension is worked out in the portrayals of the two primary male
characters. The text is overtly concerned with the question of male honor, and the damage done to it
by the act of rape. Contradictory to the predictions of the "rape=theft" equation, however, it is not
only Collatine, the injured husband, who is depicted as dishonored by the crime. Rather than as a
conquering hero, the rapist Tarquin is himself depicted as dishonored by his crime. The different
forms of dishonor incurred by the two men, I will argue, result from the judgments

William Shakespeare Legacy
"To be, or not to be; that is the question." You've probably heard this quote several times throughout
your lifetime. It was written by a well–known English writer in 1599. William Shakespeare was an
honored English play writer, poet, and actor who incorporated many new words into the English
language, and now known famously for several of his poems, plays, songs, and quotes such as the
one previously stated. Shakespeare's career has left its mark on today's society; his legacy continues
to impact us today–––––––––––––––––––––––––––––––––––––––––––– Shakespeare was born
around April 23rd, 1564. There is no way for us to know his birth date for sure, but there is evidence
that he was baptized on April 26th, 1564 in Stratford–upon–Avon. William's ... Show more content
It seems as if he knew his final months were arriving, as he went over his will and decided to leave
his fortune to his two daughters, Judith and Susanna. He also left different gifts and wealth to
several of his friends, his sister, his theatre friends, and the citizens of low income in Stratford. He
passed away on April 23rd, 1616 in his hometown. His death still remains a mystery to this day. His
legacy is one that will forever leave an impact on our world, as he left behind 38 plays, 154 sonnets,
and two narrative poems that are taught in schools everywhere today. Shakespeare is recognized as
one of the greatest playwrights in the English language – which is a huge legacy to leave behind.
––––––––––––––––––– "It is not the stars to hold our destiny but in ourselves."

William Shakespeare was born around April 1594 (his exact birth date is not known). He was born
in Stratford–upon–Avon in the United Kingdom. Shakespeare was baptized on April 26, 1564.
Shakespeare had seven siblings and his father John worked as a glove maker. When Shakespeare
was six he went to Grammar School, it was important for boys to go the grammar school because
they needed to know how to read and write. At age 16 Shakespeare graduated grammar school and
he could not go to college because his family did not have enough money. After that, he then helped
his dad with glove making. When he was 18, William Shakespeare got a license to marry Anne
Hathaway. They had their first child Susan on May 26, 1583. A few years later they had twins –
Hamnet and Judith Shakespeare. Shakespeare had a rather normal house life for the middle ages,
But his life is about to change, as he journeys into the world of theater. William Shakespeare is a
great playwright and poet who has done many things in his lifetime. ... Show more content on
Helpwriting.net ...
In 1593–1594 the theaters closed down due to the spread of the plague, so William Shakespeare
started to write poems. The first two poems that he wrote was dedicated to Henry Wriothesley, Earl
of Southampton, the poems were called Venus and Adonis and The Rape of Lucrece. His poems
were about love and tragedy and they affected people I many ways. He started to write poems
because the theaters closed down, So after the theaters opened back up he decided for a while he
should focus on his

How Did William Shakespeare Influence The Renaissance
Table of contents:
Introduction, Pg: 2
Early life, Pg: 3–5
Lord chamberlain's men, Pg: 5–6
William as an actor/writer, Pg: 6–7
The Globe Theatre, Pg: 7
Achievements, Pg: 8
Influence on Renaissance, Pg: 8–9
Death/Legacy, Pg: 9
Bibliography, Pg: 10–12
Pg: 1
Introduction:
William Shakespeare; also known as the "Bard of Avon", was an English poet, writer, and an actor.
He was regarded by many as one of the greatest writer of all time. Shakespeare is responsible for the
invention of over 1700 common words that contributes the English language vocabulary. He was a
managing partner for The Lord Chamberlain's ... Show more content on Helpwriting.net ...
When William was 5, his father John became mayor of Stratford, but he only served for one term.
He remained as town leader for many years, this led to the Shakespeare being an important family in
Stratford. In England children were born in royal or noble classes, peasants or in between like
Shakespeare's family. As John Shakespeare became more successful, he tried to apply for a coat of
arms (when someone applies for a coat of arm, it means that their family are a higher class). He
applied it in 1569, but his request was denied. For education, he most likely attended King's New
School which taught
Pg: 4 reading writing and the classics, he a was public child, so he would have not qualified for free
tuition. William Shakespeare at the age of 18 married Anne Hathaway at the age of 26 on November
28, 1582, in Worcester in Canterbury Province. Her wife, Anne was from Shottery, a village that
was miles away from Stratford. Their first child was their daughter named Susanna, who was born
on May 28, 1583. Two years later came twins Hamnet and Judith on February 2, 1585. Hamnet was
the only son of William

Shakespeare, who died on 1596 at the age of
11 most likely from the

William Shakespeare Influence On Romeo And Juliet
William Shakespeare was thought to be one of the most famous writers and poets known to the
world. The playwright was born to an illiterate glove maker (To Be or Not To Be Shakespeare) on
April 23 in the year 1564. As Shakespeare grew in his young adult years, ten poet began acting as a
career (To Be or Not To Be Shakespeare). Soon after, William discovered that there was more
passion in writing plays than acting in the theatre. There after, Shakespeare wedded Anne Hathaway
and has three children. The new father and playwright begins writing narratives, such as Romeo and
Juliet ("Shakespeare"). Romeo and Juliet receives numerous positive critic reviews and expands
Shakespeare's new writing career. Shakespeare came to write several different ... Show more content
Also known as the Black Plague, the slow death of a victim caused the person's limbs to begin
turning black. As the person gradually died, the infection spread until the body gave up on fighting
the disease. (Plague: Black Death). Another tragedy is Romeo and Juliet. Romeo and Juliet is one of
Shakespeare's most popular plays. Shakespeare's unique writing style and vocabulary usage creates
a plot that mixes romance and tragedy. Romeo and Juliet's love story has such a tragic ending that
scholars are not able to categorize the play. Everything that could go wrong in the play, went wrong.
The calamitous plot and ending show how Shakespeare's depression can emerge through an
adolescent and innocent love. All of Shakespeare's writings, tragedy or comedy, contain allusions of

"To be or not to be that is the question" (Hamlet). This is William Shakespeare's very famous quote
from his playwright Hamlet. This quote is where Hamlet gives his soliloquy and he is asking
himself. If should he kill his uncle Claudius for revenge of his late father's death King Hamlet. This
is a very famous quote because the "To be or not to be" (Hamlet) quote is referenced a lot in media.
William Shakespeare, who has never heard that name before? William Shakespeare was the greatest
playwright in the Elizabethan age and was from the United Kingdom. The British playwright
William Shakespeare was born April 23rd of 1564 and died on the same day of his birth April 23rd,
1616. Shakespeare was married when he was 18 to a woman named, Anne Hathaway ... Show more
William Shakespeare was known as the greatest English writer and known for capturing emotion.
William Shakespeare's poetry makes him the greatest playwright ever because Shakespeare was the
greatest poet too. William Shakespeare was called the English national poet and he was given the
names such as The Bard and Bard of Avon. One of the reasons that William Shakespeare was the
greatest poet was because he specialized in English poetry and his poems were written in blank
verse. Shakespeare wrote 154 sonnets that were poems, most of the poems were about love, beauty
and mortality. According, to Enki village seven of his most famous sonnets, were "Sonnet 18: Shall
I compare thee to a summer's day? Sonnet 29: When in disgrace with fortune and Men's eyes,
Sonnet 30: When to the sessions of sweet silent thought, Sonnet 33: Full many a glorious I have
seen, Sonnet 73 That time of the year thou mayst in me behold, Sonnet 116 Let me not anger to the
marriage of true minds admit impediments, Sonnet 138: when my love swears that she is made of
truth" (Enkivillage). Shakespeare's sonnets show that he was the greatest playwright and English
poet because he wrote so many sonnets. Writing these many sonnets show that Shakespeare was
very brilliant since he wrote many poems about love and most are very imaginative. Shakespeare's
plays and poems were successful because Gillian Engberg believed that "Shakespeare's plays and
poems were smoothly written text were beautiful and well–integrated quotes from Shakespeare's
works" (Gillian Engberg). Gillian's quote was very important because he described that
Shakespeare's works were fascinating. Robert Esquivel agrees that the Shakespeare is the greatest
playwright because he writes "One of the greatest poets to live was William Shakespeare, a man

The Gift Of Love In Shakespeare's Romeo And Juliet By...
From the famous play Romeo and Juliet "Good night, good night! parting is such a sweet sorrow,
That I shall say good night till it be morrow." written by the famous playwright William
Shakespeare. Till this day this man's plays are still being performed and being rewritten. William
Shakespeare is a well known play writer. His life revolved around plays and plays revolved around
him. In a small village named Stratford – Upon – Avon, Warwickshire, England on April 23,1564
the world had been given a gift of honor. The gift was a baby boy named William Shakespeare, who
became an English playwright, poet, and actor. William Shakespeare had a big family, he had a
father named John Shakespeare and a mother named Mary Arden. Shakespeare also had 7 siblings,
Joan (born in 1562 and died before 1569), Margaret (born in 1562 and died 1563 only aged 5
months), Gilbert (born 1566, job haberdasher, and died 1612), Joan (born 1569, married William
Hert, and died 1646), Anne (born 1571 and died 1579), Richard (born 1574, occupation unknown
and died 1613), and Edmund (born 1580, "player", and died 1607). At the age of 18 he married 26
year old Anne Hathaway. They later had 3 children, Susanna (born 1583 and died 1649), Hamnet
(born 1582 died 1596) and his twin Judith (born 1582 and died 1662). On the day of April 23,1616
William Shakespeare passed away due to a fever, that day the world lost a very talented, inspiring,
dedicated, and truly be loved person. Shakespeare started as a

William Shakespeare was born to John Shakespeare and Mary Arden, a shoemaker and a daughter
of an affluent farmer in 1564. He was born on April 23, and baptised two days later. William
attended the local grammar school, the King's Scchool. He was born and lived in a smal town called
Stratford–upon–Avon about 100 miles west of London. Shakespeare had three younger brothers and
two older sisters. Shakespeare never attended University. Because of the lack of records of when
Shakespeare was a child,some people question his existence. At 18, Shakespeare married Anne
Hathaway, a 26 year old woman from a neighboring town. When they wed Anne was three months
pregnant. They had their first child, Susanna was born in 1583. Anne and William also had twins,
Hamnet and Judith in 1585. The "lost years" of Shakespeare's life took place in the following 7
years. There are no clear records of what took place in his life during these years. Many theorys
have been made but none confirmed. It is generally accepted that Shakespeare arrived in London in
the late 1580s. ... Show more content on Helpwriting.net ...
His first plays were performed in London theaters, until the theaters were closed due to the plague.
These first plays included the Henry IV series, The Comedy of Errors, and RIchard III. While the
theaters were closed, he wrote two more of his famous plays Venus and Adonis and The Rape of
Lucrece. He continued to write and wrote The Taming of the Shrew, The Two Gentlemen of Verona,
and Love's Labor's Lost by 1594.Within writing these plays Shakespeare made many modern day
words and sayings such as " for goodness sake" and " the green eyed monster". Not only will he hav
gone down in history for making legendary plays, he made many sayings in modern

William Shakespeare Essay
William Shakespeare
William Shakespeare, the playwright, had a life of virtual mystery, intrigue and relative sadness.
Shakespeare grew up in a modest upbringing and was known to have only completed elementary
school. Though he did not attend college, he would end up as one of histories greatest literary
success stories. The mysteries surrounding the life of William Shakespeare are perpetuated with the
reference to the ‘lost years'; two distinct periods of time from 1578–1582 and 1585–1592, where
Shakespeare seemed to have fallen off the face of the plant. I will discuss the town where
Shakespeare hales from, excerpts from his works and not commonly discussed information.
Followed by a summary of my research.
I recently had the ... Show more content on Helpwriting.net ...
Instead, baptismal records reveal that a child of this same name, from the same town, was born on
the 23rd of April in the year 1564. It is believed this is the only documented record of William
Shakespeare's birth. In the year 1582, William Shakespeare married Anne Hathaway and within one
year had his daughter, Susanna. Two years later Anne bore twins, daughter Judith and son, Hamnet.
Shakespeare was unknown for many years, until in Robert Greene, a very popular dramatist of the
era, wrote in his biography entitled "Groats–worth of Witte," of Shakespeare's conceitedness and
lack of talent.
" for there is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a
Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and
beeing an absolute
Johannes fac totum, is in his owne conceit the onely Shake–scene in a countrey "
Greene's inclusion of Shakespeare in his biography seemed to be the catalyst to the remarkable
career of William Shakespeare, as within a year of Greene's mentioning of Shakespeare in his
biography, he [William Shakespeare] published ‘Venus and Adonis'. ‘Venus and Adonis' is the
stereotypical romance story, but of the day were insightful and was a true display of genius. Venus, a
hopeless romantic, falls in love with Adonis, the prototypical athletic, very masculine type.
"Hunting he loved, but love he laugh'd to scorn" refers to Adonis avoidance of

Overview Of Lucrece And Titus Andronicus
In many ways, Shakespeare writes Rome from an anthropomorphized perspective, with some of his
characters so much an embodiment of the culture that one may argue it is direct representation. In
Shakespeare's Lucrece and Titus Andronicus, the protagonists represent the current culture of Rome,
it is their respective deaths that signify the birth of a new Rome. Contrarily, the antagonists in the
aforementioned tales actually seem to manifest as an anti–Rome, their distinct lack of the upheld
roman attributes lead to their downfall. For this reason, Rome is argued by many to be a character in
and of itself in Shakespeare's various works. Rome is a character that speaks only through the mouth
of its most loyal citizens, it weaves its way through ... Show more content on Helpwriting.net ...
Sextus Tarquinius is already a powerful figure in Rome, he uses this to his advantage when asking
Lucrece for lodgings. As an upstanding member of Roman society, Lucrece assumes that this man is
safe. His dishonour is shown most predominantly however when he confidently attempts to
manipulate Lucrece by insisting that her lack of compliance will culminate in her husband's shame.
He tells her, "...some worthless slave of thine I'll slay, / To kill thine honour with thy life's decay". In
this deplorable act of cunning Sextus is the victor, he gets what he wants from her with no true
struggle and is assured that his wrongdoing will reap no consequence. Tamora differs from Sextus as
she does not start out in power, she begins as a prisoner of war and rises as the new wife of
Saturninus. Tamora gains the upper hand by manipulating her husband and sons into doing her
bidding. Tamora essentially has control over the crown and has two brutes ready at her beck and
call. Her goal is outlined within the second act when she proclaims "I'll find a day to massacre them
all" (2.1.453) She manages to obtain much of the justice she had sought after, managing to truly
dent the might of the Andronicus family. Not only is she the cause of Lavinia's rape and mutilation
but the death of Bassianuss, Martius, and Quintus. Tamora's plans of revenge seem to be
unstoppable, she truly holds the upper hand

The Rape Of Lucrece
In the poem The Rape of Lucrece, by William Shakespeare there is a strange passage. The passage
is lines 939 – 959. This passage is Lucrece's speech about time. It is a strange passage because
instead talking what time has done to her she talks more about time in a larger sense. She also
switches between the good and bad sides of time in each stanza. Many lines are ambiguous because
they can have both a good and a bad meaning. In my opinion, the ambiguous speech and constant
switching in the passage may be Shakespeare showing a sexist point of view that a woman's mind is
not clear or stable implying that women are weak.
It is interesting that Lucrece talks about time in a larger and general sense than what time has done
to her. She does claim ... Show more content on Helpwriting.net ...
Line 953 means time will make people live long enough to see their grandchildren. This is a positive
perspective about time. She goes on to claim that time will let the child grow and become an adult,
which is also positive. However, when a man becomes a child it is a negative perspective because it
is a reference to dementia, which could mean through time there is sickness. Line 955 refers to the
exotic animal, the tiger. Tigers are an image of cruelty and are relentless. The line goes back to
talking about time as positive because tigers will be slayed. The tiger can be a reference to Tarquin.
In this context, time becomes an avenger. In line 956, it is strange there is a reference to unicorn and
lion. The reference can be a link to Scotland and England. Scotland and England were often at war
with each other. The line can mean that time will end conflicts but it is unclear. In line 957, the word
subtle means 'to subtle', which means people who think of plots to kill others but they will
eventually face punishments because of time. Line 958 refers to the growing of crops this is positive
because food is essential for survival. This shows time as positive because the line can mean there
are more crops and food. However, it may mean there will be no food, which is negative. Line 959
refers to the idea that water can eventually wear

Analysis Of Shakespeare's The Rape Of Lucrece
Scholarly work on the perennial problem of rape has traditionally placed the blame of perpetuation
on the flaws inherent in patriarchal systems. Some scholars have pointed to the constructed gender
hierarchies of patriarchy as fertile grounds for rape to flourish (Pallotti 218). Shakespeare's The
Rape of Lucrece is often read this way, with an emphasis on how Tarquin's construction of Lucrece's
femininity–as whole and inaccessible–is what motivates his rape (Quay 7). Other scholarship
suggests that gaps in sex crime laws are responsible for the perpetuation of rape (Decker and Baroni
1167). This argument highlights the lack of legislative contrast between The Rape of Lucrece's
setting in ancient Rome, the monarchial republic of ... Show more content on Helpwriting.net ...
Today, the well–intentioned hyperfocus on consent in rape cases has actually led to a submersion of
agency beneath context or structure (Munro 420). And if the Harvey Weinstein allegations have
taught us anything, it is that consent is still undervalued in contemporary America. Some
scholarship has even claimed that non–consent is valorized by our society (Oliver 4).
With alarming consistency across centuries, sexual and political consent have been limited,
undermined, or generally devalued. In Shakespeare's poem, Lucretia's interactions with her two
servants–one female and one male–serve to expose the paradox of consent: that a servant's consent
is not explicitly valued, yet the very power of his or her master is dependent upon such consent.
This paradox is applicable across patriarchal systems including monarchy and, ironically,
republicanism. In a republic, freeborn–slave or male–female dynamics take the place of the master–
servant relationship portrayed by Lucretia and her servants. I will argue that this paradox of consent
is the basis for the devaluation of consent in The Rape of Lucrece, and by extension in
republicanism; and that this devaluation results in the gender hierarchies, gaps in sex crime laws,
and disproportionate representation that perpetuate rape. The Rape of Lucrece's first significant
interaction between Lucretia and her maid justifies the devaluation of female consent by
constructing femininity

Comparing Lucrece And A Woman Killed With Kindness
Chastity in The Rape of Lucrece and A Woman Killed with Kindness
Renaissance England has been labeled a culture of shame – a society in which an individual's
identity was primarily constructed by the way in which his or her "reputation" or "honor" was
perceived by others. A woman's public reputation was always based on her virginity or chastity. Just
as women were considered the property of their fathers or husbands, a woman's chastity was an
asset owned by and exchanged between the men who possessed her. (Gutierrez, 272) A man's public
reputation was therefore determined not only by his own qualities, but also by his wife's reputation
for chastity. Conversely, a woman's unchastity was a liability to her husband. Rape and ... Show
more content on Helpwriting.net ...
8–18)
Collatine values Lucrece's chastity in very mercantile terms, making her the object of Tarquin's
admiration, thereby endangering her: ...why is Collatine the publisher Of that rich jewel he should
keep unknown From thievish ears because it is his own? (Ln. 33–35)
This is a paradox arising from the commodification of female chastity. In order for a husband's
reputation to profit from the chastity of his wife, the value of that chastity must be publicized. Yet,
this very publication endangers it. (Breitenberg, 100) In this case, Collatine's praise of his wife's
chastity leads Tarquin to covet her and destroy her chastity, the source of her value. After she is
raped, Lucrece is only unchaste in body; her mind is still chaste because she has not betrayed her
husband by desiring another man: Though my gross blood be stain'd with this abuse, Immaculate
and spotless is my mind; That was not forc'd, that never was inclin'd To accessary yieldings, but still
pure Doth in her poison'd closet yet endure. (Ln. 1655–1659)
Unfortunately, her physical unchastity cannot be repaired. Lucrece

William Shakespeare : The Myth, The Man, The Legend
Thomas Mallette
Mrs. Smith
English 10
October 31st the spooky day
William Shakespeare, the Myth, the Man, the Legend.
As shown in the records of his home church in Stratford–upon–Avon, William Shakespeare was
baptized on April 26, 1564. However, we tend to place Shakespeare's birthday three days prior to his
baptism, on April 23, 1564. Shakespeare was born to John Shakespeare and Mary Arden. most
people claim, although there is no documented evidence, that Shakespeare went to a grammar
school that was provided for free in Stratford, where he studied language, Latin, and classical works
of the time. However, Shakespeare never furthered his education in any way after his basic
schooling.
At the age of 18, William Shakespeare married Anne Hathaway, who was eight years older than
him, on November 28, 1582. William and Anne had a total of three recorded children, Susanna,
baptized on May 26, 1583, and twins, Hamnet and Judith, who were both baptized on February 2,
1585. It is presumed that Susanna was conceived before the marriage as she was born six months
after the marriage certificate had been presented. Of these three children, Susanna and Judith go on
to marry Thomas Quiney and John Hall respectively. Thomas Quiney was the son of a supposed
friend of Shakespeare and John Hall was a respected physician in Stratford. Shakespeare's only son,
Hamnet, died at age eleven, and it's more likely that Shakespeare was not around for his son's final
days or funeral.
From 1582 until

Elizabethan Poetry Essay
It was during the Elizabethan age that England felt the complete effect of the Renaissance. There
occurred a revival of the old and classical literature of Greece and Rome and this was manifested in
the poetry of the age. The Elizabethan age was characterized by an extreme spirit of adventure,
aestheticism and materialism which became the characteristic features of Elizabethan poetry. Many
poets displayed their skill in versification during this time and England came to be called The Nest
Of Singing Birds.
Wyatt and Surrey
In 1557 Tottel printed A Miscellany of Uncertain Authors commonly known as Tottel's Miscellany.
Sir Thomas Wyatt (1503 – 42) and Henry Howard, Earl of Surrey (1517–47) made valuable
contributions to this ... Show more content on Helpwriting.net ...
Spenser also wrote the famous wedding hymns Prothalmion and Epithalmion. The Faerie Queene is
the masterpiece of Spenser. He modeled it on Ariosto's Orlando Furioso. It contains six books each
of which describes the adventure and triumph of a knight who represents a moral virtue. It is a
didactic romance. For this he invented a poetic form known as Spenserian stanza. Spenser's
idealism, his love of beauty and his exquisite melody has earned him the name "The Poets' Poet."
Shakespeare
He was the most famous dramatic poet of Elizabethan age. His non–dramatic poetry consists of two
narrative poems Venus and Adonis and The Rape of Lucrece and a sequence of 154 sonnets.
Shakespeare was not only a great dramatist, but also as a great poet who with the use of his
melodious words and sheer imagination have made an everlasting name in literature.
Sir Philip Sidney
The spirit of Elizabethan England was greatly manifested in the life and literature of this eminent
courtier of Elizabeth. Sir Philip Sidney. His Greatest work is Astrophel and Stella, a series of
sonnets on the various facets of love. The bitter sorrow for his lost happiness, the unconquerable
longing to possess his love, the despair into which he was flung, the struggle between honour and
passion – all is intensely portrayed in Astrophel and Stella.
Minor poets

The minor poets of Elizabethan age are Thomas Sackville, George Chapman and Michael Drayton.
Thomas Sackville wrote the poem A

Figure of Speech
A figure of speech is a use of a word that diverges from its normal meaning,[citation needed] or a
phrase with a specialized meaning not based on the literal meaning of the words in it such as a
metaphor, simile, or personification.[citation needed] Figures of speech often provide emphasis,
freshness of expression, or clarity. However, clarity may also suffer from their use, as any figure of
speech introduces an ambiguity between literal and figurative interpretation. A figure of speech is
sometimes called a rhetoric or a locution.
Not all theories of meaning have a concept of "literal language" (see literal and figurative language).
Under theories that do not, figure of speech is not an entirely coherent concept.
Rhetoric originated as ... Show more content on Helpwriting.net ...
Faustus, 12.80–81 | irony | expressing a meaning directly contrary to that suggested by the words |
He was no notorious malefactor, but he had been twice on the pillory, and once burnt in the hand for
trifling oversights.–––Direccions for Speech and Style | metalepsis | a double metonymy in which an
effect is represented by a remote cause | Woe worth the mountain that the mast bear/ Which was the
first causer of all my care

The autobiography of William Shakespeare will give you information on his birth, marriage, and
children. You will find out information on his how many sonnets he wrote, how many plays he
wrote and got published, the time period they were written in, and what could have been the cause
of death. On April 23, 1564 in Stratford–on–Avon, William Shakespeare was born to John
Shakespeare and Mary Arden. When he was eighteen years old he married Anne Hathaway and they
raised two daughters. The eldest daughter, Susanna, was born in 1583. They had a set of twins, the
boy died in boyhood, in 1585 and that daughters name was Judith. Shakespeare went off the grid for
some time between 1585 and 1592. Not much is known about Shakespeare in this time frame. It is
said that he could have taught school, but it is more likely that he went to London for an
apprenticeship in acting. During June 1592 and April 1594 the London theatres were closed more
often than not due to the plague. ... Show more content on Helpwriting.net ...
He joined the Chamberlin's Men group in 1959. Shakespeare looked to poetry for fame, not play
writing. He wrote many sonnets, 154 to be exact. The one sonnet that always stands out to me is
sonnet eighteen, "Shall I compare thee to a summer's day? Thou art more lovely and more
temperate." Such love and beauty in the words. In addition to his sonnets, Shakespeare wrote over
thirty plays. Some of the well–known plays being Romeo and Juliet, Hamlet, Macbeth, Othello, and
Julius Caesar. Sadly enough, only eighteen of those plays were published during his lifetime.
Shakespeare's time period was the Elizabethan Age which is when literature became

The Power Of Names In Literature, By William Shakespeare
Names are a powerful thing. As people, the world often doesn't recognise the power of a name,
though they are so significant to everyone and are often kept private, sharing rarely or not at all. In
literature, the power of a name fascinates both the writers and the readers, in some cases they grasp
you and pull you further into the story only to reveal the true hero or villain at the end. These names
are what gives both writers and readers a drive to continue on hoping for the triumphant ending they
yearn for being constantly taunted by the black ink wanting nothing more than to fulfil their mystery
of knowing the true name of the victor or the killer. However what truly makes a name memorable
and so powerful that the shear sound of it racks through the minds of people both young and old for
years to come and makes the people press on only wanting to press forward? Why is it that a man
could shape the future of literature with just words making the ground quake and knees shake
throughout history?
Who was William Shakespeare and how did he become one of the most iconic names in literature.
"What is in a name"? ( Shakespeare) Shakespeare's past and personal life , shrouded in mystery has
little no nothing that is certain, as if he simply disappeared off of the stage like a phantom in the
mist, only to return as the curtains of his creation reveal what is his legacy; however, from the few
documents that have been salvaged from the archives of his blurry mysterious past has

Annotated Bibliography on the Prevelence of Rape in...
Greenstadt, Amy. "'Read It In Me': the Authors Will in 'Lucrece.'" Shakespeare Quarterly. 57.1
(Spring 2006): 45–70. JStore. Web. 18 February 2014.
In this body of work, associate professor at the University of Portland, Amy Greenstadt presents a
compelling argument exploring William Shakespeare's precise use of words in his poem "The Rape
of Lucrece." Structurally, Greenstadt employs a close reading method and anchors her research
findings with the confirmation of concurring academics. Initially, Greenstadt introduces her
readership to an innovation taking place in the world of publication during the Renaissance, which
she refers to as an era of the writers' "'will'" (47). Greenstadt thus substantiates her argument by
suggesting that the innovation allows the poem to stand as a model through which "female
subjectivity" is re–evaluated (46). Subsequently, Greenstadt validates her argument by concentrating
largely on words that hold a double entendre particularly with respect to the meaning of
"publication." This aspect of her argument acts as both the strength, but also the fragility of her
assertion. Greenstadt explains Shakespeare uses the word "publish" as a homonym of sorts.
Pragmatically, with respect to the final stanza in the poem, Shakespeare employs the word "publish"
to announce publically Tarquine's assault on Lucrece; however, Greenstadt argues that Shakespeare
inevitably also uses the word "publish" in the literal sense as well. As in, he is "publishing" a

The Representations Of Women In Renaissance Literature
The literature of the Renaissance society gives us direct insight into the dominant culture and
attitudes of the male sector and its attitudes towards women. Nevertheless, it also gives us possibly
unintended insight and knowledge about the cultural activities of women from this time.
Representations of women in literary texts describe the true virtues and gentilities of the
Renaissance, yet we can discover through them, something of social truth and reality.
(Mention/show picture on paratext) Here, a woman sits, content and humble; sewing virtuous
inscriptions. Yet the male believes these women to be submissive and well behaved when in fact
sewn letters were crucial in the development of women's literacy and voice during this period. In
'The ... Show more content on Helpwriting.net ...
In some ways Vives' book seems rather progressive, he encourages education whilst still endorsing
chastity, humility and obedeince to God, parents and husband. This supports a strong context to
some of Shakespeare's female characters i.e. Beatrice and Juliet who often found themselves torn
between passion and obedience; silence and self expression. (find

The Rape Of Lucrece By William Shakespeare
In Shakespeare's "The Rape of Lucrece," theoretical republicanism is predicated on the existence of
and distinction between two types of men: the slave and the free. Those freeborn men who qualify
for the responsibility and privilege of participating in the public sphere, are then further dependent
upon the existence of a domestic female sphere in order to exercise their political virtue. The
intersection between these two vital tenets of Classical Republicanism, class and gender politics,
becomes structurally problematic within the context of Late Elizabethan Republicanism–when
England is ruled rather successfully by a queen (Kunat 3). It is during this time that Shakespeare's
"The Rape of Lucrece" enters the conversation, imbuing the ... Show more content on
Helpwriting.net ...
In a similar description, the poem compares both women with "ivory conduits coral cisterns filling"
(Shakespeare 1234). This nature imagery bears the connotation of being gendered distinctly
feminine in classical and early modern literature. Furthermore, these images highlight the
overwhelming quality of the natural elements; things are filling, swelling, and being quenched, as if
beyond the control of the women. As Shakespeare points out, the maid's emotions have no basis in
reason as there is "no cause but company of her drops' spilling" (Shakespeare 1236). The poem even
ventures so far as to claim that the "gentle sex" are prone to emotion devoid of logic to the point of
self–inflicted violence–"they drown their eyes or break their hearts"–which becomes a haunting
foreshadower of Lucretia's suicide (Shakespeare 1239). The insinuation present in this snapshot of
the patriarchal household is that women, when left to their own nature without male guidance, are
easily overcome with emotion and thus rendered incapable of rationality. Shakespeare's potent
description of this interaction begins to reveal how such anti–feminist ideology was the lifeblood of
patriarchal authority in monarchical Rome.
As this interaction between mistress and servant progresses, the definition of a woman by the

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