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Marketing, PR and branding – final paper 
Done by: Sarah Lee Shan Yun 
H&M: The global leader in 
sustainable fast fashion
2 
Table of contents 
Section Page 
Title page 1 
Table of contents 2 
Introduction 3 
Brand analysis 3 
In-depth ad analysis: H&M’s Go Green Wear Blue: Conscious Denim campaign 5 
Strategic and creative recommendation 9 
Appendix 11 
Bibliography 19
3 
Introduction 
Erling Persson opened Hennes, a women’s clothing boutique, in Västerås, Sweden in 
1947. It would become the second largest retailer in the world, netting more than 17 billion dollars 
in sales revenue and 2.3 billion dollars in profits in the year 2013 (H&M, AR 2013). H&M has 
since expanded to over 3,400 stores in 55 different markets, reaching consumers from Europe, 
America to the Far East. In 2002, H&M released its first sustainability report, introducing its vision 
to incorporate corporate social responsibility into several key parts of its business (H&M, CSR 
2002). Today H&M has transformed this effort into a major component of the company’s mission. 
Now known as “sustainability”, it has its own department, housed in the heart of H&M’s corporate 
structure (see appendix A) with the goal of incorporating efficiency and ethics into every part of 
the value chain. In 2010, H&M earned its position as the world’s largest consumer of organic 
cotton (H&M Hist.) and in 2013, it launched its first Conscious collection featuring stylish apparel 
made from organic cotton, Tencel and recycled polyester (Karmali). 
In this essay an analysis of H&M will be drawn from a brand perspective using marketing 
frameworks and ideas in order to gauge its success in creating shared value through purposeful 
positioning. In the second part of this essay, an analysis on H&M’s Go Green Wear Blue 
Conscious Denim campaign will be conducted, before moving on to a strategic and creative 
recommendation to introduce sustainable cosmetics to its existing makeup line. 
Brand analysis 
The question to ‘who is H&M’s target audience?’ can easily be re-phrased to ‘who isn’t 
H&M’s target audience?’ The clothing retailer has expanded so rapidly since its inception in the 
1940s that it has reached a global audience of more than 68 countries in 5 major continents – 
Europe, the Americas, the Asia Pacific, the Middle East and Africa (H&M, SM). Today its main 
department targets ladies, but H&M also has lines that cater to men, kids, athletes (H&M sport) 
as well as young adults (H&M divided). In addition, H&M has a denim line and lingerie line which 
targets consumers shopping for garment-specific items, a move which effectively pits H&M 
against some of the leading competitor brands such as Levi’s and Victoria’s Secret. With the 
variety and breadth of its reach, H&M as a retailer has the power to influence the fashion system 
in an enormous way. Yet it is only one of the many fast fashion brands in the market catering to 
the infinite demand of consumer choice and hunger for new trends. Placed along side 
heavyweights such as Zara, Topshop, Forever 21 and Uniqlo, H&M has to find a way to 
differentiate and communicate unique value to its customers in an ever-growing market. 
The fast fashion business model is built on streamlining the vertical marketing system, 
which eliminates middlemen in the distribution channel by hiring in-house designers, sourcing 
from cost-effective markets, purchasing merchandise in bulk and organizing efficient logistics 
(H&M, BC). In addition, H&M’s online shopping service also cuts cost by getting the product to
consumer via a direct channel from warehouse to doorstep. Sustainable innovation as a concept, 
although commonly associated with fair work practices and recyclable materials, also involves the 
improving the efficiency and effectiveness of the system in order to provide surplus to 
manufacturers, consumers and other stakeholders. 
4 
H&M’s business concept does not hyper-target segmented groups of the population, but 
rather, leverages consumer’s psychographic buying habits – individuals who shop frequently and 
who want immediate, up-to-date fashion trends. For this reason, low-cost pricing strategies 
encourage continuous consumption and frequent repurchase. This does, however, create huge 
problems of overconsumption and waste creation, as customers buy and throw away more and 
more textiles, leading to millions of tons of fabric in landfills and billions of tons of water waste 
every year (Breyer). One solution that H&M has posed, in an effort to curb anxiety over the 
inadequacies of the industry, was to incorporate a closed-loop production process into their entire 
system. This means gathering unused garments via customer donations at all H&M stores, 
sorting and recycling materials before manufacturing new garments and selling them to the 
market in a closed production cycle (H&M, CAS 2013). 
This innovative idea offers a creative solution to the problems of mass-production, but is 
also disruptive to the industry, posing several questions on the validity of its approach. The first of 
which, would be if the system benefits both the consumer and the producer. Shared value is 
defined as policies and operating practices that enhance the competitiveness of a company while 
simultaneously advancing the economic and social conditions in the communities in which it 
operates (Porter). By capitalizing its efforts to go-green, H&M provides consumers with 
sustainable choices without sacrificing style and accessibility of price (see appendix B). It’s 
sustainable collection offers garments at prices ranging from $5 to $150, a price point that does 
not differ much at all from its other products in its line, or that of competitors’. In this case, the 
benefit to the consumer for being an eco-warrior outweighs the cost, providing them with a 
convenient option. On top of that, the H&M brand benefits from educating consumers on its own 
green efforts, creating unique value that differentiates them from other fast fashion brands. On 
the other side of the production chain, manufacturers benefit from the reduced cost of fabric as 
well as water, dyes, and other inputs needed to process virgin materials. This reduced cost leads 
to greater margins that companies can use to provide workers with better wages and working 
conditions (H&M, CAS), also an important component of H&M’s effort to create a sustainable 
ecosystem (see appendix C). 
By purposefully positioning its business, H&M’s business model not only provides a 
product with the functional benefits of affordable clothing and the emotional benefits of shopping 
for the latest style or trend, it also caters to more pressing, fundamental societal needs of 
environmental and economic sustainability (De Swaan et al). The consumer, in a way, is called 
upon as the hero that is empowered by the brand to make sustainable choices, to contribute to
the cause through physically donating clothes as well as sharing the brand’s efforts through word-of- 
mouth and social media (see appendix D). With its growing media presence and over 21 
million followers on Facebook, the brand has promising capabilities in improving the landscape of 
the fashion industry. 
Unfortunately, even with the company taking great strides in this direction, over 84% of its 
cotton garments are not made from organic cotton and 89% of all of its garments are not made 
from recycled, organic or innovative materials (H&M, CAS 2013). With the way the industry is 
structured and with most companies outsourcing manufacturing to factories in countries such as 
Bangladesh, India, Cambodia and China, it is a challenge to coordinate with hundreds of 
suppliers to achieve the entirety of the industry’s sustainability goals. H&M’s CEO Karl Johan 
Persson does admit that it is going to take time and effort to see these goals through and that he 
believes that it is possible for H&M to become the leader in sustainable fashion at great prices 
(Givhan). 
Instead of competing to be the lowest cost retailer in the market, H&M has found a way to 
provide consumers with a different kind of value through an empowerment strategy characteristic 
of the emerging paradigm of branding and marketing. By challenging the existing consumer belief 
that one has to pay a premium price in order to make the right choice, H&M is becoming one of 
the pioneers of ethical fast fashion, communicating the message that sustainability and rapidly 
changing fashion can, indeed, co-exist if an effort is made to close the loop. For those reasons, I 
would personally score the brand an 7 out of 10 on the previous versus emerging branding and 
marketing paradigm spectrum. 
5 
In-depth ad analysis: H&M’s Go Green Wear Blue: Conscious Denim campaign 
For this analysis, the focus will be on H&M’s video advertisement for its Go Green Wear 
Blue conscious denim line, available on its YouTube channel (see appendix E) with references to 
the campaign’s other media types including its print advertisements and social media marketing. 
In this advertisement, the messages that surround being green and choosing more eco-friendly 
fashion are both explicit and implicit. They persuade the viewer to look at fashion through 
a different lens, to connect ideas of sustainable water use with stylish wearable clothing. 
According to Simon Sinek in his talk How Great Leaders Inspire Action, “people don’t buy what 
you do, they buy why you do it” (Sinek). The campaign aims to attach eco-conscious values to 
H&M’s denim line, therefore inviting consumers to ‘vote with their dollar’ and invest in the Earth’s 
resources by choosing the brand’s products. It leverages existing sentiment around 
environmental wellbeing and water-saving efforts in individual households, thereby providing an 
alternative course of action for individuals to contribute by ‘saving water’. It also communicates 
the question: can fashion really be sustainable, fashionable, comfortable and accessible all at the
same time? These ideas are laid out collectively as well as individually as the viewer is taken on a 
journey through the video. 
The actual placement of the H&M brand is subtle with the company’s logo featured at the 
end of the video. This keeps focus on the campaign’s main message, simulating the effect of a 
public awareness campaign. Almost like a seal of approval, the company effectively 
communicates its brand promise and unique value proposition to offer consumers better, 
innovative products that provide solutions to real world problems. Although there exists consumer 
sentiment around fast fashion as a mass-marketed, over-produced commodity, the campaign 
does convince the audience of the possibilities for a universal product to be sustainably 
manufactured and recycled, thereby adding value to H&M’s already recognizable brand name. 
The campaign inspires consumers to act in a multitude of ways. First, by choosing to buy 
H&M’s conscious denim, one is empowered to make a better choice as their dollar goes to better 
production methods as well as to the financing of research and development methods that 
improve the industry’s technologies. It also inspires individuals to get educated on the issue of 
water-waste in industrial manufacturing, and prods them to research the subject either by visiting 
H&M’s website or through third-party media. This is also an additional benefit to H&M as 
viewership to their webpage and online store increases, expanding their media reach. H&M’s 
sustainability blog has a downloadable resources page where customers, professional partners 
and investors can access company’s information on sustainability goals and milestones (H&M, 
SUS). By providing avenues for individuals to easily share this information with their peers, it 
improves overall awareness on the subject, which may also increase consumer demand for 
sustainable denim, therefore leading to more suppliers adopting such innovative technologies and 
possibly the setting of sustainable industry standards. 
6 
How are other brands leveraging consumer demand for eco-denim? In 2008 the 
company Dirtball was launched producing 100% eco-friendly 100% made-in-the-USA apparel, 
with a kickstarter page financing over $40,000 for it’s “green jean” made from cotton and recycled 
water bottles (see appendix H). In August 2014 G-star launched a special denim collection, RAW 
for the oceans, which features collaborations with musician Pharrell Williams and eco-company 
Bionic Yarn (NYDN). Levi’s CEO Chip Bergh, famously recommended customers not to wash 
their jeans in an effort to prove the durability of denim and to solidify jeans as the “ultimate 
sustainable apparel” (Prakesh). Levi’s also has a line of “waterless” denim, which minimizes 
water use in its production process and encourages customers to skip jean washing post-purchase 
(Ibid). To encourage the longevity of its products, Levis has promoted the craze for 
“jeans freezing”, an alternative cleaning method that is said to kill bacteria on the garment. 
Whether this is an effective method remains questionable, although it has undeniably sparked 
consumer interest in the subject. H&M could have leveraged existing underlying associations with 
water saving and denim in their Go Green Wear Blue campaign.
7 
Another great aspect of the campaign is its holistic design. The audience’s attention is 
successfully captured with many subconscious visual associations. The blue graphic color is 
present in almost all of the video’s frames and is used as a theme throughout the company’s 
media marketing platforms (see appendix F). Ironically, this is not the first color that comes to 
mind when one thinks of an eco-friendly hue, and the paradoxical tagline “Go Green Wear Blue” 
is presented as an attention-grabbing contradiction. According to Milton Glaser, the legendary 
graphic artist, the creation of a puzzle facilitates the activation of the problem-solving impulse of 
the mind so that viewers are more engaged to solve the puzzle and act accordingly (Milton). The 
color blue also brings about many subconscious connotations to natural elements such as the 
ocean, the Earth, water and air, supported by cinematic pictures and aural effects of crashing 
waves. The scene where the model emerges from the water, gasping for air (Appendix E, 0:22) is 
also evocative of the idea of survival as an ambiguous suggestion is made to the breathability of 
the Earth as well as the “breathability” of comfortable denim clothing. All these references are 
strewn together with visuals of the garment’s texture in order to create a subconscious 
categorization of the garment with nature. The ad thus leverages man’s fundamental instinctual 
need to connect with his environment (Spirkin) in order to bring about feelings of splendor, 
wonder and admiration for the brand. 
The narrator in the ad also calls out to the warrior archetype in the consumer. “It shields 
us, empowers us… so let’s respect it and let’s not waste it.” (Appendix E, from 0:26) As both the 
protected child of Mother Nature and the native guardian of his own environment, the viewer is 
engaged to participate and act by supporting the brand’s efforts. The woman’s voice, soothing, 
mature and delicate also spurs associative feelings of motherly attachment, reminding the 
viewer’s inner child of the responsibility one has to one’s original creator. The bright blue graphic 
font found in the print advertisements (see appendix F) and the video sporting the words “Go 
Green Wear Blue” also acts as a symbol of rebellion and revolution, communicating the idea of 
wearing denim to paint the world back to its “original” blue hue. 
Along with this comes the purity of the ad’s visual experience. By using uncomplicated, 
universal and immersing visual imagery in the video, the brand communicates a sense of 
simplicity and ease, bringing about ambiguous connotations of a clean environment and clean 
clothing. Water as a metaphor also has many associations with cleaning, although the irony 
posed here is the lack of water needed to wash denim in the garment’s manufacturing process. 
Keeping the ad simple and straightforward is also a way for H&M to introduce brand flexibility 
without over-committing to the eco-brand identity. By avoiding the tendency to over-pledge its 
brand name to the cause, it refrains from hyper-targeting too specific of a market, thereby 
allowing buyers who do not necessarily identify with the cause to participate as well. With H&M 
known as such a mass-marketed, wide-reaching entity, it is important not to lose this important 
brand asset in order for the campaign to be successful.
8 
H&M’s use of social media in its media placement strategy is a highly appropriate one. 
With the campaign video streaming on YouTube and Vimeo, and with its print advertisements on 
Facebook, it is easy for content to be viewed and shared by fans of the brand. It is likely that the 
millennial generation would respond well to shared media through such social media platforms 
(Baggini et al) with 81% of millennials in the US with a Facebook account, according to the Pew 
Research Center’s report on Millennials in Adulthood (Taylor et al). Links to H&M’s online store 
placed in description boxes also allow customers to easily access their webpage and make 
immediate purchases or aid in the consideration process of the customer journey. It also allows 
for 24/7 visibility to consumers across all parts of the world, which broadens its national reach. 
Interwoven between the print photography on H&M’s Facebook album for the campaign are 7 
#Bluefact pictures which contain fun facts from the H&M conscious team (see appendix G), 
aiming to educate customers and the general public on its efforts to save water through 
sustainable denim production. The use of the hashtag #Bluefact is more of an attention grabbing 
headline that catches the eye of the customer, rather than an effective trendable phrase to be 
shared with friends. Either way, it is unique and calls for engagement as users browse through 
the campaign pictures on the brand’s Facebook page. 
Another aspect of the campaign’s visibility is created through earned media via third party 
blogs and websites such as Racked.com, Elle, WGSN, Whowhatwear, French Vogue and The 
Guardian. The campaign has also been featured on several popular “green blogs” such as 
Bettercotton and Ecouterre, which boasts the H&M’s collaboration with Spanish company 
Jeanologia in the employment of water saving technologies (Chua). These publications are 
important for raising awareness to several important communities of people including the eco-conscious 
consumer and the fashion-conscious consumer. They also generate industry-wide 
media attention, alerting other members of the industry looking to innovate in the same way. 
As mentioned above, the company’s targeting strategy for the campaign is not just limited 
to the eco-aware consumer, but to the broader spectrum of its existing market. The voice of the 
campaign is made up primarily of a female adult, with the narrator’s voice and the model Hana 
Jirickova (women management) featured in the video. However, H&M’s print editorials also 
feature men, young children and even babies (see appendix F), which echoes the brand’s 
mission to provide great fashion at affordable prices to all people across different age groups. 
H&M’s pairing with denim, as a garment, is appropriate given denim’s existing equity amongst 
consumers as a universal garment. It also acts as a way to defend the brand against skeptics of 
the fast fashion industry who criticize similar companies for purveying unethically manufactured 
goods. 
Overall, the campaign has introduced H&M’s conscious denim line to the masses 
effectively. However, consensus on how successful H&M has been in breaking through the clutter 
and creating perceived value in all consumers has yet to be drawn. Consumers of fast fashion
may not be prepared to place high value on sustainable clothing yet or share the content with 
their peers, which may lead to the campaign being more of a sidelined advertorial. Given the 
amount of information that H&M is seeking to communicate, it could be a practical decision for the 
company to repeat attempts at educating consumers on its sustainability efforts. 
9 
Strategic and creative recommendation 
H&M has been 
successful in sparking 
consumer interest in the trend 
of the garment collecting 
initiative, thus I would 
recommend them to capitalize 
on this idea and expand their 
recycling efforts into their 
cosmetic products. H&M 
currently has a line of affordable 
beauty products, offering 
customers eye-shadow 
palettes, compact powders, 
makeup brushes, lipsticks and 
body creams from as low as 
$4.95 (see appendix I). These 
prices put H&M at a highly 
competitive position, supplying 
affordable products of a 
Figure 1 – mock up of H&M’s conscious cosmetic compact 
powder packaging with recycling symbol (front) 
reasonable quality to women everywhere. By adopting this pricing strategy, H&M effectively 
differentiates itself from other makeup brands in the market, including several of beauty giant 
Sephora’s vendors, which can cost upwards of $50 for a makeup palette (see appendix J). 
Several other fast fashion brands such as Forever 21 have conceded to do the same, cashing in 
on consumers’ demand for fashion and lifestyle products outside of the apparel industry. The 
cosmetics industry in the US alone raked in almost $57 billion in revenue in 2013, and is 
forecasted to grow even more over the next few years (see appendix L). 
How can H&M improve this area of their product range to incorporate more ethical 
objectives and practices? In 2009, natural skincare brand Origins introduced a program called 
Return to Origins, whereby consumers can give back any empty cosmetics jars, tubes and bottles
to their nearest retail store, that will then be sent back to a central location for upcycling1 (origins). 
Beauty giant M.A.C’s Back to M.A.C program offers customers a free lipstick of choice in 
exchange for six returned M.A.C primary packaging containers (see appendix K). This offers 
customers a post-consumer incentive to recycle waste, much like the garment collecting initiative 
by H&M, which offers customers a 15% coupon off one item after donating 2 bags of clothing for 
recycling (Gustafsson). Although the financial incentive is small, both the company and the 
consumer benefits from the resulting social value. H&M could thus adopt a similar strategy with 
their cosmetic products, introducing plastic waste recycling into its manufacturing processes. Like 
the company’s previous Conscious campaigns, H&M would benefit from reduced input costs as 
well as increased brand value. 
10 
Figure 2 – mock up of H&M’s 
conscious cosmetic compact powder 
packaging (back) 
Unlike other seasonal fashion 
campaigns, this idea aims not to generate 
more conflict and competition between 
other substitute brands, but in fact, to 
foster industry innovation and encourage 
other similar companies to adopt the same 
approach. Product packaging instructions 
are crucial to disseminating information to 
consumers on how to return empty 
containers, but public relations and media 
campaigns can also be employed to generate buzz and get consumers to contribute. 
Overall, this creative recommendation is just one idea of many that H&M can employ in 
order to grow the sphere of its conscious movement. With the massiveness of its reach, 
purchasing power and consumer influence, H&M as a brand has endless potential to reshape the 
fashion industry and the world. 
1 Upcycling: the process of converting waste materials or useless products into new materials or 
products of better quality or for better environmental value.
11 
Appendix 
A) H&M, corporate structure from annual report 2013 
B) H&M, screenshot from H&M’s conscious sustainable style online collection 
<http://www.hm.com/us/subdepartment/LADIES?Nr=2000240>
C) H&M, from the life of a dress #0206798 from Conscious actions sustainability report 2013. 
Sweden: H&M Hennes & Mauritz AB, 2013. 
<http://sustainability.hm.com/content/dam/hm/about/documents/en/CSR/reports/Conscious%20A 
ctions%20Sustainability%20Report%202013_en.pdf> 
12
13 
D) H&M, Screenshot of H&M’s Facebook page, Screenshot, 26 Nov. 2014. 
<https://www.facebook.com/hmtheus>
14 
E) NEW LAND, Gustav Johansson, Niklas Johansson, Anders Lövgren, H&M Go Green Wear 
Blue: Conscious denim campaign video, September. 2014. 
<https://www.youtube.com/watch?v=4FPZXFJHcjE> 
F) H&M, Go Green Wear Blue: Conscious denim print advertisement, September. 2014 
<https://www.facebook.com/media/set/?set=a.1518263665078548.1073741833.1500573333514 
248&type=3>
G) H&M, Go Green Wear Blue: Conscious denim social media bluefact collage, September. 
2014. 
<https://www.facebook.com/media/set/?set=a.1518263665078548.1073741833.1500573333514 
248&type=3> 
15 
H) Dirtball, “Green” Jean kickstarter page, September. 2013. 
<https://www.kickstarter.com/projects/1670083643/the-green-jean-100-made-in-the-usa-eco-friendly- 
de>
16 
I) H&M, Screenshot of H&M’s cosmetics line, Screenshot, 30 Nov. 2014. 
<http://www.hm.com/us/subdepartment/LADIES?Nr=4294966242>
17 
J) Sephora, Screenshot Sephora’s bestselling makeup products, Screenshot, 30 Nov. 2014. 
<http://www.sephora.com/makeup-cosmetics> 
K) M.A.C, Screenshot M.A.C’s Back to M.A.C program, Screenshot, 30 Nov. 2014. 
<https://www.maccosmetics.com/giving_back/btm_return_packaging.tmpl>
18 
L) Statista, Revenue of the cosmetic industry in the United States from 2002 to 2016. 2014. 
<http://www.statista.com/statistics/243742/revenue-of-the-cosmetic-industry-in-the-us/>
19 
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21 
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<http://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action?language=en 
>.

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H&M's Leadership in Sustainable Fast Fashion

  • 1. 1 Marketing, PR and branding – final paper Done by: Sarah Lee Shan Yun H&M: The global leader in sustainable fast fashion
  • 2. 2 Table of contents Section Page Title page 1 Table of contents 2 Introduction 3 Brand analysis 3 In-depth ad analysis: H&M’s Go Green Wear Blue: Conscious Denim campaign 5 Strategic and creative recommendation 9 Appendix 11 Bibliography 19
  • 3. 3 Introduction Erling Persson opened Hennes, a women’s clothing boutique, in Västerås, Sweden in 1947. It would become the second largest retailer in the world, netting more than 17 billion dollars in sales revenue and 2.3 billion dollars in profits in the year 2013 (H&M, AR 2013). H&M has since expanded to over 3,400 stores in 55 different markets, reaching consumers from Europe, America to the Far East. In 2002, H&M released its first sustainability report, introducing its vision to incorporate corporate social responsibility into several key parts of its business (H&M, CSR 2002). Today H&M has transformed this effort into a major component of the company’s mission. Now known as “sustainability”, it has its own department, housed in the heart of H&M’s corporate structure (see appendix A) with the goal of incorporating efficiency and ethics into every part of the value chain. In 2010, H&M earned its position as the world’s largest consumer of organic cotton (H&M Hist.) and in 2013, it launched its first Conscious collection featuring stylish apparel made from organic cotton, Tencel and recycled polyester (Karmali). In this essay an analysis of H&M will be drawn from a brand perspective using marketing frameworks and ideas in order to gauge its success in creating shared value through purposeful positioning. In the second part of this essay, an analysis on H&M’s Go Green Wear Blue Conscious Denim campaign will be conducted, before moving on to a strategic and creative recommendation to introduce sustainable cosmetics to its existing makeup line. Brand analysis The question to ‘who is H&M’s target audience?’ can easily be re-phrased to ‘who isn’t H&M’s target audience?’ The clothing retailer has expanded so rapidly since its inception in the 1940s that it has reached a global audience of more than 68 countries in 5 major continents – Europe, the Americas, the Asia Pacific, the Middle East and Africa (H&M, SM). Today its main department targets ladies, but H&M also has lines that cater to men, kids, athletes (H&M sport) as well as young adults (H&M divided). In addition, H&M has a denim line and lingerie line which targets consumers shopping for garment-specific items, a move which effectively pits H&M against some of the leading competitor brands such as Levi’s and Victoria’s Secret. With the variety and breadth of its reach, H&M as a retailer has the power to influence the fashion system in an enormous way. Yet it is only one of the many fast fashion brands in the market catering to the infinite demand of consumer choice and hunger for new trends. Placed along side heavyweights such as Zara, Topshop, Forever 21 and Uniqlo, H&M has to find a way to differentiate and communicate unique value to its customers in an ever-growing market. The fast fashion business model is built on streamlining the vertical marketing system, which eliminates middlemen in the distribution channel by hiring in-house designers, sourcing from cost-effective markets, purchasing merchandise in bulk and organizing efficient logistics (H&M, BC). In addition, H&M’s online shopping service also cuts cost by getting the product to
  • 4. consumer via a direct channel from warehouse to doorstep. Sustainable innovation as a concept, although commonly associated with fair work practices and recyclable materials, also involves the improving the efficiency and effectiveness of the system in order to provide surplus to manufacturers, consumers and other stakeholders. 4 H&M’s business concept does not hyper-target segmented groups of the population, but rather, leverages consumer’s psychographic buying habits – individuals who shop frequently and who want immediate, up-to-date fashion trends. For this reason, low-cost pricing strategies encourage continuous consumption and frequent repurchase. This does, however, create huge problems of overconsumption and waste creation, as customers buy and throw away more and more textiles, leading to millions of tons of fabric in landfills and billions of tons of water waste every year (Breyer). One solution that H&M has posed, in an effort to curb anxiety over the inadequacies of the industry, was to incorporate a closed-loop production process into their entire system. This means gathering unused garments via customer donations at all H&M stores, sorting and recycling materials before manufacturing new garments and selling them to the market in a closed production cycle (H&M, CAS 2013). This innovative idea offers a creative solution to the problems of mass-production, but is also disruptive to the industry, posing several questions on the validity of its approach. The first of which, would be if the system benefits both the consumer and the producer. Shared value is defined as policies and operating practices that enhance the competitiveness of a company while simultaneously advancing the economic and social conditions in the communities in which it operates (Porter). By capitalizing its efforts to go-green, H&M provides consumers with sustainable choices without sacrificing style and accessibility of price (see appendix B). It’s sustainable collection offers garments at prices ranging from $5 to $150, a price point that does not differ much at all from its other products in its line, or that of competitors’. In this case, the benefit to the consumer for being an eco-warrior outweighs the cost, providing them with a convenient option. On top of that, the H&M brand benefits from educating consumers on its own green efforts, creating unique value that differentiates them from other fast fashion brands. On the other side of the production chain, manufacturers benefit from the reduced cost of fabric as well as water, dyes, and other inputs needed to process virgin materials. This reduced cost leads to greater margins that companies can use to provide workers with better wages and working conditions (H&M, CAS), also an important component of H&M’s effort to create a sustainable ecosystem (see appendix C). By purposefully positioning its business, H&M’s business model not only provides a product with the functional benefits of affordable clothing and the emotional benefits of shopping for the latest style or trend, it also caters to more pressing, fundamental societal needs of environmental and economic sustainability (De Swaan et al). The consumer, in a way, is called upon as the hero that is empowered by the brand to make sustainable choices, to contribute to
  • 5. the cause through physically donating clothes as well as sharing the brand’s efforts through word-of- mouth and social media (see appendix D). With its growing media presence and over 21 million followers on Facebook, the brand has promising capabilities in improving the landscape of the fashion industry. Unfortunately, even with the company taking great strides in this direction, over 84% of its cotton garments are not made from organic cotton and 89% of all of its garments are not made from recycled, organic or innovative materials (H&M, CAS 2013). With the way the industry is structured and with most companies outsourcing manufacturing to factories in countries such as Bangladesh, India, Cambodia and China, it is a challenge to coordinate with hundreds of suppliers to achieve the entirety of the industry’s sustainability goals. H&M’s CEO Karl Johan Persson does admit that it is going to take time and effort to see these goals through and that he believes that it is possible for H&M to become the leader in sustainable fashion at great prices (Givhan). Instead of competing to be the lowest cost retailer in the market, H&M has found a way to provide consumers with a different kind of value through an empowerment strategy characteristic of the emerging paradigm of branding and marketing. By challenging the existing consumer belief that one has to pay a premium price in order to make the right choice, H&M is becoming one of the pioneers of ethical fast fashion, communicating the message that sustainability and rapidly changing fashion can, indeed, co-exist if an effort is made to close the loop. For those reasons, I would personally score the brand an 7 out of 10 on the previous versus emerging branding and marketing paradigm spectrum. 5 In-depth ad analysis: H&M’s Go Green Wear Blue: Conscious Denim campaign For this analysis, the focus will be on H&M’s video advertisement for its Go Green Wear Blue conscious denim line, available on its YouTube channel (see appendix E) with references to the campaign’s other media types including its print advertisements and social media marketing. In this advertisement, the messages that surround being green and choosing more eco-friendly fashion are both explicit and implicit. They persuade the viewer to look at fashion through a different lens, to connect ideas of sustainable water use with stylish wearable clothing. According to Simon Sinek in his talk How Great Leaders Inspire Action, “people don’t buy what you do, they buy why you do it” (Sinek). The campaign aims to attach eco-conscious values to H&M’s denim line, therefore inviting consumers to ‘vote with their dollar’ and invest in the Earth’s resources by choosing the brand’s products. It leverages existing sentiment around environmental wellbeing and water-saving efforts in individual households, thereby providing an alternative course of action for individuals to contribute by ‘saving water’. It also communicates the question: can fashion really be sustainable, fashionable, comfortable and accessible all at the
  • 6. same time? These ideas are laid out collectively as well as individually as the viewer is taken on a journey through the video. The actual placement of the H&M brand is subtle with the company’s logo featured at the end of the video. This keeps focus on the campaign’s main message, simulating the effect of a public awareness campaign. Almost like a seal of approval, the company effectively communicates its brand promise and unique value proposition to offer consumers better, innovative products that provide solutions to real world problems. Although there exists consumer sentiment around fast fashion as a mass-marketed, over-produced commodity, the campaign does convince the audience of the possibilities for a universal product to be sustainably manufactured and recycled, thereby adding value to H&M’s already recognizable brand name. The campaign inspires consumers to act in a multitude of ways. First, by choosing to buy H&M’s conscious denim, one is empowered to make a better choice as their dollar goes to better production methods as well as to the financing of research and development methods that improve the industry’s technologies. It also inspires individuals to get educated on the issue of water-waste in industrial manufacturing, and prods them to research the subject either by visiting H&M’s website or through third-party media. This is also an additional benefit to H&M as viewership to their webpage and online store increases, expanding their media reach. H&M’s sustainability blog has a downloadable resources page where customers, professional partners and investors can access company’s information on sustainability goals and milestones (H&M, SUS). By providing avenues for individuals to easily share this information with their peers, it improves overall awareness on the subject, which may also increase consumer demand for sustainable denim, therefore leading to more suppliers adopting such innovative technologies and possibly the setting of sustainable industry standards. 6 How are other brands leveraging consumer demand for eco-denim? In 2008 the company Dirtball was launched producing 100% eco-friendly 100% made-in-the-USA apparel, with a kickstarter page financing over $40,000 for it’s “green jean” made from cotton and recycled water bottles (see appendix H). In August 2014 G-star launched a special denim collection, RAW for the oceans, which features collaborations with musician Pharrell Williams and eco-company Bionic Yarn (NYDN). Levi’s CEO Chip Bergh, famously recommended customers not to wash their jeans in an effort to prove the durability of denim and to solidify jeans as the “ultimate sustainable apparel” (Prakesh). Levi’s also has a line of “waterless” denim, which minimizes water use in its production process and encourages customers to skip jean washing post-purchase (Ibid). To encourage the longevity of its products, Levis has promoted the craze for “jeans freezing”, an alternative cleaning method that is said to kill bacteria on the garment. Whether this is an effective method remains questionable, although it has undeniably sparked consumer interest in the subject. H&M could have leveraged existing underlying associations with water saving and denim in their Go Green Wear Blue campaign.
  • 7. 7 Another great aspect of the campaign is its holistic design. The audience’s attention is successfully captured with many subconscious visual associations. The blue graphic color is present in almost all of the video’s frames and is used as a theme throughout the company’s media marketing platforms (see appendix F). Ironically, this is not the first color that comes to mind when one thinks of an eco-friendly hue, and the paradoxical tagline “Go Green Wear Blue” is presented as an attention-grabbing contradiction. According to Milton Glaser, the legendary graphic artist, the creation of a puzzle facilitates the activation of the problem-solving impulse of the mind so that viewers are more engaged to solve the puzzle and act accordingly (Milton). The color blue also brings about many subconscious connotations to natural elements such as the ocean, the Earth, water and air, supported by cinematic pictures and aural effects of crashing waves. The scene where the model emerges from the water, gasping for air (Appendix E, 0:22) is also evocative of the idea of survival as an ambiguous suggestion is made to the breathability of the Earth as well as the “breathability” of comfortable denim clothing. All these references are strewn together with visuals of the garment’s texture in order to create a subconscious categorization of the garment with nature. The ad thus leverages man’s fundamental instinctual need to connect with his environment (Spirkin) in order to bring about feelings of splendor, wonder and admiration for the brand. The narrator in the ad also calls out to the warrior archetype in the consumer. “It shields us, empowers us… so let’s respect it and let’s not waste it.” (Appendix E, from 0:26) As both the protected child of Mother Nature and the native guardian of his own environment, the viewer is engaged to participate and act by supporting the brand’s efforts. The woman’s voice, soothing, mature and delicate also spurs associative feelings of motherly attachment, reminding the viewer’s inner child of the responsibility one has to one’s original creator. The bright blue graphic font found in the print advertisements (see appendix F) and the video sporting the words “Go Green Wear Blue” also acts as a symbol of rebellion and revolution, communicating the idea of wearing denim to paint the world back to its “original” blue hue. Along with this comes the purity of the ad’s visual experience. By using uncomplicated, universal and immersing visual imagery in the video, the brand communicates a sense of simplicity and ease, bringing about ambiguous connotations of a clean environment and clean clothing. Water as a metaphor also has many associations with cleaning, although the irony posed here is the lack of water needed to wash denim in the garment’s manufacturing process. Keeping the ad simple and straightforward is also a way for H&M to introduce brand flexibility without over-committing to the eco-brand identity. By avoiding the tendency to over-pledge its brand name to the cause, it refrains from hyper-targeting too specific of a market, thereby allowing buyers who do not necessarily identify with the cause to participate as well. With H&M known as such a mass-marketed, wide-reaching entity, it is important not to lose this important brand asset in order for the campaign to be successful.
  • 8. 8 H&M’s use of social media in its media placement strategy is a highly appropriate one. With the campaign video streaming on YouTube and Vimeo, and with its print advertisements on Facebook, it is easy for content to be viewed and shared by fans of the brand. It is likely that the millennial generation would respond well to shared media through such social media platforms (Baggini et al) with 81% of millennials in the US with a Facebook account, according to the Pew Research Center’s report on Millennials in Adulthood (Taylor et al). Links to H&M’s online store placed in description boxes also allow customers to easily access their webpage and make immediate purchases or aid in the consideration process of the customer journey. It also allows for 24/7 visibility to consumers across all parts of the world, which broadens its national reach. Interwoven between the print photography on H&M’s Facebook album for the campaign are 7 #Bluefact pictures which contain fun facts from the H&M conscious team (see appendix G), aiming to educate customers and the general public on its efforts to save water through sustainable denim production. The use of the hashtag #Bluefact is more of an attention grabbing headline that catches the eye of the customer, rather than an effective trendable phrase to be shared with friends. Either way, it is unique and calls for engagement as users browse through the campaign pictures on the brand’s Facebook page. Another aspect of the campaign’s visibility is created through earned media via third party blogs and websites such as Racked.com, Elle, WGSN, Whowhatwear, French Vogue and The Guardian. The campaign has also been featured on several popular “green blogs” such as Bettercotton and Ecouterre, which boasts the H&M’s collaboration with Spanish company Jeanologia in the employment of water saving technologies (Chua). These publications are important for raising awareness to several important communities of people including the eco-conscious consumer and the fashion-conscious consumer. They also generate industry-wide media attention, alerting other members of the industry looking to innovate in the same way. As mentioned above, the company’s targeting strategy for the campaign is not just limited to the eco-aware consumer, but to the broader spectrum of its existing market. The voice of the campaign is made up primarily of a female adult, with the narrator’s voice and the model Hana Jirickova (women management) featured in the video. However, H&M’s print editorials also feature men, young children and even babies (see appendix F), which echoes the brand’s mission to provide great fashion at affordable prices to all people across different age groups. H&M’s pairing with denim, as a garment, is appropriate given denim’s existing equity amongst consumers as a universal garment. It also acts as a way to defend the brand against skeptics of the fast fashion industry who criticize similar companies for purveying unethically manufactured goods. Overall, the campaign has introduced H&M’s conscious denim line to the masses effectively. However, consensus on how successful H&M has been in breaking through the clutter and creating perceived value in all consumers has yet to be drawn. Consumers of fast fashion
  • 9. may not be prepared to place high value on sustainable clothing yet or share the content with their peers, which may lead to the campaign being more of a sidelined advertorial. Given the amount of information that H&M is seeking to communicate, it could be a practical decision for the company to repeat attempts at educating consumers on its sustainability efforts. 9 Strategic and creative recommendation H&M has been successful in sparking consumer interest in the trend of the garment collecting initiative, thus I would recommend them to capitalize on this idea and expand their recycling efforts into their cosmetic products. H&M currently has a line of affordable beauty products, offering customers eye-shadow palettes, compact powders, makeup brushes, lipsticks and body creams from as low as $4.95 (see appendix I). These prices put H&M at a highly competitive position, supplying affordable products of a Figure 1 – mock up of H&M’s conscious cosmetic compact powder packaging with recycling symbol (front) reasonable quality to women everywhere. By adopting this pricing strategy, H&M effectively differentiates itself from other makeup brands in the market, including several of beauty giant Sephora’s vendors, which can cost upwards of $50 for a makeup palette (see appendix J). Several other fast fashion brands such as Forever 21 have conceded to do the same, cashing in on consumers’ demand for fashion and lifestyle products outside of the apparel industry. The cosmetics industry in the US alone raked in almost $57 billion in revenue in 2013, and is forecasted to grow even more over the next few years (see appendix L). How can H&M improve this area of their product range to incorporate more ethical objectives and practices? In 2009, natural skincare brand Origins introduced a program called Return to Origins, whereby consumers can give back any empty cosmetics jars, tubes and bottles
  • 10. to their nearest retail store, that will then be sent back to a central location for upcycling1 (origins). Beauty giant M.A.C’s Back to M.A.C program offers customers a free lipstick of choice in exchange for six returned M.A.C primary packaging containers (see appendix K). This offers customers a post-consumer incentive to recycle waste, much like the garment collecting initiative by H&M, which offers customers a 15% coupon off one item after donating 2 bags of clothing for recycling (Gustafsson). Although the financial incentive is small, both the company and the consumer benefits from the resulting social value. H&M could thus adopt a similar strategy with their cosmetic products, introducing plastic waste recycling into its manufacturing processes. Like the company’s previous Conscious campaigns, H&M would benefit from reduced input costs as well as increased brand value. 10 Figure 2 – mock up of H&M’s conscious cosmetic compact powder packaging (back) Unlike other seasonal fashion campaigns, this idea aims not to generate more conflict and competition between other substitute brands, but in fact, to foster industry innovation and encourage other similar companies to adopt the same approach. Product packaging instructions are crucial to disseminating information to consumers on how to return empty containers, but public relations and media campaigns can also be employed to generate buzz and get consumers to contribute. Overall, this creative recommendation is just one idea of many that H&M can employ in order to grow the sphere of its conscious movement. With the massiveness of its reach, purchasing power and consumer influence, H&M as a brand has endless potential to reshape the fashion industry and the world. 1 Upcycling: the process of converting waste materials or useless products into new materials or products of better quality or for better environmental value.
  • 11. 11 Appendix A) H&M, corporate structure from annual report 2013 B) H&M, screenshot from H&M’s conscious sustainable style online collection <http://www.hm.com/us/subdepartment/LADIES?Nr=2000240>
  • 12. C) H&M, from the life of a dress #0206798 from Conscious actions sustainability report 2013. Sweden: H&M Hennes & Mauritz AB, 2013. <http://sustainability.hm.com/content/dam/hm/about/documents/en/CSR/reports/Conscious%20A ctions%20Sustainability%20Report%202013_en.pdf> 12
  • 13. 13 D) H&M, Screenshot of H&M’s Facebook page, Screenshot, 26 Nov. 2014. <https://www.facebook.com/hmtheus>
  • 14. 14 E) NEW LAND, Gustav Johansson, Niklas Johansson, Anders Lövgren, H&M Go Green Wear Blue: Conscious denim campaign video, September. 2014. <https://www.youtube.com/watch?v=4FPZXFJHcjE> F) H&M, Go Green Wear Blue: Conscious denim print advertisement, September. 2014 <https://www.facebook.com/media/set/?set=a.1518263665078548.1073741833.1500573333514 248&type=3>
  • 15. G) H&M, Go Green Wear Blue: Conscious denim social media bluefact collage, September. 2014. <https://www.facebook.com/media/set/?set=a.1518263665078548.1073741833.1500573333514 248&type=3> 15 H) Dirtball, “Green” Jean kickstarter page, September. 2013. <https://www.kickstarter.com/projects/1670083643/the-green-jean-100-made-in-the-usa-eco-friendly- de>
  • 16. 16 I) H&M, Screenshot of H&M’s cosmetics line, Screenshot, 30 Nov. 2014. <http://www.hm.com/us/subdepartment/LADIES?Nr=4294966242>
  • 17. 17 J) Sephora, Screenshot Sephora’s bestselling makeup products, Screenshot, 30 Nov. 2014. <http://www.sephora.com/makeup-cosmetics> K) M.A.C, Screenshot M.A.C’s Back to M.A.C program, Screenshot, 30 Nov. 2014. <https://www.maccosmetics.com/giving_back/btm_return_packaging.tmpl>
  • 18. 18 L) Statista, Revenue of the cosmetic industry in the United States from 2002 to 2016. 2014. <http://www.statista.com/statistics/243742/revenue-of-the-cosmetic-industry-in-the-us/>
  • 19. 19 Bibliography Websites • Baggini, Christopher, Daniel DiFrancesco, Halie O'Shea, Jason Schrotberger, and Eric Turner. "Fast, But Not Easy: Retailing in the Millennial Age." News & Commentary Market Commentary Sector Focus Consumer at Turner Investments. Turner Investments, 1 Jan. 2013. Web. 29 Nov. 2014. <http://www.turnerinvestments.com/index.cfm/fuseaction/content.page/nodeID/eced7ad4 -bc4e-495a-ac48-95b51d539549/>. • Breyer, Melissa. "25 Shocking Fashion Industry Statistics." TreeHugger. 11 Sept. 2012. Web. 24 Nov. 2014. <http://www.treehugger.com/sustainable-fashion/25-shocking-fashion-industry-statistics. html>. • Chua, Jasmin Malik. "H&M Debuts Eco-Friendlier “Conscious Denim” Collection." H&M Debuts EcoFriendlier Conscious Denim Collection. Ecouterre, 16 Sept. 2014. Web. 29 Nov. 2014. <http://www.ecouterre.com/hm-debuts-eco-friendlier-conscious-denim-collection/>. • Cohn, Alison S. "Eco-Friendly Clothes We Can't Wait to Wear." Elle. Elle, 7 Apr. 2014. Web. 24 Nov. 2014. <http://www.elle.com/fashion/spotlight/hm-eco-friendly-fashion-ever-manifesto>. • Givhan, Robin. "Can Cheap Clothing Generate Fair Wages? H&M Believes It Can." The Washington Post. The Washington Post, 25 Nov. 2014. Web. 26 Nov. 2014. <http://www.washingtonpost.com/blogs/style-blog/wp/2014/11/25/can-cheap-clothing-generate- fair-wages-hm-believes-it-can/>. • Gustafsson, Katarina. "H&M Wants Your Fashion Discards by Offering Discounts." Bloomberg.com. Bloomberg, 20 June 2013. Web. 30 Nov. 2014. <http://www.bloomberg.com/news/2013-06-19/h-m-wants-your-fashion-discards-by-offering- discounts.html>. • H&M, Hist. "History of H&M." H&M. 2013. Web. 24 Nov. 2014. <http://about.hm.com/en/About/facts-about-hm/people-and-history/history.html>. • H&M SM. "H&M sales markets." H&M. 2013. Web. 24 Nov. 2014. <http://about.hm.com/en/About/facts-about-hm/fashion-for-all/sales-markets.html> • H&M SUS. "H&M sustainability downloads and resources – water conscious denim saves 450 million liters of water." H&M. 2013. Web. 24 Nov. 2014. <http://sustainability.hm.com/en/sustainability/downloads-resources/case-studies/water-conscious- denim.html>
  • 20. 20 • H&M, BC. "H&M business concept." H&M. 2013. Web. 24 Nov. 2014. <http://about.hm.com/en/About/facts-about-hm/about-hm/business-concept.html> • Karmali, Sarah. "Vanessa Paradis Named Face Of H&M Conscious Collection." Vogue UK. Vogue UK, 22 Jan. 2013. Web. 24 Nov. 2014. <http://www.vogue.co.uk/news/2013/01/22/vanessa-paradis-h-and-m-conscious-collection--- garment-clothing-recycling-scheme>. • NYDN. "Pharrell Williams, G-Star to Launch Eco-friendly Denim Line." NY Daily News. NY Daily News, 10 Feb. 2014. Web. 27 Nov. 2014. <http://www.nydailynews.com/life-style/ fashion/pharrell-williams-g-star-launch-eco-friendly-denim-line-article-1.1608290>. • Origins. “Back to Origins recycling program.” Web. 30 Nov. 2014. <https://www.origins.com/cms/recycling_program/index.tmpl> • Prakash, Nesha. "Levi's CEO: Stop Washing Your Jeans, Save the World." Mashable. Mashable, 20 May 2014. Web. 27 Nov. 2014. <http://mashable.com/2014/05/20/levi-ceo-jeans- washing/>. • Spirkin, A. "Dialectical Materialism, On the Human Being and Being Human, Man in the Realm of Nature." Man in the Realm of Nature. Marxists. Web. 29 Nov. 2014. <https://www.marxists.org/reference/archive/spirkin/works/dialectical-materialism/ch05- s03.html>. Articles • De Swaan Arons, Marc, Frank Van Den Driest, and Keith Weed. "The Ultimate Marketing Machine." Harvard Business Review (2014). Web. 26 Nov. 2014. <https://hbr.org/2014/07/the-ultimate-marketing-machine>. • Porter, Michael E., and Mark R. Kramer. "Creating Shared Value." Harvard Business Review (2011). Web. 26 Nov. 2014. <https://hbr.org/2011/01/the-big-idea-creating-shared-value>. • Taylor, Paul, Carroll Doherty, Kim Parker, and Vidya Krishnamurthy. "Millennials in Adulthood." Pew Social Trends (2014). Pew Research Center. Pew Research Center. Web. 29 Nov. 2014. <http://www.pewsocialtrends.org/files/2014/03/2014-03- 07_generations-report-version-for-web.pdf>. Annual reports • H&M, AR. Annual Report: Full-year report 2013. Sweden: H&M Hennes & Mauritz AB, 2013. <http://about.hm.com/content/dam/hm/about/documents/en/cision/2014/01/1280856_en. pdf>
  • 21. • H&M, CSR. Corporate social responsibility report 2002. Sweden: H&M Hennes & Mauritz AB, 2002. <http://sustainability.hm.com/content/dam/hm/about/documents/en/CSR/reports/CSR%2 0Report%202002_en.pdf> 21 • H&M, CAS. Conscious actions sustainability report 2013. Sweden: H&M Hennes & Mauritz AB, 2013. <http://sustainability.hm.com/content/dam/hm/about/documents/en/CSR/reports/Conscio us%20Actions%20Sustainability%20Report%202013_en.pdf> Movies / videos • Milton Glaser: To Inform and Delight. Perf. Milton Glaser. Arthouse Films, 2008. DVD. • Sinek, Simon. "How Great Leaders Inspire Action." TED Talks. TED Talks, 10 May 2010. Web. 27 Nov. 2014. <http://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action?language=en >.