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B322 exam - Section B = TV Comedy
2 revision sessions
How is Section B tested?
• A single question to answer – split into 2 sections
with separate marks
• Part one will focus on institution
– Scheduling / channel brand identity / regulatory issues
• Part two will focus on audience
– Programme’s target audience / pleasures offered /
audience positioning
Audience questions you should know
the answers to by your exam
• How a text addresses a mass / niche target
audience?
• What pleasures does the text offer its
audience?
• Why a text has been scheduled on a particular
channel?
• How the channel’s audience fits with the
channel itself?
Institution questions you should
know the answers to by your exam
• Why is the text scheduled on a particular
channel?
• Why the text is scheduled on more than one
channel?
• What the channel’s target audience is?
• Why the text has been scheduled at a certain
time?
• Why the text has been scheduled between other
texts?
• What else the text competes with at the time it is
scheduled?
You need revision notes on…
• TV sitcom
– Conventions of a TV sitcom
– Structure and feel of the programme
– Format (length of episodes, how many in a series,
etc.)
– Setting
– Values
– Stereotypes
You need revision notes on…
• Friday Night Dinner
– What it’s about
– Who made it
– Channel broadcast on
– Other broadcast formats
– No’s of series
– Actors / actresses
– Style of filming
– Audience figures for key
episodes
– International links
– Competition with other
channels / programmes
– When / what time it was
scheduled / changes in
scheduling
– Target audience and
reasons for
– Specific episode plot and
narrative structure
You need revision notes on…
• C4
– Ownership
– How big a player it is
– What it creates (types
of product)
– Where its money
comes from (all its
businesses!)
– Its successes
– Its rivals
– Its remit
– Its target audience
– What audiences want
from this channel
– Its relationship with
production companies
– Scheduling patterns –
comedy on at specific
times, etc.
You need revision notes on…
• Popper Productions and Big Talk Productions
– What they each create (types of product)
– Their successes
– Size
– Independent or owned by other media companies
You need revision notes on…
• Bad Education
– What it’s about
– Who made it
– Channel broadcast on
– Other broadcast formats
– No’s of series
– Actors / actresses
– Style of filming
– Audience figures for key
episodes
– International links
– Film versions /
collaborations
– Competition with other
channels / programmes
– When / what time it was
scheduled / changes in
scheduling
– Target audience and
reasons for
– Specific episode plot and
narrative structure
You need revision notes on…
• BBC Three
– Ownership
– How big a player it is
– What it creates (types
of product)
– Where its money
comes from (all its
businesses!)
– Its successes
– Its rivals
– Its remit
– Its target audience
– What audiences want
from this channel
– Its relationship with
production companies
– Scheduling patterns –
comedy on at specific
times, etc.
You need revision notes on…
• Tiger Aspects and Endemol UK
– What they each create (types of product)
– Their successes
– Size
– Independent or owned by other media companies
You need revision notes on…
• General knowledge
– Audience pleasures
– Uses and gratifications theory
– Audience groupings
– Scheduling techniques (hammocking, etc.)
– Scheduling techniques applied to comedies
studied (and reasons for these)
– Reasons for limiting access to content on behalf of
channels
– Subject terminology
You need revision notes on…
• Subject terminology
– Commissioned
– Broadcast
– Brand identity
– Scheduling
– Post-watershed
– Prime time
– ABC1 audience
– Hammocking
– Pre-echo
– Counter-programming
– Target audience
– Audience pleasure
– Narrative structure
– Snowballing
– Public service
broadcasting
– Production company
– Terrestrial channels
– Stripping
– Defensive scheduling
– Mass / niche audience
– Regularity
– Intertextuality
– Superiority
– Schadenfreude
– Recognition / familiarity
– Transgression

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Tv comedy 1

  • 1. B322 exam - Section B = TV Comedy 2 revision sessions
  • 2. How is Section B tested? • A single question to answer – split into 2 sections with separate marks • Part one will focus on institution – Scheduling / channel brand identity / regulatory issues • Part two will focus on audience – Programme’s target audience / pleasures offered / audience positioning
  • 3. Audience questions you should know the answers to by your exam • How a text addresses a mass / niche target audience? • What pleasures does the text offer its audience? • Why a text has been scheduled on a particular channel? • How the channel’s audience fits with the channel itself?
  • 4. Institution questions you should know the answers to by your exam • Why is the text scheduled on a particular channel? • Why the text is scheduled on more than one channel? • What the channel’s target audience is? • Why the text has been scheduled at a certain time? • Why the text has been scheduled between other texts? • What else the text competes with at the time it is scheduled?
  • 5. You need revision notes on… • TV sitcom – Conventions of a TV sitcom – Structure and feel of the programme – Format (length of episodes, how many in a series, etc.) – Setting – Values – Stereotypes
  • 6. You need revision notes on… • Friday Night Dinner – What it’s about – Who made it – Channel broadcast on – Other broadcast formats – No’s of series – Actors / actresses – Style of filming – Audience figures for key episodes – International links – Competition with other channels / programmes – When / what time it was scheduled / changes in scheduling – Target audience and reasons for – Specific episode plot and narrative structure
  • 7. You need revision notes on… • C4 – Ownership – How big a player it is – What it creates (types of product) – Where its money comes from (all its businesses!) – Its successes – Its rivals – Its remit – Its target audience – What audiences want from this channel – Its relationship with production companies – Scheduling patterns – comedy on at specific times, etc.
  • 8. You need revision notes on… • Popper Productions and Big Talk Productions – What they each create (types of product) – Their successes – Size – Independent or owned by other media companies
  • 9. You need revision notes on… • Bad Education – What it’s about – Who made it – Channel broadcast on – Other broadcast formats – No’s of series – Actors / actresses – Style of filming – Audience figures for key episodes – International links – Film versions / collaborations – Competition with other channels / programmes – When / what time it was scheduled / changes in scheduling – Target audience and reasons for – Specific episode plot and narrative structure
  • 10. You need revision notes on… • BBC Three – Ownership – How big a player it is – What it creates (types of product) – Where its money comes from (all its businesses!) – Its successes – Its rivals – Its remit – Its target audience – What audiences want from this channel – Its relationship with production companies – Scheduling patterns – comedy on at specific times, etc.
  • 11. You need revision notes on… • Tiger Aspects and Endemol UK – What they each create (types of product) – Their successes – Size – Independent or owned by other media companies
  • 12. You need revision notes on… • General knowledge – Audience pleasures – Uses and gratifications theory – Audience groupings – Scheduling techniques (hammocking, etc.) – Scheduling techniques applied to comedies studied (and reasons for these) – Reasons for limiting access to content on behalf of channels – Subject terminology
  • 13. You need revision notes on… • Subject terminology – Commissioned – Broadcast – Brand identity – Scheduling – Post-watershed – Prime time – ABC1 audience – Hammocking – Pre-echo – Counter-programming – Target audience – Audience pleasure – Narrative structure – Snowballing – Public service broadcasting – Production company – Terrestrial channels – Stripping – Defensive scheduling – Mass / niche audience – Regularity – Intertextuality – Superiority – Schadenfreude – Recognition / familiarity – Transgression