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Genre Theory
WHAT IS GENRE? 
• David Chandler – media theory is used to 
refer to a distinctive type of text 
• Steve Neale – ‘genres are not systems’ they 
are processes of systematization i.e. they are 
dynamic and evolve over time 
• Barry Keith Grant – all genres have sub 
genres – they’re divided into more specific 
categories that allow audiences to identify 
them specifically by their familiar and 
recognizable characteristics
GENERIC CHARACTERISTICS 
Mise-En Scene 
Costume Setting Props Lighting Areas of 
narrative 
action 
• All genres have their own specialist mise-en-scene, 
narratives and characters so the 
audience can identify the genre. 
• All genres stem from an archetype (the 
original before the stereotype) 
• Comedy and animation are not a genre, they 
are a style
JASON MITCHELL 
• Argues that genre are the cultural categories that 
surpass the boundaries of media texts and operate 
within industry, audience and cultural practices as well 
• Industries use genre to sell products to audiences. 
Media producers use familiar codes and conventions 
that very often make cultural references to their 
audiences knowledge of society 
• Genre also allows audiences to make choices about 
what products they want to consume through 
acceptance in order to fulfill a particular pleasure. 
Genre 
institution Text Audience
RICK ALTMAN 
• Genre offers audiences a ‘set of 
pleasures’ 
- emotional (getting emotional responses) 
- visceral (physical feeling) 
- intellectual puzzles (unraveling a 
mystery of a puzzle)
GENRE DEVELOPMENT 
• Genre has developed as the wider society 
that produces them changes (generic 
transformation) 
• Metz – genre goes through a typical cycle of 
changes during their lifestyle 
1. Experimental stage 
2. Classic stage 
3. Parody stage 
4. Deconstruction stage
MUSIC VIDEOS 
• MV is a medium intended to appeal directly to youth and 
subcultures by reinforcing generic elements of musical genre 
• MV are post modern texts whose main purpose is to promote 
an artist/band 
• No longer have to be a literal representation of the lyrics 
Music video themes: 
• Teen angst 
• Rebellion 
• Romance 
• Sex 
• Nostalgia 
• Nihilism 
• Coming of age 
• Tribalism 
• Friendship 
• hedonism
DAVID BORDWELL 
“any theme can appear in any genre” 
A theme in an underlying ideology 
• Sex = death 
• Horror = fear of the unknown 
• The breakdown of society = post apocalyptic 
films 
• Duality of man/ personal journey 
• Segregation & alienation 
Genres are not fixed. They can change over 
time.
CONCLUSION 
• “genre is not simply given by culture rather 
it is in a constant process of negotiation & 
change” – Buckingham 
• “the law of the law of genre is precisely the 
principle of contamination a law of 
impurity” - Derrida

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Genre theory

  • 2. WHAT IS GENRE? • David Chandler – media theory is used to refer to a distinctive type of text • Steve Neale – ‘genres are not systems’ they are processes of systematization i.e. they are dynamic and evolve over time • Barry Keith Grant – all genres have sub genres – they’re divided into more specific categories that allow audiences to identify them specifically by their familiar and recognizable characteristics
  • 3. GENERIC CHARACTERISTICS Mise-En Scene Costume Setting Props Lighting Areas of narrative action • All genres have their own specialist mise-en-scene, narratives and characters so the audience can identify the genre. • All genres stem from an archetype (the original before the stereotype) • Comedy and animation are not a genre, they are a style
  • 4. JASON MITCHELL • Argues that genre are the cultural categories that surpass the boundaries of media texts and operate within industry, audience and cultural practices as well • Industries use genre to sell products to audiences. Media producers use familiar codes and conventions that very often make cultural references to their audiences knowledge of society • Genre also allows audiences to make choices about what products they want to consume through acceptance in order to fulfill a particular pleasure. Genre institution Text Audience
  • 5. RICK ALTMAN • Genre offers audiences a ‘set of pleasures’ - emotional (getting emotional responses) - visceral (physical feeling) - intellectual puzzles (unraveling a mystery of a puzzle)
  • 6. GENRE DEVELOPMENT • Genre has developed as the wider society that produces them changes (generic transformation) • Metz – genre goes through a typical cycle of changes during their lifestyle 1. Experimental stage 2. Classic stage 3. Parody stage 4. Deconstruction stage
  • 7. MUSIC VIDEOS • MV is a medium intended to appeal directly to youth and subcultures by reinforcing generic elements of musical genre • MV are post modern texts whose main purpose is to promote an artist/band • No longer have to be a literal representation of the lyrics Music video themes: • Teen angst • Rebellion • Romance • Sex • Nostalgia • Nihilism • Coming of age • Tribalism • Friendship • hedonism
  • 8. DAVID BORDWELL “any theme can appear in any genre” A theme in an underlying ideology • Sex = death • Horror = fear of the unknown • The breakdown of society = post apocalyptic films • Duality of man/ personal journey • Segregation & alienation Genres are not fixed. They can change over time.
  • 9. CONCLUSION • “genre is not simply given by culture rather it is in a constant process of negotiation & change” – Buckingham • “the law of the law of genre is precisely the principle of contamination a law of impurity” - Derrida