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INFORM YOURSELF.
Rachel Spikula
IML-501
•   A Cyborg Manifesto, Donna
    Haraway                     These works offer a challenge to dominant
                                narratives from inside academia through the
•   Visual Pleasure in
    Narrative Cinema, Laura     development of new theories from a feminist
    Mulvey
                                perspective. Both pieces were written in a
                                manifesto like way that is jarring.




POWER IN THEORY
•   Everything Is
    Miscellaneous, David        There is power in the way information is
    Weinberger                  structured and organized. It is useful to think of

•   Why Participatory Culture   how and why information is organized. The
    is not Web 2.0, Henry       web now allows us to store and use vast amount
    Jenkins
                                of information in new ways and it is important
•   Taking Culture Seriously,   to consider latent power relations. Who
    Ann Balsamo
                                controls your data?




POWER IN INFORMATION
•   Ways of Seeing, John
                                  These works challenge reality and force us to
    Berger                        think about what we are actually seeing. When
                                  we ‘see’ these works what negotiations occur?
•   The Five Obstructions, Lars
    von Trier and Jørgen Leth     Are we forming our own perceptions, or are we
                                  passively taking the suggestions of the author?
•   As We May Think,
    Vannevar Bush                 Are we able to see beyond one dimension and
                                  challenge ourselves to see the whole picture.




POWER IN PERCEPTION
•   Tactical Media, Rita Raley

                                 Digital media allows us to take action. We can
•   The Rhetoric of Remix,
    Virginia Kuhn                take action against traditional power structures
                                 and challenging hegemonic dominance weather
•   A Manifesto For Critical
    Media, Eric Faden            inside or outside academia by producing our
                                 own contributing works on our own terms.
•   A Free Irresponsible
    Press, Yochai Benkler




POWER IN ACTION
TAKE ACTION.
Make something.

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IML 501 FINAL

  • 2. A Cyborg Manifesto, Donna Haraway These works offer a challenge to dominant narratives from inside academia through the • Visual Pleasure in Narrative Cinema, Laura development of new theories from a feminist Mulvey perspective. Both pieces were written in a manifesto like way that is jarring. POWER IN THEORY
  • 3. Everything Is Miscellaneous, David There is power in the way information is Weinberger structured and organized. It is useful to think of • Why Participatory Culture how and why information is organized. The is not Web 2.0, Henry web now allows us to store and use vast amount Jenkins of information in new ways and it is important • Taking Culture Seriously, to consider latent power relations. Who Ann Balsamo controls your data? POWER IN INFORMATION
  • 4. Ways of Seeing, John These works challenge reality and force us to Berger think about what we are actually seeing. When we ‘see’ these works what negotiations occur? • The Five Obstructions, Lars von Trier and Jørgen Leth Are we forming our own perceptions, or are we passively taking the suggestions of the author? • As We May Think, Vannevar Bush Are we able to see beyond one dimension and challenge ourselves to see the whole picture. POWER IN PERCEPTION
  • 5. Tactical Media, Rita Raley Digital media allows us to take action. We can • The Rhetoric of Remix, Virginia Kuhn take action against traditional power structures and challenging hegemonic dominance weather • A Manifesto For Critical Media, Eric Faden inside or outside academia by producing our own contributing works on our own terms. • A Free Irresponsible Press, Yochai Benkler POWER IN ACTION