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SLEEPER
CELLS
1
presentations of
projects not yet
presented
•	 suspension of disbelief
•	 fourth wall
•	 possible
•	 probable
•	 impossible
•	 preferable
•	 audience
•	 future/now?
•	 utopia
•	 dystopia
•	 empathy
•	 foresight
•	 political
•	 economical
•	 ecological
•	 media
•	 artefact
•	 performance
•	 hypothetical
•	 imaginable
•	 real/fake
•	 rhetoric
2
have a look at the
tools/objects which
represents the divide
between wakefullness
and sleep, or the
conscious and
unconscious. Group in
theories or connected
ideas.
3
discuss dator article
preferred futures vs critical design
four scenarios
continued growth
collapse
discipline
technology
4
introduction to critical theory
max horkheimer - “to liberate
human beings from the
circumstances that enslave
them.”
Horkheimer video
habermas introduction
reason introduction
keep in mind the opposition of
individual to society, and the
balance of freedom and justice.
deconstruct and assess, examine
and critique society from first
principles, using sociolgical and
literary methods.
nothing is sacred. CT re-evaluates
reason, from a subjective to
objective.
Asks difficult questions (which we
only percieve as difficult because of
our social conditioning).
CT has given birth to fields such as
poststructuralism, post-modernist
thought, queer theory, semiotics
and post-colonialism.
critical design is critical theory
put into practice - a physical
experimentation with theory
STANLEY ARONOWITZ on Horkheimer
further reading: Horkheimer, M. (2002). Critical theory:
selected essays. New York, Continuum
critical design helps
suspend disbelief
it physicalises an
idea to make it
more accessible
and realistic
it can sneak in a
theory disguised as
something else
as entertainment
as shopping
as product
as employment
as opportunity
as something free
as a secret
as a consumable
as food
as a holiday
as highbrow
masquerading as
low brow
critical making
theory
practice
critical thinking
RESEARCH
TRUTH
IMAGINATION
PLAY/GSOH
UTOPIA/DYSTOPIA
MIX WHAT WE DO
AND DON’T KNOW
mix of scientific and
artistic reasoning to
create a cultural shift
(UN)BELIEVABLE
(IN)CREDIBLE
CHALLENGING
(HAVE TO CONSIDER
THE AUDIENCE)
EXPERIENCE
performance,object,installation,
interior,video,discussion,text
5
critical/futures design
around sleep/dreaming
6 groups of 3 (ish)
20 minute sections to
discuss and design
scenarios and objects
scenario
social
political
economic
ecological
technological
object
dator’s 4
futures
starting from using considering developing
card game
critical design
freeform
sleep
sleep
articles
•	 suspension of disbelief
•	 fourth wall
•	 audience
•	 future/now?
•	 utopia
•	 dystopia
•	 empathy
•	 foresight
•	 media
•	 artefact
•	 performance
•	 hypothetical
•	 imaginable
•	 real/fake
•	 rhetoric
how to critique critical design
do we believe it?
are the structures to
communicate the critical
concept robust and intuitive?
how does it connect to the
real and beliveable?
is the suspension of disbelief
well constructed?
how does the concept mix
real and imaginary content?
what is the impact, and how
is it achieved?
ASSESSMENT BRIEF 2
Deep sleep - Sleep research – 30%
Over 4 weeks investigate sleep using design fiction
techniques through 4 separate projects 1) singular
or personal experience; 2) pair, group or social
phenomenon; 3) scientific, political, or state policies
around sleep, and 4) theoretical/metaphysical/
psychological approaches.
In each of these areas, create a small design fiction
project – which may be part research, and part story.
It is not important what is true and what is not – but it
must be believable.
Video will be the key medium used to express these
design fictions.
individual
state
group/cult/com
pany
m
etaphysical
4 weeks
all due at mid semester,
but there will be a review
of each completed project
each week.
must complete 4 mini
projects each
can continue with one of
these projects past mid
sem
all projects do not have
to have equal work - can
focus on one or two which
you think demonstrate your
interest and direction best.
experiment with medium
demonstrate you understand
terminology and techniques
of critical futures design
link to existing ideas on
sleep, and create a the
possibility for connection
with the audience.
Next week, bring your
first investigation into
an individual experience
of sleep, in a critical
futures project
Any questions about
the dream diary or this
assignment?

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Sleeper Cells - Presentation week 3

  • 1.
  • 4.
  • 5. • suspension of disbelief • fourth wall • possible • probable • impossible • preferable • audience • future/now? • utopia • dystopia • empathy • foresight • political • economical • ecological • media • artefact • performance • hypothetical • imaginable • real/fake • rhetoric
  • 6.
  • 7. 2 have a look at the tools/objects which represents the divide between wakefullness and sleep, or the conscious and unconscious. Group in theories or connected ideas.
  • 9. preferred futures vs critical design
  • 10.
  • 11.
  • 13. 4 introduction to critical theory max horkheimer - “to liberate human beings from the circumstances that enslave them.”
  • 14. Horkheimer video habermas introduction reason introduction keep in mind the opposition of individual to society, and the balance of freedom and justice.
  • 15. deconstruct and assess, examine and critique society from first principles, using sociolgical and literary methods. nothing is sacred. CT re-evaluates reason, from a subjective to objective. Asks difficult questions (which we only percieve as difficult because of our social conditioning). CT has given birth to fields such as poststructuralism, post-modernist thought, queer theory, semiotics and post-colonialism.
  • 16. critical design is critical theory put into practice - a physical experimentation with theory STANLEY ARONOWITZ on Horkheimer further reading: Horkheimer, M. (2002). Critical theory: selected essays. New York, Continuum
  • 17. critical design helps suspend disbelief it physicalises an idea to make it more accessible and realistic it can sneak in a theory disguised as something else
  • 18. as entertainment as shopping as product as employment as opportunity as something free as a secret as a consumable as food as a holiday as highbrow masquerading as low brow
  • 20. RESEARCH TRUTH IMAGINATION PLAY/GSOH UTOPIA/DYSTOPIA MIX WHAT WE DO AND DON’T KNOW mix of scientific and artistic reasoning to create a cultural shift (UN)BELIEVABLE (IN)CREDIBLE CHALLENGING (HAVE TO CONSIDER THE AUDIENCE) EXPERIENCE performance,object,installation, interior,video,discussion,text
  • 22. 6 groups of 3 (ish) 20 minute sections to discuss and design scenarios and objects
  • 23. scenario social political economic ecological technological object dator’s 4 futures starting from using considering developing card game critical design freeform sleep sleep articles
  • 24.
  • 25. • suspension of disbelief • fourth wall • audience • future/now? • utopia • dystopia • empathy • foresight • media • artefact • performance • hypothetical • imaginable • real/fake • rhetoric
  • 26. how to critique critical design do we believe it? are the structures to communicate the critical concept robust and intuitive? how does it connect to the real and beliveable? is the suspension of disbelief well constructed? how does the concept mix real and imaginary content? what is the impact, and how is it achieved?
  • 27. ASSESSMENT BRIEF 2 Deep sleep - Sleep research – 30% Over 4 weeks investigate sleep using design fiction techniques through 4 separate projects 1) singular or personal experience; 2) pair, group or social phenomenon; 3) scientific, political, or state policies around sleep, and 4) theoretical/metaphysical/ psychological approaches. In each of these areas, create a small design fiction project – which may be part research, and part story. It is not important what is true and what is not – but it must be believable. Video will be the key medium used to express these design fictions.
  • 29. 4 weeks all due at mid semester, but there will be a review of each completed project each week. must complete 4 mini projects each can continue with one of these projects past mid sem all projects do not have to have equal work - can focus on one or two which you think demonstrate your interest and direction best. experiment with medium demonstrate you understand terminology and techniques of critical futures design link to existing ideas on sleep, and create a the possibility for connection with the audience.
  • 30. Next week, bring your first investigation into an individual experience of sleep, in a critical futures project
  • 31. Any questions about the dream diary or this assignment?