Thesis Statement On The Temple Of Hera

Thesis Statement On The Temple Of Hera
f Hera in Olympia
ChenCheng Tao
ARCH 1010
Justin Mann
Research Topic: How does technology inform the way the Temple of Hera looks?
Intro & Thesis Statement: Temple of Hera at Olympia is built for serving the wife of Zeus and the Greek goddess of marriage, Hera. The size of
Temple of Hera is not huge, the dimensions of the temple were 18.75 m by 50 m. It is the oldest building in the site of Olympia, it was built about
600 BC, it is one of the oldest temples in Greece. The Temple was destroyed by an earthquake in 4th century CE. The first Olympic game started
here at 776 BC and maintained the tradition ever since. In modern days, people use Temple of Hera as the sacred place for lighting up the torch of the
Olympic flame. Temple of Hera at Olympia uses its environment, different styles of Doric columns, hexastyle plan and different local materials that
were used on the temple shapes the way it looks.
Location Temple of Hera at Olympia is one of the oldest temples built in Greece. The Olympia site including the Temple of Hera at Olympia is set at
the foot of Mount Kronos. (fig. 1) The Temple is located at the northwest corner of the Sanctuary ofZeus at Altis, at the top center of the Olympia site,
in between Nymphaeum of Herodes Atticus and Prytaneion. (fig. 2) The name of the mountain is named after the Greek deity Kronos. Greeks have a
long history of building architectures near or up on the top of the mountain. There are many examples in the history. TheParthenon in
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Piazza d'Italia as an Example of Postmodern Architecture...
Piazza d'Italia as an Example of Postmodern Architecture
A public place incorporated into a larger commercial complex, the fountain of the Piazza d'Italia occupies a circular area off center of the development,
which consists of buildings and open–air corridors planted with trees. The fountain is set on a ground of concentric circles in brick and masonry, and is
composed of a raised contour relief of the boot of Italy and a construction of several staggered, interconnected facades following the lines of the circles.
Each facade incorporates one of the five Classical Orders in various materials, including marble, stainless steel, artificial lighting and water. The
facades are one side of the space and the whole is surrounded by a ring of ... Show more content on Helpwriting.net ...
The Tuscan columns, for example, are fully covered in polished stainless steel and their moldings and curves have been abstracted to a minimum of
flat, conic and cylindrical shapes, striping away the entasis (5). The Tuscan architrave carries square panels of water jets which Moore's memoirs
refer to as "wetopes" (6). The horizontal molding bounding the echinus of several stainless steel capitals were made of rings of neon lights. The Doric
colonnade has no physical shafts, only cylindrical streams of pellucid water. Whilte it has the rounded echinus and and abacus, the shaft is only
suggested by the water. Some of the composite columns have angular, stylized stainless steel capitals. These had no echinus moldings, simple scrolls
for volutes ancanthus leaves merely suggested by triangles and were sprayed by more small jets of water. In their flutes, florid carved fillets were
replaced with geysers. These composite columns had the appropriate half–circle flutes on the shaft, and fairly complete moldings at that top and bottom
of the shaft. The Ionic columns possessed the simpler and more fluid Greek volutes and had the base and echinus convex molding. The alternately
concave and convex moldings at the foot of the Ionic columns were in style of Roman examples. In fact, streams of water were placed everywhere: on
the Doric architrave, the Ionic entablature, almost every pedestal, and the ridges of the Italian peninsula. Even two roundels

FaпїЅade Of St Gervais
Description of the FaГ§ade of St. Gervais – St. Protais The faГ§ade of St. Gervais designed by early 17th century French architect Salomon de Brosse
(1571–1626) was built in 1616, with the young king Louis XIII laying the first cornerstone. Different from the Flamboyant Gothic of the interior, the
faГ§ade is regarded as the French form of the Roman Baroque style, which introduced the completely new classical style to 17th century French
architecture. The faГ§ade attaching to the existing Flamboyant Gothic church is a symmetrical, three–storey structure that has traditional three bays on
first two levels and remains the central bay on the top level. The most proximate stylistic reference for this faГ§ade may be de l'Orme's frontispiece of
the ChГўteau of Anet. Instead of using unnecessary ornaments, the faГ§ade underlines the characteristics of classicism in balance, mass and clarity by
creatively using classical architectural language. Three storeys are used to cover the Gothic church behind rather than the typical two–storey church
faГ§ade. In this way, the classical dimension and proportion are maintained since the projecting Gothic aisles and buttresses make the whole visual
composition much wider. Therefore the faГ§ade is increased in height to balance the horizontal dimension. St. Gervais is regarded as a leading work
of proportion and dignity from Baroque to classical architecture. The most dominant classical vocabulary of orders is applied to the faГ§ade: from

Virgin And Child From St-Paris
During the Gothic and High Renaissance periods the increase of the churches popularity influenced many artists to depict biblical senses in their
artwork. In Virgin and Child from Saint–Denis, presents an expressive Mary delicately cradling her child Christ. In contrast Raphael's Small Cowper
Madonna uses a balance of harmony and celebration of humanity to portray an authoritative and solid painting of an affectionate Mary while holding
her son Christ.
The Virgin and Child was donated to the abbey by the French queen Jenne d'Evreux. This statue was possibly given to the queen to symbolize that her
duty as the queen is to conceive a boy to be the next heir to the throne of France. The artist intended the figure to be seen as a bond between mother and
son, with Jesus's tender touch towards his mother's chin, giving this statue a markedly human touch. One can see that this statue shows the gentle and
nurturing side of motherhood. ... Show more content on Helpwriting.net ...
The virgin at two feet tall is shown standing on a rectangular entablature. At the bottom of the entablature one can see scenes from the life of Christ
in a low relief using enamel. In her left hand she is holding the former royal arms of France or a fleur de lis which is made out of silver. In the other
hand she is cradling a young baby Jesus, with a curved head and the opposing hip popped allowing for the gothic sway to be portrayed here. The
gothic sway can also be seen in Virgin and Child from the

Mamallapuram : The Five Rathas And The Shore Temple
Mamallapuram, also called Mahabalipuram, (Mamalla meaning "great warrior") is a famous town in India that's well–known for its monuments and
temple created by the Pallava dynasty during the 7th and 8th century. The five Rathas and the Shore Temple I will be writing about in this essay
covers the history and materials that were used to build them. They are also labeled as rock–cut temples that were hallowed out of mountains carved
out of hard stone and are more connected to sculptures rather than conventional buildings constructed with blocks of polished stone. They are carved in
the "quasi–monolithic temple form." The Pancha Rathas are aligned in the direction of north to south and share a standard plinth. The five Rathas
except the Arjuna Ratha are a collection of five small stone temples accompanied by a life–size statue of a bull, an elephant, and a lion. Four of the
Rathas are carved out of a large, single piece of rock. Since each Ratha wasn't finished, they were not able to be used as a worship space. All of the
Ratha (monolithic) temples are three stories high with a base floor plan shaped like a square. The shallow recesses of the interior walls of the Rathas
have carved images of gods and demi–gods. The first temple I will be talking about is the Draupadi Ratha.
The dwelling of the goddess at Mamallapuram dedicated to Shiva's consort, Durga. The smallest of the Mamallapuram Rathas, known as the Draupadi
Ratha, is dedicated to the goddess Durga. The Draupadi Ratha

Classical Greek Architecture Essay
Classical Greek Architecture
The reuse of older art works in contemporary times is not an uncommon occurrence, and many examples can be seen throughout the day as one goes
from place to place. Even when one is browsing through the World Wide Web can many uses of older art and architecture be seen, as with the example
shown. This image was found on the internet at the American Express homepage (http://www.americanexpress.com/student/), which functions as a
resource for college students to find access to many commercial advertisements about discounts and products relevant for students. This homepage
caters mostly to students, as non–students would not apply to the majority of the goods or services available.
The picture itself is not ... Show more content on Helpwriting.net ...
The entablature and pediment rest on top of the columns, forming post and lintel construction. The entablature often contains friezes in the Ionic order,
and metopes and triglyphs in the Doric. The metopes were often painted and the triglyphs may have symbolized wood cross beams that would have
been used before the knowledge of stone construction was developed. The Ionic friezes often contained sculpted figures that relate in some way to the
functionality of the temple or building. The pediment, which rests on the entablature, usually has the shape of an isosceles triangle with sculpture that
varies from low relief to sculpture in the round.
The organization of the columns around the main body of the temple varies in about five major styles. The first three have a small rectangular shaped
building called a cella with two to four columns in front, as with the in antis style and the prostyle, or with an additional four columns in back as with
the amphiprostyle temples. The last two styles consist of a larger rectangular building divided into two rooms, one functioning as a cella. These two
styles are mainly differentiated by one row of columns surrounding the structure, called peripteral, or with two rows of columns, called dipteral. If one
looks at the picture with these standards of Greek architecture in mind, some noticeable similarities and differences occur.
The artist of this graphic, whether intentional or not, used a basic prostyle design and went from

Greek Columns And The Doric Order Of Greek Architecture
Greek architecture has survived throughout history and plays a major role in many structures today. Some of the modern structures that resemble
Greek styling and architecture are government buildings. By building some of our most important structures with Greek designs, it shows our current
emphasis on Greek architecture. There are three distinct orders, or types, of architecture. These are the Doric, Ionic, and Corinthian orders. Possibly
one of the most distinguished aspects supplied by Greek architecture is the column. Columns were prevalent in Greek society and were found in many
of their temples and important structures such as the Parthenon. The first and most simplistic order of Greek architecture is the Doric order. According
to the article, Doric Columns and the Doric Order of Classical Architecture, Doric architecture is characterized by columns that Doric columns are,
"stouter than those of the Ionic or Corinthian orders. Their smooth, round capitals are simple and plain compared to the other two Greek orders." The
capital is the very top piece of the column that connects the column to the rest of the structure, or the entablature. Unlike other orders, Greek Doric
columns did not have bases; instead the column was fixed directly on the foundation of the structure. This simplistic design was implemented on one of
the most well–known works of architecture from Ancient Greece, the Parthenon. An article titled, The Parthenon, describes how the Parthenon is a,
"Doric

How Did Greek Culture Influence Western Civilization
Greek society and culture has influenced Western Civilization in architecture. For example, churches courthouses and even the white house. Many
people believe that they are used for a sign of power. In the current era technology and convenience is harder to believe that a civilization in the greek
era was able to thrive from 1000 b.c. to 323 b.c. Fifth–century playwrights Aristophanes and Sophocles produced comedies and tragedies, respectively.
During the early days of theater, masks were used to represent a variety of emotions and to disguise male actors playing female roles. Only 44 plays
from the ancient Greeks remain today, serving as the foundation of Western theater. Doric is a minimalistic style, while Ionic columns were more ornate,
... Show more content on Helpwriting.net ...
Greek draftsmen made the initial three and massively impacted the recent two which were composites as opposed to authentic developments. A request,
legitimately talking, is a blending of a certain style of segment with or without a base and an entablature (what the section upholds: the architrave,
frieze, and cornice). The prior utilization of wooden columns in the end developed into the Doric section in stone. This was a vertical fluted segment
shaft, more slender at its top, with no base and a basic capital underneath a square math device. The entablature frieze conveyed substituting triglyphs
and metopes. The Ionic request, with causes in mid–sixth century BCE Asia Minor, included a base and volute, or parchment capital, to a slimmer,
straighter section. The Ionic entablature frequently conveys a frieze with lavishly cut model. The Corinthian segment, concocted in Athens in the fifth
century BCE, is like the Ionic yet beaten by a more embellishing capital of adapted acanthus and greenery takes off. These requests turned into the
essential punctuation of western construction modeling and it is hard to stroll in any advanced city and not see samples of them in one structure or an

The First Example Of The French Baroque Style In Paris
The faГ§ade, which was finished following the completion of the other parts of the church, is considered the first example of the French baroque
style in Paris. The existing church was built on a site, which once housed two other churches, between 1494 and 1657. The design was by Salomon
de Brosse, whose also designed the Luxembourg Palace. Baroque architecture is considered to be highly decorated with curvaceous forms, a sense of
mass and in a large scale. However, the French Baroque style implemented many classical orders and decoration. Classical architecture generally
signifies architecture which is more or less deliberately derived from the ideologies of Greek and Roman architecture of classical antiquity. the facade
introduced a completely new classical style, whereas the nave of the church was late or flamboyant gothic. Which is why this church is credited as
starting the French Baroque style.
The facade is situated up fourteen steps and features the three classical orders of architecture one atop the other. The ground floor features three bays
with pairs of fluted columns with capitals of the simplest Doric order, with a classical pediment. The Doric capital is adorned with the echinus and the
abacus. The Doric entablature is simple, the architrave is the lowest portion, and is divided into the guttae and the taenia, from bottom to top. The
frieze features triglyphs, two vertical grooves in the center and half grooves at the edges, separated by metopes, which

Similarities And Differences Of The Greek Parthenon And...
Whether simplistic or complex in style, the Greek Parthenon and the Roman Pantheon, respectively, exhibit uniqueness to their era. Each showcases
wonderful and historic characteristics of architecture throughout the passage of time. This essay will explain the similarities and differences in the
use and functionality between these two ancient temples. Although the Greek Parthenon is recognized as a temple, it is not truly known if the
Roman Pantheon was a temple, however, it is deemed as such (Cartwright, 2013). Cartwright also states the people of Greece were devoted to the
goddess Athena (2015), even though the original statue has been lost over time. Consequently, if there are any specific gods and goddesses in
reference to the Pantheon, they are not given, or maybe, not known today; speculation appears to go from one end of the spectrum to the other. The
Etymology dictionary (n.d.) does suggest it is possible, pan meaning "all" + theios meaning "of or for the gods." Each was built using one of the
classical orders of architecture and a well–known structure of their time. According to resources given, both were not the original structures; each one
is the third one of its kind to be built at, or near, the current site. Both are considered a tourist mecca in modern times. The history and heart of the
structures lie in their differences. There are three types of classical orders in Greek architecture, namely Doric, Ionic, and Corinthian. Although both
have a Classical

Early Renaissance Vs. Renaissance Architecture
Early Renaissance architecture began in the early years from 1400–1500. During this era, classicism played a huge role in architectural ideas as well as
religious, secularization, and humanist influences. This differed architecture from that time period to later mannerist architecture. Mannerism derived
from late renaissance architecture and continued through the early Baroque era in the years 1520–1600. The influences that changed the views on
early architecture were the Sack of Rome, the Copernican model of the universe, and the Protestant Reformation. The view in architecture during these
two time periods were quite different yet contained similarities due to the emerging work that was inspired from early renaissance and into later
mannerism.
"The spirit of their revolutionary painting, sculpture, and architecture arose from the new Renaissance worldview of humanism (and its accompanying
condition of secularization), which celebrated rationality and individuality and mankind's ability to make an act upon empirical observations of the
physical world. Humanist scholars and artists recovered Classical Greek and Roman texts,including Vitruvius's De architectura, and aspired to create a
modern world rivaling that of the ancients." (pg. 287)
Early Renaissance means rebirth, in this case rebirth of Greek and Roman culture. The traditional views of the Renaissance emerged as a result of the
fall of Constantinople in 1453. If the fall of Constantinople would not have occurred,

People drive past El Paso High School every day and never...
People drive past El Paso High School every day and never bother to admire the beautiful architecture of the 100–year–old building that towers above
them. I've always thought it was a striking building but, like many other El Pasoans, had no idea about the history behind why it was built the way
it was. A couple of books and a nice long look at the school, I now have a better understanding and appreciation for Henry Trost's marvelous works.
Geoffrey Wright, an El Paso architect, describes Henry Trost's grand design of El Paso High School as a "renaissance revival" in a 1991 article in the
Austin American–Statesman, which wasn't entirely accurate. Although he was inaccurate in this remark, he made another observation that was spot–on,
The building is four stories high made of brick, tile, and concrete. The east faГ§ade also has Classical features such as a frieze, dentils, cornice, raking
cornice, entablature and an architrave. The front of the faГ§ade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2). The
architectural influence of El Paso High School was from Classical structures such as the Maison CarrГ©e from NГ®mes, France (ca. 1–10 AD) as
well as the Pantheon in Rome, Italy (ca. 118–128 AD). El Paso High School's east faГ§ade and the Maison CarГ©e each have a podium with
Corinthian volutes, frieze, pediment, dentils and a hexastyle portico, which in this case is a covered area supported by six different columns (Photo
5). The differences between these two structures is that El Paso High School's east faГ§ade is enclosed on both of the far ends and only has one
engaged column on either side, while the Maison CarГ©e's faГ§ade has an open–ended side which is supported by multiple columns. The Maison
CarГ©e also sports a pseudoperipteral faГ§ade that runs around the building and El Paso High does not sport this same feature. El Paso High School
has a few engaged–columns in certain areas around the school although they are not a highly important feature, I think. El Paso High School also
shares a few things in common with one of Rome's most famous temple's, the

Essay On Wooden Porch
A wooden staircase leads to the second story of the structure's porch. The second story of the porch sits upon white painted wooden beams and consists
of a wooden panel floor. White painted wooden balustrades are present with a green painted railing on the porch's second story. The balustrades and
railing continue to the porch's addition, which is attached to the back of the Victorian structure. Positioned on the second story are three Tuscan
Columns, which support the porch's full entablature weight and roof. The window located on the right side of the porch is a nine–over–nine double hung
sash window that includes wooden moldings. The center and left windows on the second story are both six–over–six, which also include wooden
moldings. The ... Show more content on Helpwriting.net ...
Four maroon and yellow painted wooden chamfered pillars support the porch's first story. Two symmetrical maroon pilasters are positioned on both
sides of the porch. Between the chamfered pillars are yellow balustrades that are comprised of maroon railings. Leading out from the balustrades are
four wooden steps. The ceiling of the first story presents aqua green wooden panels. The addition features a maroon Sussex paneled door and a
doorframe that offerings a fanlight and sidelights. Flanking the doorframe are two symmetrical

The Italian Renaissance's Life And Life Of Filippo...
Filippo Brunelleschi The Italian Renaissance, ranging between the 1400's–1600's, was a time that continued classicism in culture, art, and architecture.
Architecture in particular applied classical vocabulary and forms to contemporary building functions and types. Many well–known individuals helped
shape this period of time, Brunelleschi included. Not much is known about Filippo Brunelleschi's early life. He was born 1377, the second son of Ser
Brunellesco Di Lippo Lapi, in Florence, Italy. While growing up in a political household, due to his father holding a distinct notary position,
expectations were held high for him to follow the same path as his father. He was even given a formal education fit for that lifestyle. Though going
against expectations, Brunelleschi followed in his brother's footsteps to become a goldsmith and joined the Silk Merchants guild. It took him a total
of six years to be awarded the title of master. He gained experience not only as a goldsmith but also in sculpting and mechanics. In 1401, a contested
sponsored by the Wool manufacturers Guild was publicly announced. It called for new bronze panels on the Baptistery doors. Seven candidates entered
the competition but only Filippo Brunelleschi and Lorenzo Ghiberti succeeded in becoming finalists. Everyone was given the same material and
subject, the Sacrifice of Isaac, but their final piece couldn't have been any more different. Brunelleschi's design featured a more humanistic approach
with drama

Essay Thomas Jefferson and Monticello
A person's house can show you a lot about that person. In my own room you would probably find that I have a big appreciation for books, but don't
you wonder what the inventor and third president's house showed you what he was like? Thomas Jefferson was a very important man; however, there
are many more sides to him than you think. Initially, the Northeast Portico displays Thomas Jefferson's deep appreciation for Architecture. Jefferson
himself got the idea for this wall from James Gibb's Book of Architecture. He used the book and designed a wall based on one of his designs. The
original blueprint was supposed to be used for an octagonal structure, and Jefferson used it for just one wall. This shows that Jefferson cares for
architecture ... Show more content on Helpwriting.net ...
Next, his Mandan Buffalo Robe also shows his understanding of history and the arts. Most painted robes were used as traditional clothing and
articles of trade for Native Americans. Some of these robes are painted with a scene usually a scene that the person receiving the robe fought in.
Meriwether Lewis and William Clark sent a package to Thomas Jefferson filled with seven buffalo robes one that had a painted scene. Putting a piece
from a famous expedition shows that he is aware that he must preserve a piece of history so that's other can look back at this piece of history. Thomas
Jefferson understands the History and Arts very much, so his Entry Hall reflects this part of him.
Jefferson's love of people and games are evident in the parlor room. The Parlor Room was filled with many paintings of important figures and friends
of Jefferson's. Benjamin Franklin, George Washington, and Thomas Jefferson Randolph are just some of the many paintings included in the parlor.
He had used this room as a place to invite friends and colleagues to come over and play games and have fun. Jefferson included many chairs, in this
room to have lots of people over and allow them to sit down whenever they would like too. The parlor room was often a place for family weddings,
dances, and christenings. A wedding is a cheerful ceremony between two families joining together. Weddings have families that bring cheer and
happiness. An anti–social person would

Old Stone Bank: A Unique Building In Providence, Rhode Island
Old Stone Bank is a very unique building in Providence, Rhode Island. Old Stone Bank contains architectural styles from several different time
periods. The architectural styles that are found in Old Stone Bank are ancient Greek architecture, and Byzantine architecture. The two most notable
features are the Greek like columns surrounding the entrance, and the Byzantine like imposing gold dome on the roof. Architectural styles used
centuries ago are often still used in today's world and Old Stone Bank is an example of that. Old Stone Bank was constructed in 1819, and it still
remains very similar to when it was created except for a couple additions. The space was used as a mutual savings bank then. In 1854, the gold dome
addition was added onto... Show more content on Helpwriting.net ...
The building contains Corinthian columns from ancient Greece architecture, and it contains a similar dome and pendentive as the Hagia Sophia from
Byzantine architecture. The architects of the Old Stone Bank did simplify and modernize some of the features because of budgetary reasons, not
having enough space, and so it could form a good balance compared to the surrounding buildings. Overall, the Old Stone Bank is a very admired and
respected building in Providence due to its use of past successful architectural

Greek Architecture
The Greek culture has had a huge impact on the history of the world. There is something Greek in almost everything, especially in the world's
architecture. Greece no longer had one king, so they focused on building temples for their gods. Architecture began small and plain but evolved into
impressive pieces of art. As time passed from the Archaic period to the Hellenistic period, the people of Greece developed a type of formula for their
buildings and their pieces of art. In Ancient Greece, religion dominated their life, so it is understandable that their architecture would be dominated by
their religion. Before Greece became many different city–states, they had kings, and they would build a room called a megaron to show they King's...
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They didn't want a column in the middle because than you would have to walk around the column to get into the temple. The most common
temples would be called hexastyle because it would have six columns in the front. If there was four columns across then it would be called
tetrastyle or eight across would be called octastyle. Another way to classify a temple is how the columns are distributed. When a temple only has
a row of columns on the front and has end walls, it is called in antis. If the temple has a row of columns on the front with no end walls, it is called
prostyle. If a temple has a front and back portico with columns, it is called amphiprostyle. The most famous Greek temples would be considered to
be peripteral, meaning that it has columns all the way around the building. The Greeks had a certain formula on how many columns would go on
each side of a peripertal temple. They would take the number of columns in the front portico and multiply it by two and add one. If your temple was
hexastyle and peripertal, than there would be thirteen columns on each side ( 6+6+1= 13). The Greeks had developed a type of formula when it came
to the construction of a temple. There is not a major difference in architecture between the Archaic period and the Classical period. During the Archaic
period they began to use stone instead of wood. Some of the most preserved remains

Similarities Between The Parthenon And Greek Pantheon
Introduction Whether simplistic or complex in style, the Greek Parthenon and the Roman Pantheon, respectively, exhibit uniqueness of their era. Each
showcases wonderful and historic characteristics of architecture throughout the passage of time. This essay will explain the similarities and
differences in the use and functionality between these two ancient temples. Although the Greek Parthenon is recognized as a temple, it is not truly
known if the Roman Pantheon was a temple, however, it is deemed as such (Cartwright, 2013). He also states the people of Greece were devoted to
the goddess Athena, even though the original statue has been lost over time. Consequently, if there are any specific gods and goddesses in reference
to the Pantheon, they are not given, or maybe, not known today; speculation appears to go from one end of the spectrum to the other. The Etymology
dictionary (n.d.) does suggest it is possible, pan meaning "all" + theios meaning "of or for the gods." Each was built using one of the classical orders of
architecture and a well–known structure of their time. According to resources given, both were not the original structures; each one is the third one of
its kind to be built at, or near, the current site. Both are considered a tourist mecca in modern times. The history and heart of the structures lie in their
differences. There are three types of classical orders in Greek architecture, namely Doric, Ionic, and Corinthian. Although both have a Classical

Greek Architecture Essay
Characteristics of Greek Architecture:–
INTRODUCTION:–
Instead of covering nearly every bit of space with ornament, as the Egyptians did, the Greeks selected only the best places for it, and thus gave it its
proper effect. The decorations, especially the sculptures, were one of the chief features of a Greek temple. Besides their temples the Greeks built many
theaters which may be studied from their ruins, but of their dwelling–houses almost nothing remains to us.
The Greek style is noted for the repose, harmony, and proportion of its effect. These are terms we might use in speaking of a painting, but they relate
to the composition of a building which is, in many respects, similar to the composition of a picture. In selecting his ... Show more content on
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The most important of the Ionic temples left to us is the Erechtheum at Athens. It differs from other temples in its irregularity. This makes it doubly
interesting for it shows that although the Greeks nearly always adhered to one simple form, they could dispense with it when they wished. In the
Erechtheum, they wished to provide for several shrines in one building, and under one roof. The irregularity they have made so beautiful and
interesting that it is a wonder they did not repeat the idea many times in other structures. Its two colonnades of different designs, its remarkable north
doorway, and the famous caryatid porch to the south are unsurpassed. Another temple, that of Artemis (Diana) at Ephesus, was known as one of the
seven wonders of the ancient world.
THE GREEK CORINTHIAN ORDER:–
This is the most ornate of the classical orders, and the most slender in its proportions. The capital is shaped somewhat like a bell inverted, and is
adorned with rows of acanthus leaves. A great example of the, third, or Corinthian order is the monument of Lysicrates at Athens.
"Straight is the line of duty."
"Curved is the line of beauty"
"Follow the one and it shall be; The other shall always follow thee."
For such reasons, Greek architecture was called "Intellectual".
"Where on the Aegean shore a city stands,
Built nobly, pure the air and light the soil;

Athens, the eye of Greece, mother of arts and

Doric Temple Research Paper
Using suitable examples, briefly describe the form and origins of the Doric Temple, and discuss the level of refinement achieved by the Parthenon
At the start of the Archaic period Greek civilisations began to outgrow the capabilities of the lands they owned. This led to them setting out in search
for new land and territories to inhabit. These new territories expanded around Sicily, Southern Italy, North Africa and the Eastern Mediterranean and
were set out in a grid like plan that the Greeks were known for developing. These new colonies were usually laid out in a rectangular form with a
defensive wall surrounding the perimeter. There would be a centralised point in which everything was built around. This point tended to be a temple or
market ... Show more content on Helpwriting.net ...
These optical refinements are seen as just another major architectural innovation achieved by the Parthenon. The columns have an inward tilt to create
the illusion of perspective in the elevations. Every vertical member of the temple is inclined. The impression of horizontal perspective on the facades is
created by the contraction of the columns at the corners, this is repeated in the metopes next to the corner triglyphs. The column shafts are given the
illusion of being straight with barely visible swelling. The horizontal members of the Parthenon all display the same level of convexity, this includes the
architrave, the frieze and the cornice, as well as the stylobate. All of these precise adjustments made to the structure make the Parthenon appear sharper
and emphasise right angles.
As said by John Julius Norwhich;
"The Parthenon...enjoys the reputation of being the most perfect Doric temple ever built. Even in antiquity, its architectural refinements were legendary."
With a Doric/Ionic hybrid the Parthenon manages surpass all other Doric temples. Doric temples are renowned for being simplistic and rather basic.
The Parthenon is anything but simple. The level of technical detailing is huge. The high level of craft and sculptor taken from Ionic temples and
implemented into a Doric design reflects the wisdom and power in which Athena stands for, yet incorporates

The Development of Greek Architecture
Construction of buildings for different purposes has been around through out the entire history of human existence. It was simply essential for survival.
It used to be like that in the beginning, but then it took a little bit different aspect. It evolved from very simple and primitive shelters of cavemen to
very elegant and big scale buildings constructed by various nations. Each one of them tried to invent something new and tried to advance forward
already known building principles. Many of them have succeeded to certain extent, but the Greeks made the greatest impact with introduction of the
famous Ionic, Doric and Corinthian styles. The Ionic style is thinner and more elegant. Its capital is decorated with a... Show more content on
Helpwriting.net ...
The spaces between the triglyphs are the metopes. They may be left plain, or they may be carved in low relief. Because the metopes are somewhat
flexible in their proportions, the modular space between columns can be adjusted by the architect. Often the last two columns were set slightly
closer together, to give a subtle visual strengthening to the corners. Early examples of the Doric order include the temples at Paestum, in southern
Italy. The Corinthian order is one of the Classical orders of Greek and Roman architecture, although it was seldom used in Greek architecture. The
Corinthian order was said to have been invented by an architect, Callimachus, who was inspired by the sight of a votive basket that had been left
on the grave of a young girl. A few of her toys were in it, and a square tile had been placed over the basket, to protect them from the weather. An
acanthus plant had grown through the woven basket, mixing its spiny, deeply cut leaves with the weave of the basket. A Corinthian capital may be
seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes at the
corners, perhaps reduced in size and importance, scrolling out above the two ranks of leaves, and the smaller volutes scrolling inwards to meet each
other on each side. The

Neoclassical Architecture and Its Foundations
Neo–Classical Architecture and its Foundations Classical architecture is something that almost anyone can appreciate because there are traces of it
everywhere. Greek and Roman cultures have had a major influence on today's architecture but it all stems from the classical architecture that was
created centuries ago. The present example is Neoclassical Architecture which first appeared in 18th century France and in America, it was promoted
by the legendary Thomas Jefferson as the Federal style. During the Neoclassical period, the ideas of balance, harmony, and idealism resurfaced and
were once again popular. Now sit back and prepare to be taught a thing or two about architecture and where most of the main principles and ideas came
On a Doric column, the frieze contains a metope which is a section that is usually carved out and alternates with triglyphs. Triglyphs basically
consist of a panel with three vertical grooves. Next in the entablature is the guttae, configured of a row of stone studs on the bottom of the
entablature. Finally, the cornice makes up the top projecting section of the entablature. The Corinthian style was not used nearly as much as the
Doric or Ionic styles by the classical Greeks. Its capital is extremely elaborate and decorated with acanthus leaves. Corinthian is by far the most
ornate of all the Greek orders, and was also the latest to develop. It did not arrive on the scene in full roar until the middle of the 4th century BC. The
oldest known example of the Corinthian style is the temple of Apollo at Bassae (c. 420 BC). However, the best known example of this style is the
temple of Zeus at Athens. The second major influence on Neoclassical architecture is that of the ancient Romans. Roman architecture that still stands
today is a testament to the ability and knowledge of a once great civilization that at one time covered three continents. The Romans were the pioneers of
modern architectural engineering, they learned from the Greeks and then developed and expanded those skills. A unified form of architecture gave the
Roman empire a unique style. Roman ruins can be found

The Influence Of Classical Greek Architecture In Carlisle
Classical Greek Architecture in Carlisle
The influence of Classical Greek Architecture on modern architecture is evident all over Pennsylvania. Carlisle, in particular, is full of old buildings
that utilize the styles of the Greek Classical Period. The Old Cumberland County Courthouse is a perfect example of how the architectural styles of the
Classical Period have been carried out through time. This building is a historical landmark, located in downtown Carlisle, which was built in 1846 and
currently serves as the housing of county offices (Cumberland Civil War). The columns and structure of the old courthouse mostly follow the
Corinthian order but are also influenced by the Doric order in its simplicity. Both orders were used together to express the purpose of the building,
which can be observed just by looking at the building. The design and structure of the old courthouse may have also been influenced by later
architects such as Filippo Brunelleschi and Thomas Jefferson. However, the classical styles of the building are obvious and reflect the building 's use
quite well.
The first noticeable characteristic of The Old Cumberland County Courthouse are its' four huge Corinthian columns. The column 's base appears to be
two stacked rings holding up the shaft, which bears the flute and fillet pattern that is consistent with the Corinthian order (Fiero 124). However, this
pattern of flute and fillet can also be found in the Ionic order (Fiero 124). The column 's vertical

Benedict Biscop And Wearmouth Essay
One monk that followed in Wilfrid's footsteps was Saint Benedict Biscop 's who established Roman style churches and monastic communities in
Britain. The most prominent of these monastic communities were the monasteries he built the first being a monastery dedicated solely to St. Peter,
near the mouth of the river Wear, on the north side this establishment is often referred to as Wearmouth. St. Benedict Biscop wanted Wearmouth to
resemble the stone Roman style churches he had always admired and went to France to retrieve masons. When Wearmouth was near completion, he
sent for glaziers from France to glaze the windows in the body of the church, chapels, and clerestory these craftsmen were unknown in Britain at the
time. They helped the English

Characteristics Of Greek Architecture
Greek Architecture:
The Architectures of Greek was produced by the Hellenic group of people who used to speak Greek as a language. Ancient Greek is very well known
for its architecture of temples and also the architecture of open air theatres. Ancient Greek architecture is distinguished from other architectural work in
terms of its structure and decoration. The temples mainly were constructed on high grounds, so that elegance of its proportion can be visible and the
effect of light can be seen from all angles. Greek architecture was all about simplicity and symmetry.
Ancient Greek architecture is divided into three main architectural styles Ionic, Doric and Corinthian.
The domestic buildings in the Greek time period used to have open porches ... Show more content on Helpwriting.net ...
The temples in those days did not function in the same way as today. Temples then were a storage for the treasures associated with the cult, where the
devotees would leave their offerings such as helmets, weapons and also statues for the god. Public spaces more gracious and dignified and would have
similar architectural properties so that they could relate to each other.
The architecture of ancient Greece is a composition of posts, which are the vertical beams and lentils which are the horizontal beams. Originally, for the
construction of the buildings wooden beams were used, but later they were replaced with stone for stronger structural support. Some of the temples
which are still standing were made with stones.
The entablature is a horizontal structural element which supports the roof and runs around the entire length of the building. In case of Ionic and
Corinthian, the decoration or sculpting runs in a continues manner throughout. But in Doric it is divided into two sections Metopes and Triglyphs.
Triglyphs are the vertical grooves and Metopes are the space between each Triglyphs. In the front and rear of each temple, the entablature supports a
triangular structure known as the Pediment. The pediment is known for the extraordinary decoration on the exterior of the

Architecture Of The Parthenon
Located in Athens, Greece; The Parthenon was built from 447 BC to 432 BC. The temple served two main purposes: First, It was built in dedication
to the goddess of Athena, which held the Statue of Athena. People believed that she helped the Greeks conquer the Persian Empire in the Persian
Wars as well as watched over them and the city. Second, it was a branch of the state treasury at the time it was built. Under the supervision of the
sculptor Phidias, two architects were given the credit in the design of The Parthenon. The architects were Iktinus and Kallicrates. Phidias was a very
distinguished sculptor and architect at the time when the Parthenon was being built, he oversaw all of the art and sculptures that were going in the
Parthenon. While Iktinos and Kallikrates oversaw the structural aspect. "The Parthenon was a creation of a free democracy, initiated, controlled, and
approved by popular assembly and its judicial organs" (Bruno 111) The Parthenon itself had replaced an older temple of Athena that had been
destroyed by the Persians in 480BC. After the invasion of Greece, multiple city–states came in agreement to create a military called the Delian League.
Vast amounts of resources, including warships, were donated by the city–states. Thus the construction of the Parthenon began in 447 BC. The
Parthenon measures 101 feet by 228 feet and stands approximately 30 meters tall. Utilizing limestone rock for the foundation and Pentelic marble was
used to make the columns,

The Parthenon At Athens
The Parthenon at Athens is a Doric temple, eight columns wide by seventeen deep, but it incorporates Ionic attributes, such as slender column
proportions and use of the Ionic order in its western opisthodomos or rear porch. The temple represents the Culmination of the Doric order. It stands
on a platform or stylobate of three steps (krepidoma), as per the Doric order. In common with other Greek temples, it is of post and lintel construction
and is surrounded by columns ("peripteral") carrying an entablature (the superstructure of moldings and bands which lie horizontally above columns,
resting on their capitals). The use of eight columns across the gable end, which is unusual in the Doric order, clearly has connections to earlier Ionic
temples.

Research Paper On Greek Architecture
The Greek architecture, especially public commemorative building usually are single–storey and simple rectangular form. According to the number
and arrangement of the building column to made different building form. The temple of the Pantheon was surrounded by columns and the columns of
Temple of Athena Nike are placed in the front and back of the building. Therefore, the column, basic and entablature are the key to decide the level of
art and style of the building. Moreover, Greece is designed buildings as a sculpture with a beautiful look from the outside view. Greek architecture
was mean to be viewed as a piece of art that would give pleasure to the gods. Ornate exteriors of the buildings, pediments, metopes and the relative
drabness of the interiors are the evidence which is easy to see.
The front of Ancient Greek temple building was form a triangular profile call pediment which is decorated with reliefs. The other ... Show more content
on Helpwriting.net ...
The vertical and horizontal proportions of the temple and many detail of the building like the spacing between the columns and their height is decided
by this radio. The base area of the Parthenon Temple is not completely horizontal, but the middle is raised and tilted in all directions like the arc of
the arch, so the location to display the column and the angle to be tilt must be calculated carefully and precisely. Also the extension of each column
will be cross together in 3.2 km outside the high–altitude, this purpose is corrected the visual parallax of the human. When people look up in any
direction, the temple seen to be entirety straight that make people feel constant, firm and strong centripetal force. This temple is used store to be the
main material so the construction is hard and complicated but Greece was completed

The History of Greek Architecture Essays
The History of Greek Architecture
The architecture of ancient Greece is represented by buildings in the sanctuaries and cities of mainland Greece, the Aegean islands, southern
Italy and Sicily, and the Ionian coast of Turkey. Monumental Greek architecture began in the archaic period, flourished through the classical and
Hellenistic periods, and saw the first of many revivals during the
Roman Empire. The roots of Greek architecture lie in the tradition of local
Bronze Age house and palaces. The following paper will cover the basic forms of Greek architecture.
One of the many types of Greek building structures was Sacred
Architecture. The Greeks conceived of their gods in human form, as
anthropomorphic ... Show more content on Helpwriting.net ...
This era brought about the introduction of both the Doric and Ionic Orders.
The Doric Order, which originated around 400 BCE brought rise to a whole new type of building technique and style. In the archaic temples, stone
gradually started to replace wood, and some of the structural details of the early buildings appear to have been copied in stone. At Thermon, in
northwestern Greece, a succession of buildings from the Last Bronze Age throughout the sixth century BCE show the evolution of the Doric temple
from a hall shaped like a hairpin to a long rectangular building with a porch at either end and surrounded by columns. The temple of Hera at
Olympia, built about 600 BCE, had wooden columns that were gradually replaced by stone ones, probably as votive gifts. The variety of column and
capital shapes illustrates the evolution of the Doric order. The earliest columns had a heavy, bulging profile, and their capitals were broad and low.
During the archaic period, limestone became the standard building material for foundations, steps, walls, columns, and Doric entablature. Building
such as the famous Temple of Aphaia on Aegina illustrate the dramatic influence of the Doric order.
White the Doric order became the standard for mainland Greece, the
Ionian colonies in the eastern Aegean were developing a very different system of columns and entablature based on Egyptian and Near Eastern
architecture. The tall slender columns, low entablature, and

Casual Observation: Marrying Ancient Greek Architecture
Casual Observation: Marrying Ancient Greek Architecture to a Modern Structure A client recently experienced the ancient ruins of Greece for the first
time. Three ruins stood out to her: the Parthenon, the Erechtheum, and the Temple of Olympian Zeus at Athens. The client has asked a designer to
draw inspiration from these ruins and too incorporate the observable attributes into a design for a pool house project on the client's property. The
designer will employ the research method of casual observation along with content analysis to systematically record details and attributes found in the
ruins the client witnessed. The designer will use photography, sketches, and document details visible in the three structures the client wants... Show
more content on Helpwriting.net ...
The designer, because of the knowledge gathered, will recognize an issue that will have to be addressed when incorporating the attributes of these
ruins. The designer will have to advise the client that each ruin belongs to a different order. The Parthenon is a representation of theDoric order, the
Erechtheum the Ionic order, and the Temple of Olympian Zeus the Corinthian order. The designer and client will have to work through the problem
and determine if aspects of each order from each ruin should be incorporated into the project. This could create the additional issue of whether the
client wants this project to stay historically accurate since incorporating multiple orders could hamper the design. An additional option is for the client
and designer to focus solely on one ruin keeping the new design a historically accurate reinterpretation. These are all issues and questions that the
designer and client will have to address in order to successfully complete the new

The Influence Of Thomas Jefferson's Monticello In...
Thomas Jefferson designed his home the Monticello in Charlottesville, Virginia. The house is a Neoclassical structure made out of brick, glass,
stone, and wood. As the father of the American Revolution, his ideas were inspired by the classical antiquity he saw during his travels to Europe
and so the house's structure was based on the movement seeking to reinvent classical ideas. Jefferson viewed art as a powerful tool, believing it
could provoke social change, inspire the public to seek education, and develop a general sense of the Enlightenment to the American public. Jefferson
believed scale and public nature of architecture had the ability to fulfill the aspirations of a skilled orator, by having the ability "to Teach, to Delight,
and To Move." When Jefferson began designing his home he strayed away from the typical Wren–Baroque architecture common in Virginia because it
was seen as too British for the North Americans. ... Show more content on Helpwriting.net ...
The construction of the house began in 1768 till 1809, during this time Jefferson was largely influenced from his travels to Europe that he redesigned
and rebuilt the home to fully integrate the ideals of French neoclassical architecture. The Monticello has symmetrical interior design, stucco applied to
trim, tall French doors and windows (allowing for circulation in the summer), with an octagonal dome. Jefferson was obsessed in saving space and
was inspired by the Palladian villas in Italy. By introducing classical architecture to the U.S, Jefferson intended to reinforce the ideals of the classical
past; democracy, education, rationality, civic responsibility. All in all, Jefferson built a home to represent the symbolic nature of architecture and
designed the home to speak the democratic ideals of the

Sant Ivo Research Paper
In the 1500s under the reign of Pope Gregory XIII (7th January 1502–10th April 1585) work began on a structure that would maintain a university
upon its grounds. This structure was known as the Palazzo della Sapienza, designed by Giacomo Della Porta (1533–1602). Giacomo Della Porta was
responsible of designing and overseeing the project and he did so by designing a two–story colonnade which went around the courtyard. Before the
project could be finished Giacomo Della Porta pasted away 1602. Thirty years later the task of completing this structure was passed on to Francesco
Borromini ( 25th September 1599–2nd August 1667) to complete, he was also given the task of refurbishing and replacing a 14th century old chapel
on site with a proper church.... Show more content on Helpwriting.net ...
Its arrangement is in light of a lobed hexagon, that is a hexagon with ostensibly bended sides, and it is totally rendered in white. The drum remains on
a low loft plinth, and has six windows, one for every projection. These are on the other hand round–headed and gabled, yet are inside indistinguishable
tall rectangular confined breaks. Within dividers and arch of the rotunda were secured by Borromini with models and themes. On each restless and
round area there are sections of stars paving the way to a blessed messenger's face with wings. One nearby discernible contrast between the round
portions and the restless ones is trГ©hat the round ones show a theme of six eggs in a pyramid arrangement with three crowns holding them together
while the tense sections display a bunch of blossoms held together by a solitary crown. Every window is flanked by a couple of Corinthian pilasters
with the Chigi star in their capitals (the same configuration highlight happens inside the congregation). Additionally, the corners between the flaps have
tripled pilasters of the same structure. The pilasters bolster an entablature running round the roofline of the drum, and rather abnormally the cornice of
this has a line of human heads underneath it. Over every window break is a round tondo containing the Pamphilj dove, which is put over the

Parthenon Essay
Jeffrey Hurwit: The Parthenon was the greatest monument in the greatest sanctuary of the greatest city of classical Greece. It was the central repository
of the Athenians' very lofty conceptions of themselves. It was the physical, marble embodiment of their values, of their beliefs, of their myths, of their
ideologies. And it was thus as much a temple to Athens and the Athenians as it was to their patron goddess, Athena herself. Because it played such a
crucial role in the Athenians' construction of themselves, it remains one of the principal legacies of Greek civilization to western civilization and our
own. Greek architects provided some of the finest and most distinctive buildings in the entire Ancient World and some of their structures,... Show more
content on Helpwriting.net ...
Greek architects created the first three and hugely influenced the latter two which were composites rather than genuine innovations. An order, properly
speaking, is a combination of a certain style of column with or without a base and an entablature (what the column supports: the architrave, frieze, and
cornice). The earlier use of wooden pillars eventually evolved into the Doric column in stone. This was a vertical fluted column shaft, thinner at its
top, with no base and a simple capital below a square abacus. The entablature frieze carried alternating triglyphs and metopes. The Ionic order, with
origins in mid–6th century BCE Asia Minor, added a base and volute, or scroll capital, to a slimmer, straighter column. The Ionic entablature often
carries a frieze with richly carved sculpture. The Corinthian column, invented in Athens in the 5th century BCE, is similar to the Ionic but topped by
a more decorative capital of stylized acanthus and fern leaves. These orders became the basic grammar of western architecture and it is difficult to
walk in any modern city and not see examples of them in one form or

The Three Characteristics Of Order And Architecture In...
In general, 'Order' is divided into three parts: the capital, the column, and the base. Each 'Order' does not only have its special form and decoration,
column diameter also is the standard dimension that to form the proportion of column height and pillar even the size of the whole building. It is easily
identified by means of the proportions and profiles and different aesthetic details as well.
Greece like to use Order even they know Arches because the technique is easy and the space is comfortable to suit the human regular activities.
Moreover, Greece people make the Order perfect and criterion that can't change or edit so still look good and beautiful even 'copy and paste' in
different building. Although Roman use the Arches to build the large building, it didn't eliminate the Order. In addition, it continues to be widely used
in architecture today ... Show more content on Helpwriting.net ...
The column has 24 grooves and specific entablature which is curved tapering in the column shaft. The entablature is the part of the roof that leans on
top of the column and composed of the architrave, frieze and cornice. It is unlike the Doric Order that the Ionic column is erected on a base that
separating the column to the platform of the building. In chapter four of" Ten Books on Architecture" told that 'when they desired to construct a temple
to Diana in a new style of beauty, they translated these footprints into terms characteristic of the slenderness of women, and thus first made a column
the thickness of which was only one eighth of its height, so that it might have a taller look. At the foot they substituted the base in place of a shoe; in
the capital they placed the volutes, hanging down at the right and left like curly ringlets, and ornamented its front with cymatia and with festoons of
fruit arranged in place of hair, while they brought the flutes down the whole shaft, falling like the folds in the robes worn by

Greek Ancient Athens
The city–state of Athens is a part of the Greek Archaic cities. The history of Athens dates back to 3000 BCE, where the earliest evidence of occupation
is documented, but the focus here is on Athens in the Archaic Period, which dates from 800–500 BCE. During this period there were a large variety of
features that were detailed in the accounts of the city's society and history. The center of the city is dominated by two hills, the Pnyx and the Acropolis.
Pnyx is where the Popular Assembly held its meetings. The Acropolis was the fortified center, then later became a religious sanctuary, the home of
Athena, the patron goddess of the city, and a host of other deities. During the 6th century the Athenian Empire was at the peak of its power under...
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The Parthenon is a Doric Temple with Ionic Feature. Doric order was characterized by rectangular shape, a levelling course, three steps on top of the
levelling course, as well as the stylobate on top of the steps marking the floor of the temple. The temple consisted of cult rooms surrounded by the
colonnade. Doric columns stand directly on the stylobate. The concave grooves of Doric fluting end in a sharp line, or arris. The Doric capital consists
of two parts, the round echinus, and above it, the square abacus. The capitals form the transition from the column shaft to the entablature. The
entablature consists of three main parts–the architrave, the frieze, and the cornice. The architrave rests on the columns and left plain in the Doric style.
The frieze, in which the triglyphs alternate with the metopes. The cornice, which forms the eaves along the sides of the building, and at the short
ends, the base for the gable, the broad triangular space. This space is bordered with a horizontal course and two slopping courses. The Ionic features
that the Parthenon posses are a continuous sculpted frieze, as well as four Ionic columns supporting the roof of the

Early Renaissance Brunelleschi
During the first half of the Early Renaissance Brunelleschi's architecture incorporated classical influences. In Brunelleschi's building, he incorporated
a longitudinal/ basilica plan and also created a flat ceiling to give it a more human scale. The building includes classical references like coffers and
arcade, while also including arcaded columns, which form the side aisles and shallow side chapels. The building was also mathematically designed in
a geometric form. The building of San Lorenzo was a starting point, which later evolved when other architects like Alberti came along.
During the second half of the Early Renaissance Alberti's architecture also incorporated a lot of classical influences, but Alberti also brought a long a
few

The Classical Period Of Greece
The classical period in Greece ushered in great reformation, in which the city of Athens was placed on the map for its works of art, design and culture.
The coordinator of such a vast change was Pericles , who in the fifth century BC, brought about the city's most important buildings, namely the
Propylaia, the Erechtheion and the Parthenon. Perhaps the finest example of architecture in the Periclean Acropolis, the Parthenon was also an
inspiration for many artists, philosophers and writers alike. The building's siting, detailing, use of materials and cultural significance also contributes to
its claim to being the epitome of Ancient Greek architecture.
Overlooking the city of Athens, the Acropolis was constructed to celebrate the Athenian... Show more content on Helpwriting.net ...
Accessible only to the clergymen, the sites at the Periclean Acropolis, were used as a place of religious rites and performances of the utmost
importance. The eminent features and characteristics of most Greek temples were exemplified in the first temple constructed, the Parthenon, "perhaps
the purest expression of classical form ever created ". The idea of the Parthenon being the finest temple in the Acropolis is further continued due to its
particular placing within the citadel itself. The eye is drawn in the general direction and is almost trained to focus on that particular temple. It is
obvious that the architect's first work presided in importance over the rest of the temples in the Acropolis.
The Parthenon's position on the Acropolis dominates Athenian skyline. Athens being the heart of the Greek empire and also being the capital of
modern day Greece leads to the conclusion that perhaps it was the architect's original plan for the Parthenon to be the quintessential expression of his
work and also Greek architecture as a whole.
By far the grandest building in the Periclean Acropolis, the Parthenon design was heavily influenced by 'Ten Books on Architecture', written by
Vitruvius. As the Roman engineer stated in his magnum opus, a building must exhibit three virtues of "Firmitas, Utilitas and Venustas ", roughly
translated to "firmness, a sense of utility and beauty" and this can be seen to extend to the design of the

Mythology Retold Through Entertainment Outlets Essay
Mythology Retold Through Entertainment Outlets
The world of Art and Architecture has continually provided the tools to communicate many differing concepts or ideas such as political ideologies like
socialism to simple folk–tales or intricate narratives. The elements of Greek Art and Architecture and its direct connection to mythology is the main
focus of this essay. I will present the comparison of a "new" representation of a Greek Temple used in theset design of, The Clash of the Titans; to the
original where its influence is traced to the classic of all Greek Temples, the Parthenon. By illustrating this comparison of new to original, I hope to
communicate the idea of how contemporary society has attempted to retell mythology ... Show more content on Helpwriting.net ...
Argos, located upon the eastern coast of Peloponnese ( a region of Macedonia ) is considered the western area of Greece from where the Doric order
originated from. The Doric order is represented through this sensationalized work of film through the columns of the architecture destroyed by one of
nature's elements. It is through this romanticized version of mythology in film, that Greek mythology as well as history has reached a wider audience.
The influence for which the set design of The Clash of the Titans was based upon the High Classical period, where the differing orders were
clearly represented. The original I have chosen is one of the most well known Greek Temples, the Parthenon; it is the most influential of the
architectural monuments as well as one of the most admired. The Parthenon was built as a temple to honor the Goddess of War, Wisdom, City and
Civilization, Athena; she was deemed the protector of Athens, where the temple is located. The construction of this temple at the Acropolis began
around 490 BCE and ended in 438 BCE. The Parthenon itself was a composite of both Doric and Ionic orders as it was located in between the
eastern and western regions of Greece. The Doric order of the Parthenon is what will be stressed for its significance, as it related to the Temple located
in Argos.
The Parthenon as a well known architectural icon has had major influence upon all other reconstruction of Greek

Compare And Contrast The Parthenon And The Pantheon
The Parthenon located in Athens Greece was completed sometime after 432 B.C and represents to many the evolution of the Athenian leagues
expansion of imperial power. The Pantheon located in Rome Italy was completed sometime before its dedication in 126 A.D. Pantheon, meaning
"Temple of many Gods" unlike the Parthenon's example of expanding power, the Pantheon representedRome's devotion to many Gods and eventually a
(singular) God when it switched from Temple to a Church in the 7th century. In this essay we'll be exploring the similarities and differences that exist
between these two imposing and incredibly historical buildings.
The most obvious differences of the two structures are the age ... Show more content on Helpwriting.net ...
The height to the oculus and the diameter of the interior circle are the same, 142 feet. It's believed that continuous use as a Church beginning sometime
in the 7th century A.D has contributed to its longevity today. The Parthenon can be rented for special occasions today but its longevity is largely
attributed to its architectural significance but also its materials, artistic value and location sitting 150 meters above sea level on the outskirts of Athens
Greece. Currently being restored. Similarities of the two structures lend themselves, not only to the value and appreciation of classical architecture over
the centuries, but also the blend and variety of the artistic expression and elements applied to adorn them. Even today when conceptualizing a structure
to exude power, stability coupled with artistic expression and contemplation, both the Pantheon and the Parthenon, among others, establish this
foundation. Timeless similarities that won't soon be replaced, even with modern day advancements. In closing, long before the birth of Christ, a
medium was established as the template of power in all its forms. Regarded today as classical architecture, grand staircases leading to towering columns
of stone and marble supporting entablatures of asymmetrical roof lines adorned with beautiful sculptures floating and peering down upon its visitor's
with

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