Italian Painting From The Baroque Era

Italian Painting From The Baroque Era
Martin Luther's Protestant Reformation had really stirred the religious pot. In the early 1600's, the Catholic Church responded with the Counter
Reformation which propelled the Baroque movement and its artistic aim of making Catholic theology appeal to the masses. Biblical stories with drama
and movement were some of the ways Baroque artists sought to engage the viewer. Baroque dominated most of the seventeenth century Europe and
later developed into the Rococo style later during the eighteenth century. Begun in the 1700's, the Rococo Era was art of the aristocracies for the
aristocracies. It was technically flashy, but without deep thought or emotional drama, the Rococo celebrated the leisure activities of the upper class.
The Rococo style is above all an expression of wit and frivolity. Rococo style signaled the shift from Rome to Paris as the new capital of culture and
fashion in Europe. Both styles were influenced by political, social and religious factors, and there are profound differences between the two styles.
For this essay, I chose to compare an Italian painting from the Baroque era with a French painting from the Rococo Era. The two paintings I chose to
compare and analyze are Luca Giordano's Martyrdom of St. Bartolomeo, and Jean–Marc Nattier's Terpsichore, Muse of Music and Dance.
Luca Giordano's Martyrdom of St. Bartolomeo from ca 1660 is a painting of martyrdom, in which the human suffering of the saint is shown against a
dark background. The painting is in
... Get more on HelpWriting.net ...

Baroque Art And The Baroque Era
Baroque Ornamentation
The use of ornamentation in Baroque music was a creative, and sometimes improvised outlet for period musicians that spurred from human instinct to
manipulate melodic material. This urge to change melodic material by altering the rhythm, or melody can be seen throughout history.Music including
Gregorian chant, which predates the Baroque era, contains some elements of ornamentation. It can be seen throughout the Baroque, Classical era, and
even in modern music. Although improvisation has been repressed by modern conventions of performance, it shows itself in the style of improvised
jazz and avant–garde free improvisation. Performers use improvisation as a means of self–expression and a way to express composer intent. During the
Baroque era, there were many different styles and methods of ornamentation depending on location, style, date, and composer of a piece of music.
Understanding the historical developments of the Baroque era and the development of ornamentation can help modern performers of Baroque music
better understand how to play a more historically accurate performance. The Baroque era lasted from about 1600 to 1750. The music from the Baroque
began to develop contrapuntally and in harmonic complexity. Composers also relied on the performers ability to add ornamentation and to complete
the harmonies in a basso continue score through improvisation. These scores consisted of a bass line with numbers and symbols written above, to
indicate the

Baroque And The Baroque Era
I. Baroque (began around 1600–1750).
A. The Baroque era began as artists were disgusted against the approach of Mannerist art. The Baroque art movement combines dramatic works of arts,
beautiful details, and emotionally stimulating subject matter to give the viewer a powerful visual experience (Devlin, E. L. 2013) B. Artwork
significant to the movement
пѓјMerisi, M. (1601). "Caravaggio, Conversion of Saint Paul" [oil on canvas 7' 6" x 5' 9"]. Cerasi Chapel, Santa Maria del Popolo, Rome. In F. S.
Kleiner (Ed.), Gardner's art through the ages: The Western perspective (14 ed., Vol. II, p. 570). Boston, MA: Wadsworth, Cengage Learning.
пѓјMerisi, M. (1603). "Caravaggio, Entombment" [oil on canvas 9' 10 1/8 x 6' 7 15/16"]. Pinacoteca, Musei Vaticani, Rome. In F. S. Kleiner (Ed.),
Gardner's art through the ages: The Western perspective (14 ed., Vol. II, p. 570). Boston, MA: Wadsworth, Cengage Learning.
II. Impressionism (began around the late 19th century) A. Impressionism, both in content and in style, was an art of developed, urbanized Paris, a
reaction to the sometimes brutal and chaotic transformation of French life that occurred during the latter half of the 19th century (Hubbard,2001). B.
Artwork significant to the movement
пѓјMonet, C. (1877). "Saint Lazare Train Station" [oil on canvas 2' 5 Вѕ x 3' 5"]. Muse d' Orsay, Paris. In F. S. Kleiner (Ed.), Gardner's art through the
ages: The Western perspective (14 ed., Vol. II, p. 692. Boston, MA: Wadsworth,

Baroque Era Research Paper
Rhianna DiGiaimo
Baroque
Tuesday 8:30
Materials and Props
"What is the Baroque period and why is it so important?" is something one might ask when unsure of art periods and how influential they are to us
today. The Baroque period was a time in the sixteenth century when style was exaggerated, gardens started to become more elaborate, power was on
the rise, and straight lines in architecture were all the rage. However, one might not know that the Baroque period in Italy, born in
Italy, that it entered France through various artists. French artists of the time were inspired not only by paintings in Rome (the main center of innovative
ideas), but also by works from the Venetian Renaissance.
During the late sixteenth century in France, they endured ... Show more content on Helpwriting.net ...
Bibliography
"Architecture in France in the Seventeenth Century." Arts and Humanities Through the
Eras , edited by Edward I. Bleiberg, et al., vol. 5: The Age of the Baroque and
Enlightenment 1600–1800, Gale, 2005, pp. 17–29. Gale Virtual Reference Library , http://link.galegroup.com/apps/doc/CX3427400798
/GVRL?u=fashionidm&sid=GV RL&xid=060e27d3. Accessed 23 Apr. 2018.
"French Baroque." Art That Changed the World , DK Publishing, 2013, pp.
[190]–199. Gale Virtual Reference Library , http://link.galegroup.com/apps/doc/CX6510300028/GVRL?u=fashionidm&sid=GV RL&xid=11634ed8.
Accessed 23 Apr. 2018 .
Miller, Judith. "Style Guide: Baroque and Rococo." Antiques Investigator , DK
Publishing, 2009, pp. 12–13. Gale Virtual Reference Library , http://link.galegroup.com/apps/doc/CX2113800010/GVRL?u=fashionidm&sid=GV
RL&xid=ed035a8d. Accessed 23 Apr. 2018.
Tortora, Phyllis. "Europe and America: History of Dress (400–1900 C.E.)."
Encyclopedia of Clothing and Fashion , edited by Valerie Steele, vol. 1, Charles
Scribner's Sons, 2005, pp. 418–428. Gale Virtual Reference Library , http://link.galegroup.com/apps/doc/CX3427500196
/GVRL?u=fashionidm&sid=GV RL&xid=30e09a44. Accessed 23 Apr.

Essay on The Baroque Era
The Baroque Era
Baroque music a style of western art music and was composed from approximately 1600s to 1750s. This era took place after the Renaissance era and
before the Classical era. The word "baroque" is derived from the Portuguese barroco, or "oddly shaped pearl" ("About"). The term has been used a lot
throughout the nineteenth century to describe the period. Some known music familiarities from the era are Pachelbel's Canon and Vivaldi's The Four
Seasons. This era not only connected to the art of music but it helped with the acceptance of Copernicus's 16 the century theory. A theory that stated
that "planets didn't revolve around the earth" ("About"). A lot of important people with great accomplishments existed... Show more content on
Helpwriting.net ...
He was born in Venice and was trained in music since a kid. He wrote over five hundred concertos and some believe that he invented ritornello. His
music was mainly discovered until the early 1930's. Some of his popular works are "The Four Seasons, Gloria and Con Alla Rustica in G" (Green).
Other artists to note are George Philipp Telemann, Arcangelo Corelli, Henry Purcell.
Characteristics of baroque music, it became more dramatic and rhetorical. Baroque music expresses order. The Baroque period was the era that created
tonality. Tonality is a musical system in which pitch relationships are based on tonic triad. At the time composers and performers used different
methods of musical ornamentation and made changes to musical notations. They developed new instrumental playing techniques. It also help expand
the size, range and complexity of instrumental performances such as opera, concerto, and sonata. On the baroque era contrast became a dramatic
element in creating drama. Different types of play between "loud and soft, solo and ensembles, different instruments and timbres" all were important
for baroque compositions. The precision of composers began to grow, now they specified when the instrument users had to play not whenever they
wanted too. Vocal music grew such as opera, oratorio, and cantata.
During the baroque era different instrumental sounds began to grow. The pitch was

Essay on Art from Baroque Period Through the Postmodern Era
Art from Baroque Period through the Postmodern Era
Renaissance art history began as civic history; it was an expression of civic pride. The first such history was Filippo Villani's De origine civitatis
Florentiae et eiusdem famosis civibus, written about 1381–82. Florentine artists revived an art that was almost dead, Villani asserts, just as Dante had
restored poetry after its decline in the Middle Ages. The revival was begun by Cimabue and completed by Giotto, who equalled the ancient painters in
fame and even surpassed them in skill and talent. After Giotto came his followers, Stefano, Taddeo Gaddi, and Maso, uomini illustri all, who, together
with notable jurists, poets, musicians, theologians, physicians, orators, and others, made ... Show more content on Helpwriting.net ...
While rare for being texts on art, they are of a type, however, that was common in Renaissance literature. They belong to a genre or category in which
are found some of the most characteristic texts of Renaissance humanism. Other of the books in this category are by such writers as Bruni, Salutati,
and Manetti, books with which all students of the Renaissance are familiar. They treat broad moral and philosophical issues, but, as in the accounts of
visual art, only insofar as they concern the city of Florence. And scholars reasonably have asked why there was such a preoccupation with Florence at
this time. One of those who did so was Hans Baron and his answer has been at the center of discussions of this question since the 1950s.
Baron linked the focus on Florence during the years around 1400 to a struggle over Florentine independence that began in 1390 with a declaration of
war by Milan and ended only in 1454, when Milan accepted the independent status of the Florentine Republic. These events, he proposed, explain the
direction taken by Florentine political speculation at this time, particularly the stress on republican ideals of liberty and civic involvement; they gave
rise to a distinctive type of humanism, rooted in "a new philosophy of political engagement and active life," and devoted to the celebration of
Florence's republican liberties.
Bruni was responding not to recent events in Florence, came the rejoinder, but

The Baroque Era Essays
THE BAROQUE AGE
Social and Cultural Background
Baroque is a term borrowed from the visual arts and one that is used in many different senses. The Baroque Era applies to the years between
1600 and 1750. The most famous composers of this time were Bach, Handel,
Vivaldi and Teleman.
Politically it was an age of magnificent absolute Monarch's. The most magnificent of all was Louis XIV of France. Louis ruled from 1634 until 1713.
During this time the need to create a national culture or a regional style that would match or surpass the elsewhere created cultural models was pressed
for.
When looking at Baroque architecture it is noticeable that the ... Show more content on Helpwriting.net ...
The composers at this time usually did not specify dynamics on their pieces, they simply wrote "loud" or "soft."
The most prominent element in Baroque music was rhythm and texture. Baroque's fast movement generally caused the feeling of rhythmic drive.
Tempos were always constant. The least prominent element was melody. Gradual rise of tonality on the other hand was a great Baroque innovation.
This is the major–minor system that is still used today in the twentieth century.
Opera was one of the most important developments in the Baroque
Era. It began in Florence in 1600. French operas featured more emphasis on the orchestra and chorus. During this time Handel invented the oratorio.
An oratorio is a large work for soloists, chorus, and orchestra sung in concert format, without costumes or staging, in a concert hall rather than as part of
a church service. Some other instrumentals formed during this era were: Concerto Grosso: in three movements, fast–slow–fast, and pits a large group of
soloists against the larger string ensemble.
Suite: a less formal structure consisting of several binary dance movements Fugue: Latin for "flight" or "chase," denotes a standard Baroque
compositional process.
Johann

Johann Pachelbel 's Influence On The Baroque Era
It's hard to imagine a bride processing down the aisle without one of two pieces playing in your head, the first likely being "Here Comes The Bride."
But of the second, we generally do not hear much about the composer himself beyond the ever–arranged and widely known canon; Canon in D Major
by Johann Pachelbel. Most known for this Canon in D Major, Johann Pachelbel is considered one of the most influential musical figures from the
Baroque era. A German born composer, teacher and organist, Pachelbel is said to be a primary contributor to German organ music. His music was
highly successful during his lifetime and has continued to stay a relevant fixture in today's world. In this paper, I will show that Johann Pachelbel was
pivotal in the ... Show more content on Helpwriting.net ...
However, he was more than just a precursor of Bach, his fundamental concepts were essential for the composers of the following generations. He
learned a significant amount during his time in Eisenach before moving on to the city of Erfurt. Thompson's research states, "In 1678, for a
lengthier period, as organist at the Prediger church in Erfurt, his first wife and child died of the plague;" ; Tragedy struck too soon and it took nearly
twenty years for Pachelbel to eventually settle back to his hometown of Nuremburg where he remained for the rest of his life. However, it is important
to note that while Pachelbel was residing in Erfurt, research indicates that, "he wrote approximately 70 organ chorale preludes, in which core
techniques and structural patterns of the time are exploited " . Erfurt was where Pachelbel came into his own as an accomplished Baroque composer
and organist while writing a significant amount of his repertoire.
Music during the Baroque period (1600–1750) can be identified by its usage of ornamentation, tonality, complexity of instrumental performance and the
implementation of the canon and dance suite, and many musical phrases and concepts from the Baroque period are still used today in modern music.
Author of Canon in the Baroque Era: Some Precedents for the "Musical Offering", found that "within the century and a half which encompasses the
baroque era, canon, served as a means of primary

Baroque Era Music Compared to Modern Rock
When comparing Baroque era music to any modern day rock band, one most listen to the music with open ears. It is hard to identify the similarities of
Baroque music and that of modern day rock. Although, the advances made in music during the Baroque era (1600–1750) are still noticeable in modern
day rock. A perfect example of the noticeability of modern rock influenced byBaroque music can be heard in the Baroque music of Johann Sebastian
Bach's, "Brandenburg Concerto No 4 G major BWV 1049"(Classical Vault 2), and modern day rock band, This will destroy you combined instrumental
music, "Three legged work horse and there are some" (TheRealConcertKing). Although both compositions show much difference, they are also very
similar in the way the ... Show more content on Helpwriting.net ...
For example, This will destroy you song represents terraced dynamic in the way that the distinction between the solo and full band plays. However,
modern day music also adds more to this, the computerized effects such as, distortion and reverbs. The addition of computerized instrument, gives
modern day music advantages Bach could have never been able to incorporate. Although, I believe if given the chance to use these new instruments,
Bach certainly would have because he was known for staying up to date on all current styles (Whitehouse 84).
Bach once walked two hundred miles from Arnstadt to LГјbeck Germany, to hear a concert by organist and composer Dietrick Buxtehude (Whitehouse
85). In the Baroque era, Baroque compositions were mostly preformed in churches, court or in private concert for rulers and wealthy people, a public
concert was truly rare in the 16th and 17th century (Whitehouse 84). The only for –ticket– sale for the public came in 1637, when opera became a
public commercial enterprise ("The Baroque"). Today, there are a wide variety of concerts to choose from all over the world for the public. As there
is still also composition played in churches, for private concerts and for rules of the world. What was mostly for the religious churchgoer and the
wealthy in the Baroque era is now readily available for the general population. Writer, Eric Pfanner

The Characteristics Of The Baroque Era
Around the 17th century, the Baroque era contributed a new style than the previous Renaissance era. The Baroque era thrived in all of Italy and
eventually the remainder of Europe. The Baroque era had new characteristics than music from before. Some characteristics that could be heard in the
music during this period include a more definite and regular rhythm as compared to the floating rhythms of the Renaissance era, a systematic meter
due to the first use of bar lines, and clearer beats emphasized by instruments. The change of rhythm and meters in the Baroque era created a mood of
deep emotion and seriousness. The texture of music also developed during this time. The basso continuo enhanced both of the homophonic and
polyphonic textures of the Baroque music. Basso continuo, otherwise known as a continuous bass, used low voices or instruments such as cellos or
bassoons to advance the music of the time. Initially, the basso continuo was the lowest part of the polyphony that was strengthened by the chords,
however, the basso continuo eventually was created along with the chords and the higher polyphony was modified to complement it. Chords during
this era also became standardized and created tonality or a feeling of a central part among a home pitch. The chords of the music from this era were
developed in a more logical fashion and they led to functional harmony. This music also used different dynamics, called terraced dynamics, that were
not used formerly. Terraced dynamic

This writing assignment is about the Musical forms, of the Baroque Era. The Baroque era brought new musical forms that changed music
composition's forever. Musical forms of the baroque era used important techniques, For instance, one of the main changes from previous era was the
use of multiple melodies. Previous era used a single melody. The Baroque era began in Italy during the 17th Century. Some of the newest development
during this era was the development of string instruments, the trumpet, timbre and the harpsichord. During the Baroque Era music expanded on melody
and harmony and not polyphony which dominated previous Era. The Baroque era also brought about more single voice with accompaniment–monody.
The Baroque era also changed music interest to a more dramatic contrast, a Contrast of loud and soft ensembles. The use of melodic soprano line
supported by a bass line–basso–continuo, which caused the era to be fondly known as (the age of the thorough bass era.) ... Show more content on
Helpwriting.net ...
Definitions of forms:
Opera: A musical piece that has a drama that is primarily sung, accompanied by instruments, and presented on stage. Typically alternate between
recitative, speech–like song that advances the plot and arias, songs in which the characters express feelings at particular points in the action. Choruses
and dances are also frequently included.
I think this week musical piece "Purcell: Dido and Aeneas: "Thy Hand Belinda", When I am Laid" With Drooping is an Opera, based on the solo
interpretation of what was happening and the music accompaniment.
Oratorio: Work for soloists, chorus and orchestra, based on a sacred story, with no acting costumes or

Exploring The Idea Of The Baroque Art Era
For my Installation piece I have decided to explore the idea of The Baroque Art Era. The Baroque is a period of artistic style that concentrated on
exaggerated processes and lavish designs.
Starting in Rome in the early 1600's, The Baroque style began after the Roman Church was in the middle of monumental internal reform, attempting to
address the representation of the arts within the society of the time. They believed that a change in the way art was delivered to the masses was
necessary to reach a larger audience.
The Council of Trent believed that the paintings and sculptures in the church needed to appeal to the masses and therefore their context and story
should be able to speak to the illiterate and not just the well–educated and informed. This consequently saw the style turn deliberately from the witty,
intellectual characteristics of the 16th century Mannerist art, to a more internal appeal aimed at the senses. It created an art that was direct, simple and
obvious but theatrical.
Swiss Art Historian, Heinrich Wolffin defined TheBaroque as "the age where the oval replaced the circle as the center of the composition and the
colouristic and "painterly" effects began to become more prominent".
Examples of Baroque paintings and designs can be seen in Peitro da Cortona's works, including the Glorification of the Reign of Urban VIII created in
1633. His use of dynamic composition, irrational lighting, dramatic gestures and poses, and miraculous effects accentuate the

What Are The Similarities Between Baroque And Baroque Eras
Introduction
European design has evolved over the centuries from the Renaissance era of the 15th century to Baroque era of the 16th century right through to the
Rococo era of the late 1700's. Even though the style might have changed, some elements can be traced across all three periods.
This essay will explore the similarities and differences in the aforementioned eras by singling out 4 different examples from these eras and how these
influenced or affected the society and patrons who commissioned these artworks at that time.
Emphasis will be placed on specific examples that best demonstrate the style of each era. The image examples used in this essay are firstly the ceiling
of the Sistine chapel and the bronze David by Donatello. Both ... Show more content on Helpwriting.net ...
After the peak of the Renaissance era of 1600 Rome, there was a move towards a style that was more dramatic and celebrated the church and the elite.
This style melodramatically reaffirmed the emotional depths of the catholic faith and glorified both the church and monarch (History of Art, 1933:284).
Baroque is distinguished by the grander sense of space in architecture, intense emotion and movement in painting and sculpture. Opulence and grandeur
is often displayed in the ostentatious interiors homes of the elite and the church was highly decorated.
Some similarities between Baroque and Renaissance eras, is the strong use of light and shade to create depth and realism.
The word Baroque derives from the Portuguese word "barocco" which seems to imply an irregularly shaped or imperfect pearl. Which is quite ironic
since Baroque design was anything but imperfect.
Rococo
The style of the Rococo period can be characterised as being playful and asymmetrical as opposed to that of Baroque. Though there are similarities
between the two stylistic periods, Rococo design is more ornate and motifs usually resemble shells and stones and the intricate designs are often gilded
with gold and other precious metals. The colour palette is muted and emphasis is placed on the design rather than the

Baroque Music And The Renaissance Era
Baroque was an interesting period of time. It was originally originated from Rome, as a way to glorify the Counter–Reformation Catholic Church, and
then spread beyond Italy to Spain, France, Germany, Austria, the Low Countries, and England. In Baroque musicians started to practice multiple
instruments being used at the same time. As opposed to Renaissance era, Baroque art mainly worked for pope, and important ruler throughout Europe.
One of the new genre of music was Opera. The aim of early opera was to reproduce elements of ancient Greek drama. Claudio Monteverdi is
considered to be the creator of opera as genre. Because of the main aim of early opera to reproduce elements of ancient Greek drama, Claudio
Monteverdi plots draw upon stories from classical Greek mythology. Orfeo was one of his first work in opera genre, which was is a 'rescue drama'
due to main hero rescuing his bride. From listening a short piece of it, to me it does sound like heroic drama, as the opening music sounds very
encouraging, I liked it. You can clearly hear toccata to be sounded three times to show multiple use of instrumental sounds that were available to a
composer. Vivaldi, Violin Concerto in E major is great example ofBaroque music, best known composition in the entire repertoire. Each part is
repeated at a softer dynamic level. I personally love this piece, not only because I enjoy listening to violin, but also for its tempo, alternation and
contrast. Messiah, "Behold, a Virgin shall

Art From Baroque Period Through The Postmodern Era Essay
Art from Baroque Period through the Postmodern Era
Renaissance art history began as civic history; it was an expression of civic pride. The first such history was Filippo Villani's De origine civitatis
Florentiae et eiusdem famosis civibus, written about 1381–82. Florentine artists revived an art that was almost dead, Villani asserts, just as Dante had
restored poetry after its decline in the Middle Ages. The revival was begun by Cimabue and completed by Giotto, who equalled the ancient painters in
fame and even surpassed them in skill and talent. After Giotto came his followers, Stefano, Taddeo Gaddi, and Maso, uomini illustri all, who, together
with notable jurists, poets, musicians, theologians, physicians, orators, and others, made ... Show more content on Helpwriting.net ...
These texts are among the handful that treat art in the early Florentine Renaissance and are, therefore, precious testimony from the early years of
Renaissance art history. While rare for being texts on art, they are of a type, however, that was common in Renaissance literature. They belong to a
genre or category in which are found some of the most characteristic texts of Renaissance humanism. Other of the books in this category are by such
writers as Bruni, Salutati, and Manetti, books with which all students of the Renaissance are familiar. They treat broad moral and philosophical issues,
but, as in the accounts of visual art, only insofar as they concern the city of Florence. And scholars reasonably have asked why there was such a
preoccupation with Florence at this time. One of those who did so was Hans Baron and his answer has been at the center of discussions of this
question since the 1950s.
Baron linked the focus on Florence during the years around 1400 to a struggle over Florentine independence that began in 1390 with a declaration of
war by Milan and ended only in 1454, when Milan accepted the independent status of the Florentine Republic. These events, he proposed, explain the
direction taken by Florentine political speculation at this time, particularly the stress on republican ideals of liberty and civic involvement; they gave
rise to a

Essay about Fine Quality Baroque Music in the Era of...
Baroque music is the western music art style that was composed in the era of Renaissance, that is, between 1600 and 1750. Music at any given period
reflects tendencies, impulses and influences that are found in art of other kinds of the same period. Therefore the name baroque also applied to the
architecture, literature and art in the same period. Baroque has in the past and to some degree in the present had the implications of abnormality,
grotesqueness and absurdity. But in its applications to music in the Renaissance period the term baroque does not have connotations that are pejorative
because much of the music composed in this period is of high and fine quality (Swain, 7).
The instruments that are used for baroque music even now ... Show more content on Helpwriting.net ...
The performer however should be guided by some factors that help them know what instrument to use where and what sound to get from what
instrument (Donington, 131).
One, the performer should be able to distinguish indications that are scanty for the instruments that the notations may be showing. In that all the
instruments that the performer is using fit in the kind of that they are playing. They should also look out for the effects of the musician that may need
working on for the actual performance (Donington, 131).
Two, as much as it is the responsibility of the performer to choose the instruments, looking up for alternative instruments that are listed is important.
That way, if there is an instrument that is missing, the performer should always be able to get an alternative. This also suitable when the there are many
instruments needed, the alternative instruments can be used interchangeably (Donington, 131).
Three, the notion that instruments that are suitable are acceptable may not always work. A performer should understand that every instrument is made
for a specific use and should be the only use it must be put to. That is, it would be impossible to use an instrument and try to make it sound in a
particular way. The distinctions were made in the baroque era as much as they do now (Donington, 131). Every instrument in baroque music should be
used to what it really is designed to, this is to make sure that the sound of

Art Criticism Of The Baroque Era
The Musicians "In art criticism, the word Baroque came to be used to describe anything irregular, bizarre, or otherwise departing from established
rules and proportions," (Britannica, 2016). Caravaggio, born Michelangelo Merisi (1571), an Italian painter, can be said almost single–handedly to
have created the Baroque style during the late sixteenth and early seventeenth centuries. None other can be more appropriately defined as "Baroque"
than Caravaggio; his character, like his art, was confrontational and uncompromising, and both loved and hated. "He introduced a powerfully frank
realism and dramatic, theatrical lighting and gesture into Italian Baroque art. Caravaggio's unvarnished realism and tenebrism influenced nearly every
important European artist of the seventeenth century."(Stokstad, Cothren). By the end of the 16th century, art began to break away from the refined
and disciplined style of mannerism, heavily influenced by the Counter–Reformation of the Church, and emergence of powerful monarchies. This
movement comes to be known as the Baroque Era. Baroque artists were particularly focused on natural forms, spaces, color, and the use of light in
order to create a strong emotional experience; almost theatrically, inviting the viewer to participate in the story. The Catholic Church found itself
needing to influence and rebuild its following; turned its' attention to the arts. The Counter–Reformation used the arts to appeal as much to the
emotions and knowledge

The Era Of The Baroque Era
According to Greenberg (2009), the Baroque era is estimated to be the time period spanning from 1600 until 1750. The year of Sebastian Bach's death,
1750 which is notably and associatively used as a timeline reference that ends this overly extravagant period of creativity. This timespan became an era
of expressive exuberance of primal human emotions as secularization, the study of scientific reasoning and intellectual rationale characterized the
societal environment. Religion no longer dominated and controlled the subject matter and stylization of artistic expression, yet it did not disappear, it
merely stepped into the background. The Classical era is estimated to be the time period spanning from 1750 until 1827. Similarly 1827, the year of
Beethoven's death is used to mark the ending of another era. Within this timespan, society transitioned from overly ornate to a more defined
sophisticated culture with the introduction of the Enlightenment 1730–1780. The Enlightenment's ideals for the betterment of mankind gave rise to
Cosmopolitanism and an international blurring of musical lines. European mercantilism gave rise to a growing middle class whose social importance
became equal to that of the aristocracy and the high clergy. The middle class's increased finances allowed them the purchase of real estate and the
knowledge of leisure time with the desire to be entertained. Classical music became more accessible to the middle class as a source of entertainment
and a

The Baroque Era
The eighteenth century was a very creative time in world history. It gave birth to art that expresses feelings. This art was in the form of music
paintings and is even seen in Architecture. The name baroque was borrowed from art history and actually came from a jeweler term meaning odd pearl
or irregular pearl. Europe rulers sponsored the arts until France "rose to new heights in the seventeenth century" (Joseph Kerman) this is in contrast to
merchant princes of the renaissance who were the first supporters. Style characteristics of the Baroque era are distinctive Rhythms usually against a
steady beat. Dynamics usually remained at the same level through the whole piece though there were expressive changes to bring out rhythmic accents.
The Tone and color of the Baroque era derive from instruments such as the flute, harpsichord, organ, violin and the obo. Keyboards instrument were
added as continuo. The common group of instruments would be the strings however woodwind and brass instruments were ... Show more content on
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It was usually complex and would dance around each other, they would commonly extend over two octaves. The melodies work together to play with
one's emotions and sequence was commonly used. In the theatrical aspects of Baroque period ornamentation was a practice that skilled opera singers
would strive to accomplish which is improvising extras. Volume was a good tool to do this.
The Texture of themusic of this period was polyphonic Three were traits of independent melody from the basses. The pieces were filled with
contrapuntal lines that seemed to almost compete for the attention of the listener like a battle for center stage. It brings to mind the battle of the fiddles
in the devil came down to Georgia. Each group shows off its unique sound as if proud and better than the others like two children competing for their
mother's attention. It seems as though each instrument wants the conductor's approval and

Baroque Period: Questions And Questions On The Baroque Era
Bach Brandenburg Concerto Number 5, 3rd mvmnt When was the Baroque era? The Baroque era started around the 1600 to the 1750 Name 2 other
famous Baroque composers Handel & Vivaldi What is a concerto grosso? A composition for a musical solo accompanied by an orchestra. What is a
concertino? Solo instruments playing in an orchestra. What is a ripieno? A body of instruments accompanying the concertino in an orchestra in a
baroque concerto grosso What instruments make up the concertino? Flute, Violin and Harpsichord What instruments make up the ripieno? Violin,
Viola & Cellos What is unique about the harpsichord's role in this particular concerto? The harpsichord accompanies the other instruments. What does
cembalo concertato on the score mean? Note there is only... Show more content on Helpwriting.net ...
Explain what is figured bass. Figured bass is a partially improvised bass accompaniment usually played on the keyboard. What are the small notes
on the treble clef for harpsichord? Why are they small? Editorials put their version of what they think the song would have been like. This is called
a realisation Note the recording for the anthology is a "historically informed performance". What does this mean? The editor or interpreter who
filled in the figured bass as there was no treble part when the composer wrote it. What is the range of the flute part? Why is it not actually very big
for a flute? A flute typically has a wide range, however, in this piece the flute used 2 octaves. What is the time signature and how do you name this
metre? 2/4 simple duple What does the small figure 3 mean over some note groupings? It is a triplet The rhythm of this movement is similar to a
gigue. What is a gigue? A gigue is a lively style of dance originally from the Baroque era. Bach was famous for his counterpoint. Explain counterpoint
and mark several examples on your score. Mark the sections on your score: A bars 0–78 B bars 79 – 232 A1 bars 233 –

The Differences Between The Renaissance Era And Baroque Era
To help one differentiate between the Renaissance Era and Baroque Era Heinrich Wolfflin created the Wolfflin Method. The Wolfflin Method compares
the two eras in a masterful way that helps one simplify the differences between the Renaissance and Baroque Eras. The Renaissance Era is represented
by linear, planar, closed, and multiplicity elements. All of these elements combined to create a crisp painting where lines and shapes are distinguished.
The Baroque Era is represented by painterly, recessional, open, and unity elements. These four elements help create a painting that uses shadows to
create dimension and depth within the piece giving the viewer an overall sense of unity. The Wolfflin Method assists the viewer in understanding the
differences between the Renaissance and Baroque Era.
The first painting to be analyzed is The Last Days of Pompeii, by Karl Bryullov. This painting distinctly displays elements from the Baroque Era.
Although this painting has a linear element, which comes from the Renaissance Era, it's still Baroque. The white building that is quickly crumbling
has clear defined lines with sharp edges. All of the people displaced in the painting also has defined edges and can be differentiated from one another.
This example demonstrates how the linear element is displayed. There are a few groups of people that are on different levels, kneeling, standing, or
laying on the floor, creating diagonal lines throughout the painting, showing the recessional element.

Baroque Vs. Baroque Era
Baroque is a complex term used to describe what was thought to be a messy, vaguely disgusting style. Potentially coming from the Spanish words
"barrueco" meaning a "rough or imperfect pearl" or "berruca" the term for "wart", Baroque came to be a generalized term for art, architecture, music,
and sculpture from the 16th century to the early 18th century (Klindt–Jensen 2015). Not only was the "Baroque period" long lasting, but it was far
reaching as well. From Holland to Spain, Germany to France, the Baroque style began in Rome and Italy around 1600 and quickly spread to most of
Europe, eventually reaching colonial South America in the 18th Century (Fargis 1998). Similar to terms such as Gothic or Mannerism, the term
"Baroque" began in a ... Show more content on Helpwriting.net ...
Second, planar to recession. Figures no longer purely stood parallel to the canvas, and instead had depth and spatial relations. Third, the change from
closed to open form: the acknowledgement of the viewer and the painting's relation to the physical world with conflicting angles and the ability to be
"out of frame". Fourth, the idea of unity in a painting where no single image could be isolated due to lighting and significance. Finally, the change
from absolute clarity to relative clarity, the potential for a subjective painting, one which could be read as a story. Painters such as Caravaggio
presented their works as theatrical displays, with intense lighting bringing the figures to the stage. Styles such as Tenebrism, Chiaroscuro, and
Leonardo De Vinci's Sfumato used fine shading and the drastic contrast between light and darkness to bring dramatic elements to their works, as
though they had their own personal spotlight. Eclectic of the High Renaissance, Baroque painting was an evolution of style, aggregating what were the
preferred styles from the past and adapting them to the painter's personal use. Peter Paul Rubens, a Flemish painter, was one of the best–known
painters whom mastered the power of the Baroque. His works such as the "Raising of the Cross" portrayed Jesus as a heroic figure, with intense
lighting and even more intense facial features (Scribner 2017.)

The Baroque Era Of Music Essay
The Baroque chamber orchestra, a type of ensemble today that can vary greatly from group to group, is involved in a type of performance many
musicians remain confused about. For a modern musician, the confusion surrounding the Baroque style stems from a notion that spending time
learning a style of instrument that is no longer commonplace is something that is not worthwhile or is even detrimental to a modern instrumental
career. Much of this stems from the idea that the romantic era of music is the most valid and academic form of music studied and performed. This has
to do with the intense exposure that classically trained musicians are given in the field of romantic and modern era music.
Today it is very common for violinists to insist on playing the music of Bach, like the 6 sonatas and partitas, romantically without consideration of the
performance practices in the time the music was written. The avoidance of authentic baroque performance being included in the modern interpretation
stems from the natural aversion modern players have to the "baroque sound." What many people consider to be a baroque sound is one that sounds
unpolished and underdeveloped, most likely due to the lack of vibrato and varying bow and articulation techniques from today's playing. When looking
at baroque music that is commonly played on modern instruments, there is no better example than the music of J.S. Bach. In the case of the 6 Sonatas
and Partitas, today and especially in the middle to late

Compare And Contrast Baroque And Baroque Era
The Baroque Era and the Classical Era are two critical time periods in observing music. Some of the most famous composers have written pieces that
are popular in the world today. The two periods share many similar characteristics, however new genres and forms developed throughout each period
because of new ideas and knowledge spreading. My personal favorite is the Baroque period because of the abundance of new musical knowledge that
was introduced, particularly in Vivaldi's famous piece La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, I.
The Baroque Era started in 1600 and lasted till 1750. Some of the famous composers from the Baroque Era include Monteverdi, Vivaldi, Handel, and
JS Bach. Music in Baroque society became amusement for aristocrats, modern orchestra began to evolve, and the idea of opera are beginning to
develop. In many Baroque pieces the use of a Basso Continuo, which is played by two instruments typically a keyboard and a member of the strings
family was found in many pieces during this time. The Baroque period can be characterized with clear and distinct meter, repeated rhythmic patterns,
homophonic texture, and terraced dynamics. The Baroque is also classified by its distinct genres including Fugue, Solo Concerto, and Cantata. The
Ritornello form being introduced had an impact on Baroque music because it is outlined using harmonic progressions, key modulations, and motives
from the main theme in order to give character to a piece.

Why Did Baroque Concerto Changed During The Baroque Era
The baroque concerto has proved to be a very formative aspect of classical music. Without the emergence of the concerto, music would not be as it is
today. Concerto composers changed the way music was perceived and defied musical norms, introducing new and exciting patterns, sequences, and
combinations.
Concertos have changed drastically throughout the years. What were deemed concertos during the baroque era, will not always qualify as a concerto by
modern definition. A concerto was originally defined as multiple instruments or voices performing together, typically a piece combining voices and
instruments often in larger numbers. The definition has since changed as the concerto has become a more distinguishable work. Today, concertos
involve a soloist pitted against an orchestra or ensemble contrasting in movement. Contrast and unity were, ironically, both basic elements of the
baroque concerto. The principal of the concerto was to unite two differing bodies of sound. The term Concerto is a derivative of the latin term
"concertare" which translates as "to contend with." The first composer to write a work designated as a concerto was Giuseppe Torelli.. Before they
were appointed the term concerto, his early works were known as sonatas and sinfonias. From Torelli's works of early concerto, inspiration arose.
Composers such as J.S. Bach, Corelli, and Vivaldi adopted this new style and created their own masterpieces out of it.
There are two types of concerti that were popular during the baroque Era: Solo Concerto and Concerto Grosso. The solo concerto includes one solo
instrument set against an orchestra. An excellent example of the solo concerto is Vivaldi's Four Seasons, a set of Violin Concertos. Sonority and
virtuoso instrumentalists experimented a lot with the solo concerto. The violin was featured in the solo concerto more than any other instrument. A
violin soloist would play something as the orchestra played against it. The common movement for the solo concerto is allegro, adagio, allegro (fast,
then slow, then fast again.) Concerto grosso involves a small group of soloists and an orchestra. J.S. Bach's six Brandenburg concertos fall under this
category. This type of concerto is based on opposition

Musical Counterpoint In The Baroque And Classical Eras
Musical Counterpoint in the Baroque and Classical Eras Counterpoint, according to the Encyclopedia Britannica, is the "art of combining different
melodic lines in a musical composition. It is among the characteristic elements of Western musical practice" (Jackson). Counterpoint is very prevalent
in Westernmusic, from around the Renaissance Era to modern times, and has been common practice until the twentieth century ("Counterpoint"). From
the Renaissance era to the Classical era, counterpoint has had the same general principles and structures, been utilized by great composers, such as
Bach, Mozart, and Beethoven, and resulted in some of the most beautiful music. The guidelines of counterpoint, while having increased in freeness over
... Show more content on Helpwriting.net ...
Irene Girton states, "In the first species, each note in the underlying melody is accompanied by a single note in the new contrapuntal line with
consonant harmonic intervals" (Girton). Essentially, the second line must match the rhythm of the first line and avoid dissonances. The second species,
according to Girton, introduces harmonic dissonance in the form of a passing tone of the second line, so for every note of the original line, there are
two notes in the new line (Girton). Next, the third species permits four notes contrapuntal notes against one, and "presents more complicated and
challenging problems" (Girton). For example, a four quarter note line against a whole note will be difficult to reach a goal because of the increased
possibility of dissonance. For the fourth species, Girton explains, "the Fourth species, like second species, permits two notes against one, but with a
suspension figure" (Girton). This means that there can be a dissonance on the first beat that resolves on the second contrapuntal note. The last species
to master before allowing free counterpoint encourages mixed rhythmic values in the contrapuntal line, with possible embellishment (ornamentation) or
other elaborations (Girton). As one masters each species, the created contrapuntal lines become more dissonant and complex, thus increasing both the
complication of the music

Modern Music During The Baroque Era
The term Baroque has been widely acknowledged as a period in Western European Art Music lasting for 150 years from early 17th to mid–18th
century. The word itself is originated from barroco in Portuguese meaning "oddly shaped pearl", which best describes the visual and details of the
buildings existed during that period. Its flamboyant and ornate details of the building is what causes ornamentations and harpsichords to become an
essential element of Baroque music. Bach, ornamentation, and harpsichord are few of the most recognisable elements of Western Art music during the
Baroque period. Nonetheless, we all came to a second realisation that the Baroque era lasted for more than 150 years, meaning that it has its own
remarkable history and ... Show more content on Helpwriting.net ...
S. Bach, G. F. Handel, and Domenico Scarlatti. Antonio Vivaldi, Claudio Monteverdi, Couperin, Jean
–Phillippe Rameau and Jean–Baptiste Lully are
other popular names in the Baroque era. Each composer specialises in different instrument compositions and techniques. Out of all the names
mentioned, J. S. Bach remains to this day, one the greatest composers of both the Baroque era and all–time. Each of these composers specialise in
different areas or compositions and instruments. Working extensively with keyboard instruments such as the organ and harpsichord, a few of J. S.
Bach's well–known compositions include his Brandenburg Concertos, Goldberg Variations, and St. Matthew's Passion. G. F. Handel himself composed
Italian operas, oratorios, anthems, and organ concertos. His most popular work of all–time is the "Hallelujah" chorus from the oratorio Messiah, which
went on to become the most popular Baroque work and considered as a choice of piece often performed in Christmas time. Domenico Scarlatti on the
other hand composed in a number of musical forms, but is best known for composing 555 keyboard sonatas.
As a major instrument of the Baroque era, the harpsichord has parallel strings used for the players to pluck in order to produce sound. This instrument
is highly used and heard in compositions such as J. S. Bach's toccatas and Domenico Scarlatti's piano sonatas. Unlike the modern piano, the
harpsichord has no pedals so "it is

The two periods I choose to review a musical piece for is the Baroque Era and the Classical Period. I chose a piece from the Baroque Era by Bach
called the "Toccata and fugue in D minor, BWV 565 I–Toccata". Then from the Classical Period I chose a piece by Haydn, "Piano sonata no.4 in G
major HOB XVI G1–Allegro".
The Baroque Era lasted from 1600 to 1750. The Baroque Era was known as the "Age of Absolutism". Rulers during the time liked to exercise total
power over their subjects and not allow them to have say. The Baroque Era was also shaped by its religious institutions. Since there were both
Catholics and Protestant areas they remained separated. An important event that occurred because of this separation was the Thirty Year War in 1618....
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The texture in the Baroque Era was polyphonic, which meant having two or more melodic lines that competed for the listener's attention. Also a
difference is the dynamic in the songs. The volume usually remained constant for a long time. If the dynamic was to change, the change would be
sudden and change from low to high quickly. During the Classical Period the texture of music was more homophonic rather than polyphonic.
Homophonic meaning one main melody would be accompanied by chords. The dynamics also changed instead of having changes from loud to soft,
they were expressing more emotion. This change of dynamic led to the replacement of the harpsichord with the piano. The piano now allowed
composers to play different notes, allowing them to show more

Comparing Art And The Baroque Eras
Comparing Art of the Renaissance and the Baroque Eras
The Renaissance and the Baroque eras created some of the most famous works of art produced in the world. The two eras expressed differences in
style and theme, but they also have many characteristics in common. To better understand the similarities of the eras it will be described by the
characteristics, styles and the influences of each; Renaissance and Baroque works of art. Famous artist from the Renaissance era were Leonard da
Vinci and Michelangelo Buonarroti. Famous artist from the Baroque era were Rembrandt Harmenszoon van Rijn and Michelangelo Merisi o Amerighi
da Caravaggio.
The Renaissance History
The Renaissance era began in Italy, spread to the rest of Europe and lasted from the 14th to the 17th century. It was defined as a period of cultural
history that represented a break from the Middle Ages and an understanding of humanity ("Italian Renaissance", 2014). The Renaissance began at the
end of the black plaque. For the survivors there were opportunities and these opportunities brought about the artistic breakthroughs. It became the era of
rebirth for society; learning and culture. The era was influenced by conflict between the Catholics and the Protestants, during this time, society explored
religious options other than the Roman Catholic Church, they explored new beliefs; the power of the Church had decreased.
At first, the subject matter was about religion, saints, Christ, the love of life and beauty

The Baroque Era Essay examples
The Baroque Era
The Baroque era was a unique period in music that began during the 1600's and ended around 1750. The word "baroque" is define by Merriam's
Collegiate Dictionary as, "of, relating to, or having the characteristics of a style of artistic expression prevalent esp. in the 17th century that is marked
generally by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements often conveying a sense of drama, movement,
and tension." The word "baroque" has been used to indicate paintings, poems, architecture, literature, and all else that is dynamic and astonishing.
The Baroque time was filled with musical geniuses. People like Franz Josef Haydn, George Frideric Handel, and Claudio Monteverdi. ... Show more
content on Helpwriting.net ...
Thomas church in Leipzig. This was a demanding job in which Bach composed canatas for the St. Thomas and St. Nicholas churches, conduct the
choirs, oversee the musical activities of numerous municipal churches, and teach Latin in the St. Thomas choir school. Bach remained at his post in
Leipzig until his death in 1750. Although he excelled his forbears and contemporaries, he did not receive the respect he deserved until after his death.
Bach is now regarded as one of the greatest composers of all composers and is a source of inspiration for musicians.
While Bach's musical career centered around Germany, Antonio Vivaldi was the son of a professional violinist whose musical career cantered in Italy.
Born on March 4, 1678, Vivaldi was a virtuoso violinist and composer whose works included over 500 concertos.
Vivaldi's output was enormous. It is said that he invented ritornello form. If he did not invent this, he was the first to use this technique. In 1703,
Vivaldi began an on and off relationship with the Ospedale della Pieta, a home for the female offspring of noblemen and their mistresses. Vivaldi
remained working this post for much of his life. He did, however, take leave to compose many of his famous operas such as Ottone in villa, his first
opera.
Baroque music symbolized a changing in the times. From the early period, when Bach introduced his rich polyphonic concertos and excelled as a
virtuoso organist and composer. The evolution of music

Research Paper On The Baroque Era
The Baroque Period Lasting from the mid–1600s to the mid–1700s, the Baroque period ushered in new styles of art and music. Music and art during
that time exhibited a flowery, emotional feel. While the music may seem well–behaved, to the people living in that period it was music gone wild. The
notes noodled up and down all over the sheet, such music and never been attempted before. Composers experimented with new styles and structures
breaking many former rules of music. Prominent during this era was German–born composer George Frideric Handel. Handel's life exhibits uniqueness
at every turn. A German who trained inItaly, Handel is one of the most famous English composers ever. At the age of 18 George left his
barber–surgeon dad and the rest

Western European Baroque Era and Todays Society Essay
Western European Baroque Era and today's society In today's world modern art has been a big factor in the society today, whether or not we know it
looking at Western European Baroque Era, naming some of the best Baroque artist such as Bernini and Caravaggio, they used great illustrations such
as drama, motion and even feeling in the work they presented. It showed life in the time and the effort they put forward. Most of all it showed the
truth and the reality in what they work on. Comparing today's world and how time has change, reality shows and movies set great examples of how
Western EuropeanBaroque can be a lot of how we live and see things today. The one movie I think I can compare to the baroque era is the movie The
Mask. The mask ... Show more content on Helpwriting.net ...
Especially at the end of the video, that shows how real it can be and how that can happen on the daily basis. The motion of the movie shows how
he can morph in many different kinds of things. Like for example him changing into the dog at the scene he went to the club. Also how he
disguises himself as other people to trick them as he wonders around the city as a conman until he finally wants to confess and give up the mask.
Much of the work that showed in the video reflected how Bernini and Caravaggio put details in work like all the different types of subjects. The
movie overall was explaining how nonfiction can be showed in reality. The parts that were natural, real and alive made the movie not seem to
fake. Some of the parts that where in the movie make much sense of him doing what he did and what he stood for. The movie showed clues for the
visual world and life in general. Him stealing money out of the bank was not possible for him because he was robbing it by himself was one of the
unreal things that was showed in the video. Recreating reality showed people making showed how much detail was put into the movie and it hitting
all of the points of the accomplishments. But thinking about other great movies like Men in Black, The Mummy and Spiderman shows the nonfiction
side of the movie and its real parts in it also. People take things differently and look at things in a whole new way. All of those

Music During The Baroque Era
Music during the Baroque era was regarded as a powerful form of communication that could invoke emotions in the listeners. This philosophical belief
was derived from a revival of the ideas of the Greco–Roman culture, and as a result, composers believed that they could also affect their listeners
through the power of melody, harmony, rhythm, and stylistic details. The emphasis on communication was reflected in the major styles and
components that were used throughout Baroque compositions. Baroque music is characterized by the composers' attention to detail, such as contrast in
dynamics, ornamentation, and the emphasis on bass line. These characteristics of the Baroque era are reflected in Antonio Vivaldi's compositions.
Known as one of the most popular pieces in Baroque repertoire, Vivaldi's The Four Seasons, a violin concerto, reveals how composers of the Baroque
period used different techniques to invoke emotion through the powerful communication of music. The Four Seasons perfectly represents the Baroque
period because of Vivaldi 's elaborate style, developmental techniques, and theme of emotional impact and contrast. During the Baroque period,
composers tried to convey emotions through contrasts in tonality, idiomatic writing, and ornamentation. The Columbia Electronic Encyclopedia stated
that the baroque period was one of stylistic duality, and it was an era that displayed emotional extremes. Major and minor tonality surfaced, as well as
idiomatic writing ("Baroque, In

The Renaissance Era The Baroque Era And The Baroque Era
Constantly, music has been a part of everyday life for centuries, dating back to the earliest Biblical records. But over the years there have been many
ages contributing to music. All of them were significant to history, but only three were the most inspiring. All three discovered new ways to compose
melodies people around the world still listen to and perform. These influential eras in music are: the Renaissance era, the Baroque period, and the
Classical era. The subjects will be in order from earliest and so on, starting with the Renaissance.
The Renaissance Era
Dating back to the 1400s, the Renaissance era started at the end of the medieval era. The era had many major composers and came up with an
abundance of new instruments. Most composers had been involved in the church because "secular" music was not as popular at that time.
Music was difficult to distribute to people in the early 1400s. Consequently, the development of the printing press in the early 1400s, made it easier
to deliver music to a more broad scale of people. One composer who took advantage of the printing press was Thomas Tallis. He used it to make his
own music sought–after by the public. He was allowed "exclusive rights to use England's printing press to publish music" (Green 1). Tallis specialized
primarily in choir–like music. He was the most well–known Renaissance artists of his time. A few of his works included Salve intemerata virgo, Ave
rosa sine spinis, and Ave Dei patris filia. Tallis even

Baroque Music And The Baroque Era
Baroque music began in Italy and it spread to all other parts of Europe. The musical characters in the baroque era pursued interests in subjectivity of
the observers and created a deep human feeling while composing their music (Harbison 22). This character of the baroque artists is depicted in
several works done by Michelangelo. One of the pieces of art was campidoglio on the hill capitalino. The picture above takes the structure of a
sculpture and it is placed in a three dimension space having different open square loggia. It has lamps on the staircase as shown and there are various
sculptures existing. In relation to baroque music, as a person climbs the staircases near the lamp areas, the visuals effects changes with time as he ...
In such kinds of music the major has high range, the various consonants, and the fast tempo in the music representing joy in the making of the music
and the minor such as dissonant, the slow tempo and low pitch in the music are used to represent the general feelings of sadness.
The messiah is characterized by an orchestral restraint something that was ignored by other musicians who adopted the same genre of music, for
example, Mozart (Steinberg 154). According to Lorraine Hunt and Nicholas CD, the messiah begins with a quiet note, whereby the first chorus is
paved the way for by musical instruments (Lorraine and Nicholas).The whole oratorio does not have any particular key but music specialists have
concluded that it tends to lean towards an E major. "I Know My Redeemer Lives", music is far field from E major, which is a major scale specifically
based on E. It has a three–part A–B–A structure and an obbligato trumpet that is expected by an opera audience (Frideric 47). .
The opening soprano for part three," I Know My Redeemer Lives" features a simple violin accompaniment. The first scene tells of the resurrection of
Christ based on the teachings of Job. Soprano air starts in the part of the song "I know that my redeemer liveth and that he shall stand..." and dominates
the whole part of the music. This helps in creating emotions and feelings to

Essay On The Baroque Era
The Baroque era existed between 1600–1750, it was an era of freedom in composition, improvisation, drama and urgency which was present in many
aspects throughout the era.Historical event took place, such as the thirty year war which occurred between the years 1618–1648, the discovery of New
York by Henry Hudson in 1626, building of St. Peter's square in 1656 and the ruling of different kings in this time period. Through the work of
Bach,Vivaldi and Handel, the Roman Catholic Church, dramatic aspects and writing for royalty are ideas and influences that make this era distinct
from other eras.
The Roman Catholic Church played a major influence on the music played and composed, this is specifically shown in the works of Johann Sebastian
Bach. Bach was born on March 31, 1685 and is a major composer associated with the Baroque era, he was an organist and composer that worked in
different churches. His later works in leipzig revolved around the church and creating musical interpretations of the bible. The St. Matthew's passion
written in 1727– 1729 by Bach portrays the story from Matthew's gospel about the ... Show more content on Helpwriting.net ...
Antonio Vivaldi, born in 1678 was a composer who was successful and known for his concertos. The Four Seasons, written in 1720 by Vivaldi is a
concerto which consisted of alternation between a solo instrument and the orchestra, this created a dramatic sound within the music because of the
tension build up between the soloist and the orchestra. Dramatic aspects are also shown through another one of Vivaldi's concertos called Concerto for
Two Trumpets, this also featured alternation between soloist and the rest of the orchestra. The soloists were trumpets where they were showcased in
the piece. Through the works of Vivaldi it is shown that baroque composers used drama to make their pieces more

Baroque, The Era Of Baroque Art And The Baroque Period
Baroque is a style in art. It is an era of artistic style that used sensational motion and obvious, easily interpreted features to produce drama, tension, and
magnificence in architecture, sculptures, paintings, literature, theatre, dance and music. Baroque art is usually very frisky and has several ornaments.
It was between the styles of Renaissance and Neoclassicism. This means it began at the begging of the 16th century (around 1600), at that time, there
were absolutist monarchs in Europe.The movement started in Italy. It then spread to the Catholic countries in Europe. Eventually it also spread to the
Protestant ones.
The success and popularity of the Baroque style was backed up by the Catholic Church. The Catholic Church expressed that ... Show more content on
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1625–1660
Late Baroque, c. 1660–1725 or later
The development of Baroque
The Baroque arose around 1600, a few decades after the Council of Trent, by which the Roman Catholic Church was agreed that the representational
arts, by that paintings and sculptures in church contexts was healthy because it speaks to the illiterate rather than to the well–informed. Many art
experts see this turn toward a popular concept of the function of churchly art as motivating the innovations of the brothers Annibale and Agostino
Carracci and of Caravaggio, all of whom were working in Rome and rival for commissions.
The word Baroque comes from the Portuguese word "barocco " which means something like "unusual". In Portuguese, it was first used for irregularly
shaped pearls, but then it was first used in France to mean works of art that did not follow the current trend.
Sculptures
Some representatives assumed new importance in Baroque sculptures and there was actually a positive movement and energy of human forms. For the
first time, Baroque sculpture usually had many ideal viewing angles so, that from wherever you stand you would see amazing scenery. The features
Baroque sculpture added additional sculptural components, for example, water fountains or concealed

Baroque Era
Research Paper
Done by:
Alain Camous
Professor Payne
March 7, 2012
ENC 1102
Outline
Baroque era was where the most important turn in music took place with its unique arts and its controversial styles to music in its time. I.
Definition of Baroque Era A. Can mean different things 1. Bizarre 2. Flamboyant 3. Elaborately Ornamented. 4. Historians meaning a. Used to
indicate the particular style in all different forms of art. B. Known as "the age of absolutism" 1. Royals abuse power 2. Throws Bach into jail for
asking to leave the job C. Shaping of the world 1. Newton 2. Galileo II. Baroque era music and phases A. Famous composers of the time 1. Johann ...
The Baroque era began in the year 1600, at the end of the Renaissance period (Kamien 99). The word Baroque has had several different meanings.
Back in its time, the word Baroque has meant: Bizarre, Flamboyant, and Elaborately ornamented. Historians, however, used this word to indicate the
particular style in all different forms of art that fills space; which includes canvas, stone, or sound (Kamien 99). The Baroque Period is also known as
"the age of absolutism" because so many different rulers of the time used and abused their royal power to control their subjects. For example, in
Germany, the duke of Weimar imprisoned the famousJohann Sebastian Bach into prison for a month just because Bach asked to leave his job as the
Duke's musician (Kamien 99). This era in time was also home to scientific discoveries by Newton and Galileo. The Baroque era has shaped the world,
as they knew it, to what the people of the twenty–first century all know and love. In music during the Baroque era, there were two composers that well
represented the style of its time, George Frideric Handel and Johann Sebastian Bach (Kamien 102). Bach was such an important aspect to the Baroque
era that when he died in 1750 it marked the end of the Baroque era pushing the era into the Classical period (Kamien 102). Other famous

Peculiar Circumstances During the Baroque Era
One of the most important eras in the history of classical music, was undoubtedly the Baroque Era. This period lasted from 1650 to 1750, and largely
stemmed from the musical innovations of both Italy and Germany. Through this era, the arrangements such as the concerto and the sonata were
produced, as well as mastery of the organ and other instruments. Two of perhaps the most influential artists of this era were Arcangelo Corelli and
George Fridric Handel.
Before discussing the styles and techniques that emerged and were reformed during the Baroque Period of music, first the cultural background must be
discussed. The Baroque Period of Music lasted from 1650 to 1750, and really was heavily influenced by two particular countries: Italy and Germany
(Sartorius). In Italy, architecture and the layout of the city of Rome had been completely revived because of the Renaissance period, and this new
innovation in architecture inspired music (Sartorius). Musicians aspired to experiment with music, and try new innovations to make their compositions
sound fresh and original (Sartorius). Meanwhile, up in Germany, composers were desperate to get in the various courts of royalty that existed at that
time, due to the fact that Germany was broken up into many states (Sartorius). If composers could become the court musicians for nobility, it could
insure great fame, job security, and profits (Sartorius). Thus, the Baroque period of Music was inspired by architectural advancement in Italy, and

Italian Painting From The Baroque Era

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Italian Painting From The Baroque Era