Euskadi Ta Askatasuna

•Download as PPT, PDF•

1 like•2,324 views

ramon16

It's a presentation about the il.legal band of spain.

The objective of ETA are: ,[object Object]

They are actives today in: ,[object Object],[object Object]

Its ideology is: Vasc nacionalism Marxismo-leninismo

This are dates of some truces: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

What's hot

Filipino apolinario mabini y maranan

Eemlliuq Agalalan

Unit 1 the spanish empire

castillosekel

Katipunan

Junhel Dalanon

The philippine revolution

Cute_04

Signs of Brewing Revolution in the Philippines

Beatrice Zabala

The Meaning Behind The Bolo 2

kevindpoe

The propaganda movement and the katipunan

James Prae Liclican

History of Early Philippine Journalism

Justine Claire Daet

Hispano filipino associations

Chakomanabat

Bonifacio's background

kRsh jAra fEraNdeZ

Southern liberation

VSPAndrea

The revolutionary movement

Anady Eleccion

Philippine heroes

legardo

The propaganda movement

ling selanoba

Mexican war of independence complete

tammyle253

Andres bonifacio

Jhon Angelo SAn Andres

PRINT, NEW MEDIA and INSTALLATION ART

Cey Gloria

Campaign for reform

Daniel Alen Saja

Katipunan and the Impetus for Nationhood

LenraLigaya

What's hot (19)

Filipino apolinario mabini y maranan

Unit 1 the spanish empire

Katipunan

The philippine revolution

Signs of Brewing Revolution in the Philippines

The Meaning Behind The Bolo 2

The propaganda movement and the katipunan

History of Early Philippine Journalism

Hispano filipino associations

Bonifacio's background

Southern liberation

The revolutionary movement

Philippine heroes

The propaganda movement

Mexican war of independence complete

Andres bonifacio

PRINT, NEW MEDIA and INSTALLATION ART

Campaign for reform

Katipunan and the Impetus for Nationhood

Similar to Euskadi Ta Askatasuna

Basque diaspora

argazkiakbotikazar

Sports&soc ses 13 euskadi

xaviercarmaniu

NASNAGA - First Ukraine 4th Industrial Revolution Culture Startup

Serhii Prokopenko

The Reformist Movement

Rayhanah

Catalonia: The Poll Road to Independence

Miqui Mel

Andres bonifacio and the 1896 revolution

kRsh jAra fEraNdeZ

Courting the Diaspora

LisaCorcostegui

Andres bonifacio

Rona Joy Renojo

Andres bonifacio

Rona Joy Renojo

Thepropagandamovementandthekatipunan 140113234727-phpapp02

Jhampodong Cabalar

Nilim kumar nath

Nilim Kumar Nath

LIBRARIES IN CUBA

cubatellama

SINGING REVOLUTION AND BALTIC WAY 1985-1991

OWTF

Emergent Countries, Emergent Media: Currency as National Identity

Heather Lusty

Vasil levski

ucilistejoakim

Saint John Bosco

Martin M Flynn

1 Chicana Expression—Later 20th Century Public Art and the Public Interest1 [Since the 1960s, a number of artists have engaged in debates] over the nature of public space and the art that is to be placed within this space. In the past in the United States, public art works often functioned as representations of civic virtues meant to instill valuable moral lessons. They were also intended to mark the common values of a diverse community and nation: heroic military efforts in defense of one’s country or one’s freedoms, respect for the laws of the land. The 1960s changed all that. As people began to march for civil rights and against the involvement of the United States in the war in Vietnam, many began to look at public art and ask: “Whose values are being represented? Whose traditions and beliefs? To whom are these works supposed to speak?” Certainly artists in the 1930s had created images of working-class Americans in government buildings throughout the country, but those murals omitted much—the racism directed at African Americans, Native Americans, Latinos and Asian Americans, the struggles to unionize, the labor of women outside the home. Calls were issued for a new kind of public art, one that was truly, in the words of the art historian Arlene Raven, “in the public interest.” Walls of Pride: Chicano/a Murals These calls were met most effectively by a new generation of muralists, who began covering walls throughout the country with images of local history or of the less celebratory side of national history. These artists argued that a public art could only be truly public if those who shared space with it were consulted about its ultimate form and use. In California in particular, a new and dynamic movement evolved that took inspiration from both the murals of Mexico and the struggles of farm workers in the United States, led by Cesar Chavez and Luisa Moreno, to unionize under the United Farm Workers of America (UFW). The growing political activism of individuals of Mexican descent around this unionization drive, which ultimately grew into a full-blown civil rights movement, led to the adoption by many of the name Chicano, derived from Mexicano. While it had circulated as an informal term for several decades within communities whose members described themselves as Mexican Americans, it was now used publicly as a form of positive self-identification, indicative of a new political consciousness and a commitment to social change. One of the first Chicano murals was produced in 1968 by Antonio Bernal on the side of the UFW Center in Del Ray, California. The piece celebrates modern revolutionary leaders, including Pancho Villa, and Emiliano Zapata (key figures in the Mexican Revolution of 1910-20), Cesar Chavez, , Malcolm X, and Martin Luther King. A companion piece depicted Pre-Columbian leaders. Chicana Muralist Judith Baca and The Great Wall of Los An ...

1 Chicana Expression—Later 20th Century Public A

VannaJoy20

Unit 3 the ancien regime in crisis

almusociales

150625 sports&soc 14b hiking

xaviercarmaniu

Similar to Euskadi Ta Askatasuna (19)

Basque diaspora

Sports&soc ses 13 euskadi

NASNAGA - First Ukraine 4th Industrial Revolution Culture Startup

The Reformist Movement

Catalonia: The Poll Road to Independence

Andres bonifacio and the 1896 revolution

Courting the Diaspora

Andres bonifacio

Thepropagandamovementandthekatipunan 140113234727-phpapp02

Nilim kumar nath

LIBRARIES IN CUBA

SINGING REVOLUTION AND BALTIC WAY 1985-1991

Emergent Countries, Emergent Media: Currency as National Identity

Vasil levski

Saint John Bosco

1 Chicana Expression—Later 20th Century Public A

Unit 3 the ancien regime in crisis

150625 sports&soc 14b hiking