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‘The Rover’
As a Restoration
Comedy
Name – Hina Pradipbhai Parmar
Roll No – 13
Enrollment no - 4069206420220021
Sem – 1(M.A.)
Batch – 2022-24
Email –hinaparmar612@gmail.com
Subject – What is Restoration comedy? Justify ‘The
Rover’ as a Restoration comedy.
Paper code- 22392
Paper no – 101( Literature of the Elizabethn and
Restoration period.)
Submitted to – Department of English, M.K.B.U.
Date- 15/10/2022
Introduction –
- Three historical events deeply influenced
the literary movements of the time-
1) The Restoration of the year 1660
2) The Roman Catholic controversy that
raged during the latter half of charles 2’s
reign
3) The Revolution of the year 1688.
The Restoration (1660) of Charles 2
brought about a revolution in our literature.
What is Restoration Comedy ?
• Restoration comedy - a type of
comedy play - written during and
after the Restoration in Britain.
• Restoration comedies are English
plays written and performed
between 1660 and 1710.
• It also known as ‘Comedy of
manners’ play.
• It deals - the sexual adventures of
the upper classes - show characters
behaving in a foolish or wicked way
-extramarital affairs.
Aphra Behn-
- She was a traveler, a successful
female playwright, novelist.
- Considered as the first professional
female writer, poet, who earned her
living through writing.
- One of her most successful
commercial work is
‘Oroonoko’(1688). This work has
themes like gender, race, slavery
and colonialism.
- First Woman who began to write in
prose.
(Born – 1640
Died - 1689 )
-Aphra Behn’s most
successful, best
known play.
-Set at carnival time in
Naples in 1656, the
play presents it’s 1677
audience with the
imagined exploits of a
group of ‘Banished
Cavaliers’
Libertinism and marriage-
- The spanish sisters Florinda and Hellena –
dominated – their brother Pedro.
- Pedro – confident - he can force Florinda to
marry his powerful friend Antonio – save the
cost of a dowry for Hellena – sending her
back to her nunnery.
- Aphra Behn explores the roles available –
Restoration woman and men – their idea
that marriage was an outmoded institution.
- Most powerful voice – Angellica – sees
prostitution – better choice than marriage.
The play begins with this quate-
What an impertinent thing is a
young girl bred in a nun-
nery! How full of questions!
Prithee no more, Hellena; I
have told thee more than thou
understand'st already.
- Florinda
Restoration masculinity
- Most of the men, by contrast, are in constant
conflict with one another. Their aggression is
manifested both in verbal jousting.
-Belville's affection for willmore reasserts itself
as he worries tha Antonio, who willmore has
drunkenly injured, might be willmore.
-Although Bellville might think that his friendship
with willmore means he should forgive him
whatever he gets up to, this shows dominant
conventions of Restoration masculinity.
Carnival, disguise and misrule-
- Through the disguises – the spanish
sisters – their cousin venture into the
streets – florinda arrange an elepment –
her beloved Belvile- Hellena, valleria –
search for their love matches. They
dressed as a gupsy.
- At the same time – carnival enables the
unfixing of these identities – during a
short period of misrule, this scene
produce a high energy – entertainment.
- At the end willmore choose Hellena over
Angellica.
Conclusion
Comedy of manners or
Restoration comedy have
satirized the upper class society
and Angelica Bianca belongs to
the upper class where she sleeps
with willmore, which according to
the puritan’s will be immoral and
the same action goes to willmore
as well.
Ciatation
Albert, E. (1923). History of English Literature (5th ed., Vol. 5). 5thGeorge G.
Harrap & Co. Ltd.
Behn, A. (2020). The Rover or The Banish'd Cavaliers. B.K. Publications
Private Limited.
Chaarani, R. (2011). International Journal of English Literature and Social
Sciences. AphraBehn: The Scarlet Awoman, 6(2), 32–34.
https://doi.org/10.22161/ijels
Hobby, E. (2018, June 21). The Rover. An introduction. British Library.
Retrieved October 14, 2022, from https://www.bl.uk/restoration-18th-century-
literature/articles/the-rover-an-introduction
Thank You

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The Rover As a Restoration Comedy

  • 1. ‘The Rover’ As a Restoration Comedy
  • 2. Name – Hina Pradipbhai Parmar Roll No – 13 Enrollment no - 4069206420220021 Sem – 1(M.A.) Batch – 2022-24 Email –hinaparmar612@gmail.com Subject – What is Restoration comedy? Justify ‘The Rover’ as a Restoration comedy. Paper code- 22392 Paper no – 101( Literature of the Elizabethn and Restoration period.) Submitted to – Department of English, M.K.B.U. Date- 15/10/2022
  • 3. Introduction – - Three historical events deeply influenced the literary movements of the time- 1) The Restoration of the year 1660 2) The Roman Catholic controversy that raged during the latter half of charles 2’s reign 3) The Revolution of the year 1688. The Restoration (1660) of Charles 2 brought about a revolution in our literature.
  • 4. What is Restoration Comedy ? • Restoration comedy - a type of comedy play - written during and after the Restoration in Britain. • Restoration comedies are English plays written and performed between 1660 and 1710. • It also known as ‘Comedy of manners’ play. • It deals - the sexual adventures of the upper classes - show characters behaving in a foolish or wicked way -extramarital affairs.
  • 5. Aphra Behn- - She was a traveler, a successful female playwright, novelist. - Considered as the first professional female writer, poet, who earned her living through writing. - One of her most successful commercial work is ‘Oroonoko’(1688). This work has themes like gender, race, slavery and colonialism. - First Woman who began to write in prose. (Born – 1640 Died - 1689 )
  • 6. -Aphra Behn’s most successful, best known play. -Set at carnival time in Naples in 1656, the play presents it’s 1677 audience with the imagined exploits of a group of ‘Banished Cavaliers’ Libertinism and marriage- - The spanish sisters Florinda and Hellena – dominated – their brother Pedro. - Pedro – confident - he can force Florinda to marry his powerful friend Antonio – save the cost of a dowry for Hellena – sending her back to her nunnery. - Aphra Behn explores the roles available – Restoration woman and men – their idea that marriage was an outmoded institution. - Most powerful voice – Angellica – sees prostitution – better choice than marriage.
  • 7. The play begins with this quate- What an impertinent thing is a young girl bred in a nun- nery! How full of questions! Prithee no more, Hellena; I have told thee more than thou understand'st already. - Florinda
  • 8. Restoration masculinity - Most of the men, by contrast, are in constant conflict with one another. Their aggression is manifested both in verbal jousting. -Belville's affection for willmore reasserts itself as he worries tha Antonio, who willmore has drunkenly injured, might be willmore. -Although Bellville might think that his friendship with willmore means he should forgive him whatever he gets up to, this shows dominant conventions of Restoration masculinity.
  • 9. Carnival, disguise and misrule- - Through the disguises – the spanish sisters – their cousin venture into the streets – florinda arrange an elepment – her beloved Belvile- Hellena, valleria – search for their love matches. They dressed as a gupsy. - At the same time – carnival enables the unfixing of these identities – during a short period of misrule, this scene produce a high energy – entertainment. - At the end willmore choose Hellena over Angellica.
  • 10. Conclusion Comedy of manners or Restoration comedy have satirized the upper class society and Angelica Bianca belongs to the upper class where she sleeps with willmore, which according to the puritan’s will be immoral and the same action goes to willmore as well.
  • 11. Ciatation Albert, E. (1923). History of English Literature (5th ed., Vol. 5). 5thGeorge G. Harrap & Co. Ltd. Behn, A. (2020). The Rover or The Banish'd Cavaliers. B.K. Publications Private Limited. Chaarani, R. (2011). International Journal of English Literature and Social Sciences. AphraBehn: The Scarlet Awoman, 6(2), 32–34. https://doi.org/10.22161/ijels Hobby, E. (2018, June 21). The Rover. An introduction. British Library. Retrieved October 14, 2022, from https://www.bl.uk/restoration-18th-century- literature/articles/the-rover-an-introduction