SlideShare a Scribd company logo
1 of 26
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 1
Director: Ben Carmichael
The narrative revolves around a boy (The Boy – Ben Carmichael) who has to meet a deadline for his essay,
which is due in for the following day. The story is based on previous experiences that have happened to
me where I was pressed for time in completing a piece of work that was due in the following day.
The storyboard itself focuses on Mise en scene, cinematography and sound to convey the story to an
audience. For example the suspense and urgency that needs to be expressed in some parts, such as shots
16-19, require suspenseful music that ‘signifies’ that the character is under pressure.
The use of mise en scene within this storyboard is initially used to denote the location to the audience (a
small bedroom at a desk). Mise en scene is also used in conjunction with sound to turn the mundane
items in the boy’s room, into symbols of his doom.
For example when the boy looks at his clock for the last time a funeral bell chime is heard as soon as the
camera looks towards the clock. Time is the boys constant enemy within the story which is made most
obvious in this shot (shot 24). Cinematography was one of the most vital micro features in my storyboard,
since it accounts for the most symbolism. The main object of the boys temptation is a video game.
Through cinematography the video game can be shown to have power over the boy through the video
game being viewed from a low angle and the boy being viewed from a high angle.The intended target
audience is for teenagers/ young adults, ages 12-21, who struggle with the task of completing pieces of
work by deadlines and how procrastination plays a major part in the delay of completing work. The
audience will be able to ‘personally identify’ (Katz) with the story since it is common within people of this
age group to have been in similar situations.
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 2
Shot 1 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy sitsdownat hisdeskwitha cup of teain hishandas he prepareshimself towrite an
essaythat isdue in forthe followingmorning.Hisfacial expressiondenotesanelementof dread
and trepidationatthe prospectof havingto complete anessay.
Camera: Shot Type:
MCU- MediumClose Up
Camera Angle:
Eye level
Camera Movement:
Static
Diegetic
Sound:
Ambientsound:Computerbuzzingandchairmoving/screechingtosignifyhow he istryingto
settle downandgetready.
Non-Diegetic
Sound:
N/A
Transition: Cut from- shot1 to shot2
Duration: 4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 3
Shot 2 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: Thisshot establishesthatthe boyissittinginfrontof a computerwaitingtowrite anessay.The
boytakesa sipfromhiscup of tea;he thenplacesthe teaon the desk witha sense of false
purpose thathe isintentoncompletingthe work.
Camera: Shot Type:
OSS - Overthe shoulder
Camera Angle:
Eye-Level
Camera Movement:
Static
Diegetic
Sound:
Ambientsound:Sippingof teaandmug makingcontactwithdesk.
Non-Diegetic
Sound:
N/A
Transition: Cut from - shot2 to shot3
Duration: 3 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 4
Shot 3 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: As time passesbythe boygetsmore and more frustratedat hisinabilitytowrite the essay.His
frustrationisexpressedthroughangrygruntsandhittinghisheadagainst a desk.
Camera: Shot Type:
MS– Mediumshot
Camera Angle:
Eye-Level/Oblique
Camera Movement:
Static
Diegetic
Sound:
Dialogue:‘Ahhhh!’ –Followedbythe dramaticandcomicthud of his headhittingthe desk.
AmbientSound:Computerbuzzing,rainfall,clock ticking
Non-Diegetic
Sound:
N/A
Transition: Cross-dissolve betweenquickshotsof varyingreactionstosignifytimepassing.
Cut from - shot3 to shot4
Duration: 8 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 5
Shot 4 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: Thisshot isusedto establishthatnothinghasbeendonthatresultsinthe essaysprogress.The
boyhas hisheadslumpeddownonthe deskin despair.
Camera: Shot Type:
OSS - Overthe shoulder
Camera Angle:
Highangle
Camera Movement:
Static
Diegetic
Sound:
AmbientSound: Rainfall,computerbuzzing,clockticking loudly.
Non-Diegetic
Sound:
N/A
Transition: Cut From - shot4 to shot 5
Duration: 2 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 6
Shot 5 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy liftshisheadupfromthe deskandputs hishandagainsthisface to illustrate thathe is
frustrated.Asthe camera pansthe boy turnshishead and looksupto an objectplacedontopof
the wardrobe.
Camera: Shot Type:
CU – Close-Up
OSS – Overthe shoulder
Camera Angle:
Eye level
Camera Movement:
Pan right
Diegetic
Sound:
AmbientSound:rainfall,computerbuzzing,clockticking
Non-Diegetic
Sound:
N/A
Transition: Fade from – shot 5 to shot 6
Duration: 4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 7
Shot 6 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The game isshownat the top of a wardrobe inthe bedroom.The game has poweroverthe boy
and providesasense of comicironyto the narrative throughthe verbal code of ‘Left4 Dead’
and thencuttingto a similarclaspinghand.
Camera: Shot Type:
CU- Close-Up
Camera Angle:
Low Angle
Camera Movement:
Tiltup and zoominon the
game slowlytoconnote
the dramatic impactthis
has.
Diegetic
Sound:
None = N/A
Dialogue:N/A
AmbientSound:Clockticking, rainfall,computerbuzz,
Non-Diegetic
Sound:
Soundtrack: A heavenly choir.
Transition: Fade Into - shot 7
Duration: 4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 8
Shot 7 Slug line: Internal:Scene takes place in a bedroom at a desk in the evening
Action: The boy getsdistractedfromhiswork and starts to lookat the game.He thenliftsuphisarm
and starts reachingoutto it,much like the previousshotof the handreachingoutof the game.
Camera: Shot Type:
MCU– MediumClose-Up
Camera Angle:
HighAngle
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound: Computerbuzz andrain falling.
Non-Diegetic
Sound:
Soundtrack: A heavenly male choir.Reminiscentof achoirheardin a Cathedral.
Transition: Fade into- shot 8
Duration: 4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 9
Shot 8 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The camera zoomsin evenfurthertoconnote the gamesimportance tothe boy and seamlessly
appearsas thoughit isinfact his handinside the game movingtowardsthe ‘LEFT4DEAD’title.
The verbal code ‘LEFT4DEAD’ ‘signifies’ (De Saussure) thatthe boyisreachingoutto a game
that will preventhim fromprogressingwhichwouldleadtohisdemise.Thisconnotesthatthe
boywill eventuallybe leftbehindbyothersandtherefore ‘Leftfordead’
Camera: Shot Type:
ECU - Extreme close up
Camera Angle:
Low angle
Camera Movement:
Slow zoomintothe text
‘LEFT 4 DEAD’
Diegetic
Sound:
Dialogue:N/A
AmbientSound: Computerbuzz,rainfall,clockticking.
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: Heavenlychoirstill playing.
Transition: Fade from - shot 8 to shot9
Duration: 3 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 10
Shot 9 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy grabs hisarm that isreachingout to the game as he strugglestogive intotemptation.
He resiststhe temptationandslapshimself inthe face.He thenwhipshisbodyaroundtoface
the computer.
Camera: Shot Type:
MS– Mid Shot
Camera Angle:
Highangle
Camera Movement:
Static.
Diegetic
Sound:
SFX: Face slap
Dialogue:N/A
AmbientSound:computerbuzzing,rainfall,clockticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: Heavenlychoirnow startingto fade outto ‘The final countdown’ - Europe
Transition: Cut from - shot9 to shot10
Duration: 5 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 11
Shot 10 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy hypeshimselfuptowrite the essayby shakinghisfistsat the screen.He liftshisarms
up inanticipation andfrustration ashe convinceshimself thathe will dothe essay.
Camera: Shot Type:
MCU– MediumClose Up
Camera Angle:
Eye Level
Camera Movement:
Static
Diegetic
Sound:
None = N/A
Dialogue:N/A
AmbientSound:ComputerBuzz,rainfall,clock ticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: ‘The final countdown’ becomeslouderandcontinuestoplay.
Transition: Cut from - shot10 to shot 11
Duration: 3-4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 12
Shot 11 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy has hisarms liftedupandreadyto type.Butat the verylastmoment,justas hisfingers
hitthe keyboarditjumpcutsto the boy holdinganXbox 360 controllerandplayingavideo
game.
Camera: Shot Type:
CU – Close Up
Camera Angle:
Highangle
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Buzzingof computer,soundof videogame,rainoutside clockticking
Non-Diegetic
Sound:
Soundtrack: When the drumsare aboutto kickin the song abruptlyends asthe jumpcut takes
place.
Transition: JumpCut - between2shots – thencut to shot12
Duration: 5 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 13
Shot 12 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy has beenside-trackedandishappilyplaying videogames,until he hearssomeone
makinga noise behindhim.The boypausesandputsdownthe game to turn roundto the
personemittingthe noise.
Camera: Shot Type:
MS-Mid Shot
Camera Angle:
Eye level
Camera Movement:
Static
Diegetic
Sound:
None = N/A
Dialogue:The motherannouncesabrief “Ahem”(A fake coughtoattract attention)
AmbientSound: Buzzingof computer,soundof videogame,rainoutside,clockticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: N/A
Transition: Cuts From- shot12 to shot13
Duration: 4-5 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 14
Shot 13 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The motheris standingbehindthe boyimpatientandconcernedasshe tapson herwrist,
makinga gesture thatimpliestime isrunningout.
Camera: Shot Type:
MS-MediumShot
Camera Angle:
Low Angle
Camera Movement:
Static
Diegetic
Sound:
None = N/A
Dialogue:N/A
AmbientSound:Tappingonwrist,clockticking,rain,computerbuzzing
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: N/A
Transition: Cut From- shot 13 to shot14
Duration: 3 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 15
Shot 14 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy turnshis headback inconfusionandturnshisheadtowards the clock, the boywhips
hisheadback to face the screenwithanexpressionof awe onhisface,whichisbecause he has
losttrack of time. Afterrealisingthe time he screamslikeagirl!
Camera: Shot Type:
MCU – Mediumclose up
Camera Angle:
Eye level
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound: Computerbuzz,rainfall
Non-Diegetic
Sound:
SFX: Fast whipmotionsound,screamof woman
Soundtrack: N/A
Transition: Cut from- shot14 to 15
Duration: 5 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 16
Shot 15 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy starts typingona keyboardwhichstartsa montage to denote hisprogressioninthe
essayovera passage of time.
Camera: Shot Type:
CU – Close-Up
Camera Angle:
Eye-Level
Camera Movement:
Static
Diegetic
Sound:
None = N/A
Dialogue:Betweenwho?Presentinspeechmarks
AmbientSound:typingonkeyboard, rainfall,computerbuzz,clockticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: The final countdownstartstoplay for the secondtime
Transition: Fade in- to shot 16
Duration: 3-4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 17
Shot 16 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy isdeterminedtogethisworkdone andis sure that he will be able todo this,as an air
of confidence andborderline arrogance appearsetchedacrosshisface.
Camera: Shot Type:
CU-Close Up
Camera Angle:
Eye Level
Camera Movement:
Static
Diegetic
Sound:
None = N/A
Dialogue:N/A
AmbientSound:Tappingonkeyboard,rainfall,clock ticking,Computerbuzz
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: ‘The final countdowncontinuestoplay
Transition: Fade into- shot17
Duration: 3 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 18
Shot 17 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: We see a shotof the screenwhichindicatesthatthe boyisprogressing
Camera: Shot Type:
CU – Close Up
Camera Angle:
Eye level
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Tappingonkeyboard,rainfall,clockticking,Computer buzz
Non-Diegetic
Sound:
Soundtrack: The slow pacedintense musicis still progressing.
Transition: Fade Into– shot 18
Duration: 3 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 19
Shot 18 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: Whenthe shot of the boyfadesinyoucan see thathe is now becomingtired.The boystruggles
to stay awake andstarts to tilthisheaddownas if he isgoingto passout. Eventuallythe boy
passesout.
Camera: Shot Type:
CU-Close Up
Camera Angle:
Eye level.
Camera Movement:
Static.
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Tappingonkeyboard,rainfall,clockticking,Computerbuzz.
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: ‘The final countdown’ - Europe startstodistortand slow down as the boy’stired
face comesintoshot. “It’sthe final countdo-“*Audiodistortsatthispoint*
Transition: Cuts from- shot18 to 19.
Duration: 4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 20
Shot 19 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy iscompletelyexhaustedandendsuppassingonhisdesk.The montage isbroughtto an
endand the scene cuts toblack on the soundqueue of the headslam
Camera: Shot Type:
CU-Close Up
Camera Angle:
Eye Level
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound: Headslamon desk,rainfall,clockticking,computerbuzz.
Non-Diegetic
Sound:
Voiceover:N/A
SFX: Recordscratch
Soundtrack: ‘The final countdown’- Europe stopsimmediatelybefore the recordsoundeffect
takesplace.
Transition: Fade to Black as soonas the boy’sheadhitsthe table
Duration: 2 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 21
Shot 20 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The Boy wakesupwitha shockto the soundof an alarm, quicklyopeninghis eyes.
Camera: Shot Type:
ECU - Extreme Close Up
Camera Angle:
Canted
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Clockticking,computerbuzz,birdschirping,Alarmclock
Non-Diegetic
Sound:
SFX: Subtle lowbassboom insync withboyopeninghiseyes afterhe realisesthathe has fallen
asleep!
Transition: Fade infrom black to shot20
Cut fromShot 20 to shot21
Duration: 3 seconds.
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 22
Shot 21 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy liftshisheadupslowlyashe is still half asleepwithhiseyeshalf shut.A secondafter
makingeye contactwiththe screenthe boy’stiredexpressionchanges toahorrifiedlook
because he hasnot completedthe essay
Camera: Shot Type:
CU-Close Up
Camera Angle:
Eye Level
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound: Birdschirping, computerbuzz,clockticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: N/A
Transition: Cut From- shot 21 to shot22
Duration: 4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 23
Shot 22 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The thingsthat the boy haswrittenforthe essayare actuallyjustramblings.The cameraspins
aroundin a 180 degree whippan toface the boywhostill hasa horrifiedexpressiononhisface.
The Boy thenrealisesthathe hasn’tcheckedthe time yet.
Camera: Shot Type:
MCU – MediumClose-Up
Camera Angle:
Eye level
Camera Movement:
Fast zoominon computer
screen Then180 degree
whippan to face the boy.
Diegetic
Sound:
Dialogue:N/A
AmbientSound: Birdschirping,Computerbuzz,Clockticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: lowbass “Dun Dun” to connote trouble.
Transition: Cut From- shot 22 to shot23
Duration: 5 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 24
Shot 23 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: In anticipationthe boyslowlyturnshisheadsothat he can see the time.He possessesalookof
concern.
Camera: Shot Type:
ECU – Extreme Close-Up
Camera Angle:
Eye level
Camera Movement:
Static
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Birdschirping,Computerbuzz,Clockticking
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: N/A
Transition: Cut fromshot 24 to shot25
Duration: 3-4 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 25
Shot 24 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The clock denotesthatitis nowmorning(7:30 am) and that the boy’stime isup!
Camera: Shot Type:
ECU– Extreme close up
Camera Angle:
CantedHighangle to connote that
time ishisenemy andhas power
overhim
Camera Movement:
Fast zoominon the clock
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Birdschirping,Computerbuzz,Clockticking.
Non-Diegetic
Sound:
Voiceover:N/A
Soundtrack: Chimingof a funeral bell toconnote hisinevitable failure!
Transition: Cut fromshot 24 to shot25
Duration: 2-3 seconds
St. Andrew’s Catholic School – CenterNumber- 64135
FM1: Exploring Film Form
Creative Project - Storyboard
Ben Carmichael – 2025 26
Shot 25 Slug line: INT: Scene takes place in a bedroom at a desk - Evening
Action: The boy turnshis headback towardsthe monitor withhisface expressingsadnessand concern.
The camera zoomsout froma CU (close up) toa MCU (mediumclose up) untilthe boysfacial
expressionchanges toconnote he hasgivenup.Finallythe boyface plant’sthe desk.
Camera: Shot Type:
CU-Close Up
Camera Angle:
Eye Level
Camera Movement:
ZoomOut to emphasise
the sadness
Diegetic
Sound:
Dialogue:N/A
AmbientSound:Birdschirping,Computerbuzz,Clockticking.
Non-Diegetic
Sound:
Voiceover:N/A
SFX: windblowingtoconnote emptiness –Stockwind
Transition: Cut to endcredits whenthe boy’sheadhitsthe desk
Duration: 3 seconds

More Related Content

What's hot

Photography Lecture Part Two
Photography Lecture Part TwoPhotography Lecture Part Two
Photography Lecture Part Twollkendal
 
Assignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the MagicAssignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the MagicRobin Stienberg
 
Skyfall Analysis
Skyfall AnalysisSkyfall Analysis
Skyfall AnalysisZaryabZ
 
Photography Lecture Part ONE
Photography Lecture Part ONEPhotography Lecture Part ONE
Photography Lecture Part ONEllkendal
 
Our horror film
Our horror filmOur horror film
Our horror filmtildamedia
 
Pre-production planning
Pre-production planningPre-production planning
Pre-production planningMatthew Dunk
 
mise en scene cave
mise en scene cavemise en scene cave
mise en scene cavetizpete
 

What's hot (13)

Photography Lecture Part Two
Photography Lecture Part TwoPhotography Lecture Part Two
Photography Lecture Part Two
 
Script breakdown
Script breakdownScript breakdown
Script breakdown
 
Butchcassidy
ButchcassidyButchcassidy
Butchcassidy
 
Assignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the MagicAssignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the Magic
 
Skyfall Analysis
Skyfall AnalysisSkyfall Analysis
Skyfall Analysis
 
Photography Lecture Part ONE
Photography Lecture Part ONEPhotography Lecture Part ONE
Photography Lecture Part ONE
 
Godfather and lighting hanfout
Godfather and lighting hanfoutGodfather and lighting hanfout
Godfather and lighting hanfout
 
Our horror film
Our horror filmOur horror film
Our horror film
 
Cinematography
CinematographyCinematography
Cinematography
 
Stop
Stop Stop
Stop
 
Pre-production planning
Pre-production planningPre-production planning
Pre-production planning
 
Task 7
Task 7Task 7
Task 7
 
mise en scene cave
mise en scene cavemise en scene cave
mise en scene cave
 

Viewers also liked

Fm1 micro and macro booklets
Fm1 micro and macro bookletsFm1 micro and macro booklets
Fm1 micro and macro bookletsNick Crafts
 
Storyboard template
Storyboard templateStoryboard template
Storyboard templateNick Crafts
 
'In the name of the father' propps narrative functions
'In the name of the father'   propps narrative functions'In the name of the father'   propps narrative functions
'In the name of the father' propps narrative functionsNick Crafts
 
L26 film reviews
L26   film reviewsL26   film reviews
L26 film reviewsNick Crafts
 
L8 film marketing new
L8   film marketing newL8   film marketing new
L8 film marketing newNick Crafts
 
Fm2 presentation
Fm2 presentationFm2 presentation
Fm2 presentationNick Crafts
 
L15 convergence and proliferation in hardware new
L15   convergence and proliferation in hardware newL15   convergence and proliferation in hardware new
L15 convergence and proliferation in hardware newNick Crafts
 
L9 l10 - digital technolgies
L9   l10 - digital technolgiesL9   l10 - digital technolgies
L9 l10 - digital technolgiesNick Crafts
 
L29 film reviews past paper question
L29   film reviews past paper questionL29   film reviews past paper question
L29 film reviews past paper questionNick Crafts
 
L3 hollywood v uk film new
L3   hollywood v uk film newL3   hollywood v uk film new
L3 hollywood v uk film newNick Crafts
 
L12 diminished expectations - uk film
L12   diminished expectations - uk filmL12   diminished expectations - uk film
L12 diminished expectations - uk filmNick Crafts
 
L5 l7 - production and distribution
L5   l7 - production and distributionL5   l7 - production and distribution
L5 l7 - production and distributionNick Crafts
 
L2 section a 3 sections overview newer
L2   section a 3 sections overview newerL2   section a 3 sections overview newer
L2 section a 3 sections overview newerNick Crafts
 
L1 section a introduction new
L1   section a introduction newL1   section a introduction new
L1 section a introduction newNick Crafts
 
Stuart hall (1980) audience reception theory
Stuart hall (1980)   audience reception theoryStuart hall (1980)   audience reception theory
Stuart hall (1980) audience reception theoryNick Crafts
 
L4 hollywood dominance
L4   hollywood dominanceL4   hollywood dominance
L4 hollywood dominanceNick Crafts
 

Viewers also liked (20)

Digital storyboards guide
Digital storyboards guideDigital storyboards guide
Digital storyboards guide
 
Fm1 micro and macro booklets
Fm1 micro and macro bookletsFm1 micro and macro booklets
Fm1 micro and macro booklets
 
Example 1
Example 1Example 1
Example 1
 
Storyboard template
Storyboard templateStoryboard template
Storyboard template
 
Wjec exemplar
Wjec exemplarWjec exemplar
Wjec exemplar
 
'In the name of the father' propps narrative functions
'In the name of the father'   propps narrative functions'In the name of the father'   propps narrative functions
'In the name of the father' propps narrative functions
 
L26 film reviews
L26   film reviewsL26   film reviews
L26 film reviews
 
L8 film marketing new
L8   film marketing newL8   film marketing new
L8 film marketing new
 
Fm2 presentation
Fm2 presentationFm2 presentation
Fm2 presentation
 
L15 convergence and proliferation in hardware new
L15   convergence and proliferation in hardware newL15   convergence and proliferation in hardware new
L15 convergence and proliferation in hardware new
 
L9 l10 - digital technolgies
L9   l10 - digital technolgiesL9   l10 - digital technolgies
L9 l10 - digital technolgies
 
L29 film reviews past paper question
L29   film reviews past paper questionL29   film reviews past paper question
L29 film reviews past paper question
 
L3 hollywood v uk film new
L3   hollywood v uk film newL3   hollywood v uk film new
L3 hollywood v uk film new
 
L12 diminished expectations - uk film
L12   diminished expectations - uk filmL12   diminished expectations - uk film
L12 diminished expectations - uk film
 
L5 l7 - production and distribution
L5   l7 - production and distributionL5   l7 - production and distribution
L5 l7 - production and distribution
 
L2 section a 3 sections overview newer
L2   section a 3 sections overview newerL2   section a 3 sections overview newer
L2 section a 3 sections overview newer
 
L1 section a introduction new
L1   section a introduction newL1   section a introduction new
L1 section a introduction new
 
Stuart hall (1980) audience reception theory
Stuart hall (1980)   audience reception theoryStuart hall (1980)   audience reception theory
Stuart hall (1980) audience reception theory
 
L4 hollywood dominance
L4   hollywood dominanceL4   hollywood dominance
L4 hollywood dominance
 
Syd field’s 3 act plot
Syd field’s 3 act plotSyd field’s 3 act plot
Syd field’s 3 act plot
 

Similar to FM1 - Storyboard Exemplar 2) - 'A' Grade

Mise en scene plan
Mise en scene planMise en scene plan
Mise en scene planclarissa0612
 
Video production
Video productionVideo production
Video productionlarrys17
 
Conventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptxConventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptx17mdav134
 
Conventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptxConventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptx17mdav134
 
Conventions of a Sci-fi Horror Pilot Research
Conventions of a Sci-fi Horror Pilot ResearchConventions of a Sci-fi Horror Pilot Research
Conventions of a Sci-fi Horror Pilot Research17mdav134
 
4 research project shannon wheeldon
4   research project shannon wheeldon4   research project shannon wheeldon
4 research project shannon wheeldonShannon Wheeldon
 
John carpenter powerpoint
John carpenter powerpointJohn carpenter powerpoint
John carpenter powerpointsukhpreetrayatt
 
Horror conventions
Horror conventions Horror conventions
Horror conventions Bushra111111
 
Attack the block - opening scene analysis
Attack the block - opening scene analysisAttack the block - opening scene analysis
Attack the block - opening scene analysisMike Gunn
 
Call of duty black ops 2 zombie origins
Call of duty black ops 2 zombie originsCall of duty black ops 2 zombie origins
Call of duty black ops 2 zombie originsterry96
 
Call of duty black ops 2 zombie origins
Call of duty black ops 2 zombie originsCall of duty black ops 2 zombie origins
Call of duty black ops 2 zombie originsterry96
 
Mise-En-Scene Plan
Mise-En-Scene PlanMise-En-Scene Plan
Mise-En-Scene Planclarissa0612
 

Similar to FM1 - Storyboard Exemplar 2) - 'A' Grade (20)

ben
benben
ben
 
05film Studies
05film Studies05film Studies
05film Studies
 
Film openings
Film openingsFilm openings
Film openings
 
Presentation6
Presentation6Presentation6
Presentation6
 
example 3
example 3example 3
example 3
 
Presentation6
Presentation6Presentation6
Presentation6
 
Deconstruction 2
Deconstruction 2Deconstruction 2
Deconstruction 2
 
Mise en scene plan
Mise en scene planMise en scene plan
Mise en scene plan
 
Video production
Video productionVideo production
Video production
 
Conventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptxConventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptx
 
Conventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptxConventions of a Sci-fi Horror.pptx
Conventions of a Sci-fi Horror.pptx
 
Conventions of a Sci-fi Horror Pilot Research
Conventions of a Sci-fi Horror Pilot ResearchConventions of a Sci-fi Horror Pilot Research
Conventions of a Sci-fi Horror Pilot Research
 
4 research project shannon wheeldon
4   research project shannon wheeldon4   research project shannon wheeldon
4 research project shannon wheeldon
 
John carpenter powerpoint
John carpenter powerpointJohn carpenter powerpoint
John carpenter powerpoint
 
Horror conventions
Horror conventions Horror conventions
Horror conventions
 
Pitch
PitchPitch
Pitch
 
Attack the block - opening scene analysis
Attack the block - opening scene analysisAttack the block - opening scene analysis
Attack the block - opening scene analysis
 
Call of duty black ops 2 zombie origins
Call of duty black ops 2 zombie originsCall of duty black ops 2 zombie origins
Call of duty black ops 2 zombie origins
 
Call of duty black ops 2 zombie origins
Call of duty black ops 2 zombie originsCall of duty black ops 2 zombie origins
Call of duty black ops 2 zombie origins
 
Mise-En-Scene Plan
Mise-En-Scene PlanMise-En-Scene Plan
Mise-En-Scene Plan
 

More from Nick Crafts

Unit 35 james pickering
Unit 35 james pickeringUnit 35 james pickering
Unit 35 james pickeringNick Crafts
 
Unit3511 170427151808
Unit3511 170427151808Unit3511 170427151808
Unit3511 170427151808Nick Crafts
 
Unit 0 - Student guide new 2017
Unit 0 - Student guide new 2017Unit 0 - Student guide new 2017
Unit 0 - Student guide new 2017Nick Crafts
 
Key Scene Analysis - Booklet
Key Scene Analysis  - BookletKey Scene Analysis  - Booklet
Key Scene Analysis - BookletNick Crafts
 
'Knocked Up' - Key Scene Analysis
'Knocked Up' - Key Scene Analysis'Knocked Up' - Key Scene Analysis
'Knocked Up' - Key Scene AnalysisNick Crafts
 
6949 comparative analysis b321
6949 comparative analysis b3216949 comparative analysis b321
6949 comparative analysis b321Nick Crafts
 
6994 comparative b321
6994 comparative b3216994 comparative b321
6994 comparative b321Nick Crafts
 
Comparative analysis advice
Comparative analysis   adviceComparative analysis   advice
Comparative analysis adviceNick Crafts
 
L11 l14 - footnote resource
L11   l14 - footnote resourceL11   l14 - footnote resource
L11 l14 - footnote resourceNick Crafts
 
Theory overview rom-com genre
Theory overview   rom-com genreTheory overview   rom-com genre
Theory overview rom-com genreNick Crafts
 
Comparative analysis – sentences help
Comparative analysis – sentences helpComparative analysis – sentences help
Comparative analysis – sentences helpNick Crafts
 
Essay structure new
Essay structure   newEssay structure   new
Essay structure newNick Crafts
 
Misogyny vs. misandry
Misogyny vs. misandryMisogyny vs. misandry
Misogyny vs. misandryNick Crafts
 
Nietzsche 'near life experience' task
Nietzsche 'near life experience' taskNietzsche 'near life experience' task
Nietzsche 'near life experience' taskNick Crafts
 
2014 past paper task
2014 past paper task2014 past paper task
2014 past paper taskNick Crafts
 
Section a theories
Section a   theoriesSection a   theories
Section a theoriesNick Crafts
 
L36 la haine character analysis
L36   la haine character analysisL36   la haine character analysis
L36 la haine character analysisNick Crafts
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysisNick Crafts
 
Jack connell preliminary planning & research
Jack connell   preliminary planning & researchJack connell   preliminary planning & research
Jack connell preliminary planning & researchNick Crafts
 
Preliminary task and planning & research template
Preliminary task and planning & research   templatePreliminary task and planning & research   template
Preliminary task and planning & research templateNick Crafts
 

More from Nick Crafts (20)

Unit 35 james pickering
Unit 35 james pickeringUnit 35 james pickering
Unit 35 james pickering
 
Unit3511 170427151808
Unit3511 170427151808Unit3511 170427151808
Unit3511 170427151808
 
Unit 0 - Student guide new 2017
Unit 0 - Student guide new 2017Unit 0 - Student guide new 2017
Unit 0 - Student guide new 2017
 
Key Scene Analysis - Booklet
Key Scene Analysis  - BookletKey Scene Analysis  - Booklet
Key Scene Analysis - Booklet
 
'Knocked Up' - Key Scene Analysis
'Knocked Up' - Key Scene Analysis'Knocked Up' - Key Scene Analysis
'Knocked Up' - Key Scene Analysis
 
6949 comparative analysis b321
6949 comparative analysis b3216949 comparative analysis b321
6949 comparative analysis b321
 
6994 comparative b321
6994 comparative b3216994 comparative b321
6994 comparative b321
 
Comparative analysis advice
Comparative analysis   adviceComparative analysis   advice
Comparative analysis advice
 
L11 l14 - footnote resource
L11   l14 - footnote resourceL11   l14 - footnote resource
L11 l14 - footnote resource
 
Theory overview rom-com genre
Theory overview   rom-com genreTheory overview   rom-com genre
Theory overview rom-com genre
 
Comparative analysis – sentences help
Comparative analysis – sentences helpComparative analysis – sentences help
Comparative analysis – sentences help
 
Essay structure new
Essay structure   newEssay structure   new
Essay structure new
 
Misogyny vs. misandry
Misogyny vs. misandryMisogyny vs. misandry
Misogyny vs. misandry
 
Nietzsche 'near life experience' task
Nietzsche 'near life experience' taskNietzsche 'near life experience' task
Nietzsche 'near life experience' task
 
2014 past paper task
2014 past paper task2014 past paper task
2014 past paper task
 
Section a theories
Section a   theoriesSection a   theories
Section a theories
 
L36 la haine character analysis
L36   la haine character analysisL36   la haine character analysis
L36 la haine character analysis
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysis
 
Jack connell preliminary planning & research
Jack connell   preliminary planning & researchJack connell   preliminary planning & research
Jack connell preliminary planning & research
 
Preliminary task and planning & research template
Preliminary task and planning & research   templatePreliminary task and planning & research   template
Preliminary task and planning & research template
 

Recently uploaded

Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceSamikshaHamane
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
DATA STRUCTURE AND ALGORITHM for beginners
DATA STRUCTURE AND ALGORITHM for beginnersDATA STRUCTURE AND ALGORITHM for beginners
DATA STRUCTURE AND ALGORITHM for beginnersSabitha Banu
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxNirmalaLoungPoorunde1
 
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptxECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptxiammrhaywood
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentInMediaRes1
 
Capitol Tech U Doctoral Presentation - April 2024.pptx
Capitol Tech U Doctoral Presentation - April 2024.pptxCapitol Tech U Doctoral Presentation - April 2024.pptx
Capitol Tech U Doctoral Presentation - April 2024.pptxCapitolTechU
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course  for BeginnersFull Stack Web Development Course  for Beginners
Full Stack Web Development Course for BeginnersSabitha Banu
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...M56BOOKSTORE PRODUCT/SERVICE
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfSumit Tiwari
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerunnathinaik
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17Celine George
 
Final demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptxFinal demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptxAvyJaneVismanos
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Meghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media ComponentMeghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media ComponentInMediaRes1
 
CELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxCELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxJiesonDelaCerna
 

Recently uploaded (20)

Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in Pharmacovigilance
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
DATA STRUCTURE AND ALGORITHM for beginners
DATA STRUCTURE AND ALGORITHM for beginnersDATA STRUCTURE AND ALGORITHM for beginners
DATA STRUCTURE AND ALGORITHM for beginners
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptx
 
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptxECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media Component
 
Capitol Tech U Doctoral Presentation - April 2024.pptx
Capitol Tech U Doctoral Presentation - April 2024.pptxCapitol Tech U Doctoral Presentation - April 2024.pptx
Capitol Tech U Doctoral Presentation - April 2024.pptx
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course  for BeginnersFull Stack Web Development Course  for Beginners
Full Stack Web Development Course for Beginners
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developer
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17
 
Final demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptxFinal demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptx
 
OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
 
Meghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media ComponentMeghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media Component
 
CELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxCELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptx
 

FM1 - Storyboard Exemplar 2) - 'A' Grade

  • 1. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 1 Director: Ben Carmichael The narrative revolves around a boy (The Boy – Ben Carmichael) who has to meet a deadline for his essay, which is due in for the following day. The story is based on previous experiences that have happened to me where I was pressed for time in completing a piece of work that was due in the following day. The storyboard itself focuses on Mise en scene, cinematography and sound to convey the story to an audience. For example the suspense and urgency that needs to be expressed in some parts, such as shots 16-19, require suspenseful music that ‘signifies’ that the character is under pressure. The use of mise en scene within this storyboard is initially used to denote the location to the audience (a small bedroom at a desk). Mise en scene is also used in conjunction with sound to turn the mundane items in the boy’s room, into symbols of his doom. For example when the boy looks at his clock for the last time a funeral bell chime is heard as soon as the camera looks towards the clock. Time is the boys constant enemy within the story which is made most obvious in this shot (shot 24). Cinematography was one of the most vital micro features in my storyboard, since it accounts for the most symbolism. The main object of the boys temptation is a video game. Through cinematography the video game can be shown to have power over the boy through the video game being viewed from a low angle and the boy being viewed from a high angle.The intended target audience is for teenagers/ young adults, ages 12-21, who struggle with the task of completing pieces of work by deadlines and how procrastination plays a major part in the delay of completing work. The audience will be able to ‘personally identify’ (Katz) with the story since it is common within people of this age group to have been in similar situations.
  • 2. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 2 Shot 1 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy sitsdownat hisdeskwitha cup of teain hishandas he prepareshimself towrite an essaythat isdue in forthe followingmorning.Hisfacial expressiondenotesanelementof dread and trepidationatthe prospectof havingto complete anessay. Camera: Shot Type: MCU- MediumClose Up Camera Angle: Eye level Camera Movement: Static Diegetic Sound: Ambientsound:Computerbuzzingandchairmoving/screechingtosignifyhow he istryingto settle downandgetready. Non-Diegetic Sound: N/A Transition: Cut from- shot1 to shot2 Duration: 4 seconds
  • 3. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 3 Shot 2 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: Thisshot establishesthatthe boyissittinginfrontof a computerwaitingtowrite anessay.The boytakesa sipfromhiscup of tea;he thenplacesthe teaon the desk witha sense of false purpose thathe isintentoncompletingthe work. Camera: Shot Type: OSS - Overthe shoulder Camera Angle: Eye-Level Camera Movement: Static Diegetic Sound: Ambientsound:Sippingof teaandmug makingcontactwithdesk. Non-Diegetic Sound: N/A Transition: Cut from - shot2 to shot3 Duration: 3 seconds
  • 4. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 4 Shot 3 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: As time passesbythe boygetsmore and more frustratedat hisinabilitytowrite the essay.His frustrationisexpressedthroughangrygruntsandhittinghisheadagainst a desk. Camera: Shot Type: MS– Mediumshot Camera Angle: Eye-Level/Oblique Camera Movement: Static Diegetic Sound: Dialogue:‘Ahhhh!’ –Followedbythe dramaticandcomicthud of his headhittingthe desk. AmbientSound:Computerbuzzing,rainfall,clock ticking Non-Diegetic Sound: N/A Transition: Cross-dissolve betweenquickshotsof varyingreactionstosignifytimepassing. Cut from - shot3 to shot4 Duration: 8 seconds
  • 5. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 5 Shot 4 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: Thisshot isusedto establishthatnothinghasbeendonthatresultsinthe essaysprogress.The boyhas hisheadslumpeddownonthe deskin despair. Camera: Shot Type: OSS - Overthe shoulder Camera Angle: Highangle Camera Movement: Static Diegetic Sound: AmbientSound: Rainfall,computerbuzzing,clockticking loudly. Non-Diegetic Sound: N/A Transition: Cut From - shot4 to shot 5 Duration: 2 seconds
  • 6. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 6 Shot 5 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy liftshisheadupfromthe deskandputs hishandagainsthisface to illustrate thathe is frustrated.Asthe camera pansthe boy turnshishead and looksupto an objectplacedontopof the wardrobe. Camera: Shot Type: CU – Close-Up OSS – Overthe shoulder Camera Angle: Eye level Camera Movement: Pan right Diegetic Sound: AmbientSound:rainfall,computerbuzzing,clockticking Non-Diegetic Sound: N/A Transition: Fade from – shot 5 to shot 6 Duration: 4 seconds
  • 7. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 7 Shot 6 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The game isshownat the top of a wardrobe inthe bedroom.The game has poweroverthe boy and providesasense of comicironyto the narrative throughthe verbal code of ‘Left4 Dead’ and thencuttingto a similarclaspinghand. Camera: Shot Type: CU- Close-Up Camera Angle: Low Angle Camera Movement: Tiltup and zoominon the game slowlytoconnote the dramatic impactthis has. Diegetic Sound: None = N/A Dialogue:N/A AmbientSound:Clockticking, rainfall,computerbuzz, Non-Diegetic Sound: Soundtrack: A heavenly choir. Transition: Fade Into - shot 7 Duration: 4 seconds
  • 8. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 8 Shot 7 Slug line: Internal:Scene takes place in a bedroom at a desk in the evening Action: The boy getsdistractedfromhiswork and starts to lookat the game.He thenliftsuphisarm and starts reachingoutto it,much like the previousshotof the handreachingoutof the game. Camera: Shot Type: MCU– MediumClose-Up Camera Angle: HighAngle Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound: Computerbuzz andrain falling. Non-Diegetic Sound: Soundtrack: A heavenly male choir.Reminiscentof achoirheardin a Cathedral. Transition: Fade into- shot 8 Duration: 4 seconds
  • 9. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 9 Shot 8 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The camera zoomsin evenfurthertoconnote the gamesimportance tothe boy and seamlessly appearsas thoughit isinfact his handinside the game movingtowardsthe ‘LEFT4DEAD’title. The verbal code ‘LEFT4DEAD’ ‘signifies’ (De Saussure) thatthe boyisreachingoutto a game that will preventhim fromprogressingwhichwouldleadtohisdemise.Thisconnotesthatthe boywill eventuallybe leftbehindbyothersandtherefore ‘Leftfordead’ Camera: Shot Type: ECU - Extreme close up Camera Angle: Low angle Camera Movement: Slow zoomintothe text ‘LEFT 4 DEAD’ Diegetic Sound: Dialogue:N/A AmbientSound: Computerbuzz,rainfall,clockticking. Non-Diegetic Sound: Voiceover:N/A Soundtrack: Heavenlychoirstill playing. Transition: Fade from - shot 8 to shot9 Duration: 3 seconds
  • 10. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 10 Shot 9 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy grabs hisarm that isreachingout to the game as he strugglestogive intotemptation. He resiststhe temptationandslapshimself inthe face.He thenwhipshisbodyaroundtoface the computer. Camera: Shot Type: MS– Mid Shot Camera Angle: Highangle Camera Movement: Static. Diegetic Sound: SFX: Face slap Dialogue:N/A AmbientSound:computerbuzzing,rainfall,clockticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: Heavenlychoirnow startingto fade outto ‘The final countdown’ - Europe Transition: Cut from - shot9 to shot10 Duration: 5 seconds
  • 11. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 11 Shot 10 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy hypeshimselfuptowrite the essayby shakinghisfistsat the screen.He liftshisarms up inanticipation andfrustration ashe convinceshimself thathe will dothe essay. Camera: Shot Type: MCU– MediumClose Up Camera Angle: Eye Level Camera Movement: Static Diegetic Sound: None = N/A Dialogue:N/A AmbientSound:ComputerBuzz,rainfall,clock ticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: ‘The final countdown’ becomeslouderandcontinuestoplay. Transition: Cut from - shot10 to shot 11 Duration: 3-4 seconds
  • 12. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 12 Shot 11 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy has hisarms liftedupandreadyto type.Butat the verylastmoment,justas hisfingers hitthe keyboarditjumpcutsto the boy holdinganXbox 360 controllerandplayingavideo game. Camera: Shot Type: CU – Close Up Camera Angle: Highangle Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound:Buzzingof computer,soundof videogame,rainoutside clockticking Non-Diegetic Sound: Soundtrack: When the drumsare aboutto kickin the song abruptlyends asthe jumpcut takes place. Transition: JumpCut - between2shots – thencut to shot12 Duration: 5 seconds
  • 13. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 13 Shot 12 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy has beenside-trackedandishappilyplaying videogames,until he hearssomeone makinga noise behindhim.The boypausesandputsdownthe game to turn roundto the personemittingthe noise. Camera: Shot Type: MS-Mid Shot Camera Angle: Eye level Camera Movement: Static Diegetic Sound: None = N/A Dialogue:The motherannouncesabrief “Ahem”(A fake coughtoattract attention) AmbientSound: Buzzingof computer,soundof videogame,rainoutside,clockticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: N/A Transition: Cuts From- shot12 to shot13 Duration: 4-5 seconds
  • 14. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 14 Shot 13 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The motheris standingbehindthe boyimpatientandconcernedasshe tapson herwrist, makinga gesture thatimpliestime isrunningout. Camera: Shot Type: MS-MediumShot Camera Angle: Low Angle Camera Movement: Static Diegetic Sound: None = N/A Dialogue:N/A AmbientSound:Tappingonwrist,clockticking,rain,computerbuzzing Non-Diegetic Sound: Voiceover:N/A Soundtrack: N/A Transition: Cut From- shot 13 to shot14 Duration: 3 seconds
  • 15. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 15 Shot 14 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy turnshis headback inconfusionandturnshisheadtowards the clock, the boywhips hisheadback to face the screenwithanexpressionof awe onhisface,whichisbecause he has losttrack of time. Afterrealisingthe time he screamslikeagirl! Camera: Shot Type: MCU – Mediumclose up Camera Angle: Eye level Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound: Computerbuzz,rainfall Non-Diegetic Sound: SFX: Fast whipmotionsound,screamof woman Soundtrack: N/A Transition: Cut from- shot14 to 15 Duration: 5 seconds
  • 16. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 16 Shot 15 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy starts typingona keyboardwhichstartsa montage to denote hisprogressioninthe essayovera passage of time. Camera: Shot Type: CU – Close-Up Camera Angle: Eye-Level Camera Movement: Static Diegetic Sound: None = N/A Dialogue:Betweenwho?Presentinspeechmarks AmbientSound:typingonkeyboard, rainfall,computerbuzz,clockticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: The final countdownstartstoplay for the secondtime Transition: Fade in- to shot 16 Duration: 3-4 seconds
  • 17. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 17 Shot 16 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy isdeterminedtogethisworkdone andis sure that he will be able todo this,as an air of confidence andborderline arrogance appearsetchedacrosshisface. Camera: Shot Type: CU-Close Up Camera Angle: Eye Level Camera Movement: Static Diegetic Sound: None = N/A Dialogue:N/A AmbientSound:Tappingonkeyboard,rainfall,clock ticking,Computerbuzz Non-Diegetic Sound: Voiceover:N/A Soundtrack: ‘The final countdowncontinuestoplay Transition: Fade into- shot17 Duration: 3 seconds
  • 18. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 18 Shot 17 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: We see a shotof the screenwhichindicatesthatthe boyisprogressing Camera: Shot Type: CU – Close Up Camera Angle: Eye level Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound:Tappingonkeyboard,rainfall,clockticking,Computer buzz Non-Diegetic Sound: Soundtrack: The slow pacedintense musicis still progressing. Transition: Fade Into– shot 18 Duration: 3 seconds
  • 19. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 19 Shot 18 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: Whenthe shot of the boyfadesinyoucan see thathe is now becomingtired.The boystruggles to stay awake andstarts to tilthisheaddownas if he isgoingto passout. Eventuallythe boy passesout. Camera: Shot Type: CU-Close Up Camera Angle: Eye level. Camera Movement: Static. Diegetic Sound: Dialogue:N/A AmbientSound:Tappingonkeyboard,rainfall,clockticking,Computerbuzz. Non-Diegetic Sound: Voiceover:N/A Soundtrack: ‘The final countdown’ - Europe startstodistortand slow down as the boy’stired face comesintoshot. “It’sthe final countdo-“*Audiodistortsatthispoint* Transition: Cuts from- shot18 to 19. Duration: 4 seconds
  • 20. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 20 Shot 19 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy iscompletelyexhaustedandendsuppassingonhisdesk.The montage isbroughtto an endand the scene cuts toblack on the soundqueue of the headslam Camera: Shot Type: CU-Close Up Camera Angle: Eye Level Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound: Headslamon desk,rainfall,clockticking,computerbuzz. Non-Diegetic Sound: Voiceover:N/A SFX: Recordscratch Soundtrack: ‘The final countdown’- Europe stopsimmediatelybefore the recordsoundeffect takesplace. Transition: Fade to Black as soonas the boy’sheadhitsthe table Duration: 2 seconds
  • 21. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 21 Shot 20 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The Boy wakesupwitha shockto the soundof an alarm, quicklyopeninghis eyes. Camera: Shot Type: ECU - Extreme Close Up Camera Angle: Canted Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound:Clockticking,computerbuzz,birdschirping,Alarmclock Non-Diegetic Sound: SFX: Subtle lowbassboom insync withboyopeninghiseyes afterhe realisesthathe has fallen asleep! Transition: Fade infrom black to shot20 Cut fromShot 20 to shot21 Duration: 3 seconds.
  • 22. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 22 Shot 21 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy liftshisheadupslowlyashe is still half asleepwithhiseyeshalf shut.A secondafter makingeye contactwiththe screenthe boy’stiredexpressionchanges toahorrifiedlook because he hasnot completedthe essay Camera: Shot Type: CU-Close Up Camera Angle: Eye Level Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound: Birdschirping, computerbuzz,clockticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: N/A Transition: Cut From- shot 21 to shot22 Duration: 4 seconds
  • 23. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 23 Shot 22 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The thingsthat the boy haswrittenforthe essayare actuallyjustramblings.The cameraspins aroundin a 180 degree whippan toface the boywhostill hasa horrifiedexpressiononhisface. The Boy thenrealisesthathe hasn’tcheckedthe time yet. Camera: Shot Type: MCU – MediumClose-Up Camera Angle: Eye level Camera Movement: Fast zoominon computer screen Then180 degree whippan to face the boy. Diegetic Sound: Dialogue:N/A AmbientSound: Birdschirping,Computerbuzz,Clockticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: lowbass “Dun Dun” to connote trouble. Transition: Cut From- shot 22 to shot23 Duration: 5 seconds
  • 24. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 24 Shot 23 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: In anticipationthe boyslowlyturnshisheadsothat he can see the time.He possessesalookof concern. Camera: Shot Type: ECU – Extreme Close-Up Camera Angle: Eye level Camera Movement: Static Diegetic Sound: Dialogue:N/A AmbientSound:Birdschirping,Computerbuzz,Clockticking Non-Diegetic Sound: Voiceover:N/A Soundtrack: N/A Transition: Cut fromshot 24 to shot25 Duration: 3-4 seconds
  • 25. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 25 Shot 24 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The clock denotesthatitis nowmorning(7:30 am) and that the boy’stime isup! Camera: Shot Type: ECU– Extreme close up Camera Angle: CantedHighangle to connote that time ishisenemy andhas power overhim Camera Movement: Fast zoominon the clock Diegetic Sound: Dialogue:N/A AmbientSound:Birdschirping,Computerbuzz,Clockticking. Non-Diegetic Sound: Voiceover:N/A Soundtrack: Chimingof a funeral bell toconnote hisinevitable failure! Transition: Cut fromshot 24 to shot25 Duration: 2-3 seconds
  • 26. St. Andrew’s Catholic School – CenterNumber- 64135 FM1: Exploring Film Form Creative Project - Storyboard Ben Carmichael – 2025 26 Shot 25 Slug line: INT: Scene takes place in a bedroom at a desk - Evening Action: The boy turnshis headback towardsthe monitor withhisface expressingsadnessand concern. The camera zoomsout froma CU (close up) toa MCU (mediumclose up) untilthe boysfacial expressionchanges toconnote he hasgivenup.Finallythe boyface plant’sthe desk. Camera: Shot Type: CU-Close Up Camera Angle: Eye Level Camera Movement: ZoomOut to emphasise the sadness Diegetic Sound: Dialogue:N/A AmbientSound:Birdschirping,Computerbuzz,Clockticking. Non-Diegetic Sound: Voiceover:N/A SFX: windblowingtoconnote emptiness –Stockwind Transition: Cut to endcredits whenthe boy’sheadhitsthe desk Duration: 3 seconds