SlideShare a Scribd company logo
1 of 11
Entrance Activity
3 minutes
Robert Warshow (1958)
Gangsters are denoted as ‘the man of the city’
YOU MUST guess the theory we covered last lesson.
Extension – YOU COULD note down the date and state HOW
it applies to a scene from the text we covered last lesson.
Friedrich Engels (1884)
Title:
Overview of the Gangster Genre – Codes & Conventions
and elements of ‘repetition’ (Steve Neale – 1980)
Tuesday 24th
March 2015
FM2 –
British and American Film (60%) of AS Level)
Section C –
US Cinema Comparative Study –
‘Goodfellas’ and ‘American Gangster’ -
(40 marks)
Why?
Aims & Objectives
• YOU WILL re-cap prior
learning.
• YOU WILL be able to gain
and demonstrate a better
understanding of the codes
& conventions of the genre
through close-textual
analysis of 2 scenes from
case studies YOU MUST
learn for the exam.
• Review the learning.
AO1
Demonstrate knowledge and
understanding of film as an
audio-visual form of creative
expression together and
AO2
Apply knowledge and
understanding, including
some of the common critical
approaches that characterise
the subject, when exploring
and analysing films.
FM2 –
EXAM BOARD EXPECTATIONS
Mark Scheme
‘Goodfellas’ (1990 – Martin Scorsese) ‘American Gangster’ (2007 – Ridley Scott)
The “rise and fall” (Robert Warshow –
1946) of a ‘tragic hero’
The “rise and fall” (Robert Warshow – 1946) of a ‘tragic hero’
‘Goodfellas’ (1990 – Martin Scorsese) ‘American Gangster’ (2007 – Ridley Scott)
YOU MUST some of the elements YOU expect to be ‘repeated’ (Steve Neale - 1980) in the
Gangster genre through the micro features of:
•Mise-en-scene
•Sound
•Editing
•Cinematography
YOU SHOULD research some of these examples online to develop your understanding.
‘Signs act as Signifiers’
Main Task – 15 minutes
YOU MUST compare 2 scenes from the Case Studies and establish the connotations
behind the use of the Gun in each scene.
YOU SHOULD make a note of the micro features that help establish the authority of the
character whilst they possess the gun.
FEEDBACK
Guns (Iconography) –
Clear phallic symbols and are often used to restore their masculine status or
emasculate the man without one.
Ironically, Karen stuffs the gun into her knickers when the FBI invade their home and
connotes how the gun offers a source of protection and security without her husband
around.
What have you learnt?
• What have I learnt?
• What do I want to know now?
Homework
Complete a 1-page analysis of the ‘Copacabana Scene’ and
address the following:
Warren Farrell (1993) -
“Both sexes had roles: women's role was [to] raise children;
men's role was [to] raise money."
How has Henry obtained such notoriety and wealth?
How does this scene impact the spectator?
Due: L3 – NEXT LESSON – Wednesday 25th
March

More Related Content

What's hot

L3 fm2 - case study - comparison overview
L3   fm2 - case study - comparison overviewL3   fm2 - case study - comparison overview
L3 fm2 - case study - comparison overview
misshanks
 
L20 themes & issues comparisons
L20   themes & issues comparisonsL20   themes & issues comparisons
L20 themes & issues comparisons
misshanks
 
L16 hunger introduction
L16   hunger introductionL16   hunger introduction
L16 hunger introduction
misshanks
 
L28 past paper practise and exemplar answer - adapt
L28   past paper practise and exemplar answer - adaptL28   past paper practise and exemplar answer - adapt
L28 past paper practise and exemplar answer - adapt
misshanks
 
Screening L7 l9 - in the name of the father screening
Screening L7   l9 - in the name of the father screeningScreening L7   l9 - in the name of the father screening
Screening L7 l9 - in the name of the father screening
misshanks
 
L11 l12 - in the name of the father key scenes
L11   l12 - in the name of the father key scenesL11   l12 - in the name of the father key scenes
L11 l12 - in the name of the father key scenes
misshanks
 
L29 wjec exam topics preparation 'carousel of questions'
L29   wjec exam topics preparation 'carousel of questions'L29   wjec exam topics preparation 'carousel of questions'
L29 wjec exam topics preparation 'carousel of questions'
misshanks
 

What's hot (20)

L3 fm2 - case study - comparison overview
L3   fm2 - case study - comparison overviewL3   fm2 - case study - comparison overview
L3 fm2 - case study - comparison overview
 
L21 themes & issues comparisons
L21   themes & issues comparisonsL21   themes & issues comparisons
L21 themes & issues comparisons
 
L20 themes & issues comparisons
L20   themes & issues comparisonsL20   themes & issues comparisons
L20 themes & issues comparisons
 
L23 test
L23   testL23   test
L23 test
 
L24 hunger and itnotf comparison
L24   hunger and itnotf comparisonL24   hunger and itnotf comparison
L24 hunger and itnotf comparison
 
L19 hunger key scenes l1 of 2
L19   hunger key scenes l1 of 2L19   hunger key scenes l1 of 2
L19 hunger key scenes l1 of 2
 
L16 hunger introduction
L16   hunger introductionL16   hunger introduction
L16 hunger introduction
 
L28 past paper practise and exemplar answer - adapt
L28   past paper practise and exemplar answer - adaptL28   past paper practise and exemplar answer - adapt
L28 past paper practise and exemplar answer - adapt
 
WJEC EcL25 wjec exam topics
WJEC EcL25   wjec exam topicsWJEC EcL25   wjec exam topics
WJEC EcL25 wjec exam topics
 
L36 la haine character analysis
L36   la haine character analysisL36   la haine character analysis
L36 la haine character analysis
 
L28 wjec exam topics - structure and analysis
L28   wjec exam topics - structure and analysisL28   wjec exam topics - structure and analysis
L28 wjec exam topics - structure and analysis
 
Micro and macro analysis of genre: Rebecca's AS Set 2
Micro and macro analysis of genre:  Rebecca's AS Set 2Micro and macro analysis of genre:  Rebecca's AS Set 2
Micro and macro analysis of genre: Rebecca's AS Set 2
 
Screening L7 l9 - in the name of the father screening
Screening L7   l9 - in the name of the father screeningScreening L7   l9 - in the name of the father screening
Screening L7 l9 - in the name of the father screening
 
L20 hunger key scenes l2 of 2
L20   hunger key scenes l2 of 2L20   hunger key scenes l2 of 2
L20 hunger key scenes l2 of 2
 
L1 introduction
L1   introductionL1   introduction
L1 introduction
 
L11 l12 - in the name of the father key scenes
L11   l12 - in the name of the father key scenesL11   l12 - in the name of the father key scenes
L11 l12 - in the name of the father key scenes
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysis
 
Exam overview
Exam overviewExam overview
Exam overview
 
'Hunger' study guide
'Hunger'   study guide'Hunger'   study guide
'Hunger' study guide
 
L29 wjec exam topics preparation 'carousel of questions'
L29   wjec exam topics preparation 'carousel of questions'L29   wjec exam topics preparation 'carousel of questions'
L29 wjec exam topics preparation 'carousel of questions'
 

Viewers also liked (15)

Social learning theory 'goodfellas' and 'american gangster'
Social learning theory   'goodfellas' and 'american gangster'Social learning theory   'goodfellas' and 'american gangster'
Social learning theory 'goodfellas' and 'american gangster'
 
L23 lyric deconstruction
L23   lyric deconstructionL23   lyric deconstruction
L23 lyric deconstruction
 
Fm2 section c pdf
Fm2 section c pdfFm2 section c pdf
Fm2 section c pdf
 
Nietzsche 'near life experience' task
Nietzsche 'near life experience' taskNietzsche 'near life experience' task
Nietzsche 'near life experience' task
 
Nihilism screen shots
Nihilism screen shotsNihilism screen shots
Nihilism screen shots
 
L4 - Fight 2) - Marla and Misogyny
L4 - Fight 2) - Marla and MisogynyL4 - Fight 2) - Marla and Misogyny
L4 - Fight 2) - Marla and Misogyny
 
L6 - Fight 5) - Jack and Bob Male in Crisis
L6 - Fight 5) - Jack and Bob Male in CrisisL6 - Fight 5) - Jack and Bob Male in Crisis
L6 - Fight 5) - Jack and Bob Male in Crisis
 
L5 - Fight 3) - Jack and Tyler
L5 - Fight 3) - Jack and TylerL5 - Fight 3) - Jack and Tyler
L5 - Fight 3) - Jack and Tyler
 
L8 - Fight 8) - Nietszche and 'Ubermench'
L8 - Fight 8) - Nietszche and 'Ubermench'L8 - Fight 8) - Nietszche and 'Ubermench'
L8 - Fight 8) - Nietszche and 'Ubermench'
 
2014 past paper task
2014 past paper task2014 past paper task
2014 past paper task
 
Fm4 section c
Fm4 section cFm4 section c
Fm4 section c
 
Who is Tyler Durden?
Who is Tyler Durden?Who is Tyler Durden?
Who is Tyler Durden?
 
L1
L1L1
L1
 
Critical approaches list
Critical approaches listCritical approaches list
Critical approaches list
 
Fm4 study fightclub overview
Fm4 study fightclub overviewFm4 study fightclub overview
Fm4 study fightclub overview
 

Similar to L2 fm2 - gangster genre overview

Genre research2013
Genre research2013Genre research2013
Genre research2013
Liz Davies
 
Rent and view one of the films from the list below. You should view .docx
Rent and view one of the films from the list below. You should view .docxRent and view one of the films from the list below. You should view .docx
Rent and view one of the films from the list below. You should view .docx
carlt4
 
Lesson 1 0 Introduction to AS Film Studies
Lesson 1 0 Introduction to AS Film StudiesLesson 1 0 Introduction to AS Film Studies
Lesson 1 0 Introduction to AS Film Studies
South Sefton College
 
01. horror intro
01. horror intro01. horror intro
01. horror intro
mrs_mullen
 
Codes and Conventions
Codes and ConventionsCodes and Conventions
Codes and Conventions
t013127
 
Please review a film that you have not seen before.docx
Please review a film that you have not seen before.docxPlease review a film that you have not seen before.docx
Please review a film that you have not seen before.docx
write22
 
Genre lesson slides 2012
Genre lesson slides 2012Genre lesson slides 2012
Genre lesson slides 2012
Liz Davies
 

Similar to L2 fm2 - gangster genre overview (20)

GCSE Film Studies Captain America First Avenger: A Scheme of Work and Case Study
GCSE Film Studies Captain America First Avenger: A Scheme of Work and Case StudyGCSE Film Studies Captain America First Avenger: A Scheme of Work and Case Study
GCSE Film Studies Captain America First Avenger: A Scheme of Work and Case Study
 
L24 gomorrah - introduction lesson new
L24   gomorrah - introduction lesson newL24   gomorrah - introduction lesson new
L24 gomorrah - introduction lesson new
 
L15 l16 - city of god key scene analysis new
L15   l16 - city of god key scene analysis newL15   l16 - city of god key scene analysis new
L15 l16 - city of god key scene analysis new
 
Genre research2013
Genre research2013Genre research2013
Genre research2013
 
Action and adventure films revise
Action and adventure films reviseAction and adventure films revise
Action and adventure films revise
 
Rent and view one of the films from the list below. You should view .docx
Rent and view one of the films from the list below. You should view .docxRent and view one of the films from the list below. You should view .docx
Rent and view one of the films from the list below. You should view .docx
 
Lesson 1 0 Introduction to AS Film Studies
Lesson 1 0 Introduction to AS Film StudiesLesson 1 0 Introduction to AS Film Studies
Lesson 1 0 Introduction to AS Film Studies
 
Genre Theory
Genre TheoryGenre Theory
Genre Theory
 
1b genre lessons
1b genre lessons1b genre lessons
1b genre lessons
 
Horror Genre
Horror GenreHorror Genre
Horror Genre
 
01. horror intro
01. horror intro01. horror intro
01. horror intro
 
Horror week 1
Horror week 1Horror week 1
Horror week 1
 
Codes and Conventions
Codes and ConventionsCodes and Conventions
Codes and Conventions
 
Please review a film that you have not seen before.docx
Please review a film that you have not seen before.docxPlease review a film that you have not seen before.docx
Please review a film that you have not seen before.docx
 
L26 l27 - gomorrah key scene analysis newer
L26   l27 - gomorrah key scene analysis newerL26   l27 - gomorrah key scene analysis newer
L26 l27 - gomorrah key scene analysis newer
 
How to write an opening2
How to write an opening2How to write an opening2
How to write an opening2
 
L16 hunger introduction
L16   hunger introductionL16   hunger introduction
L16 hunger introduction
 
Research conclusion
Research conclusionResearch conclusion
Research conclusion
 
Genre lesson slides 2012
Genre lesson slides 2012Genre lesson slides 2012
Genre lesson slides 2012
 
Introduction to Film Studies
Introduction to Film StudiesIntroduction to Film Studies
Introduction to Film Studies
 

More from misshanks

More from misshanks (15)

Plan describe and evaluate the cognitive approach to explaining depression
Plan   describe and evaluate the cognitive approach to explaining depressionPlan   describe and evaluate the cognitive approach to explaining depression
Plan describe and evaluate the cognitive approach to explaining depression
 
Describe and evaluate the cognitive approach to treating depression
Describe and evaluate the cognitive approach to treating depressionDescribe and evaluate the cognitive approach to treating depression
Describe and evaluate the cognitive approach to treating depression
 
Describe and evaluate the cognitive approach to explaining depression
Describe and evaluate the cognitive approach to explaining depressionDescribe and evaluate the cognitive approach to explaining depression
Describe and evaluate the cognitive approach to explaining depression
 
Describe and evaluate the biological approach to treating ocd
Describe and evaluate the biological approach to treating ocdDescribe and evaluate the biological approach to treating ocd
Describe and evaluate the biological approach to treating ocd
 
Describe and evaluate the biological approach to explaining ocd
Describe and evaluate the biological approach to explaining ocdDescribe and evaluate the biological approach to explaining ocd
Describe and evaluate the biological approach to explaining ocd
 
Zimbardo's study
Zimbardo's studyZimbardo's study
Zimbardo's study
 
Milgram's study
Milgram's studyMilgram's study
Milgram's study
 
Asch's study
Asch's studyAsch's study
Asch's study
 
L13 handout
L13 handoutL13 handout
L13 handout
 
L30 exemplar instructions
L30 exemplar instructionsL30 exemplar instructions
L30 exemplar instructions
 
L29 presentation analysis
L29   presentation analysisL29   presentation analysis
L29 presentation analysis
 
L26 29 independent research
L26   29 independent researchL26   29 independent research
L26 29 independent research
 
L20 l22
L20   l22L20   l22
L20 l22
 
L16 expository mode
L16   expository modeL16   expository mode
L16 expository mode
 
L10 super size me
L10   super size meL10   super size me
L10 super size me
 

Recently uploaded

Spellings Wk 4 and Wk 5 for Grade 4 at CAPS
Spellings Wk 4 and Wk 5 for Grade 4 at CAPSSpellings Wk 4 and Wk 5 for Grade 4 at CAPS
Spellings Wk 4 and Wk 5 for Grade 4 at CAPS
AnaAcapella
 
Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...
Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...
Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...
EADTU
 
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lessonQUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
httgc7rh9c
 

Recently uploaded (20)

Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)
 
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxExploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
 
REMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxREMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptx
 
OS-operating systems- ch05 (CPU Scheduling) ...
OS-operating systems- ch05 (CPU Scheduling) ...OS-operating systems- ch05 (CPU Scheduling) ...
OS-operating systems- ch05 (CPU Scheduling) ...
 
Economic Importance Of Fungi In Food Additives
Economic Importance Of Fungi In Food AdditivesEconomic Importance Of Fungi In Food Additives
Economic Importance Of Fungi In Food Additives
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
 
On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan Fellows
 
Spellings Wk 4 and Wk 5 for Grade 4 at CAPS
Spellings Wk 4 and Wk 5 for Grade 4 at CAPSSpellings Wk 4 and Wk 5 for Grade 4 at CAPS
Spellings Wk 4 and Wk 5 for Grade 4 at CAPS
 
How to Manage Global Discount in Odoo 17 POS
How to Manage Global Discount in Odoo 17 POSHow to Manage Global Discount in Odoo 17 POS
How to Manage Global Discount in Odoo 17 POS
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 
Interdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptxInterdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptx
 
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdf
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdfUnit 3 Emotional Intelligence and Spiritual Intelligence.pdf
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdf
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptx
 
21st_Century_Skills_Framework_Final_Presentation_2.pptx
21st_Century_Skills_Framework_Final_Presentation_2.pptx21st_Century_Skills_Framework_Final_Presentation_2.pptx
21st_Century_Skills_Framework_Final_Presentation_2.pptx
 
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
NO1 Top Black Magic Specialist In Lahore Black magic In Pakistan Kala Ilam Ex...
 
AIM of Education-Teachers Training-2024.ppt
AIM of Education-Teachers Training-2024.pptAIM of Education-Teachers Training-2024.ppt
AIM of Education-Teachers Training-2024.ppt
 
Model Attribute _rec_name in the Odoo 17
Model Attribute _rec_name in the Odoo 17Model Attribute _rec_name in the Odoo 17
Model Attribute _rec_name in the Odoo 17
 
Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...
Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...
Transparency, Recognition and the role of eSealing - Ildiko Mazar and Koen No...
 
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lessonQUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
QUATER-1-PE-HEALTH-LC2- this is just a sample of unpacked lesson
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and Modifications
 

L2 fm2 - gangster genre overview

  • 1. Entrance Activity 3 minutes Robert Warshow (1958) Gangsters are denoted as ‘the man of the city’ YOU MUST guess the theory we covered last lesson. Extension – YOU COULD note down the date and state HOW it applies to a scene from the text we covered last lesson. Friedrich Engels (1884)
  • 2. Title: Overview of the Gangster Genre – Codes & Conventions and elements of ‘repetition’ (Steve Neale – 1980) Tuesday 24th March 2015 FM2 – British and American Film (60%) of AS Level) Section C – US Cinema Comparative Study – ‘Goodfellas’ and ‘American Gangster’ - (40 marks)
  • 3. Why? Aims & Objectives • YOU WILL re-cap prior learning. • YOU WILL be able to gain and demonstrate a better understanding of the codes & conventions of the genre through close-textual analysis of 2 scenes from case studies YOU MUST learn for the exam. • Review the learning. AO1 Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together and AO2 Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films.
  • 4. FM2 – EXAM BOARD EXPECTATIONS Mark Scheme ‘Goodfellas’ (1990 – Martin Scorsese) ‘American Gangster’ (2007 – Ridley Scott)
  • 5. The “rise and fall” (Robert Warshow – 1946) of a ‘tragic hero’
  • 6. The “rise and fall” (Robert Warshow – 1946) of a ‘tragic hero’ ‘Goodfellas’ (1990 – Martin Scorsese) ‘American Gangster’ (2007 – Ridley Scott) YOU MUST some of the elements YOU expect to be ‘repeated’ (Steve Neale - 1980) in the Gangster genre through the micro features of: •Mise-en-scene •Sound •Editing •Cinematography YOU SHOULD research some of these examples online to develop your understanding.
  • 7. ‘Signs act as Signifiers’
  • 8. Main Task – 15 minutes YOU MUST compare 2 scenes from the Case Studies and establish the connotations behind the use of the Gun in each scene. YOU SHOULD make a note of the micro features that help establish the authority of the character whilst they possess the gun.
  • 9. FEEDBACK Guns (Iconography) – Clear phallic symbols and are often used to restore their masculine status or emasculate the man without one. Ironically, Karen stuffs the gun into her knickers when the FBI invade their home and connotes how the gun offers a source of protection and security without her husband around.
  • 10. What have you learnt? • What have I learnt? • What do I want to know now?
  • 11. Homework Complete a 1-page analysis of the ‘Copacabana Scene’ and address the following: Warren Farrell (1993) - “Both sexes had roles: women's role was [to] raise children; men's role was [to] raise money." How has Henry obtained such notoriety and wealth? How does this scene impact the spectator? Due: L3 – NEXT LESSON – Wednesday 25th March

Editor's Notes

  1. Goodfellas –   Tommy killing Spider.   American Gangster –   Frank confronted by Tango in the Café. – 18 minutes in
  2. Change for other lessons