Sui Generis Magazine volume one Kristen Murillo.pdf
Week 8
1.
2.
3. Take your time when
processing your film. It will
take a bit of practice but it is
really worth it!
4. Your Negatives… Examine your negatives. What does the
exposure look like?
If your negatives don’t look correct please
refer to the…Black and White Film… when
is goes wrong.. sheet.
5. Negative Sleeves
Your negatives are
very delicate and can
be easily scratched.
Take care when
handling and keep
them safe in your file
6. The Enlarger
CHECK FILTER NUMBER
CLEAN NEG
SET APERTURE ON THE
LENS
DECIDE ON PRINT SIZE
USE MASKING FRAME TO
CREATE PROPER
BORDERS
FINE FOCUS IMAGE
CHECK BORDERS OF
IMAGE
SET TIMER
MAKE TEST STRIPS FOR
EVERY PRINT
MINIMUM EXPOSURE – 16
SECS
ALTER
FILTER/TIMING/APERTUR
E APPROPRIATELY
‘BURN IN’ WHERE
NECESSARY
‘HOLD BACK AREAS’
WHERE NECESSARY
7. Enlarger lenses have Apertures that also affect
how much light is hitting the paper, however, it's
best to stop down to achieve a sharp image and
leave it (start with going 2 stops down to f8).
8. Contrast Grades
-Contrast grades 0 – 1 |
lower contrast
-Contrast grade 2 |
medium or normal
contrast
-Contrast grades 3 – 5 |
higher contrast
You should use filters to
change the contrast of your
photograph. Make sure you
write down which one you have
used when creating test strips
12. The Chemicals…
-USE TONGS - ALWAYS
-USE ‘DRIP/DROP’ METHOD
-MINIMUM 1.5 MINUTES IN DEV
-KEEP DEV MOVING
-DON’T LEAVE TEST STRIPS IN
DEV
-CHECK ALL PRINTS OUTSIDE
IN LIGHT
-DON’T PILE UP PRINTS IN FIX
-WASH PRINTS PROPERLY
-KEEP WET PRINTS AWAY
FROM ENLARGER
-WASH & DRY HANDS BEFORE
HANDLING NEGS & PAPER
-TAKE ALL PRINTS OUT TO DRY
-CHECK NEGS ARE NOT LEFT IN
ENLARGER
-CLEAR UP BEFORE LEAVING
13. This week……
-Create a double page
explaining how to ‘Process a
Film’ and how to create a
‘Contact Sheet’
-Print test strips and a
contact sheet. Stick in your
sketchbook and annotate
(see example books for
inspiration)
Deadline: Monday 7th
November
(Don’t forget to bring your negatives and folder)
