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Screening Languages:
Short films for MFL
Mark Reid BFI Education mark.reid@bfi.org.uk
archive and library
cinematheque
Festivals
film production and
distribution
Publishing
Education
And BFI Education
2008/09 French shorts Cineminis DVD
Esmee Fairbairn research with IoE on Year 8 French
Reframing Languages
Screening Languages (2013-15)
• 6 schools/ 12
teachers
• Hounslow,
Barking&Dagenham
, Barnet, Lambeth
• Year 7/8
• French, Spanish,
German
• 17 schools/ 22
teachers
• 5 LAs, academy
chains
• KS3
• French, Spanish,
German, Mandarin,
Turkish, Arabic
Year 1 Year 2
Why film?
Why film?
‘Comprehensible input’ and ‘forms of life’
Culturally rich language context
Engagement for children
Why shorts?
• New to children
• Manageability
• High quality
- cinematic
Shorts pedagogy
• ‘Tell Me’ grids - in target language
• Hiding and revealing
• Stopping and starting
character setting
Story
Qu’est-ce qu’il
se passe
Mood
ambience
Qui? Ou? Quand?
‘Tell Me’ grids
Aidan Chambers/ CLPE
(Hide the screen and play the DVD, Mark)
puzzles patterns
surprises predictions
Value for Teachers
• New pedagogical knowledge and approaches
• Confidence in exploring film as a cultural
medium
• Changed expectations of pupils
• Greater cultural awareness in their teaching
• Confidence to take risks - experimentation
• Imagination and originality
• Motivation and professional development
Value for Pupils
Value for Pupils
• Improved motivation towards learning another language
• Improved attainment in listening, speaking, reading and writing
• Develops cultural knowledge and interest in film as a cultural form
Speaking skills
during viewing
• Learners report phrases with or without
help of teacher/sub-title e.g. on poster
or PP
• ‘Predictive speech’ - what is he/she
going to say/do?
• Learner originated questions
• Descriptions and summaries while the
film is running (no sound)
Speaking skills
after viewing
• Discussion of film – likes/dislikes re
characters, aspects of film
• Information gap activities and role play
• Storyboard - continuing the story, alternative
endings
• Guessing games: describing
characters/events
• Re-sequencing mixed-up stills from film,
relating correct sequence
Film resources for MFL
• Kirikou et la Sorciere (1998, Fr, West African, BFI
films; dir Michel Ocelot); also Azur and Azmar/ The
Prince’s Quest by same director
• BFI shorts: Starting Stories 1&2 and Story Shorts
1&2
• Cine-minis DVD
• DVD of Courts Metrages: Courts de Recre and
Enfantillages, Institut Francais -
celine.cordier@diplomatie.gouv.fr
• ALL yahoo group on using film via Helen Myers
• BFI Southbank and Sheffield Showroom cinema days
on using film with MFL at KS2-KS5
http://screeninglanguages.wordpress.com
Launch BFI Southbank 23rd
November 2pm

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Using Short Films to Engage Students in Modern Foreign Languages

  • 1. Screening Languages: Short films for MFL Mark Reid BFI Education mark.reid@bfi.org.uk
  • 2. archive and library cinematheque Festivals film production and distribution Publishing Education
  • 4. 2008/09 French shorts Cineminis DVD Esmee Fairbairn research with IoE on Year 8 French Reframing Languages
  • 5. Screening Languages (2013-15) • 6 schools/ 12 teachers • Hounslow, Barking&Dagenham , Barnet, Lambeth • Year 7/8 • French, Spanish, German • 17 schools/ 22 teachers • 5 LAs, academy chains • KS3 • French, Spanish, German, Mandarin, Turkish, Arabic Year 1 Year 2
  • 7. Why film? ‘Comprehensible input’ and ‘forms of life’ Culturally rich language context Engagement for children
  • 8. Why shorts? • New to children • Manageability • High quality - cinematic
  • 9. Shorts pedagogy • ‘Tell Me’ grids - in target language • Hiding and revealing • Stopping and starting
  • 10. character setting Story Qu’est-ce qu’il se passe Mood ambience Qui? Ou? Quand? ‘Tell Me’ grids Aidan Chambers/ CLPE
  • 11. (Hide the screen and play the DVD, Mark)
  • 14. • New pedagogical knowledge and approaches • Confidence in exploring film as a cultural medium • Changed expectations of pupils • Greater cultural awareness in their teaching • Confidence to take risks - experimentation • Imagination and originality • Motivation and professional development
  • 16. Value for Pupils • Improved motivation towards learning another language • Improved attainment in listening, speaking, reading and writing • Develops cultural knowledge and interest in film as a cultural form
  • 17. Speaking skills during viewing • Learners report phrases with or without help of teacher/sub-title e.g. on poster or PP • ‘Predictive speech’ - what is he/she going to say/do? • Learner originated questions • Descriptions and summaries while the film is running (no sound)
  • 18. Speaking skills after viewing • Discussion of film – likes/dislikes re characters, aspects of film • Information gap activities and role play • Storyboard - continuing the story, alternative endings • Guessing games: describing characters/events • Re-sequencing mixed-up stills from film, relating correct sequence
  • 19.
  • 20. Film resources for MFL • Kirikou et la Sorciere (1998, Fr, West African, BFI films; dir Michel Ocelot); also Azur and Azmar/ The Prince’s Quest by same director • BFI shorts: Starting Stories 1&2 and Story Shorts 1&2 • Cine-minis DVD • DVD of Courts Metrages: Courts de Recre and Enfantillages, Institut Francais - celine.cordier@diplomatie.gouv.fr • ALL yahoo group on using film via Helen Myers • BFI Southbank and Sheffield Showroom cinema days on using film with MFL at KS2-KS5