5. Basic Concepts
Taking a picture of the dark
High ISO (gain) – adds noise
Long exposures – adds noise
Very dim objects – signal strength ~ noise level
This is a battle against noise
Lots of pictures – coax the signal from the noise
Cool the electronics – minimize the noise
Calibration frames – subtract the noise
Need uncompressed data
Don’t have a DSLR or astro-camera, don’t fret
6. Why Raw and not JPG
Compression
Small deviations are lost in compression
This is your data being destroyed!
14 bits vs. 8 bits
16384 shades vs. 256 shades
Your data: 800 to 1600 vs. 12 to 25 shades
64x more data!
7. Three Types of Astrophotography
Easy – Star Trails, Moon
Moderate – Meteor showers
Challenging –
Deep Sky
○ This will be my focus; I will explain the others as I go
Planetary
○ We will cover this at another time. It is arguably the most difficult type
8.
9. This doesn’t have to be expensive
The $3.95 budget
Modern iPhone or Android cell phone – 3.95
○ http://www.camerafv5.com/
ProCamera for the iPhone – $8.99
○ https://www.procamera-app.com/en/
Deep Sky Stacker – Free
Gimp 2.10 – Free
Computer to process
○ Okay, so you need a computer
Stable place and way to set the phone/camera
11. Other non-DSLR options
Canon Point and shoot cameras
CHDK $0.00
http://chdk.wikia.com/wiki/CHDK
Android Phone
Manual Camera $4.99
FV-5 $3.95
A Better Camera $0.99
iPhone
Pro Camera $8.99
Pro Cam $7.99
12. Optimal Minimal Equipment
Rock solid tripod
Consider sandbags to hold it still
Prime lens vs. zoom lens
The less glass the better, each surface is an opportunity for light loss and
reflections. Prime.
Focal ratio
The faster the lens the better, but…
○ Some lens have distortions when wide open
○ Astrophotography will expose them
Remote or timed trigger
Even better, lock the shutter open
Bahtinov mask (focusing tool)
13.
14. Planning – What to Shoot
What is your field of view?
Sensor size (Canon T1i is 22.3mm X 14.9mm)
Focal Length of lens (35mm)
FOV = sensor/focal length * 57.3
○ 22.3/35*57.3=13.6 X 14.9/35*57.3=24.4
Look for objects that fill up at least 40% of the field
○ Moon is 0.5 (would require 380mm to use 40%)
What is up tonight?
Summer favorite is the Milky Way
Winter favorite is Orion
The Moon is harder than you think
15. Don’t Forget to Check the Weather
http://clearoutside.com/forecast
19. Basic Steps
Acclimate the camera to the environment
Leave camera outside 30 minutes prior to use
Focus – This is a lot harder than you think!!!
The longer your focal length the harder to focus
Set exposure
Frame
Shoot, take lots of shots. Over 100. Really!
If it is cold outside put the camera in a zip lock back before
you bring it in.
20. Focus – Bahtinov Mask Usage
Place mask over lens
Take picture
Adjust focus
Repeat until all lines meet in
center
Search for “Bahtinov Mask dslr” on Amazon
21. Exposure Time & ISO
Your camera is stationary the sky is not!
“Sky Speed” varies
https://www.lonelyspeck.com/advanced-astrophotography-shutter-
time-calculator/
35MM lens on a T1i at
○ Declination 0: 8 seconds
○ Declination 70: 17 seconds
For star trails ignore this time
You want the maximum ISO before insane noise
For the T1i this is 1600
Newer cameras can go higher
22. What is Declination
Declination is the number of degrees the center of the shot
is from the celestial equator.
Polaris is at 90
Simple enough?
Not sure, use 0
23. Star Trails - Calculating exposure
Carefully remove the Bahtinov mask
Take a sample shot
Inspect histogram
You want the left side to be away from the left wall, but not too much
○ Left peak is the sky’s brightness
If you have another peak on the right avoid it hitting the far right
○ Right peak is any large foreground object
24. Frame the Object
Carefully remove the Bahtinov mask
Remember, the sky is moving
Objects move around the North Star
For most directions this is East to West
West of the North Star (south to north)
East of the North Star (north to south)
North of the North Star (west to east)
Set up so your target moves through the frame
25. Frame the Object
Remember the sky is moving
Objects move around the North Star
Set up so your target moves through the frame
N
W
E
S
W
E
26. Take Pictures – Lots of
Pictures
Take as many pictures as you can
30 to 50 exposures is where you start to have limited returns
1, 2, 4, 8, 16, 32, 64, 128, 256, 512, 1024
○ You half the noise with every doubling
20 second exposures
35mm lens has is 34 by 24
It takes 96 minutes for the sky to rotate 24
30 minutes @ 20 seconds = 90 shots
Big or empty SD card and strong battery help
Optional AC adapter or 12V converter is helpful
29. Darks Frames – Take at Least 30
If it gets cloudy or your object sets, & you can keep your
equipment out take darks
Darks are equal length exposures at the same temperature
with the lens cap on
You can also build a dark library
This captures the “exposure noise”
These are important but optional
30. Bias Frames – Take at Least
30
You can take these any time
Take the shortest possible exposure with the lens cap on
This captures the “read noise” of the chip
These are helpful and optional
31. Flat Frames – Take at Least
30
Without touching the focus
Take a picture of an evenly illuminated field
A grey card can work here
Try to get a similar histogram to your images
Need varies depending on vignetting of the image from
“nice to have” to essential
Generally, these are essential
32. Pre-Processing Math
Pre-processing is applying darks, flats, and bias to the
individual images before stacking
Light - bias - (dark - bias) (flat - bias) = Frame
If you skip this step and just stack lights,
33.
34. Essential Stacking
The goal of stacking is to take every frame, line up the stars
and combine them into a single shot. This will:
Drive out noise
Create more “bits” of dynamic range
DSLR’s start with 14 bits, after ~10 sub-frames you can have a true
32-bit floating point intensity value.
Inspect all frames for bad ones
Combine all the lights, darks, bias, and flats
Each program has a different process, learn yours, try the
options
For star trails you just stack without aligning on stars
37. What is Non-Linear
Stretching?
90% of your data occupies 10% or less of the
“data space”
The goal is to get this to cover 75% or more
of the “data space” without blowing out the
bright areas
Each image needs different treatment
Orig Targ
0 0
5 60
10 110
15 150
20 180
25 195
50 210
75 215
100 220
125 225
150 230
175 235
200 240
225 245
250 250
0
50
100
150
200
250
0 50 100 150 200 250
38. Digital Development & More
This is an astro-photo specific process to bring out dynamic
range into a visible space
You can do this yourself with levels and curves
Or buy special software $$ Star Tools, PixInsight, Nebulosity
There are many other tricks!
○ If you are interested, watch this video
Requires PhotoShop, maybe Lightroom or Gimp 2.10
○ http://www.astronomersdoitinthedark.com/dslr_llrgb_tutorial.php
39. Other Special Issues
Gradients & Vignetting
Amp glow
Lens/Scope vignetting
Sky glow (even and uneven)
Noise removal
The whole process is a battle against noise
Exaggerated colors / saturation
Real colors are not as saturated as many like
Color alignment
Each color focuses slightly differently
Highlight the nebula, surpass the stars
40. Commercial Software under $100
Backyard EOS or Backyard
Nikon – $50
Image acquisition for DSLRs
Star Tools – 60 AUD ($45)
Digital development
Color correction
Noise removal
Many other processing tricks
Nebulosity – $95
Image acquisition - CCD
Stacking
Digital development
Luminar AI - $99
Image processing
Astro Photography Tool (APT) -
$22
Image acquisition
Computer focusing!
Plate solving via PS2 or Astro Tortilla
(Both Free)
41. So, You Have a Tracking Mount!
Alt-Az mounts
Allow longer exposures, but not multiple minutes
Equatorial mounts
Anything from an EQ-1 to a Paramount
Polar alignment is essential for good performance
Cable management is essential for your sanity
Long focal length = Very difficult
Short focal length = Relatively easy
Start short with experience go long
43. Accurate Polar Alignment
PoleMaster – Neat piece of unnecessary equipment
Assumes your mount’s case in plumb
PHD2 offers a drift align process that is
Easy (once you understand it)
Accurate (to arc-seconds of accuracy)
https://openphdguiding.org/PHD2_Drift_Alignment.pdf
Steps
Rough align on Polaris
Perform Drift Align in PHD2
Stop when you are satisfied, don’t go crazy!
○ I generally settle for 5 arc minutes or less error
44. Long exposures
Most good equatorial mounts can support a 3-minute
exposure without guiding depending on your focal length
Your mileage will vary
Guiding is essential for longer exposures
Short focal length 10mm to 400mm
○ Optional, but will improve images
Mid range focal length 400mm to 2000mm
○ Essential beyond 2 to 4 minutes – Guide scope
Long focal length 2000mm+
○ Essential period – Consider a pick off mirror
45. What is Guiding?
While your main camera takes a long exposure
A guide camera is taking short pictures
A computer is interpreting the picture
The computer is sending commands to the mount to correct for any
tracking errors
PHD2 is the primary guiding software
Despite its name “Press Here Dummy” it is rather complex to
properly configure.
At longer focal lengths a guide scope has too much flexure;
you need to use a pick off mirror
Let the battle against noise begin! Each frame is full of noise, so much noise you could never use it.
Never, never, never shoot JPGs and expect good results. Even with a cell phone invest in a program like FV-5 that captures “Raw” data
Assuming you have a modern cell phone and reasonable laptop, you can get some nice pictures for no investment
You can also process Hubble images to get good at processing without even owning a telescope.
With a modern cell phone and software that avoids compressing the image you can do real astro-photography
Other things to consider if you are using filters is the filter to use as the objects climbs. Shoot Red, Green, then Blue as an object rises.
I use my spreadsheet and Sky Tools
Focus is critical and changes with temperature. Recheck focus during the night