This Is For My Media Coursework. Thank You

1. Props: Car
(set) Fake
blood
(Make-up
FX)
Shot
Number
Description (shot type, angle,
movement, action)
Scene description Production notes
1 Tight Shot- close-up, two-shot
Slow movement, dolly track forward
Sal and Antonio are sitting inside their
car, waiting for someone to turn up near
the car park; they are coming up with a
plan
CARLO:
He won’t hold back
and neither will we
ANTONIO:
We’ve got to
get those damn
files back
Equipment/ Requirements:
A Tripod and Dolly
The Setting will be in Carlo
and Antonio’s car, but in a
‘Car Park’.
Props may includea gun,
whilst Antonio is talking
2 Wide shot-half of the shot is uninhabited-
Dwayne is on the left
He is fairly confident, standing still
(contrasted to the nervous movement of Sal
in the next shot)
EXT: A CAR PARK- NIGHT
DWAYNE is inside his
car, on the PHONE to
SAL.
Equipment/ Requirements:
A Tripod, sidelighting
Props: MobileTelephone
3 High angle shot, dolly track out
Sal is on his own in the ‘Motel Room’ and
is in a vulnerable state after having to
run from Carlo and Antonio; he has a low
profile
INT: MOTEL ROOM-
NIGHT
SAL is lying on a BED
with black DUVET COVERS,
on his PHONE
Equipment/ Requirements:
A Tripod, Stepladder
Being able to raise the camera
aboveSal during the shot
4 Mid-shot, wide shot
Dolly tracking, pan shot-
right to left
Antonio and Carlo stand against the
building, looking fairly neutral, yet are
obvious to us
EXT: THE
CITY- DAY
CARLO and ANTONIO are
outside a BUILDING and
waiting
ANTONIO covers his arm
with a newspaper,
hiding his PISTOL
Equipment/ Requirements:
Dolly and a Tripod
Setting: Tall building/
skyscraper, ideally with a
grey brick colour
Props: Newspaper and Gun
5 Tight-shot, close-up
Dolly tracking out from Carlo and onto
Antonio, ending with the two in the shot
The shot gets tighter, whilst Carlo is
talking; the movement ends with Antonio
saying ‘in’
CARLO:
The word’s out;
Sal’s got a rookie
detective in on all
of this
ANTONIO:
Someone’s in
trouble
Equipment/ Requirements:
Dolly and a Tripod
The Setting is in the officeof
Antonio and Carlo’s home
Props: computer, desk,
documents, lamp, fake money
Shot List- Section 4

2. 6 Close Up- Dolly Track, tight shot
The movement starts with Dwayne staring at
a computer monitor, and then showing what
the screen shows; both in the shot
INT: OFFICE- EVENING
PHOTOS of DWAYNE and
SAL are on the MONITOR
Equipment/ Requirements:
A Tripod and Dolly
7 Two shot, mid-shot
Carlo and Antonio are both in the scene,
differently sized- they are in their office
looking at a computer screen
INT: THE FIBONACCI
HOUSE, OFFICE-DAY
CARLO
(CONT’D):
Check that number
Setting: Quite Street
Equipment/ Requirements:
A Dolly and a Tripod
8 High angle shot, dolly track out
Sal is on his own, lying down on the ground
INT: MOTEL ROOM-NIGHT
SAL is on the FLOOR,
in a small room.
Equipment/ Requirements:
A Tripod, lighting and Dolly
9 Side shot, close up
We see one side of Antonio, as with one
half of his face; on the other side of the
shot is a dart board
ANTONIO (V.O CONT’D):
I’d rather have a
shell-check before I
start shooting
Equipment/ Requirements:
A Tripod, lighting and Dolly
Set-Prop:
Dart Board
10 Whip Pan, Mid shot
The movement starts from Antonio’s arm,
pushing the gun out of the window and
firing it at someone; quick shot
EXT: CAR PARK-EVENING
ANTONIO SHOOTS HIS
FIREARM
Equipment/ Requirements:
A Tripod, lighting and Dolly
11 Long Shot, wide shot
The lighting is fairly low-key
lighting, creating a slight silhouette
of both Dwayne and the man in the chair
INT: IN AN ABANDONED
WAREHOUSE- DAY
DWAYNE is interrogating
a MAN, BLEEDING in a
CHAIR
DWAYNE:
Where are they hiding?
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Chair and a Bag (to put
over the characters’ head)
12 Long Shot, tight shot
The lighting is fairly low-key lighting,
creating a slight silhouette of both Dwayne
and the man in the chair
INT: AN ABANDONED
LOCATION- DAY
DWAYNE SHOOTS THE MAN
IN THE CHAIR
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Chair and a Bag (to put
over the characters’ head)
13 Close up, tight shot, track-tilt shot INT: OFFICE-NIGHT
DWAYNE (On the Phone):
Trust me
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: MobilePhone
14 Whip Pan-Jump Cuts-quick editing (a mixture
of shots to compile the action)
The scene will be quick, similar to the
action involved within the scene
INT: CAR-DAY
CARLO IS DRIVING HIS
CAR, IN A CHASE
Equipment/ Requirements:
A Tripod, lighting and Dolly
15 Slow motion-Close up (Bucket of the INT: EMPTY ROOM Equipment/ Requirements:

3. flammable liquid) mid-shot (the match),
long shot, tight shot (setting the room on
fire, with documents)
OFFICE- NIGHT
ANTONIO and CARLO
cover the ROOM in a
FLAMMABLE LIQUID and
spark a MATCH on fire
A Tripod, lighting and Dolly
16 POV shot, hand-held shot, tight shot
Sal enters his home, the office messed up
and glass smashed, papers shredded and
wallpapers ripped in the room
INT: SAL’S HOME- DAY
DOCUMENTS and PAPERS
are laid around the
FLOOR, messy and
disrupted
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Papers, broken glass,
wallpaper and officeitems
(pins, staples, pieces of wood)
17 Whip pan-quick editing, jump cuts, long
shot, dolly track pan
Sal is running quickly, as though he has to
escape and run away from the people trying
to catch him
MAIN CREDITS: CAST’S
NAMES
‘AGATINO D’AGATE- AS
SALVATORE VITTI’
EXT: ABANDONED
LOCATION- NIGHT
SAL is running through
a WAREHOUSE holding a
PISTOL
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Metal, wooden materials
A locationwhich isn’t too far,
and isn’t dangerous to use
18 Dolly track pan-right to left, close-up
The bullets are noticeable in the shot, but
not the main level of focus at the start
INT: BAR LOCATION-
EVENING
SAL is sitting around
a TABLE with BULLET
SHELLS around it
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Bullet Shells/Replicas
19 Close up, tight shot, handheld-pan
Dwayne is laying on the ground- levels will
be shown when noticing his wounds and
injury, from an unknown person/s
‘BEN OGLIBIO- AS
DWAYNE PALMA
EXT: CAR PAR- EVENING
DWAYNE is sitting
beside his CAR, on the
GROUND, and is
BLEEDING slightly on
his CHEEK
Equipment/ Requirements:
A Tripod, lighting, steady-
cam and Dolly
Props: Car (set), Fake blood
(Make-up FX)
20 Dolly track-fast movement, forwards
Long shot to close up- one take
Dwayne is on his own within the warehouse,
and we identify his power after seeing the
man in the chair’s corpse
INT: ABANDONED
LOCATION- DAY
DWAYNE is standing by
the tied up CORPSE in
a CHAIR
DWAYNE HOLDS HIS HAT
ON HIS HEAD AND NODS
TO THE DEAD BODY
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Chair (wooden), Fake
blood (Make-up FX)
21 Dolly track-fast, close-up, tight-shot
From the image to Antonio and back to the
image
We are aware of the image, and Antonio’s
anger and distress when holding the image
‘ALESSIO PETULLA’- AS
ANTONIO FIBONACCI’
INT: THE FIBONACCI
HOME- NIGHT
ANTONIO is in an
OFFICE, staring at a
PHOTO of himself,
CARLO and SAL looking
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Fake blood (Make-up
FX), image/photograph

4. happy together
ANTONIO TEARS THE
PHOTO OF SAL TO SHREDS
22 Dolly Track-tilt, close-up, low angle shot
Starting from the bottom and lifting
upwards toward Antonio and Carlo
EXT: THE FORREST- DAY
ANTONIO and CARLO,
with a MAN, tied up
with a STRAW BAG over
his head ANTONIO
SHOOTS THE MAN IN THE
HEAD
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Straw bag
23 High angle shot, long-shot, opaque shot-
the shot starts with a high angle, and
remains and ends with a slight opaque shot
The brothers will be moving around, tensely
within the scene- material on the floor;
thin plastic lining covered in fake blood
‘MARCO PETULLA’- AS
CARLO FIBONACCI’
INT: MOTEL ROOM-
EVENING
CARLO with a GUN,
DISPOSABLE PLASTIC
GLOVES and a BODY
soaked in BLOOD CARLO
WALKS OUT OF THE ROOM
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Plastic gloves, Fake
blood (Make-up FX), a Gun,
24 Tight-shot, mid-shot, low angle shot
Ending with a close-up of the shovel as it
buries itself into the ground
The brothers dig a hole-1 metre deep
EXT: GREENLAND SPACE-
EVENING
CARLO and ANTONIO with
SHOVELS, standing
around a HOLE, with a
BODY BAG CARLO AND
ANTONIO ARE DIGGING A
HOLE TO BURY THE BODY
Equipment/ Requirements:
A Tripod, lighting and Dolly
Props: Shovels
25 TITLE: ‘R.A.T’-
Appears on the screen
TITLE: Date- ‘In
Cinemas 16/01/16’
TITLE: ‘Cast and Crew’
Credits
TITLE: Website-
‘WWW.RAT/film.co.uk’
Equipment/ Requirements:
Visual Text and FX; lighting,
Sound Effects; Climax,
animation, fades, final beat