Shot List for RAT Trailer

1. Shot List
Shot
Number
Shot Description Scene Description Production
Notes
1 LS, slow zoom. Of shop window
that SAL, CARLO and ANTONIO
are seated at.
EXT. ITALIAN BAR - NIGHT
2 MCU, slight high angle. Of
CARLO leaning in and talking
to SAL.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
3 MCU. Of SAL looking into
CARLO’S eyes.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
4 LS, ANTONIO holds his hand out
to SAL who is lying on the
floor.
EXT. ELEMENTRY SCHOOL
PLAYGROUND – DAY
5 MCU, ANTONIO is pulling SAL up
from the floor.
EXT. ELEMENTRY SCHOOL
PLAYGROUND – DAY
6 MCU, Slight Low Angle. Of
ANTONIO leaning back in his
chair talking to SAL.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
7 CU, High Angle. Of the package
being pushed across the table.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
8 MCU. Looking into the car. Of
SAL in the car, head leaning
on hand.
EXT. SALVATORE’S CAR –
PARKED ON AN EMPTY
STREET – NIGHT
9 CU, Slight High Angle. Of the
empty package with a handgun a
photograph on top.
INT. SALVATORE’S CAR –
PARKED ON AN EMPTY
STREET – NIGHT
10 CU, Focus on SAL’S leg. Camera
rises to Over Shoulder Shot.
Switch Focus to LS, Slight
High Angle. Of SAL aiming gun
at debtor’s head.
INT. DEBTOR’S HOUSE –
LIVING ROOM DOOR WAY –
NIGHT
11 BAAM PRODUCTIONS TITLE
SEQUENCE
12 MLS, Slight Low Angle. Of
ANTONIO and CARLO walking up
to door.
EXT. SALVATORE’S HOUSE -
SUBURBAN NEIGHBOURHOOD –
DAY
13 MCU, Very High Angle. Of CARLO
smashing his fist against the
door and shouting.
EXT. SALVATORE’S HOUSE -
SUBURBAN NEIGHBOURHOOD –
DAY
14 LS zooms into MLS, as ANTONIO
breaks down front door and
walks into house
INT. SALVATORE’S HOUSE –
DAY
15 MCU, High Angle. Of HAZEL
crawling away on the floor
shouting.
INT. SALVATORE’S HOUSE –
DAY
16 CU. Of HAZEL, head held up by
ANTONIO with a gun to her
head.
INT. SALVATORE’S HOUSE –
DAY
17 BLACK OUT
18 ECU, Slight Low Angle. Of
ANTONIO’S mouth as he speaks
into phone.
INT. SALVATORE’S HOUSE –
DAY
19 MS, Slight Low Angle. Of SAL
hitting the wall.
INT. OFFICE ROOM - DAY
20 BLACK OUT
21 MS. Of SAL walking quickly and
looking over his shoulder.
EXT. CITY STREET –
EVENING
22 CU of phone being picked out
of SAL’S pocket. Follow phone
from pocket to ear.
EXT. CITY STREET –
EVENING
23 MCU, Slight Low Angle. DWAYNE
on the phone at his desk.
INT. DWAYNE’S HOME
OFFICE - EVENING

2. 24 LS. Of car pulling up beside
SAL and SAL being hit and
thrown into the car.
EXT. CITY STREET –
EVENING
25 MS, Low Angle. Of SAL landing
on the back seat of the car.
INT. HITMAN’S BLACK CAR
– EVENING
26 CU, Slight High Angle. Of
SAL’S cell phone falling under
the seat.
INT. HITMAN’S BLACK CAR
– EVENING
27 CU, Slight High Angle. Of
HITMAN tying SAL’S hands.
EXT. DARK FOREST – NIGHT
28 MS, High Angle. Of HITMAN
throwing SAL into a ditch.
EXT. DARK FOREST – NIGHT
29 MLS, Low Angle. Looking up at
HITMAN shovelling dirt into
the ditch.
EXT. DARK FOREST – NIGHT
30 MS. Of DWAYNE stepping out if
shadows and shooting his gun.
EXT. DARK FOREST – NIGHT
31 LS. Of HITMAN falling from the
gunshot.
EXT. DARK FOREST – NIGHT
32 MS. Of DWAYNE holding his gun
out and talking to SAL.
EXT. DARK FOREST – NIGHT
33 LS, Zooming in slowly. SAL and
DWAYNE open the garage and
look in.
INT.SAL’S PRIVATE
GARAGE – DAY
34 MS, Slight Low Angle. Of
DWAYNE pulling out a map from
his pocket.
INT.SAL’S PRIVATE
GARAGE – DAY
35 CU, High Angle. Of DWAYNE
pointing to a location on a
map.
INT.SAL’S PRIVATE
GARAGE – DAY
36 ES. Helicopter flyover of New
York City.
EXT. NEW YORK CITY – DAY
37 Low Angle. MCU, of HOSTAGE
tied to chair. LS, of DWAYNE
pointing a gun at HOSTAGE.
INT. SECLUDED
UNDERGROUND BASEMENT –
DAY
38 MS, Side On Slight Low Angle.
Of DWAYNE pointing gun and
shouting at HOSTAGE.
INT. SECLUDED
UNDERGROUND BASEMENT –
DAY
39 CU. Of HOSTAGE looking up at
DWAYNE.
INT. SECLUDED
UNDERGROUND BASEMENT –
DAY
40 MCU, Slight High Angle.
Looking at ANTONIO walking
beside the table.
INT. THE FIBONACCI
HOUSEHOLD – THE DINNING
ROOM - DAY
41 MCU, Slight Low Angle looking
from across the table as he
talks to the other mobsters.
INT. THE FIBONACCI
HOUSEHOLD – THE DINNING
ROOM - DAY
42 MS, Low Angle. Of DWAYNE
crouched beside a parked car,
holding a gun.
EXT. STREET IN LITTLE
ITALY – DAY
43 MCU, Slight Low Angle. SAL
running threw a forest.
EXT. FOREST – DAY
44 MS, Over Shoulder Shot. Of SAL
looking at HAZEL dead on the
forest floor.
EXT. FOREST – DAY
45 MLS, Zooming out slowly to LS.
SAL knelt down beside HAZEL
and holding her in his arms.
EXT. FOREST – DAY
46 MLS, Slight Low Angle. Of
Carlo hitting a man in the
face
INT. WEARHOUSE - DAY
47 MCU, Slight Low Angle. Looking
across the bar top at SAL
loading his gun.
INT: BAR - EVENING
48 CU. SAL looking round a wall
corner with a gun.
EXT. ALLEY WAY - DAY

3. 49 MLS. SAL running through
street shooting hand gun.
EXT. STREET - DAY
50 MCU. DWAYNE driving his car at
the steering wheel.
EXT. EMPTY STREET – DAY
51 MLS. DWAYNE running and
talking someone down.
INT. ABANDONED WEARHOUSE
– DAY
52 CU, High Angle. Of photo that
ANTONIO is holding.
INT. ANTONIO’S OFFICE -
DAY
53 MCU, Low Angle. ANTONIO
ripping the photo in two.
INT. ANTONIO’S OFFICE -
DAY
54 MS. ANTONIO slamming fists on
a table.
INT. WORK OFFICE ROOM -
DAY
55 CU, Slight High Angle. CARLO
suffocating person with
cushion.
INT. MOTEL ROOM - NIGHT
56 CU. CARLO picking a dead body
up off the floor.
INT. MOTEL ROOM - NIGHT
57 TITLE: ‘R.A.T’- Appears
on the screen
58 TITLE: Date- ‘In Cinemas
23/03/16’
59 TITLE: ‘Cast and Crew’
Credits
60 TITLE: Website-
‘WWW.RAT/film.co.uk’
61 BLACK SCREEN