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AS Media Studies
Unit G322a:
Textual Analysis and
Representation
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
In looking at camera work the following areas need to be
considered:
Shot type
Position
Angle
Composition
Depth of field
Movement
NB – Other useful docs on Moodle – Technical Aspects
of the Moving Image
http://moodle.reigate.ac.uk/course/view.php?id=20
 The camera is the viewers eyes in a scene
 …so, the camera position also dictates the
viewers relationship with the action or
characters in the scene.
 How do the following images make you feel?
 Low angle
 High angle
 Tilted angle (sometimes
called ‘dutch’ or ‘canted’)
 Birds eye view
 Worms eye view
 Eye level
 When/why do you think
the different camera
angles might be used?
Dead Man (Jarmusch, 1995)
A frame’s depth of field refers to the focal length.
 Deep focus - where a frame shows everything sharp or
in focus.
To get an idea of how this works put your finger in front of your face
and concentrate on it. The finger will appear in focus and the
background blurred. NowNow concentrate on the background, the human
eye ‘pulls’ focus from the foreground to the background.
To get an idea of how this works put your finger in front of your face
and concentrate on it. The finger will appear in focus and the
background blurred. NowNow concentrate on the background, the human
eye ‘pulls’ focus from the foreground to the background.
 Selective focus - when a particular part
of the frame is picked out and the rest
of the frame is blurred or indistinct.
 Pull or ‘rack’ focus - when the focal
point changes within the frame.
 Pan
 Tracking
 Tilt
 Crab
 Crane
 Handheld
 Zoom lens
Watch the clips from
Skins and The Bill
What effect does
camerawork, in
particular camera
movement, have?
The Bill:
http://estream.reigate.ac.
uk/View.aspx?ID=820
Skins: Series 1, Episode 1-
Watch the clips from
Skins and The Bill
What effect does
camerawork, in
particular camera
movement, have?
The Bill:
http://estream.reigate.ac.
uk/View.aspx?ID=820
Skins: Series 1, Episode 1-

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Camerawork 2014

  • 1. AS Media Studies Unit G322a: Textual Analysis and Representation
  • 2.                                 In looking at camera work the following areas need to be considered: Shot type Position Angle Composition Depth of field Movement NB – Other useful docs on Moodle – Technical Aspects of the Moving Image http://moodle.reigate.ac.uk/course/view.php?id=20
  • 3.
  • 4.  The camera is the viewers eyes in a scene  …so, the camera position also dictates the viewers relationship with the action or characters in the scene.  How do the following images make you feel?
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  • 7.  Low angle  High angle  Tilted angle (sometimes called ‘dutch’ or ‘canted’)  Birds eye view  Worms eye view  Eye level  When/why do you think the different camera angles might be used?
  • 9. A frame’s depth of field refers to the focal length.  Deep focus - where a frame shows everything sharp or in focus. To get an idea of how this works put your finger in front of your face and concentrate on it. The finger will appear in focus and the background blurred. NowNow concentrate on the background, the human eye ‘pulls’ focus from the foreground to the background. To get an idea of how this works put your finger in front of your face and concentrate on it. The finger will appear in focus and the background blurred. NowNow concentrate on the background, the human eye ‘pulls’ focus from the foreground to the background.  Selective focus - when a particular part of the frame is picked out and the rest of the frame is blurred or indistinct.  Pull or ‘rack’ focus - when the focal point changes within the frame.
  • 10.  Pan  Tracking  Tilt  Crab  Crane  Handheld  Zoom lens Watch the clips from Skins and The Bill What effect does camerawork, in particular camera movement, have? The Bill: http://estream.reigate.ac. uk/View.aspx?ID=820 Skins: Series 1, Episode 1- Watch the clips from Skins and The Bill What effect does camerawork, in particular camera movement, have? The Bill: http://estream.reigate.ac. uk/View.aspx?ID=820 Skins: Series 1, Episode 1-