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WHAT IS CRITICAL LITERACY?
• TEACHING STUDENTS TO READ DEEPLY TO IDENTIFY ISSUES OF POWER,
INJUSTICE, PRIVILEGE AND POSITIONING WITHIN TEXT
• FURTHER, TEACHERS ENCOURAGE STUDENTS TO UNDERSTAND THEIR
PREVALENCE AND CHALLENGE THESE SOCIETAL NORMS AS UNJUST
THE GUIDED COMPREHENSION DIRECT
INSTRUCTION FRAMEWORK (MCLAUGHLIN &
ALLEN, 2002A)
• EXPLAIN WHAT THE CRITICAL LITERACY STRATEGY IS AND HOW IT WORKS.
• DEMONSTRATE THE STRATEGY, USING A THINK-ALOUD, A READALOUD, AND AN
OVERHEAD PROJECTOR OR CHALKBOARD.
• GUIDE THE STUDENTS TO WORK IN SMALL GROUPS OR WITH PARTNERS TO
CREATE RESPONSES.
• PRACTICE BY HAVING STUDENTS WORK WITH PARTNERS OR INDEPENDENTLY TO
APPLY THE CRITICAL LITERACY STRATEGY.
• REFLECT ON HOW THE STRATEGY HELPS STUDENTS READ FROM A CRITICAL
STANCE.
Explain
Demonstrate
Guide
Practice
Reflect
McLaughlin & Allen, 2002
PROBLEM FINDING
Power Privilege Injustice
Equity &
Equality
PROBLEM POSING
Who is in the
text/picture/situation?
Who is missing?
Whose voices are
represented? Whose
voices are
marginalized or
discounted?
What are the
intentions of the
author? What does
the author want the
reader to think?
What would an
alternative
text/picture/situation
say?
How can the reader
use this information
to promote equity?
McLaughlin & DeVoogd (2004)
PROBLEM POSING: THE REST OF THE STORY
• STUDENTS USE PRIOR
KNOWLEDGE TO DETERMINE
WHAT IS MISSING OR
UNDERREPRESENTED IN THE
STORY.
• THEN USE INTERNET OR
OTHER RESOURCES TO FIND
OUT THE REST OF THE STORY.
PROBLEM POSING: SWITCHING
• STUDENTS RESPOND TO
QUESTIONS AROUND ONE
OF SEVERAL TOPICS.
• THEN THEY THINK ABOUT
HOW THE STORY WOULD
BE DIFFERENT IF THAT
ELEMENT WERE
CHANGED.
GENDER RACE
SETTING LANGUAGE
THEME EMOTION
PROBLEM POSING: SWITCHING
• STUDENTS RESPOND TO
QUESTIONS AROUND ONE
OF SEVERAL TOPICS.
• THEN THEY THINK ABOUT
HOW THE STORY WOULD
BE DIFFERENT IF THAT
ELEMENT WERE
CHANGED.
SETTING SWITCH
TELL THE STORY IN A DIFFERENT TIME PERIOD OR
SOCIAL CLASS
HOW WOULD THE STORY CHANGE?
PROBLEM POSING: SWITCHING
• STUDENTS RESPOND TO
QUESTIONS AROUND ONE
OF SEVERAL TOPICS.
• THEN THEY THINK ABOUT
HOW THE STORY WOULD
BE DIFFERENT IF THAT
ELEMENT WERE
CHANGED.
GENDER SWITCH
TELL THE STORY USING A DIFFERENT GENDER FOR
A MAIN CHARACTER
HOW WOULD THE STORY CHANGE?
ALTERNATIVE PERSPECTIVES
• STUDENTS CREATE AN
ALTERNATIVE TEXT ON
THE TOPIC TO GAIN AN
ALTERNATE
PERSPECTIVE.
ALTERNATE PERSPECTIVE
STUDENTS CAN CREATE AN ALTERNATIVE TEXT,
BUT THAT COULD BE WRITTEN, VISUAL (PICTURE),
SONG THAT REPRESENTS A DIFFERENT
PERSPECTIVE
RESOURCES
• JANKS, M. (2013). CRITICAL LITERACY IN TEACHING AND RESEARCH.
EDUCATION INQUIRY, 4(2), 225-242.
• MCLAUGHLIN, M., & ALLEN. (2002).
• MCLAUGHLIN, M., & DEVOOGD, G. L. (2004). CRITICAL LITERACY: ENHANCING
STUDENTS’ COMPREHENSION OF TEXT. NEW YORK, NY: SCHOLASTIC.

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Mini Lessons that Promote Critical Literacy with Social Justice Minded Gifted Students

  • 1.
  • 2. WHAT IS CRITICAL LITERACY? • TEACHING STUDENTS TO READ DEEPLY TO IDENTIFY ISSUES OF POWER, INJUSTICE, PRIVILEGE AND POSITIONING WITHIN TEXT • FURTHER, TEACHERS ENCOURAGE STUDENTS TO UNDERSTAND THEIR PREVALENCE AND CHALLENGE THESE SOCIETAL NORMS AS UNJUST
  • 3. THE GUIDED COMPREHENSION DIRECT INSTRUCTION FRAMEWORK (MCLAUGHLIN & ALLEN, 2002A) • EXPLAIN WHAT THE CRITICAL LITERACY STRATEGY IS AND HOW IT WORKS. • DEMONSTRATE THE STRATEGY, USING A THINK-ALOUD, A READALOUD, AND AN OVERHEAD PROJECTOR OR CHALKBOARD. • GUIDE THE STUDENTS TO WORK IN SMALL GROUPS OR WITH PARTNERS TO CREATE RESPONSES. • PRACTICE BY HAVING STUDENTS WORK WITH PARTNERS OR INDEPENDENTLY TO APPLY THE CRITICAL LITERACY STRATEGY. • REFLECT ON HOW THE STRATEGY HELPS STUDENTS READ FROM A CRITICAL STANCE.
  • 5. PROBLEM FINDING Power Privilege Injustice Equity & Equality
  • 6. PROBLEM POSING Who is in the text/picture/situation? Who is missing? Whose voices are represented? Whose voices are marginalized or discounted? What are the intentions of the author? What does the author want the reader to think? What would an alternative text/picture/situation say? How can the reader use this information to promote equity? McLaughlin & DeVoogd (2004)
  • 7. PROBLEM POSING: THE REST OF THE STORY • STUDENTS USE PRIOR KNOWLEDGE TO DETERMINE WHAT IS MISSING OR UNDERREPRESENTED IN THE STORY. • THEN USE INTERNET OR OTHER RESOURCES TO FIND OUT THE REST OF THE STORY.
  • 8. PROBLEM POSING: SWITCHING • STUDENTS RESPOND TO QUESTIONS AROUND ONE OF SEVERAL TOPICS. • THEN THEY THINK ABOUT HOW THE STORY WOULD BE DIFFERENT IF THAT ELEMENT WERE CHANGED. GENDER RACE SETTING LANGUAGE THEME EMOTION
  • 9. PROBLEM POSING: SWITCHING • STUDENTS RESPOND TO QUESTIONS AROUND ONE OF SEVERAL TOPICS. • THEN THEY THINK ABOUT HOW THE STORY WOULD BE DIFFERENT IF THAT ELEMENT WERE CHANGED. SETTING SWITCH TELL THE STORY IN A DIFFERENT TIME PERIOD OR SOCIAL CLASS HOW WOULD THE STORY CHANGE?
  • 10.
  • 11. PROBLEM POSING: SWITCHING • STUDENTS RESPOND TO QUESTIONS AROUND ONE OF SEVERAL TOPICS. • THEN THEY THINK ABOUT HOW THE STORY WOULD BE DIFFERENT IF THAT ELEMENT WERE CHANGED. GENDER SWITCH TELL THE STORY USING A DIFFERENT GENDER FOR A MAIN CHARACTER HOW WOULD THE STORY CHANGE?
  • 12. ALTERNATIVE PERSPECTIVES • STUDENTS CREATE AN ALTERNATIVE TEXT ON THE TOPIC TO GAIN AN ALTERNATE PERSPECTIVE. ALTERNATE PERSPECTIVE STUDENTS CAN CREATE AN ALTERNATIVE TEXT, BUT THAT COULD BE WRITTEN, VISUAL (PICTURE), SONG THAT REPRESENTS A DIFFERENT PERSPECTIVE
  • 13. RESOURCES • JANKS, M. (2013). CRITICAL LITERACY IN TEACHING AND RESEARCH. EDUCATION INQUIRY, 4(2), 225-242. • MCLAUGHLIN, M., & ALLEN. (2002). • MCLAUGHLIN, M., & DEVOOGD, G. L. (2004). CRITICAL LITERACY: ENHANCING STUDENTS’ COMPREHENSION OF TEXT. NEW YORK, NY: SCHOLASTIC.