Far-Reaching Implications Of Global Warming

Far-Reaching Implications of Global Warming
"Temperature is probably the single most important environmental factor influencing insect behavior, distribution, development, survival, and
reproduction". (Bale et al 2002). Since insects are cold–blooded, the environmental temperature plays a very important role in an insect's homeostasis.
Homeostasis is the relatively constant internal physical and chemical condition that organisms maintain. Once the temperature has changed from its
norm, an insect's daily functions would be disrupted. "It has been estimated that with a 2 degree Celsius temperature increase insects might experience
one to five additional life cycles per season" (Yamamura & Kiritani 1998). Scientists believe a warmer climate may result in higher insect populations.
However, studies have shown that butterflies prefer a cooler climate. The butterfly population is decreasing at sea level but is increasing at tree line as
butterflies migrate to cooler areas. For example, the Brown Argus Butterfly has shifted where its populations are most dense; a butterfly that was once
predominantly found in Southern Britain, has now relocated to Northern Britain, a dramatic change of 79 kilometers. Butterflies at the
highest–elevation site are appearing with increasing regularity. Those that normally breed at 7,000 feet now breed at 9,000 feet. When an area changes
from rural to urban or suburban, the greatest butterfly losses occur. This proves that global warming is having an effect on organisms, even if the change
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The Relationship Between Macbeth and Lady Macbeth Essay
The Relationship Between Macbeth and Lady Macbeth
Macbeth and Lady Macbeth face an extraordinary situation involving a strong supernatural theme and murder and treason of the highest kind.
However Shakespeare still cleverly manages to make Lady Macbeth and Macbeth relate to audiences of all eras and to convey a strong moral message
within his play.
The relationship between Macbeth and Lady Macbeth is fascinating to study. Shakespeare constantly changes their attitude to each other throughout the
play, making it hard to form a clear–cut opinion of their relationship. My personal opinion is that, although events in the play certainly draw Macbeth
and Lady Macbeth apart, their love for one ... Show more content on Helpwriting.net ...
By letting his wife announce that they must kill Duncan, Macbeth is able to offload some of the guilt of the deed onto her – he uses Lady Macbeth as
a scapegoat for his already guilty conscience. Upon sending the letter Macbeth immediately goes to see his wife. In my opinion he does this so that
Lady Macbeth is ready to begin to override Macbeth's good characteristics immediately. When Macbeth loses Lady Macbeth's support later on in the
play he is forced to act independently of her, and so loses the ability to murder. I feel that his actions throughout the play are an indication of
Macbeth's dependency on his wife, as well as his misuse of their love in order to claim the title of King. He refers to Lady Macbeth as: '[his] dearest
partner of greatness' showing that Macbeth envisages them sharing the power of the throne.
In his soliloquy Macbeth admits that he has 'no spur To prick the sides of [his] intent' which indicates that Macbeth knows that he will require Lady
Macbeth to be his 'spur', and coax him into murdering Duncan. He also knows that by allowing Lady Macbeth to take up such a domineering role she
will take the murder out of his hands, thus freeing him from a great deal of guilt.
Upon receiving the letter, Lady Macbeth immediately responds to Macbeth's wishes, realising that

Under the Night Sky, Story Excerpt
After spending a whole night under the sky, my clothing became quite dirty. Fortunately I brought some change, but I hadn't found a place to dress
myself yet. Furthermore, I also wanted to take a bath. This morning my stomach went to a strike. Mrs. Belgium's waffles only survived for one
day, so I had to shake my brain to find food. The thing was... Where is this? If I have to describe, I was in a glamour city. A city filled with many
artistic ornaments, and people passing around the streets (that made me feel even clumsier). In a place, I found a free newspaper stand that also
provides free map, tend for the tourists, it seemed. I took one. After examining the map... France!? I'm in France! Ah, who cares? Actually, knowing
where I was now wouldn't help too much. The thing I should do is...look for a place for obtaining money and food. I checked my bag. What should I
sell now to survive...? I decided to sell my phone. That hand phone was turned off, and the trademark (as with my other belongings) weren't clear
where it came from. People should wanting to pay this, I suppose...though. I found an electronic shop, and obtained some buck of franc after a lot
negotiating. With that money, I went to the minimarket to buy the cheapest bread and a box of milk. Alright, for this moment, I was saved. Now... I
found a very beautiful park, and found a public toilet nearby. ––––––––––––––––––––––––– Refreshed, I sat on the bench and re–examined my map.
Can I find my position and

World War I And The Great Depression
Modernism began around the late 1800s or early 1900s, with artists and writers in Europe producing many extraordinary and influential works. This
period spans many events, including both World Wars and the Great Depression. World War I appeared to be a major event that helped to start
Modernism; this was because of the destruction and ruin that came from it and events that followed. This poem is consistent with the values of
Modernism because of alienation, time, and self– consciousness; however, it continues to resonate with readers today because isolation, change, and
insecurities are things that humans may face.
The reader can find the speaker relatable; Prufrock shows multiple sides to his character. In one way, Prufrock is trying to seem cool, calm, and
collected; he wants the reader to think that he knows everything; however, the reader can tell that Prufrock is trying to be somebody he is not.
Prufrock later lets his walls drop and he says that he has let "the moment of greatness flicker..." He is talking about his greatness; Prufrock wants his
life to be stagnant, and with very little struggle. This means that his life will be complete boredom. I believe that people should take Prufrock's life as
a lesson of how not to live; his emotional distance reveals that he is a sad man and that life should not be motionless and focused on maintaining the
status quo.
In T.S. Eliot's "The Love Song of J. Alfred Prufrock", the speaker, Prufrock feels alienated

Essay about Interior Monologue on Lady Macbeth
First came the pride, an overwhelming sense of achievement, an accomplishment due to great ambition, but slowly and enduringly surged a world of
guilt and confusion, the conscience which I once thought diminished, began to grow, soon defeating the title and its rewards. Slowly the unforgotten
memories from that merciless night overcame me and I succumbed to the incessant and horrific images, the bloody dagger, a lifeless corpse. I wash, I
scrub, I tear at the flesh on my hands, trying desperately to cleanse myself of the blood. But the filthy witness remains, stained, never to be removed.
I believe there are two kinds of people in life; the kind that let things happen and the kind that make things happen. I prefer to think of myself as ...
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What possessed me? Why did I assume I could play the role of the almighty? Upon hearing news from my beloved Macbeth of the witches' prophecies
I found myself overwhelmed by desire, by greed. I knew that Macbeth, with his pure and noble disposition would never posses the ambition, the drive,
to make the necessary sacrifices in order to fulfil the glory–promising prophecies of the imperfect speakers. And so, I signed my own death warrant, I
'poured mine spirits into thine ear', I persuaded my innocent husband to commit a crime which I and not he, deserved to pay the price for.
I am a murderer. Perhaps the crime was not committed by my hands, but it was intended by my mind. It was my will that worked through Macbeth
when he drew the treacherous blade and plunged it into the heart of the unsuspecting king. I, his other half, his soul mate, the love of his life, taunted
him of being a coward, questioning his reputable manliness, and like a puppet he moved as I pulled the strings.
I am lost in the turmoil of my own mind, the faithful spirits that 'tend on mortal thoughts', deserted me long ago. I repudiated my fundamental social
aspect of being a woman and a wife. I did the unthinkable and gave away my woman hood, my femininity, my tenderness. And what for? To stop

The Love Song of J Alfred Prufrock
T. S. Eliot uses irony and symbolism to capture the reader's attention in The Love Song of J. Alfred Prufrock. The poem has a dramatic discourse. The
percipience of life's emptiness is the main theme of the poem. Eliot exhorts the spiritual decomposition by exploring a type of life in death. T. S. Eliot,
who in the Clark Lectures notes, "Real Irony is an expression of suffering"(Lobb, 53), uses irony and symbolism throughout the poem to exemplify the
suffering of J. Alfred Prufrock who believes he is filled with spiritual morbidity and lack of feeling. Eliot utilizes various ironic interjections from other
poets, and he uses ironic satirical rhyming phrases that fashion a sort of inane contradiction. Eliot uses many symbols to show ... Show more content on
Helpwriting.net ...
211). These protuberate his own complicated perspective of inadequacy and weakness, as well as the spiritual desensitization and idiopathy into the
environment of the dark city landscape with the simile that signifies the living death of Prufrock's existence (Hargrove, 211).
Another way that T. S. Eliot shows personal and social rejection is by the use of insignificant objects and body parts. "I have measured my life out
in coffee spoons"(51), signifies the tediousness of his life mongermane reveries, as well as, his lack of achievement (Contemporary Literary
Criticism, Vol 55 351). Prufrock is fearful he is becoming old, bitter and devoid of happiness. Eliot uses subordinate objects such as coffee spoons
and cigarette butts to "suggest the triviality of his existence" (Contemporary Literary Criticism, Vol. 55, 350). The repetition of the word "time"
suggests that Prufrock is bored due to an overabundance on his hands (Bloom, 18). Consequently he dons a necktie and clothing that appear to
constrain him as he grooms to attend this tea party in hopes of one day asking the question. J. Alfred Prufrock is an extremely ill–at–ease man who
worries that the women will not determine him desirable with his spindly arms and balding head (Contemporary Literary Criticism, Vol 3, 136). His
heightened ability of introspection and aggregate of anguish is the very attribute that effectuates his dissimilarity from his peers. His comprehension of
age and social status cripple

Amc 's Freakshow : Normal Is Dead
"When I look at freaks it makes me content by comparison to be less than perfect," –
Clyde Ingalls, boss of the sideshow for Ringling Brothers (Drimmer, 10)
AMC's Freakshow: Normal is Dead
It is difficult to watch American television in the first decade of the twenty–first century without encountering a freak. According to Robert Bogdan in
his socio–historical study of the freak show in America, the popularity of the circus had run its course by the 1940s (Bogdan 60), attracting in its
waning years a lower class of audience, such as new American immigrants, the rural poor and the urban working class (Bogdan 55). The exhibition of
freaks had become morally incorrect. Interestingly enough, at the beginning of the 21st century, America has newfound fascination with freaks, a
fascination that has not been so publicly apparent since the sideshow heyday of the Victorian era. (DiCicco 78)
This time around, it is middle America enjoying the circus on their wide–screen televisions in the privileged privacy of their dens and theater rooms. As
the vast array of freaks in the popular media reveals, the circus, defined by Rosemary Thomson, in her book, Extraordinary Bodies, as a "cultural
space of seemingly infinite license" (5), has us mesmerized: dwarfs, plastic surgery addicts, tattooed people, fatties and living skeletons, cross–dressers
and child beauty contestants, to name a few. The world of so–called reality television, which appears to be a modern manifestation of the carnival

Five Caracteristics
Five Caracteristics that Difine a Good Man. How often have we listened women, or even said one of the accompanying proclamations; "Great men
are elusive," "There aren't any great men accessible," "A greater part of men are gay person or on the down low," or "Every great me are as of now
taken." These announcements and numerous others have as a general rule been said by lady of all races, beliefs and shading for various reasons.
however, in this essay i am going to expalin and define five caracteristic that has a good man such as the integrity, gentlemen, direct, positive attitud and
he is mature.
The integrity is one of the most imporant characteristic that make a great man. when a man has integrity, he keep his on the truth and never lie ... Show
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He will have a successful and stable carrer. He may not really be an affluent man but rather has a steady employment that will help to pays enough
for him to deal with himself and his needs. a good man develop somewhat further down the road than ladies yet we have all met a "terrible" fellow
who is well past the developing age yet supposes he is in secondary school. A good man man will realize that the time has come to grow up and be a
grown–up. You will know whether a man is mature by how he lives on with his life. He ought to live all alone or with a flat mate and certainly not
even now be living with his folks. He ought to deal with develop obligations like keeping up a vocation, paying his bills, have an auto and other
grown–up like circumstances. He will have the capacity to hold himself in an open setting in a respectable way and comprehends his grown–up part. A
good man must be mature enough to watch over himself and deal with the majority of his needs all alone.on the other hand, in the article i want a wife,
judy brandy give some complaints sacartic about the role that a mother should do every day but that happend when the man is not mature , he leave
all the resposabilities to his wife no matter how she feel compare to a man mature, he try to help to his wife as much as he can and he is responsable
for the needs of his children and

Essay on Humorous Wedding Speech by Brother of the Groom
Humorous Wedding Speech by Brother of the Groom
Good afternoon, Ladies and Gentleman – It's my job to reply to the toast to the bridesmaids and in doing so, say a couple of nice things about George.
You know, tell you about some of his good points. The problem is he doesn't have any good points. Well, except for being naturally gifted at sports.
We do, after all, come from the same gene pull.
So, on behalf of the bridesmaid, Claire, I would like to start by thanking George for his kind words. I am sure you will all agree that she looks
wonderful today, as always. And so does the bride, Peggy– stunning, as always. And, for a change, George has scrubbed up quite nicely too. He looks
very refreshed, don't you think? I feel I can ... Show more content on Helpwriting.net ...
The truth is, George has and always will be the prototypical big brother. All through my life, he has blazed trails for me. In school, I would always be
greeted by new teachers with the comment, "I remember your brother – he was my student and a great guy", or, "I hope you are as well mannered as
your brother", or, "Will you be taking over the role as the school idiot now your brother has left?". But in all seriousness, following in someone's
footsteps is never easy, but the paths that my brother paved for me made it particularly difficult.
A story I want to share with you about my dear brother took place about eight years ago. After a night on the tiles, George returned home and went
straight to bed. After a short while, he started feeling a little bit nauseous and, in a moment of drunken clarity, opted to vomit out of his bedroom
window. This isn't as foolish as it sounds, because the garage roof protruded under George's room. So, rather than stain his carpet and surely be
caught in the morning, he hoped the roof and gutter would bear the brunt of the evidence of a very drunk young man until the following day, when it
could easily be washed away. A great strategy you may think, but it had a one fatal flaw. The force with which George heaved far overshot both the
garage roof and the gutter, but was just enough to land squarely on the windscreen of dad's car. And there it remained until a very angry dad dragged

Spousal Relationships in Macbeth and Oedipus the King Essay
In Macbeth, by William Shakesphere, and Oedipus the King by Sophocles, the spousal relationship between Macbeth and Lady Macbeth, and Oedipus
and Jocasta, play a major role in the events that lead to the tragedy. Their love, respect, and determination for each other reveal the nature of the
relationship shared by them.
In Macbeth, the bond between Macbeth and Lady Macbeth is strong. For instance, when he first hears the prophecy from the three weird sisters, he
immediately writes to Lady Macbeth informing her about the prophecies. Further, he addresses her as "my dearest partner of greatness," which gives
the reader several views on their relationship. For instance, George Gerwig reports that "Lady Macbeth is the source of his mental ... Show more content
on Helpwriting.net ...
Finally, the strength of their bond can be seen when Macbeth becomes despondent at the news of Lady Macbeth death. He feels that he has lost all
hopes since he had undergone all those evil deeds just for her.
Just as the bond between Macbeth and Lady Macbeth is strong, so does the bond between Oedipus and Jocasta in Oedipus the King. Oedipus has
excessive pride in him and is known for his swift actions. It is Jocasta who tries to stop him from jumping into decisions without thinking about the
outcome. For instance, when Oedipus accuses Creon and Tiresias for treachery, Jocasta tries to reason out with Oedipus. She tells him to not to
believe in prophecies as they are not true. She narrates to Oedipus the tale of the prophecy of her son that he would one day kill his own father
(Laius). She further tells him that the prophecy never came true because her son was killed when he was a child and that Laius was killed by a group
of thieves. Similarly, when she comes to know part of the truth of Oedipus birth, she requests him to stop his search for the truth. She fears that his
search for the truth about his birth and parents, would lead to his own destruction. This shows that

The Last Day Of Elizabeth
The next day Elizabeth received an invitation to Duke of Stratford's Ball. No doubt Blair had secured it for her – she'd never run in his set before. She
appreciated Blair's efforts but wondered how on earth she'd manage a new gown suitable for such an occasion. The Duke's spring ball was
considered the event of the season. The Regent might even put in an appearance. London's finest would be out in their most impressive jewels and
costly gowns. This was not a playing field Elizabeth was prepared for. She went to her room to survey her paltry evening gowns and dwindling
jewellery case. What she found further underscored her plight.
"Marie, what am I to do? The only gown remotely sufficient is two seasons old and at least a size too ... Show more content on Helpwriting.net ...
"Can you believe it Madame? The boy said it was a gift from a friendly admirer!" Fear and trepidation were all Elizabeth felt. She had no admirers and
any who might send such a gift had only thing they wanted in payment and she was no merry widow. "Marie, let me see the card so I know where
to send it back". "No Madame! You can't! You've nothing to wear to the ball". "Then I'll have to stay home and risk Blair's wrath. Give me the card
Marie". Marie half–heartedly handed it over her face a mask of disappointment. A mistress with neither youth nor funds was not worthy of her
talents. The note read "Once in while a woman should have exactly what she wants exactly when she needs it, B". Tears formed in Elizabeth's
eyes. The gratitude and appreciation of her friend's perceptive kindness overwhelmed her. "It's from Blair. She would brook no refusal and daren't
try to return it. Let's withdraw to my bedroom and see how it looks. I do hope it fits!" It was too much. She was trembling with each parcel she
opened. Marie was beside herself. One treasure was more glorious than the next. Blair had managed to even include some scandalous silk drawers
and stockings with a note saying enclosed saying "Never under estimate the effect of silk on a woman's body". There wasn't one item forgotten in her
ensemble right down to a beautiful pale, pink French fan with a silver handle. Now Elizabeth had no excuse to offer nor did she want to.

Eliot 's The Love Song Of J. Alfred Prufrock
Many may wonder what, if any, significant differences and similarities one could find in a poem and a song that was composed almost 100 years
apart. At first sight, nothing, but after one has analyzed all the elements, in turns out to be more than it may have first appeared. In T.S. Eliot's The
Love Song of J. Alfred Prufrock, we read the ramblings of a middle aged man who loathes himself and never takes any risk in his life. In contrast,
Garth Brook's Standing Outside the Fire, is more about inspiring others to take those risk otherwise one is not really living. With many decades
between the two, we see many different poetic devices especially with one being simply a song and the other a poem. As well as, adifference in the
authors styles and life. Although, even if the works are unique in their poetic ways with only slight similarities, both explore taking chances or risk in
life and the consequences of not taking any.
First, there is a difference at the very beginning, in the titles. T.S. Eliot's title is very misleading. It prepares one for a "Love Song," but instead gives
them the confusing rambles of a lonely man (Eliot). "Love Song" in the title for the poem is nothing more, but ironic (Eliot). While in Brook's
Standing Outside the Fire, is a metaphor for what the entire song is about. He's saying when one stands outside the figurative "fire," they are not really
living their life to the fullest (Brooks). Thus, he is setting the listener up for what the entire song

Essay on American Women in the Nineteenth Century
Contrary to popular belief, ideas on femininity in the eighteenth century were not so much restrictive as in the nineteenth, at least not where sex was
concerned. Catherine Clinton, a professor of American history, elaborates in her book, The Other Civil War: American Women in the Nineteenth
Century, that it was even accepted for women to have a high sex drive. Clinton also reveals that it was not uncommon to see a pregnant bride (147). At
the turn of the century, however, those free ideals morphed into strict guidelines. Society began to value awoman by her sexual purity and dependent
behavior. During the nineteenth century, the type of woman who was most valued was a 'trophy' wife, much like Marian Forrester inA Lost Lady by
Willa ... Show more content on Helpwriting.net ...
She does even trivial things to show her affection, like helping, "... the Captain divest himself of his... coat and [putting] it away for him," or by
helping him undress (Cather 58). Taking care of her husband, who is twenty–five years older than her, is undeniable evidence that she has a good heart
because she always could have left Mr. Forrester. She sacrifices a lot to be with the Captain: her livelihood. Throughout the book, Mrs. Forrester's
desires for fun and excitement are evident. She expresses that she, "... feels such a power to live in [her]," and longs to return to California (Cather
125). In spite of this, Marian suppresses her own aspirations to stay and care for her husband. Overall, Marian proves herself to be at the very least,
a decent woman. Unfortunately, in Niel's eyes, no amount of kindness can make Mrs. Forrester redeemable after he hears her with Frank Ellinger.
After the incident, Niel feels, "...he had lost one of the most beautiful things in his life," (Cather 86). His feelings, however, seem very absurd. Before
that moment, Mrs. Forrester was everything to the young man, and after, her infidelity completely destroys Niel's image of her. Later, he scornfully
calls her a "common woman" after he sees Ivy Peters put his hands on her breasts (Cather 169–170). Both incidents are definitely disillusioning for
Niel, especially since he put her on such a high pedestal, but the quickness to disown her illustrates how imbalanced

Lady Gaga Research Paper
Richard Gray
Public Speaking
Informative Speech Good evening. I'm here today to talk about Now how many of you have heard of Lady Gaga has become the most influential
Pop music artist of our time. An artist's job is to take an image, be it through words or sound, lyrics or song; that explains what it's like to be alive at
that time. What makes Lady Gaga's art so unique is that it captures the period we're in right now. Lady Gaga has in the last year and a half become a
household name. Maybe you have heard one of her catchy tunes on the radio, and have had the lyrics stuck in your head all day. Perhaps you have
seen one of her crazy outfits on TV. Whatever the case Lady Gaga has proven whether it be through music, or fashion that... Show more content on
Helpwriting.net ...
At the age of 19, Gaga was originally signed to Def Jam Records after the labels CEO heard her singing in a hallway of its New York Office. There
she recorded and produced one song, with producer Red One titled "Boys, Boys, Boys". After 3 months she was dropped as an artist from the label.
After being dropped, Gaga formed an indie rock band titled The Stefani Germanotta Band. She recorded one album with them, and performed in
Underground New Jersey clubs. While performing with the band, she began writing with music producer Rob Fusari. He compared her musical style
to Freddie Mercury, and came up with the name "Lady Gaga", naming her after the song "Radio Gaga."
Completely changing to her identity to Lady Gaga, she began performing in clubs with a DJ named Lady Starlight, who helped come up with her
onstage look, and act. They performed a show called "The Ultimate Pop Burlesque Show" and were invited to come play at 2007's Lollapalooza
festival, where their show received nothing but high reviews.
Shortly after performing at Lollapalooza, Vincent Herbert signed Gaga to (his at the time new record label) Streamline Records, which is an imprint
with Interscope Records. There she was originally hired to write songs for artists like Britney Spears, and The Pussycat Dolls. She was able to
convince the Vincent Herbert to sign her as artist. She later signed with Cherrytree Records and with the help of both labels she wrote, and

Analysis of [My Lady Walks...] Essay
When Henry Constable attempts to describe his "lady", he paints the reader an image of love, pureness, and of natural beauty. In his sonnet, "[My
lady's presence makes the roses red]", Constable talks to the various body parts of his "lady", claiming that they inspire envy into flowers and that his "
lady" is in fact the source of the power for the flowers. Using this personification of the flowers, Constable shapes his sonnet as one that is
complementing and treasuring his "lady", however, a deeper examination into the tone of his work shows a much more intriguing side of this sonnet
and of Constable's feelings toward his "lady". A line–by–line dissection of this sonnet shows the multitude of personification and imagery used by Henry
... Show more content on Helpwriting.net ...
This creates distance between the speaker of the poem, who is assumed Constable, and this god–like woman. It is then mentioned that this woman is
also the catalyst for the purple color of the violets, though unlike the previous flowers, this is not due to an emotion, but rather "the blood she made
my heart to shed" (line 8). This is the first mention of beauty not directly caused from the woman, but rather a product of the woman's actions onto the
speaker. This plays a critical role in the tone of the sonnet and the location in the sonnet (end of the second quatrain) is a hint to the importance of this
line. The third quatrain returns to the power this woman has on the beauty of the flowers. In lines 9–10, all of the flowers owe their sweet smell to the
breath of this woman and then in lines 11–12, the woman has the actual power to grow the flowers. She is once again displayed with godlike powers
and the ability to warm the ground and encourage the growth of the seeds simply by looking at the flowers. Constable's "lady" is not only the reason
why flowers became beautiful, but is not the explanation for why the flowers even exist. In the last couplet, the second mention of beauty not directly
caused by this woman is present. In lines 13–14, the key ingredient for flower–growth is supplied not by the woman's beauty, but rather from the tears
that she

Literary Analysis Of ' The Love Song Of J. Alfred Prufrock...
A Literary Analysis of T.S. Eliot's "The Love Song of J. Alfred Prufrock" T.S. Eliot was one among few poets and authors that dominated the years
between the First and Second World Wars. Eliot showed his use of modernism techniques through "The Love Song of J. Alfred Prufrock", creating a
powerful reputation around the world, particularly as a member of The Lost Generation in the 1920s. Eliot moved to and settled in London where he
worked with famous poets including Ezra Pound, and published his first collection of poems (McMichael 1358). "The Love Song of J. Alfred Prufrock"
is a famous work that was almost a mockery of the romance–driven main character of the story, as it represented the indecisiveness of a personality and
the superiority of an anti–romanticism ideal. The poem begins with lines 61–66 of Inferno, Canto XXVII, inviting the reader to gain a sense of how
exactly the character in the poem, J. Alfred Prufrock, as given by the title, might behave as did Guido de Montefeltro in Inferno. Guido de
Montefeltro can be determined to be a character who is in fear of the tarnishing of his reputation from the translation of the given lines, "If I thought
my reply were to one who could ever return to the world, this flame would shake no more; but since, if what I hear is true, none ever did return alive
from this depth, I answer you without fear of infamy." (qtd. in McMichael 1359). The last line, "I answer you without fear of infamy" wholly shows
how Guido, knowing that

How and Why does Macbeth Turn from War Hero to Evil Murderer?
How and why does Macbeth turn from War Hero to Evil Murderer?
At the start of the well–known (and written) play 'Macbeth, you would have had no idea that the main character even had the capability to become the
'evil butcher' that he does by the end of the play.
This impression is etched into our minds by speeches by the sergeant (all the way through act 1, Scene 2), who seems eager to praise and upgrade
Macbeth's status as much as he possibly can; "Brave Macbeth – well he deserves that name" he gushes. He also seems to enjoy describing the
gruesome details of Macbeth's battle acts – "Till he faced the slave (traitor); which ne'er shook hands, nor bade farewell to him, till he un–seamed
(ripped apart) him from the nave to the chops (guts ... Show more content on Helpwriting.net ...
Also, being Duncan's "kinsman and his subject", he must stay loyal. "I ought to protect him from his murderer, not carry the knife myself." he says.
But then Lady Macbeth calls him, and persuades him to carry out the dire deed by first comparing Macbeth's hesitation with a drunken person that has
"...woken up to look sick at what he did when tipsy." She then makes him feel bad by implying that this deed would prove his love for her – at his
hesitation she says "From now on, I know what your love's worth." She challenges his manliness and courage, saying "...be a self–confessed coward –
'I'd like to, but I daren't', like the poor cat in the proverb who wanted fish but wouldn't get his feet wet?"
She then tells him that when he "dared to do it, then you were a man." And she pointed out that now; at this "perfect opportunity", he had lost his
nerve. Lady Macbeth gives a rather sick–minded example of what she would do to a baby if she had sworn to – "I'd have pulled my nipple from its
mouth, and dashed its brains out." Macbeth is still unsure, and she makes a cunning move – by telling him a foolproof plan, in which she would make
the guards drunk and blank minded, smearing blood over them so that they would be blamed for the murder. Macbeth accepts this, and the murder is
carried out.
Overall, the main reasons that Macbeth turned from war hero to evil murderer are; the

Comparing Daisy and Countess Olenska in Daisy Miller and...
The story "Daisy Miller" is a romance of a love that can never be. The character Annie P. Miller (known as Daisy Miller) is portrayed as a young
naive wild yet, innocent girl who want to do nothing more but have fun with the company she please. The story "Daisy Miller" is a lot like The Age
of Innocence. In both the movie and the book the leading lady was shunned from society because of their behavior. Both Daisy and the Countess
Olenska were misunderstood and out–casted because they were saw as different. These women did not want to conform to what the society thought was
proper and good, they had their own opinion and was bold in their time to state it.
Daisy thought it was okay, even nice to have many gentlemen friends. She did not ... Show more content on Helpwriting.net ...
She enjoyed herself and that was enough for her to be happy.
The Countess Olenska was much like Daisy. The Countess was a free sprit who did not care that society did not agree with her suing for a divorce.
She wanted to be free. She hated when everyone that she felt were so nice turned and gave her the cold shoulder. The Countess did not like being
shunned so she did give consideration to society's chants. She did not sue for the divorce but she refused to go back to her husband. Society was not
the reason for her actions although, considered, did not make the final decision.
Like every romance there has to be a charming gentlemen. In The Age of Innocence there were Newland and Winterborne in "Daisy Miller". These
two man were a lot alike and in so many ways so different. They were different because of their circumstance but also had different point of views.
They were both gentlemen and made choices as gentlemen should.
Newland was a gentlemen gentleman. He did not like for people to talk ghastly of The Countess. He felt she should make her own choice. Newland
was inclined to a woman being equal to and having equal freedom as a man. Newland, however, had a set of circumstance that made this romance go
for a loop. Newland was engaged to The Countess Olenska's cousin. The fact did not stop him from confessing his love to The Countess. He made the
choice to go ahead with the wedding, with the help of The Countess Olenska, just as

`` Lady Lazarus `` By Sylvia Plath
It is difficult to make me uncomfortable. I feel that most individuals of my generation feel that way. Desensitized because of the information sensory
overload that our symbiotic relationship with technology has created. The individuals, lack sensitivity. My generation as a whole, that's another story.
Somehow, my generation became the most desensitized at the same time it became the easiest to offend. This is why I love the poem "Lady Lazarus"
by Sylvia Plath so much. In the midst of the 20th century Plath touched on topics of depression and suicide in such a shameless way that, it is capable
of evoking emotion most modern forms of expression fail to reach. To do this Plath masterfully uses imagery that creates a sense of repulsion and
dread that only work to add to the general tone of the poem. Additionally, the idea of a top 40 artist using holocaustic imagery to pontificate about
how sad they were about the on goings at the club feels quite absurd, not to mention inevitable outrage of social justice warriors for the use of
holocaust imagery in the first place. "Lady Lazarus" made me uncomfortable. It did so, because out of all of media that my generation has available
to us, this poem is one of the most relatable and accurate depictions of a personal struggle with depression I've encountered. Nearly 60 years ago,
Sylvia Plath, fearlessly used controversial imagery, and masterful metaphor and allusion to illustrate the personal, and subtle nuance of depression in a
way

Descriptive Essay On The Modern Knight
The Modern Knight Beep–Beep the alarm sound in a messy room. No one would imagine how messy the room is. A helmet bulkle on the chair,
breastplate, vamplate, pauldron, all over the floor. There are few empty beers under and on top of bed. There are no electricity applicants, sofa, or
phone. If you look at the book shelf, there is full of book, book that obsolescence, and broken on the edge. Nothing here like a modern home.
Except the man on the bed. Tommy wakes up from hangover, rub his eyes and shaken head, trying to get awake. "Ha, what a shining day for an
adventure." Said Tommy. He almost rolling down from the bed, struggle to get up. He walks to the bathroom, trample three beer bottles and stumble
by the breastplate on the way. Tommy's day not always start confounded, but never the less. Everyone in the Moorestown think Tommy is a
Neuropathy, Tommy claims himself as a knight of King Harald V of Norway. Which people often laugh at. It was not sarcastic, he never do anything
wrong. Tommy is accommodating like a Knight, and benign to children, eleemosynary to poor's. The inhabitants here enjoy chatting with Tommy, and
tell any funning story to their child. The shadows swing with the curtain, sounds like a windy day. Tommy always dress as a knight would do, but not
does heavy armors. he used to wear those ten years ago, but not anymore. "Time make my armor heavier" said Tommy. He has a leather armor now;
those are exquisite tailored. Just fit with him, tommy is

Descriptive Essay For Lady Macbeth
"Welcome all!" The loud speakers surrounding the room blurted, startling me. Seats were quickly being filled alongside the room by hundreds in
attendance for Macbeth's coronation. James, my husband, suggested we arrive early to guarantee our seating. Bright, red drapes patterned with gold
rested along each wall, immediately catching my attention. A massive diamond chandelier hung above. "Ellyn, they're starting," my husband whispered
while tapping my shoulder. The tall, wooden doors with iron ornaments behind us creaked open slowly.Macbeth, wearing a surcoat which rested over a
yellow dress, appeared behind them. His wife, Lady Macbeth, alongside. I couldn't steer my sight away from her long, purple gown which was
clearly crafted of silk and rich velvet. It was embroidered symmetrically with lace and gems, including a luxurious tunic rested effortlessly upon it.
They lingered between the groups of people as they clapped. It felt as if hours had passed before they reached their destination at the front of the
room. "Thank you!" Macbeth said graciously. He, along with his lady, seated themselves in the royal chairs. The room became silent as Macbeth took
the coronation oath–reciting each word with confidence. The crown, shining brightly, was placed upon his head by a gentleman. This gentleman turned
to Lady Macbeth immediately after, questioning, "Madam, is your Majesty willing to take the oath?" "I am willing," she replied gracefully. Another
crown was gently placed upon her

Athear Kalskelavth: A Fictional Narrative
When Athear Kalskelavth heard the distant strains of song drifting through the evening air like snow falling lightly on his shoulder, he knew he'd
reached Orias Myth. Instead he stopped on the old stone roads and stood, listening, a clear distinct laugh in the distance, familiar yet a stranger to
this barren landscape. A song soon followed, accompanied by a lute. It was sad yet beautiful and wise. Snowflakes drifted down silently to kiss his
face and his horns, and yet he stood listening, heedless of the chill that crept into his limbs and scaly wings over the long travel to Orias Myth – a
minor hold of the lupin. Lupins are a wolf like race, highly known around for their fierce loyalty and unwavering discipline. They are also famed for
their fine craftsmanship of weaponry. Athear could not bring himself to take another step, fearing he might lose the song that had driven faintly into his
ears.
The path seems to travel forever, trailing off into the distance. The forest feels like it has given way to a great hall, pillared with slender silver
trunks. Athear stood quietly, closed his eyes and immersed himself in the song. He was a tall, well build draconian man at twenty years of age with
scales resembling finely polished moonstone. His head adorned two horns angled back five inches with small barbs on the underside of his jaw.
Steel white eye with elliptical pupil looked like those of cats and lizards. His wings look similar to bat's wings, but the membranes are covered in

Aspects Of Mood Presented Into The Love Song Of J. Alfred...
Aspects of Mood Presented Through Setting in "The Love Song of J. Alfred Prufrock" and "Something Whispered in the Shakuhachi"
The element of setting plays an important part in "The Love Song of J. Alfred Prufrock" by T. S. Eliot and "Something Whispered in the Shakuhachi"
by Garrett Hongo as they give readers a sense of the narrators ' emotions and perspectives. Although the settings of both poems are presented in similar
ways, they reflect on different aspects of the narrators ' mood.
First of all, the settings in both poems are presented explicitly. In "The Love Song of J. Alfred Prufrock", details and features of the period and occasion
are stated in each stanza. Phrases such as "half–deserted streets" (Eliot 4), "one–night cheap hotels" (6), "the yellow fog" (15) and "soft October night"
(21) give readers a general idea of the surroundings of the narrator, which is a gloomy, foggy city like London. The poem "Something Whispered
in the Shakuhachi" takes place in three periods: Before the war, during the war and after the war. The text shows the narrator grows bamboo "in
ditches next to the fields" ( Hongo 9), lines like "all through relocation" (55) and "in the desert where they put us" (56) indicate he is ordered to be
in relocation camp in the deserts when World War Two takes place, and he lives on a "land next to the swamp" (65) after the war. Similar to "The
Love Song of J. Alfred Prufrock", this poem also has the description of its setting provided, yet not as

Lost Lady Essay
The diction and detail used by Willa Cather in the book A Lost Lady, paints a picture in the readers mind by her prose selection of diction and
arrangements of graphic detail, which conveys a feeling of passion, sadness, tense anger and unending happiness through Neil Herbert. Throughout the
book, Cather describes Neil HerbertВЎВЇs life from his childhood, to his teenage years, and then to his adulthood with surpassing diction and
supporting detail.
As the story begins, Cather describes Neil Herbert as, ВЎВ°a handsome boy of twelve whom she liked.ВЎВ± This description gives us a mental
picture of this boy with a smile on his face and always being courteous. In his younger years, the reader can assume that Herbert ... Show more content
on Helpwriting.net ...
Forrester becomes immensely greater. Mrs. Forrester was the only woman he knew who wore earrings of which, ВЎВ°they hung naturally against her
thin, triangular cheeks.ВЎВ± Cather describes the immense admiration from Neil towards Mrs. Forrester through compliments that he is making. Neil
would say, ВЎВ°he had never found one so attractive and distinguished as Mrs. Forrester,ВЎВ± and that, ВЎВ°other women were heavy and
dull.ВЎВ± As Cather describes NeilВЎВЇs love and compassion for Mrs. Forrester, we feel a sense of sympathy and compassion for Neil because the
reader knows that Neil cannot marry her due to her being too aged and that she is already married. We feel the sense of sympathy through NeilВЎВЇs
over complementing remarks.
Neil Herbert then becomes a grown man, still admiring his child hood love, Mrs. Forrester. When Neil finds out that Mrs. Forrester is secretly
writing to a man named Frank Ellinger, he becomes extremely saddened because he knows its wrong of her due to already being married. Despite
knowing this Neil still expresses his love for her and he would even, ВЎВ°make a bouquet for a lovely lady; a bouquet gathered off the cheeks of
morning. The author in a way tells the reader that Neil still has that unending desire of love for Mrs. Forrester. For instance, one time as Neil went to
Mrs. ForresterВЎВЇs room to surprise her with a bouquet of flowers, he heard her laugh and ВЎВ°then another laugh, very different, a

The Id, Ego, and Super-Ego in T.S. EliotвЂ™s The Love Song...
T.S. Eliot's poem "The Love Song of J. Alfred Prufrock" is inhabited by both a richly developed world and character and one is able to categorize the
spaces in "The Love Song of J. Alfred Prufrock" to correspond to Prufrock's mind. Eliot uses the architecture of the three locations described in the
text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super–ego; the city that is described becomes the Ego, the room
where he encounters women his Id and the imagined ocean spaces his Super Ego. Eliot is vague in his suggestion of Prufrock's audience, only
referring to the listener once using "you and I;"(1) however, by analyzing Eliot's intertextual inclusion of the passage from Dante's Inferno and Prufock's
... Show more content on Helpwriting.net ...
These issues– the introversion, the self degradation– are joined by a myriad of other psychological disturbances that are all derived from inability to
fulfill sexual desire. The poem becomes an introspective examining of the faults in the mind of a man. By including the quote from Dante's
Inferno, and creating a character that is so introverted Eliot suggests that Prufrock is examining his own mind and delving into the most delicate
of problems. If one applies the Freudian concepts of id, ego, and super ego to Prufrock's troubled mind, a clear delineation of three sections is
made in the poem. A short explanation of id ego and super ego is necessary in connecting them to the spaces in the text. Freud's theory stemmed
from a need to classify the parts of the 'mind'. From this stems the organization of personality into three parts all of which are demonstrated in the
"Love Song of J. Alfred Prufrock". The id is the impulsively and instinctually driven section of Freud's personality complex and is based on seeking
pleasure. An especially important factor for "Prufrock" is that the id encompasses is sexual desire. It is largely accountable for the unconscious mind.
The ego is the most rationalized and outward facing of the personalities that creates a practical approach in

Analysis Of The Poem ' The Love Song Of J. Alfred Prufrock
T.S. Eliot's poem, "The Love Song of J. Alfred Prufrock," illustrates the poet's fear of the fragmentation of modern society. In the poem, Eliot creates the
persona of his speaker, J. Alfred Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot's interpretation of Western
society and its impotency at the beginning of the Twentieth Century. His views are modernistic, which idolize the classical forms while incorporating
new ideas about psychology and the subconscious. Eliot illustrates his contempt for the faithlessness of modern society by illustrating its fragmentation
with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot illustrates his view of a
great tradition that he is witnessing as it falls apart.
Throughout "The Love Song of J. Alfred Prufrock," Eliot illustrates fragmentation by using synecdoche to illustrate his fear of a societal breakdown.
Synecdoche is a figure of speech in which a part stands for the whole; Eliot, through this use of parts in place of wholes, represents Eliot's view on the
broken, chaotic world. Throughout the poem, Eliot uses "faces," "hands," "arms," "chins," "arms...downed with light brown hair," "fingers," and "the
head," yet he never describes a whole human. The central human Prufrock imagines is potentially the woman whom he hopes to talk to that evening.
Eliot writes of this mystery woman, "Arms that are braceleted and white and

Audra's Masks: A Narrative Fiction
"Stay still, my lady, please" commanded Travana, and Audra groaned. "But it's taking forever to get these ribbons through my hair and they pinch."
Audra squirmed in her seat in front of the vanity. "Can't I just leave the braids down? I like the way they look down." Travana shook her head and
continued braiding and pinning. "No, no. You must wear your hair up. And wait until you see our masks." Audra brightened. "Masks? Samhain
masks? Can I see them?" Faye jumped up from her nearby seat. "I'll show you!" She rushed out and returned with three colorful stick masks made up
of brilliant red and orange leaves around the eyes. Audra had expected scary, ghoulish masks and in a way she had wanted them, but these were
beautiful and unique. "I love... Show more content on Helpwriting.net ...
She expected Maxen to deny, as usual, or make an excuse or joke. But instead, he gazed at her with his one brown eye and one green, and caught
her around the waist, pulling her close, preparing to dance. "It is so many things you will never know," he said solemnly. This took Audra aback.
"Never?" "Never." Maxen must have realize they stood among the dancers motionless, staring at one another, so her urged Audra along in a slow
dance. She found herself right up against his body, and felt his thumb caress the small of her back, just as she'd seen Eudaf do to Travana. He locked
eyes with her, and for once, he didn't look away. Audra had danced on occasions in the past, but she didn't recall dancing being so intimate. She saw
and heard no one else until the music picked up pace again. Without missing a beat, Maxen's gaze of affection switched to a playful one, and he spun
and dipped Audra through various high–energy dances. "I need a cider break," Audra finally panted. "And you haven't even broken a sweat." "You
may need more conditioning work in training," offered Maxen with a grin. Ah. So they were never to speak of that moment during the slow dance
again. It was better that way anyway. "No," she whined. "My conditioning is just

Seed Disease And Develod Health
When a disease strikes a herd it can create stress, not only for the herd, but also to the workers and grower. For example, when porcine epidemic
diarrhea virus (PEDv) hit the United States in 2013, 10% of the U.S. swine population was eliminated according to NCBI. Millions of piglets lost
their life due to this coronavirus. To better understand the hardships the swine industry endured, the first two week that the virus was present, there
was a 0% chance of piglets surviving. Week 3, the survival rate increased to 25%, week 4 survival rate became 50% and so on. Workers were
coming to work to remove dead pigs, which takes a toll on moral. This virus specifically targets young piglets and impacts the growth of the pigs that
survived this... Show more content on Helpwriting.net ...
By introducing that new pig into the herd (s)he must be isolated from the herd for 4 weeks to become acclimated to the challenges that individual
will face as well as prevent her from possibly infecting the herd with disease causing agents. The cleanliness of the environment and ventilation
attribute to the cumulative risk of a disease. If pigs are housed in a dirty environment there is a possible increase in exposure to an agent, which plays
into ventilation, too much air can help the disease spread and not enough ventilation can cause an increase in a specific pathogen to increase within a
certain area and lead to fomites. Another way to reduce the risk of disease is to practice all–in, all–out, this helps break disease. In addition, by not
mixing older pigs with younger pig, eliminating the ability for older pigs to infect younger pigs.
After a disease in the herd is detected there are several ways to obtain a plan of action. First and foremost the present disease must be understood be
able to effectively and efficiently treat it. First, a worker must understand what disease challenges that herd faces and have any of those challenges
arisen and is a challenge surfacing? To make this conclusion an evaluation of the signs the pigs are expressing and talking to your

Science Fiction, Melodrama and Western Intersect in David...
Science Fiction, Melodrama and Western Intersect in David Lynch's Dune
A genre is a grouping of works, in this context a grouping of films, that are somehow similar or related in content or style. Genres are not strictly
uniform over a period of time and do allow for growth and adaptation of their definitive characteristics. As the film industry has developed through the
past century, various genres of films have emerged and are still evolving. Aspects of genres have been redefined and intermingled through the history
of film. There have also been, throughout the progression of filmmaking, films which do not strictly fall into one genre or which combine elements of
several genres. David Lynch's 1984 film Dune is a fascinating case ... Show more content on Helpwriting.net ...
Melodrama, as a film genre, is deeply rooted in the institution of the family and various incarnations and evolved states of the family unit. Familial
issues arise more often in science fiction than has been widely acknowledged. The futuristic universe of Dune and all of the action of the film is
motivated by inter– and intra familial conflicts and resolutions. Science fiction, at times, appears to be merely a scientific or futuristic setting for the
same kind of melodrama film that has been made for years. However, according to Westfahl, "science fiction reconstructed melodrama in a manner
which complicated and undermined its traditional clarity" (193). Thus whereas in a melodrama such as The Cobweb, the initial conflict of the
narrative is merely left unresolved (but on an optimistic beat), in the science fiction melodrama, the film is ended with "a hopelessly compromised
happy ending" (Westfahl, 203). Such is the case with Dune: as the film closes, rain pours down on the desert planet. The rain is meant to represent a
positive miracle and something that is desirable, but the fact that rain would turn the desert sand to mud, potentially drowning and killing the giant
worms and thus ending all spice production is ignored. The ending leaves the film on a happy note, but the ending has not resolved the film: it had
added more conflict to be resolved. Dune is

Essay About A Short Story
"Yellow is a lovely color for you, Layna." Jon informed her as she greeted her friend. Alayna smirked as she removed the wreath from her head and
shoved it down upon his ginger brow. "I believe it suits you better, my lord."
Jon shook his head and let out a hearty laugh, "Thank you, my lady, I shall treasure your favor always."
Alayna rolled her eyes and moved on to greet the knight, "Ser Arthur."
"Lady Alayna." He bowed and pulled the empty chair next to his sister.
"I apologize, Ser, I had I known you would be joining us I would've made another crown." She stated as she sat down.
Arthur waved her off and returned to his own seat, "Your presence alone is gift."
Her face flushed from his chivalrous words. Arthur was merely ... Show more content on Helpwriting.net ...
All eyes snapped to her, all of her friends just as surprised as she was. None of them had expected this. They were all looking at her expectantly. But
she was too busy trying to pick her jaw up from the table.
"Pardon?" Alayna coughed, taking a large gulp of wine to wash down the news.
"Oh forgive me. I, merely, overheard Lord Tywin mention prior to a small council meeting." Rhaegar apologized, scratching the back of his head,
sheepishly, "I assumed you were aware."
"I was not." Alayna muttered, looking down at her plate as a frown pulled at her lips, "It appears my mother has kept herself busy whilst I've been
away."
"Cheer up, Layna." Jon chuckled, before assuring her, "There are much worse Lords to marry."

"Like the Baratheon boy?" Ashara injected, "I've heard he's quite the casanova. Rumor is he's got a bastard in the Vail."
"That's common knowledge." Jon debunked before he turned to Alayna with glistening eyes, "Think of all the gold you'll get."
"Indeed, a union between the Lannisters and the Tyrells would be great for the realm." Elia reasoned, offering Alayna a small smile. It was no secret
that both
"I have no interest in Lannister gold or their Rock." Alayna declared as picked at one of the flowers decorating the table, "I

The Role Of Women In Macbeth
Macbeth was written in the 16th century and is a reflection of the beliefs of the Elizabethan era. In this time period they strongly believed in Karma
and the supernatural, mainly witches. They believed that when fate was disrupted, mayhem would break loose. The "Normal" role for women were
to stay at home and care for her husband and children, they were often seen as weak or not powerful. Shakespeare breaks this role of women in Macbeth
by making Lady Macbeth the "powerful" one in their marriage. Today if we were to encounter three bearded witches, we would be considered crazy to
believe anything they said. But in Macbeth the "supernatural" wasn't considered so weird. The supernatural was a big part of Macbeth and was the
start of the awful tragedy. Macbeth runs into the witches in the first act. The three witches say, "All hail, Macbeth! hail to thee, thane of Glamis!", "All
hail, Macbeth, hail to thee, thane of Cawdor!" and "All hail, Macbeth, thou shalt be king hereafter!" (1.3.149–51). Even though Macbeth himself didn't
believe the witches, his wife Lady Macbeth did and wanted him to kill the king. Lady Macbeth is portrayed as a very ... Show more content on
Helpwriting.net ...
Ross and the Old Man talked about many of the unusual happeinings such as "A falcon, towering in her pride of place, Was by a mousing owl hawk'd
at and kill'd." (2.4.161–2). This is an unnatural event but also a metaphor, the owl is the lesser bird but it kills the falcon, this is a direct analogy to
Macbeth murdering Kind Duncan. Another example of a fate altering consequence is when Ross talked about Duncan's horses going wild, he said
"And Duncan's horses–a thing most strange and certain– Beauteous and swift, the minions of their race, Turn'd wild in nature, broke their stalls, flung
out, Contending 'gainst obedience, as they would make" (2.4.963–6). They believed there was a reasoning behind all these strange

Creative Writing: Journal Entry
Tyrion's fingers dug into the dirt as he tried to climb after Jaime. "Come on little brother! You'll be the tallest man in all of Westeros if you can just
get up here." Jaime's bright white teeth and charming smile looked down at him. "I'm not Cersie. You won't win me over with your silly smile.
Besides, I wouldn't quite call myself a man yet." "My smiles don't always work on Cersie," Jaime said as he bent down to help his brother up.
"Well the sun has risen as it has every day since my first name day. Why are we here?" Tyrion asked as the sun greeted Casterly Rock. "We're taking
turns. You do something for me, and I'll do something for you. When the sun is full up we'll head back down and do something you want to do."
Tyrion shook his... Show more content on Helpwriting.net ...
Having a pet name is a sign of affection." "Is it really my lord?" Tysha seemed to wonder at this, and then finally said. "Well if I were them, I'd
come up with a much more flattering name for you." Tyrion flushed again. "My lord, we have stopped." "What? Oh!" His horse was suspiciously
clever and had ridden itself in front of the famed tavern. As always, it was filled with boisterous clientele. "Wait here," Tyrion winked and entered
into the cavern. Tyrion slid two gold dragons to the bartender. "A private table for two." "I'll never understand why Lord Jaime needs to be so shy!
How about you sit with us in public and the meal will be on us." Tyrion laughed. "Don't let father hear about your offer. He thinks charity is an
insult, but I think I should tell you that I don't have the honor of my brother's company." "Oh?" The bartender looked confused and then looked out
the window. A wide smile swept his face. "A pleasure as always my lord," the bartender said enthusiastically. He went to the back room and came
back with a very amused man and woman. They nodded at Tyrion and left the tavern. "Stall her a bit so I can clean up back there." He turned away.
"Oli! Help me with the dishes in the

Hesitation, Repression, and Indecisiveness in the Love...
Impotent, pathetic, inadequate, timid. Everyone knows a J. Alfred Prufrock, and everyone has a bit of him in himself or herself. Just like Prufrock we
readers have been witness to the pretentious triviality of others, the women who "come and go/ Talking of Michelangelo" (lines 13–14), and the lack of
confidence which prevents the realization of desires. Eliot's careful choice of epigraph from Dante's Inferno reverberates throughout this poem as the
logic behind Prufrock sharing his feelings with his listener. Just as Guido da Montefeltro is certain his listener shares a similar fate as himself, so to
does Prufrock believe that his listener is like himself, and will never "turn back and descend the stair" (line 39). Prufrock's... Show more content on
Helpwriting.net ...
Death also signifies Prufrock's lack of social contact and sexual stimulation. The word etherized not only means to numb, but is also suggestive of
the word ethereal. Prufrock's repressed desire can be seen in his frustration with the reality of social/emotional interaction and also with the ethereal,
inexpressible inner desire of his heart, not just to ask "an overwhelming question", but further, to say exactly what he means as in line 104. Unable to
"force the moment to its crisis" leaves Prufrock emotionally impotent. Unlike Marvell and his coy mistress Prufrock does not have all the time in the
world to malinger, "stretched on the floor." Trivializing his message of desire, as in the rhyme of lines 79–80 or referring to himself as John the Baptist
only further hinders the expression of his desire. And we can only imagine in Eliot's use of religious images in which Prufrock "wept and fasted, wept
and prayed" that Prufrock is fervently hoping for the self–confidence to express his desires. Yet after the social banter/conventions of "the cups, the
marmalade, the tea", "the porcelain" and "some talk of you and me" Prufrock is still unable to seize the moment, to turn desire into action. Presuming
that Prufrock is largely reflecting on these issues himself rather than to another listener one notices that he is unable to even mention his desires to
himself, so deeply

The Lady Of Shalott Essay
In this alluring yet tragic poem by Alfred, Lord Tennyson, the reader is briefly consumed by a world with no happy endings. Centered around the
castle and court of Camelot, The Lady of Shalott, adapts to its trend of despair. Like the original tale surrounding King Arthur and the Knights of the
Round Table, love is portrayed as something destructive. Both Guinevere's and The Lady of Shalott's infatuation with Lancelot was the cause of
someone's downfall, whether it was King Arthur's or the heroine of this poem. The lady longed for Lancelot because, "She hath no loyal knight and
true,/The Lady of Shalott" (lines 62–63). Tennyson's use of literary devices, such as rhyme, consonance, and metaphor, help to create a captivating story
for his audience,
Alfred, Lord Tennyson was a British poet born on August 6, 1809, and lived 83 years until his death on October 6, 1892. From an early age, he
showed great potential in writing. Many of his works revolved around classic mythological stories, including The Lady of Shalott. Unlike the majority
of acclaimed authors, Tennyson actually had success during his lifetime, and did not only achieve fame after his death. Part of his prosperity was due ...
Show more content on Helpwriting.net ...
Tennyson repeatedly touched on influences of the supernatural, weaving together the natural world and the man–made one, and removal from both
society and love. All three of these come together in the last few lines of the poem where, "He said, "She has a lovely face;/God in his mercy lend her
grace," (lines 169–70). In this quote, Sir Lancelot sees the Lady of Shalott, dead, after she fell prey to her curse. Her immediate and utter adoration of
Sir Lancelot's shadow through her mirror caused her to be freed from supernatural prison, and finally be amongst the beauty that had been around her
all along; however, she was never free of her isolation, dying before she got to humanity and

Analysis of "The Love Song of J. Alfred Prufrock" Essay
"The Love Song of J. Alfred Prufrock" by T. S. Eliot is a poem I would not recommend anyone still trying to hang on to his or her youth. T. S.
Eliot's poem, about a man named J. Alfred Prufrock, is a pessimistic poem looking at the seemingly wasted life of an aging man. The poem is told
from the viewpoint of a very sad man named J. Alfred Prufrock. The poem takes place in the city of St. Louis, which T. S. Eliot does not portray in a
very good light. T. S Eliot's creation of a depressing mood, powerful metaphors, and the character of J. Alfred Prufrock all result in a very
disheartening poem, not enjoyable to the middle–aged reader, especially male readers. T. S. Eliot creates an uneasy mood from the very beginning. The
first stanza of ... Show more content on Helpwriting.net ...
T. S. Eliot is showing us just how pathetic J. Alfred Prufrock actually is. It seems that Prufrock's insecurities stem from his aging appearance. An
aging reader may find that they identify will J. Alfred Prufrock and, understandably, not be too pleased about that fact. In the next stanzas Eliot
continues to develop J. Alfred Prufrock's character. "I have measured out my life with coffee spoons; (l. 51)." To imagine a life as a string of
coffee cups is a very sad picture. This also tells us that Prufrock's life has been a boring one. The following stanza utilizes some potent metaphors to
describe Prufrock's thoughts. "The eyes that fix you in a formulated phrase (l. 56)." The diction T. S. Eliot uses here is very effective. Eliot does not
simply state that the women have a preconceived notion of Prufrock. A 'formulated phrase' is a strong way to say that the women look at him and
automatically stereotype him. "And when I am formulated, sprawling on a pin, / When I am pinned and wriggling on the wall, (l. 57–58)." Eliot uses
another strong metaphor here. These lines in the poem create the image of Prufrock struggling while pinned to the wall like bug. In the next lines
Prufrock is again questioning himself, "Then how should I begin/ To spit out all the butt–ends of my days and ways? (l.

Sixth Epigrams Essay
In the sixth epigram, the speaker witnesses a beautiful lady. We notice that the last epigram takes place within nature as the other two did. The
speaker states, "At last so faire a Ladie did I spie, / That in thinking on hir I burne and quake" (Spenser 1–2). As we are coming towards the last of
epigrams to be analyzed in a Theatre for Worldlings, we come to recognize thatthe speaker has been heartbroken twice in the previous epigrams.
However, once he or she sees a "Ladie" we understand that the speaker is possibly male and that witnessing the woman's beauty makes him "burne
and quake" as he takes notice of her beauty. The speaker's obvious feelings regarding the woman leave him to take notice of her alluring looks which
highlights the speaker interest in vanity. Even though the speaker has already been heartbroken, he cannot look past her charm and elegance as she
walks, "On herbes and floures she walked pensiuely" (Spenser 3). By stating that the lady is walking pensively, the language can suggest that she is
looking inward instead of looking towards external forces such as religion that can save her. The speaker states, "White seemed her robes, yet woven
so they were" which indicates that at first glance the lady seems pure. However, we notice that the lady's rope only "seemed" white which further
indicates towards the reader that something bad is likely to occur in this idealized reality that the speaker is portraying. In the next few lines, we take
notice of the

A Short Story : A Story?
The next morning, Heather was walking with her maid. She'd been to visit Lady Lucy, and was now returning to join her mother for a visit to
Cousin Milton this afternoon. She returned to the townhouse and changed, meeting her mother in the foyer as their carriage arrived. It was a short
jaunt to their old home. Heather stepped out of the carriage and looked up at the familiar faГ§ade. Her mother took her hand, and they shared the
same worried expression. Cousin Milton had said the meeting was about an urgent matter. Heather loathed the idea of meeting with him for any
matter after the way he had treated them. She understood his need to protect his family, but that didn't explain his heartlessness. The door opened
and Milton's new butler showed them to the drawing room. A pot of tea was served, and then Milton arrived, looking shaken and pale. Heather's
mother set her tea down in alarm and stood. "What has happened? Is it young Debra? Corrinne?" Milton shook his head. "My daughters and my
wife are in peak health, I assure you." He motioned for her to sit. "I'm afraid this meeting is not for a pleasant matter." Heather watched her cousin
carefully, sensing that he was hiding something. She took her mother's hand and squeezed it in warning. "You said it was urgent, go on and tell us
what it is." He pulled on his cravat. "Well, it isn't for me to tell. Lord Brightly–" Her mother shot to her feet. "You were to have nothing to do with Lord
Brightly. You know he is a snake."

The Love Song Of J. Alfred Prufrock
"The Love Song of J. Alfred Prufrock," published in 1915, was written by a man named T.S. Eliot. The speaker of the poem begins to describe an
evening that appears to be somewhat romantic and a little mysterious. As the reader progresses into the poem, the mood soon fades and the reader
starts to figure out that this evening is not what they pictured. "Acquainted with the Night" is a poem written by Robert Frost. The poem was first
published in 1927. The speaker of the poem has a similar mood as Eliot's poem. One character can not seem to fit in at a tea party and the other
character has drifted into the streets at night. Both of the characters are in situations that are not pleasing to the majority of people. The characters are
both placed in a position that implies a distasteful and gloomy mood for the readers to experience. Both the imagery and tone of these two poems
presents the reader with the conclusion that both poems can represent loneliness as their leading theme. In Eliot's poem, the speaker is a man. His name
is J. Alfred Prufrock. Throughout Eliot's poem there is dramatic monologue, which means the character reveals himself through thought and meaning.
Prufrock is a man who is self–conscious. The reader can conclude this by reading that the speaker doesn't feel comfortable with approaching women
because of his appearance. He focuses on what women might notice about him, "They will say: How his hair is growing thin!" (line 41). "Do I dare
disturb the universe?"

The, The Biggest Loser, Big World, By Robert Bogdan
"Little People, Big World" and "RuPaul's Drag Race," "The Bachelor" and "Survivor," "The Biggest Loser" and "The Real World" "Miss America" and
"American Idol"–it is difficult to watch American television in the first decade of the twenty–first century without encountering a freak. Britney Spears,
called her 2009, forty–nine show tour through the US, Canada and the UK. Perhaps, more accurately, it is not so much that the circus goes on as that the
circus has been revived in the American imagination. According to Robert Bogdan in his socio–historical study of the freak show in America, the
popularity of the circus had run its course by the 1940s (60), attracting in its waning years a lower class of audience, such as new American
immigrants, the rural poor and the urban working class (55). The exhibition of freaks had become morally incorrect. Strangely, at the turn of the
twenty–first century, America is revealing a renewed fascination with freaks, a fascination that has not been so publicly apparent since the Victorian
era when freak exhibits were all the rage, and not just for backward country folk waiting for the travelling circus to roll through town, but for
sophisticated big city people who frequented P.T. Barnum's famous American Museum at Broadway and Ann Street in New York City. This time
around, it is middle America enjoying the circus on their wide–screen televisions in the privileged privacy of their dens and theater rooms. As the vast
array of freaks in the

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