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 The art of establishing a meaningful
pattern of relationships among a
group of facts.
 the first task is to state what the
writer wanted to find out when he
began the work.
 the area or scenery behind the main object
of contemplation, especially when perceived as
a framework for it.
 the reliability of interpretation is
dependent on how data were
obtained. The Method of Gathering
Data or Information is explained.
 (Result and Discussion) – introduce the
mass of data without cluttering it up and
without burying his discussion with raw
data, Tables and Graphs are vivid ways of
presenting information. They show clearly
how facts relate to one another. The text
point out the significant relationships by
the table of chart.
 “All the works in this section have
one core formal concern in common: the
idea of ‘time’ (and space). Creative act of
dissolution combines stillness and the
intimation of motion, leading us to the
very edge of identifiable form and
playfully subverting minimalist
concerns.”
 “There has been much debate about what
exactly is Englishness. We struggle to
define it. I wanted to make something
that looked like an ethnographic artefact
that was about England. At once
mystical and banal, this is the skull of a
decaying maritime superpower.”
Interpretation and partation

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Interpretation and partation

  • 1.  The art of establishing a meaningful pattern of relationships among a group of facts.
  • 2.  the first task is to state what the writer wanted to find out when he began the work.
  • 3.  the area or scenery behind the main object of contemplation, especially when perceived as a framework for it.
  • 4.  the reliability of interpretation is dependent on how data were obtained. The Method of Gathering Data or Information is explained.
  • 5.  (Result and Discussion) – introduce the mass of data without cluttering it up and without burying his discussion with raw data, Tables and Graphs are vivid ways of presenting information. They show clearly how facts relate to one another. The text point out the significant relationships by the table of chart.
  • 6.  “All the works in this section have one core formal concern in common: the idea of ‘time’ (and space). Creative act of dissolution combines stillness and the intimation of motion, leading us to the very edge of identifiable form and playfully subverting minimalist concerns.”
  • 7.  “There has been much debate about what exactly is Englishness. We struggle to define it. I wanted to make something that looked like an ethnographic artefact that was about England. At once mystical and banal, this is the skull of a decaying maritime superpower.”