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• Involves the close reading of texts in order to demonstrate that any given text has
irreconcilably contradictory meanings, rather than being a unified, logical whole.
• “Deconstruction is not a dismantling of the structure of a text, but a demonstration
that it has already dismantled itself. Its apparently solid ground is no rock but thin
air.” J. Hillis Miller (1976)
• Argues that in Western culture, people tend to think and express their thoughts in
terms of binary oppositions (white / black, masculine / feminine, cause /effect,
conscious /unconscious, presence / absence, speech writing).
• Through deconstruction, Derrida aims to erase the boundary between binary
oppositions—and to do so in such a way that the hierarchy implied by the
oppositions is thrown into question.
Deconstructive criticism posits an
undecidability of meaning for all
texts.
DECONSTRUCTION ACCORDING
TO JACQUES DERRIDA
• its ultimate aim may be to criticize
Western logic, deconstruction arose
as a response to structuralism and
formalism
• Structuralists believed that all
elements of human culture,
including literature, may be
understood as parts of a system of
signs.
• Derrida did not believe that
structuralists could explain the laws
governing human signification and
thus provide the key to
understanding the form and
meaning of everything from an
African village to Greek myth to a
literary text.
• He also rejected the structuralist
belief that texts have identifiable
“centres” of meaning–a belief
structuralists shared with formalists.
Jacques Derrida opposed the "metaphysics of
presence, . . . the claim in literature or philosophy
that we can find some full, rich meaning outside of
or prior to language itself." The hierarchy of binaries
on which this assertion rests is untenable.
• Privileging speech over writing = logocentrism;
spoken or written words have meaning only by
"differance" from other words.
• Deconstructive critics focus on the text like the
formalists, but direct attention to the opposite of
the New Critical "unities."
• Instead, they view the "decentering" of texts and
point out incompatabilities, rhetorical grain-
against-grain contradictions, undecidability within
texts.
• There is often a playfulness to deconstruction, but
it can be daunting to read too.
DECONSTRUCTION VS. FORMALISM
Deconstruction
• Deconstructionists, by contrast, see
works in terms of their undecidability.
• Undecidability, by contrast, is never
reduced, let alone mastered in
deconstruction
• Deconstructive reading can reveal the
incompatible possibilities generated
by the text.
• It is impossible for the reader to settle
on any permanent meanings
Formalism
• Formalist critics, such as the New
Critics, assume that a work of literature
is a freestanding, self-contained object
whose meaning can be found in the
complex network of relations between
its parts (allusions, images, rhythms,
sounds, etc.)
• Formalists ultimately make sense of the
ambiguities = every ambiguity serves a
definite, meaningful, and
demonstrable literary function.
DECONSTRUCTION IS A
POSTSTRUCTURALIST THEORY
• It is in the first instance a philosophical theory and a theory directed
towards the (re)reading of philosophical writings.
• Its impact on literature, mediated in North America largely through the
influences of theorists at Yale University, is based
• On the fact that deconstruction sees all writing as a complex historical,
cultural process rooted in the relations of texts to each other and in the
institutions and conventions of writing, and
• On the sophistication and intensity of its sense that human knowledge is
not as controllable or as convincing as Western thought would have it
and that language operates in subtle and often contradictory ways, so
that certainty will always elude us.
In conclusion, let us watch this video…
According to the video Deconstruction is
• The idea that meaning breaks apart.
• If you look too closely at any text, it no longer holds meaning.
• The Deconstructivist believe that language is actually
uncentered.
• A kind of theory is really about the fun of pointing.
• A great theory for really sarcastic, really critical, really
excessive people.
• Tends to have a comical tone.
• You can't pick apart the meaning if you don't have a meaning
to pick apart.
• Identifies tension, unity that resolves tension, and points out
that tensions are not really in oppositions
•“The goal of those deconstructive
readings is to demonstrate how the
work is controlled and reduced by the
values and prejudice time will deserve
to have living.”
-Thomas Foster
• https://public.wsu.edu/~delahoyd/decon.html#:~:text=D
econstructive%20criticism%20posits%20an%20undeci
dability,the%20text%20already%20dismantles%20itself
• https://literariness.org/2016/03/22/deconstruction/
•
Lit Crit Deconstruction.pptx

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Lit Crit Deconstruction.pptx

  • 1.
  • 2. • Involves the close reading of texts in order to demonstrate that any given text has irreconcilably contradictory meanings, rather than being a unified, logical whole. • “Deconstruction is not a dismantling of the structure of a text, but a demonstration that it has already dismantled itself. Its apparently solid ground is no rock but thin air.” J. Hillis Miller (1976) • Argues that in Western culture, people tend to think and express their thoughts in terms of binary oppositions (white / black, masculine / feminine, cause /effect, conscious /unconscious, presence / absence, speech writing). • Through deconstruction, Derrida aims to erase the boundary between binary oppositions—and to do so in such a way that the hierarchy implied by the oppositions is thrown into question.
  • 3. Deconstructive criticism posits an undecidability of meaning for all texts.
  • 4. DECONSTRUCTION ACCORDING TO JACQUES DERRIDA • its ultimate aim may be to criticize Western logic, deconstruction arose as a response to structuralism and formalism • Structuralists believed that all elements of human culture, including literature, may be understood as parts of a system of signs. • Derrida did not believe that structuralists could explain the laws governing human signification and thus provide the key to understanding the form and meaning of everything from an African village to Greek myth to a literary text. • He also rejected the structuralist belief that texts have identifiable “centres” of meaning–a belief structuralists shared with formalists.
  • 5. Jacques Derrida opposed the "metaphysics of presence, . . . the claim in literature or philosophy that we can find some full, rich meaning outside of or prior to language itself." The hierarchy of binaries on which this assertion rests is untenable.
  • 6. • Privileging speech over writing = logocentrism; spoken or written words have meaning only by "differance" from other words. • Deconstructive critics focus on the text like the formalists, but direct attention to the opposite of the New Critical "unities." • Instead, they view the "decentering" of texts and point out incompatabilities, rhetorical grain- against-grain contradictions, undecidability within texts. • There is often a playfulness to deconstruction, but it can be daunting to read too.
  • 7. DECONSTRUCTION VS. FORMALISM Deconstruction • Deconstructionists, by contrast, see works in terms of their undecidability. • Undecidability, by contrast, is never reduced, let alone mastered in deconstruction • Deconstructive reading can reveal the incompatible possibilities generated by the text. • It is impossible for the reader to settle on any permanent meanings Formalism • Formalist critics, such as the New Critics, assume that a work of literature is a freestanding, self-contained object whose meaning can be found in the complex network of relations between its parts (allusions, images, rhythms, sounds, etc.) • Formalists ultimately make sense of the ambiguities = every ambiguity serves a definite, meaningful, and demonstrable literary function.
  • 8. DECONSTRUCTION IS A POSTSTRUCTURALIST THEORY • It is in the first instance a philosophical theory and a theory directed towards the (re)reading of philosophical writings. • Its impact on literature, mediated in North America largely through the influences of theorists at Yale University, is based • On the fact that deconstruction sees all writing as a complex historical, cultural process rooted in the relations of texts to each other and in the institutions and conventions of writing, and • On the sophistication and intensity of its sense that human knowledge is not as controllable or as convincing as Western thought would have it and that language operates in subtle and often contradictory ways, so that certainty will always elude us.
  • 9. In conclusion, let us watch this video…
  • 10. According to the video Deconstruction is • The idea that meaning breaks apart. • If you look too closely at any text, it no longer holds meaning. • The Deconstructivist believe that language is actually uncentered. • A kind of theory is really about the fun of pointing. • A great theory for really sarcastic, really critical, really excessive people. • Tends to have a comical tone. • You can't pick apart the meaning if you don't have a meaning to pick apart. • Identifies tension, unity that resolves tension, and points out that tensions are not really in oppositions
  • 11. •“The goal of those deconstructive readings is to demonstrate how the work is controlled and reduced by the values and prejudice time will deserve to have living.” -Thomas Foster

Editor's Notes

  1. They reject the formalist view that a work of literature is demonstrably unified from beginning to end, in one certain way, or that it is organized around a single centre that ultimately can be identified.