Planet Of The Apes Themes

Planet Of The Apes Themes
War for the Planet of the Apes is the third installment in the reboot series of the iconic franchise.
The first entry in the trilogy, 2011's Rise of the Planet of the Apes, was a surprisingly good film that
managed to be more than just standard blockbuster fare, but it wasn't until its sequel, 2014's Dawn
of the Planet of the Apes, that the franchise upped the ante by introducing extremely thought–
provoking themes and an emotionally heavy plot. War manages to build even more upon the tone
and themes introduced in the previous entries and musters up a film truly worthy of the praise that it
is sure to receive.
Directed by Matt Reeves, the film follows the events of Dawn of the Planet of the Apes after the
U.S. military was called to fight a tribe of genetically advanced apes lead by Caesar (Andy Serkis).
Through a series of events, Caesar gives up his ... Show more content on Helpwriting.net ...
At times, the film feels like a Shakespearian tragedy, at other times it alludes to Moses and Christ,
and there are even some aspects that can be interpreted as being referential to recent political events.
Morality is a featured theme throughout the film, and with that comes many thoughts that may leave
the audience pondering their own sense of ethics. Of course, the audience will only get what they
allow themselves to take away from the film, but it's easy to say that there is plenty of material to
dwell on after the credits roll.
It's not very often that a film trilogy is consistently good, and it's even more rare for the sequels to
continuously improve upon the predecessors. Planet of the Apes has proven that it is quite capable
of accomplishing this feat. With excellent directing, writing, and an incomparable performance from
Andy Serkis, War for the Planet of the Apes manages to bring a powerfully emotional and utterly
fantastic conclusion to one of the most extraordinary trilogies of the new
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Analysis Of Alfred Hitchcock's Film 'Shadow Of A Doubt'
Alfred Hitchcock's film "Shadow of a Doubt" is a psychological thriller in which a girl and her
uncle share many things: the name Charlie, their family, and a telepathic connection. When Charlie
Newton's uncle comes into town, she immediately recognizes that Charlie Oakley, her uncle, is
hiding something. Unfortunately, her telepathic connection did not tell her that his secret was he
being the "Merry Widow Murderer." As Newton comes closer and closer to the truth, she also comes
closer and closer to deadly accidents. This particular scene demonstrates the friction between the
two Charlies as Newton is about to tell Oakley that the police have the means to identify him.
Shot 1 is a close up of Charlie Newton's grave face as she sees ... Show more content on
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It is revealed that he was about to be apprehended when he ran into the propeller of an airplane. This
gruesome death meant that he was identified by his clothes–all initialed "C.O'H." Both men agree
that the case is closed for good as they walk off. Newton and Oakley remain on screen as they stare
at Mr. Newton and Herbie.
Shot 7 is a close–up of Newton who has a bewildered look on her face as she turns her head towards
Oakley.
Shot 8 is a close–up of Oakley who looks absolutely smug and delighted at this new development.
He declares himself hungry and turns towards the door to let himself in. The shot becomes a
medium shot as he practically skips up the stairs in joy before stopping at the top and turning around
looking like he forgot something.
Shot 9 is a Point–of–View shot that demonstrates the view of Oakley at the top of the stairs, looking
down at Newton who in standing in the middle of the doorway staring at him expectantly.
Shot 10 once again goes back to a medium shot of Oakley who slowly turns around and continues
on as the screen fades out.
Shot 11 begins as a fade in of Oakley walking towards that camera as suspenseful music plays. He
then quickly walks away pacing until he comes to the window.
Shot 12 is a Point–of–View of Oakley looking out the window. It shows Newton walking on the
sidewalk of the house.
Shot 13 is a tilt that begins with Oakley's face and then drops to his hands that let go of the cigar and
clench

Symbolism In The Whale Rider
Identify an important character in the film. Explain why the character is important and discuss what
techniques the director uses to portray the character and the effect on the audience?
By Tishya Kapoor
In the film, The Whale Rider, by Nicki Caro, is about a young girl named Paikea Apirana (Pai) who
is destined to become a leader and lead the community. However Koro, Pai's grandfather expects a
male leader to lead the community as he expects Maori tradition and culture to carry on. Koro
refuses Pai from inheriting that leadership as she is a female. An important character in this film is
Koro as he expects he is the current leader of the Maori community. But now that he is getting old,
he needs to find individuals who have those leadership attributes in order to be a successful leader.
However, he will not be able to pass on the legacy and heritage as he ... Show more content on
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For example, when Koro expects one of the boys to retrieve his whale tooth underwater. However
the boys have failed to retrieve it and Koro is disappointed as the whale tooth was a symbol of his
leadership and power. There is a close up of the whale tooth slowly drifting away in the murky
waters. Also when Koro has discovered the beached whales, he drops his stick. This is significant as
this is also a symbol of his leadership and power. It then shows a close up of the stick and the stick
being washed away.
In conclusion, the film The Whale Rider has left a strong impression on me as I have understood the
character more in depth and how the character is important in this film through a variety of effective
film techniques. I have gained a lot of understanding through the director's messages and ways of
communicating through a variety of film shots, symbolism and sound effects. The director has used
effective film techniques in order for the audience to engage with the film and to get a better and in
depth understanding of each

The Effectiveness Of Vertigo In Hitchcock's 'Citizen Kane'
In 2012, Vertigo replaced "Citizen Kane" as best movie ever made in the Sight and Sound poll. Film
producer Marco Müller describes the genius of Vertigo by saying "Paranoia and obsession have
never looked better". The technical aspects mirror the narrative, and the experience of the audience
mirrors the experience of the main character. Scotty Ferguson faces a fear of heights, which causes
him to have vertigo. Hitchcock weaves this theme of disorientation through the movie by supporting
it with narrative, production design, and skilled camera techniques.
Production design is important because it carries out the theme in a visual sense. Setting supports
the story by giving us context. The setting is a statement whether it's American City or explicitly
named, the setting can set a specific tone, sometimes having such a large impact that it is credited as
a character in the story. When we see Midge and Scotty in her cluttered apartment, and through the
window we see the San Francisco skyline, it's beautiful and dizzying. San Francisco is significant
because it is a city of heights, the very thing that tortures Scotty throughout the film. The audience
watches from Scottie's point of view as he drives up steep roads, feeling a sense of caution on
Scotty's behalf. Hitchcock uses iconography to establish setting by having major events of the story
take place in places synonymous with San Francisco. He saves Madeline right in front of the Golden
Gate Bridge, Madeline feels possessed by Carlotta in front of Scotty in Muir Woods and then
eventually kills herself at Mission San Juan Bautista. Another aspect of production design is
costume, which plays a large role in Vertigo.The first time we meet Madeline (at a San Francisco
institution, Ernie's) she is the most vibrant thing in the room, her green sash clashes with the red
walls of the room. As they prepare to leave the restaurant, Madeline steps into the light, and
everything else around her fades. We see a perfect profile with her at the center, this is important
because it's Scotty's very first impression of

The Workings of Cinematrography
Depth of field is an element in cinematography that means a range of distance between objects and
how they are being shot in sharp focus. Depth controls the perspective relations by depicting what
planes will be in focus. There is also a director's decision to choose a selective view. It is used to
focus on only one plane and the others being blurred. Selective focusing automatically makes us pay
attention to one area equally visibly but not all being in sharp view. It also examines deep focus and
racking focus. Deep focus is a tight shot of an object; it's a shorter lens and offers better lighting to
be focused on. Attention is on several areas all being visible. Racking focus also known as "pulling
focus". The point of this focus is to transfers the attention from the foreground and the background.
It overall makes one action blurred and another in a sharp focus.
In the film Hurt Locker depth of field is very present. The clip I chose to give the example is
http://www.youtube.com/watch?v=8dtQqy1jDUo "We are on the same team". When American
soldiers venture into the desert and come upon unidentified civilians in an SUV. Startled to see they
were dressed in head rags and carrying guns, they drove closer to examine what was going on. The
depth of field is present due to the camera angles of the action of the military tank moving, the
reaction of the civilians, and the soldiers approaching them. As the camera directs the attention out
of the wind shield, it seems to be

A Report Of Not Less Than 1500 Words
Write a report of not less than 1500 words, covering the following: a) The development of editing
from its humble beginnings, to the much more sophisticated Institutional Mode of Representation.
Discuss the steps involved. b) The evolution of editing technology (from none, to digital editing) c)
The purpose of editing. It is much more than just an assembly of footage on the timeline. Discuss
how editing can help us experience a scene fully, giving carefully chosen examples to illustrate your
point, and using subject terminology correctly. d) The rules of editing (listed below). Discuss the
logic behind them, and give an example to illustrate their use. 1. Continuity (180 degree rule;
cutting on action; cutting on speech; parallel editing; POV; shot reverse shot) 2. Dis–continuity
(jump cut) and New Wave/American New Wave 3. Manipulation of time: montage; dissolve; fade to
black; wipe 4. Providing information/withholding information Task 1 The development of editing
from its humble beginnings, to the much more sophisticated The earliest films in the 1900s were all
done on camera, this involved no editing whatsoever and the film would be filmed in the same order
exactly the way it would have been seen in theatres one roll of film. The Lumiere Brothers In 1985
the Lumiere Brothers invented cinematographe which was basically a three in one device that
recorded captured and projected motion picture. The Lumiere brothers worked tirelessly attempting
to make a

The Opportunities and Limitations in Using a Single...
The Opportunities and Limitations in Using a Single Camera
In the early days of film making the director would not have the choice of using the multi–camera
setups and editing suites that we have today. He or she would have just one camera to shoot all the
shots needed and then when it came to the editing process, all the shots would need to be selected,
the different frames sliced apart, and spliced back together in the desired order. As you can imagine
this was a time consuming process, and although this appeared to be a big limitation on some
television genre's at the time such as sit–com and live broadcasts, it allowed the film industry to
flourish.
The use of the single camera drew the director into a more creative
role ... Show more content on Helpwriting.net ...
This is a great time saving device, allowing more of the action to be packed into the show, but also
offers great creative ideas, especially for mystery and crime films where suspense can be created by
not knowing what's lurking around the next corner.
Casting for a film is very important, as you need the right people to act the roles that the director has
in his head, but a good actor also needs to be quite patient concentrated and rehearsed, for shots
have to be repeated many times.
One of the problems of multi–camera techniques is that it's not portable. You can not enter peoples'
homes and setup a full 6 or seven camera studio, its just not practical or cost effective. This is
certainly not a problem of single camera techniques, allowing much increased accessibility, but with
it comes an increased responsibility towards the law, both in assuring the health and safety of the
crew and any member of public whose facilities are being used for the shoot, and any legal issues
that need to be cleared up in pre–production. A full risk assessment of all considered sets to ensure
that the proper facilities are present and the lives of any crew member is not at risk, i.e. there must
be a fire extinguisher and a first aid box, any gas fires need to have been certified within the last 12
months, etc. One

Who Framed Roger Rabbit
Although the opening scene of Who Framed Roger Rabbit is meant to be lighthearted and appealing
to children, upon further examination the discriminatory treatment of Roger reveals the racist
undertones. The scene begins in the cartoon universe with Roger Rabbit and a cartoon baby, named
Baby Herman, that Roger is left as the caretaker. Throughout the scene the baby undermines his
authority in almost every way as he tries to reach a cookie jar on top of the refrigerator. The
refrigerator, however falls on Roger, and he then produces birds instead of stars. The director then
calls cut and the camera shifts to the live–action characters who are shooting the scene and are very
angry with Roger. First, an important visual is the framing of Baby Herman versus Roger.
Throughout ... Show more content on Helpwriting.net ...
This framing can be viewed from a racial standpoint. Baby Herman is meant to represent the human
character in cartoon form, since in fact he is a cartoon–human baby. However, Roger is a straight
cartoon, and by framing Baby Herman always above him and by having Roger always deal with the
mayhem that Baby Herman, it creates clearly displays a racial divide. The minority Roger is being
characterized as lower than Herman to depict his inferiority to the human representation Herman
who undermines Roger so easily, despite being a baby. Finally, examined were the camera angles
and actions of the characters throughout the scene. While Roger is pleading for the director to give
him another chance, the camera is positioned at the human height level while they move throughout
the scene. The camera is stationed at human eye level, displaying the dominance that the humans
have over Toons. Yet so simple, it creates an effective power divide in the scene that the human
characters have over the Toons. Reinforcing this point is the fact that the facial expressions of the
humans are more visible than the

Sound, camera shots and mise-en-scene; how they convey the...
"Star Wars" was arguably the first in a new breed of high concept, high budget sci–fi action films. It
was directed by George Lucas and originally released in only a few cinemas in 1977. However, the
buzz around the film grew, and it is now one of the highest grossing films of all time, and along with
its sequels, prequels and re–mastered re–releases, has a large cult following. I feel this is because of
Lucas` ability to engage the audience through careful use of sound and camera technique; The use
of the scrolling story in space sets up many audience expectations, that the action will be set in
space, and that it will base around a struggle between the rebels and the Empire. Narration is a fairly
formal method of exposition, linked to ... Show more content on Helpwriting.net ...
We also realize they are important because their bright metallic colouring makes them stand out
from the background of uniformed rebels. Their voices are quite comical; C3P0's English accent is
so camp and inappropriate to the action packed setting that the audience find themselves laughing.
R2D2's language is not easily decipherable, and so many laughs are gained by inferring what he has
said by C3P0's response. This section introduces the audience to the idea that these characters will
provide the comic relief for the film, and indeed, their presence in this section allows the audience
to relieve a little of their tension by laughing, this is important because of the family based nature of
the film, parents do not want their young children to be too scared. The camera moves to a tight shot
of the door, framing it within the screen, showing that all attention is now diverted to it. The sparks
from the cutters are exaggerated , to emphasise their importance, and run around the screen, creating
the impression that the intruders are breaking into the audience's real world, further allying them
with the rebels. The Storm troopers break through, and an eye line shot from their perspective is
used to show the rebels firing back; connoting a "new perspective" has arrived. The cutters continue,
and when the camera cuts back, they have created a smoke screen , and enigma is created as to what
will appear next. At this point, all sound cuts to

Do The Right Thing Analysis
There are various elements that contribute to the significance of a film. Cinematography, is one
important element in which the camera is used to capture visual images through a number of other
controllable elements such as; camera lens, framing, scale, movement etc. Editing is another
fundamental component of film studies in which different shots are put together in a coherent
sequence in order to make meaning of a film.
In the film "Do The Right Thing" by Spike Lee, cinematography and editing serve as critical
components to emphasize the racial tensions between the various characters. Set in a predominantly
black neighborhood in Brooklyn, New York, the action of the film consists of a series of unfolding
events that take place over the ... Show more content on Helpwriting.net ...
Camera distance is also effectively used in this film. In several scenes in Do The Right Thing, the
camera distance, especially through the use of close up shots, is particularly important in the film.
There are a number of scenes in the film that are characterized by close–up shots and majority of the
film is made up of close–up shots. In one scene that takes place at Sal's Pizzeria, the two characters
Mookie and Pino have an important conversation about racism and society. We learn through
Mookie about Pino's negative perspective on black people or as he calls "niggers." In this scene, the
camera keeps moving back and forth between the two of them as they converse, and we get an
insight into their personalities through their pensive conversation about race, society and
civilization.
The use of various camera techniques such as canted frames, low–angled, high–angled and close up
shots, as well as camera distance, enhances the struggle between the characters. The use of such
techniques not only allows the audience to get an extensive insight into the many different
characters, but also helps us understand the relationships between them and how all of these factors
contribute to the overarching theme of racism in the film. The use of these camera rapid movements

Walter White Character Analysis
In the famous television show 'Breaking Bad' the audience will see the main character, Walter
White's, evolve from a tedious, monotonous and weak–minded high school teacher who has to have
two jobs just to get by to a wild, bold, strong–minded methamphetamine manufacture. The event
causing up to Walter's strong character development was the discovery of Walter's illness. Film
techniques such as lighting, camera angles, hued colours and sound effects have been utilised to
convey the strong identity development of Walter.
At the beginning of the Pilot episode, Walter White is displayed as a very ordinary, typically,
mundane man who clearly views his life as boring, predictable and has little or no power at work or
home. This is shown through the camera angles, lighting, hue colours, sound effects and editing as
they display how repetitive and uninterested he feels about his life. This is evident in one of the first
scenes, where Walter is on a stair stepper working out. The director creatively used the dull, balm
sound of the stair stepper to secretly communicate to the viewers the repetitiveness of Walters life as
the diegetic sound effect is repeated over and over. Suddenly the scene cuts to Walter eating
breakfast with his family adding to the thought that he has a very ordinary mundane life. Though the
lighting is much brighter than the previous scene, there is still a blue hue which represents how
unhappy he feels about his life as if his facial expression weren't evident enough; especially when
Skyler (his wife) and Walter Jr. (his son) were fighting which appeared to be a recurring argument
shown by through both characters exaggerating the word 'again'. Through this scene, Walters wife is
clearly in charge, shown through the slightly high camera angle used on Walter when his wife tells
him to tell their son to eat his veggie bacon thus adding to Walters frail identity. [linking needs to be
added]
As the episode progress, Walter continuously hints that something is wrong which is communicated
through him continuous coughing throughout the episode adding to his frail identity as being sick
may be considered a sign of weakness. Film techniques such as camera angles, sound effects,
lighting and

Gattaca Film Techniques Essay
In the film, Gattaca, the director Andrew Niccol uses film techniques to show the significance of an
event. The society of Gattaca discriminates based on an individual's genetics. Vincent is the main
character of the film who is classified as an invalid due to his genetics, however, his brother Anton
is a genetically engineered valid. Vincent and Anton play a game of 'chicken' in the sea to see who
can swim further and who turns back first. In the first swimming scene Vincent loses, however the
second swimming scene is a big turning point for Vincent as he pushes himself to keep up with his
brother and ends up saving him from drowning. When Anton confronts Vincent about his identity in
Gattaca, it leads them to the final and most significant swimming scene. Andrew Niccol uses film
techniques such as camera angles and shots, lighting, and dialogue to emphasise why this is a
significant moment for Vincent. Andrew Niccol uses ... Show more content on Helpwriting.net ...
This swimming scene is set during the night with low lighting. This can be compared to the previous
swimming scenes where the colours were more warm or gold. Andrew Niccol used low lighting in
the shot of Vincent looking up at the dark night sky to show the viewers that there is nothing
between him and his dream. The purpose of low lighting is to emphasise the uncertainty and
seriousness of the race, which is no longer a game between two children. For Vincent, it is proving
to his brother that they are equal and is his final obstacle he faces before he leaves Earth. At the start
of the scene where they are standing side by side on the shore with the lighting behind them having
a red and green tint, however there is more green than red. This is to symbolise Vincent overcoming
the barriers of society as he has achieved a job only reversed for valid. This is similar to our society
where jobs that were reserved for men, are becoming more open to women each

The Film Blood Diamond By Edward Zwick
In the film Blood Diamond, the director Edward Zwick uses the opening and closing scenes to show
the socio–political effects of western consumerism in an underdeveloped society, in particular the
Conflict Diamond trade and its effects, he uses this to highlight the idea of the 'boy being the
diamond' within the film. Consumerism is seen to be the cause of death and destruction in the once
beautiful landscape of Africa with portrait shots of mountains and beautiful sunsets. In both scenes
the director uses camera shots, sounds and overall mis–en–scene/editing to create these
themes/ideas.
The socio–political thriller brings chaos and brutality to the forefront of what is a little known
conflict trade. While the movie is full with dynamic characters the real "star" that is brought to light
is the diamond, of which many audience members could be adorned in, making the realistic side of
the film more obvious. The movie aims in this way to leave to audience with the question "Is there
Blood on my hands?"
In the first scene Zwick uses camera angles and dialogue/sound to emotionally grab the viewers and
to shock/intrigue them. The scene opens with a fire lit match, showing a poor family, everything is
quiet and settled in their home front until a group of rebels storm their small village and take
Solomon captive. Against the background once portrayed as serene, a man has his hands amputated
and is subsequently killed by the rebels. The scene also contains cross cuts from the

La Jete Essay
La Jetée is a film that challenges audience's expectations and the conventions of filmmaking. The
film defines itself as "un photo–roman, or "a photo–novel." It creates a narrative using still images
along with music, sound effects, and voice–over narration. In this way, the film becomes a hybrid of
both literature and cinema. Its unique storytelling style build on each still image's poetic meaning
and lead viewers to reevaluate their perception of cinema and its relation to time and movement. It
is a testament to films being able to exist without movement.
La Jetée explores the illusions of reality and time as it relates to the story as well as the film medium
itself. Film does not record movement, but projects a series of still images to ... Show more content
on Helpwriting.net ...
It utilizes other elements to build a narrative and still be effective. La Jetée activates other senses
which leads an audience to pay attention to other characteristics of a scene. Its use of editing, sound,
music, as well as varying camera positions provide information as well as a poetic meaning that
goes beyond what can be experienced from a photograph (Kawin, 1982, 15). The use of dissolves
and quick cuts is one obvious tool. In the final scene of La Jetée, when the people of the future
transport the hero/narrator back to the jetty to meet his beloved, a transition from an image of the
hero's face is dissolved into an image of him in a crowd on the jetty in the past. The transition of the
sound and music are also involved. As the one image dissolves into the other, the music of the future
are dissolved away into the sounds of a clock tower and planes. From this simple use of visual and
audio edits, viewers are provided information which define and clarify the progression of the story
(Kawin, 1984–1985, 42). Specifically, it emphasizes the change in location and time. As the scene
progresses, the hero begins to run toward the woman. As this happens, the rhythm of cuts speeds up
to the point where it is one still per leg movement. These stills' durations almost reach the motion of
actual running, but before he can reach continuous movement, he is shot and

Analysis Of ' On The Waterfront '
"On the Waterfront" was photographed in such a captivating way. Boris Kaufman had a vision ahead
of his time. Many scenes in the movie are understood, not just through the script, but from the
cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of
conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the
rooftop at Joey's pigeon coup. This scene portrays the moment in which I believe was the catalyst
for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will
speak about is when "Kayo" Dugan is killed. When the preacher is giving his speech to all the
longshoremen. That speech was a testament of one man speaking out for what he knew was right.
The third scene that I will choose for this essay is where Terry walks to Friendly's dock office. After
the fight, Terry's march to work puts you on the edge of your seat. Each scene has depth that few
movies achieve. The first scene is the rooftop scene with Terry and Evie. The whole scene is shot
with natural light. Kaufman begins the scene with a long shot of the rooftop. Terry is waving a long
stick with a rag at the top of it to call back the pigeons to the coup. I believe Terry waving the
"white flag" was an implied surrender to Evie's love and the truth of what really happened to Joey.
Even though, Terry is still conflicted afterwards, this is his first step toward standing up to the
Friendly and his

Film Analysis Of 'What's Eating Gilbert Grape'
Set in a small town of Endora, "What's Eating Gilbert Grape" tells us a story of a young man Gilbert
Grape who have an abundant of responsibilities on his back. The story tells us the concerns of
Gilbert are his mother who is obese and cannot leave the house and his brother, Arnie who is
mentally disabled. Everything then changes for Gilbert when Becky arrived in Endora. Gilbert and
Becky then undertake on a romantic relationship. This film teaches the audience a deeper
understanding about life. The film highlights the fact that we have to always value what we have in
life like freedom and love. It also reminded us to recognise our responsibilities that we have in life.
The director Lasse Hallstrom uses various film techniques to connect us with Gilbert throughout the
film. Gilbert is overwhelmed with is responsibilities because of the unconditional love that he
provided for his family. Gilbert having to take care of his family like a father, he launches his mind
to only concentrate on his family and to look after them even though he has never felt joy for
himself. The only time when he truly felt uplifted is when Becky arrives in town and heals him with
her bright personality. This is shown by the close–up shot of Gilbert lying on the field with Becky
showing his bare face, this scene shows his emotions and thoughts on his life. The close–up shot of
Gilbert's face shows us that he truly felt at ease when he is absent from his responsibilities. Imagery
have been used to

Secondhand Lions Film Analysis
The director's use of film techniques showed significant changes through the characters in the film
'Secondhand Lions'.The big, significant events that changed the characters are when Hub said to
Walter that he will stay around to say his 'man speech', when Walter found out his mother was lying
and when Walter jumps out of the car. This was done through camera angles, storyline, music and
much more.
The first important event that started shaping Walter is when he finds out that his mother lied to him.
Mae said "I'm going to be working my tail off learning court reporting"; instead she dumps him off
at his two uncles' house and goes to Las Vegas. Walter finds this out by a phone call to The Fort
Worth College of Court Reporting. They say that his mother never enrolled. At the moment, the
director uses camera angles and music to display to the audience how Walter feels. He shows a close
up from above to show Walter is weak and he put sad, awful music to inform the audience how
Walter feels. However, this is not the case with Hub. ... Show more content on Helpwriting.net ...
Walter was worried that because Hub and Garth are always doing dangerous things such as flying
planes without a pilot license. He believes hey will not be around and will 'die' before Hub can give
Walter the man speech. "I will give you the everything a boy needs to know about being a man
speech". When Hub promised, the director used lighting and camera angles to show how happy
Walter was about that. The background was lit up show how happy the mood was and the camera
angles showed Hub and Walter as a happy family. This proved to the audience that Hub is now
acting as a true uncle towards Walter. Therefore, that is why Walter risked his life for him and

Analysis Of ' Run Lola Run And Street Art ' I Love You '
Tom Tykwer 1998 film, Run Lola Run and street art 'I love you' by Banksy both explore
distinctively visual elements though various film techniques and visual techniques. The two texts
aim to manipulate the way in which we explore and interpret the images we are exposed to in our
world. One main reason these pieces interrelate is because both texts utilise various techniques in
order to create distinctively visual elements which explores the basic aspects of life–love, time and
chance. Banksy's street art, 'I love you' expresses the notion that there is a time restraint on love, this
is similar to how Tykwer conveys the importance of time, chance and destiny and its impact on the
individual though his unique tripartite structure and film techniques. Both the film and street art
manipulate aspects of construction to create distinctively visual texts.
Composers manipulate their texts to represent their chosen ideas of love and its importance through
various visual and film techniques. Tom Tykwer portrays distinctively visual elements in the film
Run Lola Run, elements such as the importance of love and relationships. Both Twyker and Banksy
explore the complex nature of human love. Banksy's street art called 'I love you' depicts the words 'I
love you' in bright red block letters, with a timer on the letter U to symbolise the complexity of
human love. Twyker's portrayal of the colour red is closely linked to love, death, danger and
urgency. Red is essential to the film as it

The Little Prince By Kung Fu Panda 's Mark Osborne
It just is. French animation has had a natural talent to being beautiful. Looking at the works of
Sylvain Chomet & Paul Grimault as well as great films like Ernest & Celestine, Persepolis and Time
Masters. And whilst some have received high praise, commercial success and even an Oscar
nomination or two, one film has slipped off a lot of people 's radars – Mune, le Gardien de la Lune
or it 's English title – Mune: The Guardian of the Moon and although the film only came out in
2015, it didn 't get a release in the US or the UK and hasn 't really been talked about at all. The film
is directed by Benoît Philippon & Alexandre Heboyan and produced through Onyx Films who also
produced the critically acclaimed The Little Prince by Kung Fu Panda 's Mark Osborne. Mune has
garnered a lot of support through their production process, whether that was in their crew through
working with Nico Marlet as a character designer or being "backed creatively" by Disney Veteran
Glen Keane (although no details have been revealed as to Keane 's involvement in the production).
The visual style of Mune can be broken down into numerous points, but this article will only focus
on: Cinematography (Which is further broken down into camera movement, shot size and angle)
Lighting Composition Colour Very few films use all these elements to their full capacity and in a
dense medium – Mune stands out. Animation has little boundaries, a virtual camera is a blessing and
a half as it can be used to create

Analysis Of The Movie ' Rita Ha ' By Noah Baumbach
Chosen Clip: Clip 1 from Frances Ha (2012) Dir Noah Baumbach Directed by Noah Baumbach in
2012, Frances Ha follows young New Yorker Frances Halliday (Greta Gerwig) who, at age 27, is
living with her best friend Sophie (Mickey Summer) whilst in an attempt to get her life heading in a
succesful direction. The film examines and humanizes the importance of growing up in different
cultures, experiencing the highs and lows of a sacred friendship, the realities of early adulthood and
making sacrifices in order to get to where you need to be. The stand out aspect of cinematography
used in this scene and Frances Ha as a film throughout is the careful choice by Baumbach to shoot
digitally, but to edit the film as monochromic. Sam Levy (director of ... Show more content on
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Omtting colour and using natural lighting helps not only this scene but the entire story to develop as
it provokes more concentration from the viewer into this raw dialouge and acting. The classical style
of cinematography is used by Levy in shooting Frances Ha. The scene is shot with a steadycam –
evident through a smooth pan following Dan from the couch to the kitchen. For the majority of the
scene, the camera is fixed in one position on Frances and Dan through a mid shot as they are seated
on the couch. This shot size is framed around the subjects for a measure of distance (Bordwell and
Thompson, 2008). The pair are sitting very close together and the shot further outlines this by being
close to the subjects – without being labelled as close up shot. It is a tight frame, with a tight fix on
the subjects. This communicates to the audience that these two are a couple and they are very
comfortable with eachother and have been for a long time. The depth of field and focus range is
very slim. This is a result of the distance between the closet and farthest objects in the scene being
very small. Baumbach wants to focus soley on the characters in this scene as the position of the
frame is extremely neutral. The lens is level with the pair sitting down on the couch with no high or
low angles used. For Baumbach, it was not a case of symbolic cinematography, but instead to
provide a more a neutral perspective to develop the

Analysis Of The Movie ' The Night '
The third scene in this episode is in the hotel's restaurant area, where all of the characters gather to
have breakfast together. The lighting in this particular scene only focuses on the are where the main
characters will be at. For instance, the table they are going to sit at, and the buffet area, where Joey
and Chandler take some food for their breakfast. While Joey and Chandler walk to the buffet area,
the camera follow both of them, in other word, a dolly shot. Although the shot was fairly shaky, it
create the audience to think that the restaurant set is very big, when it isn't. While taking the food,
Chandler told Joey that he almost got married to Monica last night. This part made the audience to
think that Chandler is talking ... Show more content on Helpwriting.net ...
While the camera was panning, we could see at the right frame that Monica is actually looking at
them, then she talk to Phoebe about her getting married to Chandler. We could see clearly that the
director try to show what normal life would be, boys talk and girls talk. Seeking friends for advices
just like in a real life situation.
In the next scene, Chandler and Monica then decided to go to the casino, letting the dice decide
whether they will get married or not. While they are walking through the casino, the sound only
focuses on the characters, ambience sound is rarely heard, where in the background, we can see
people talking to one another, a waiter bringing drinks to the customers, and people playing the
machine. At one point, we can hear cash noises from the machine, but even that, the sound is very
small that the audience might not have catch it. When Monica throw the dice to the table, we could
hear the dice rolling on the table clearly, and the worker talking clearly. During this scene, the
director want the audience to focus on the characters movement, not the ambience. The lighting in
this scene is again flat, and they lit the light brighter to the area where the characters are going to be.
Comparing it with the real casino, this casino is the brightest casino we have ever seen. Later, when
they decided to go back to their room, Chandler and Monica was holding hand, still disagreeing that
they should get married. Suddenly,

The Blind Side Essay
The Blind Side
Identify the title, text type, composer and year of publication * 'The Blind Side' is a film composed
by John Lee Hancock (2009)
Identify the context in which your ORT has been set and they key ideas related to the concept of
belonging which are represented. * The blind Side was created based on the 2006 book 'The Blind
Side: Evolution of a game". The film was set in Memphis, in various environments such as A
Christian School, the Tuohy's household and other areas. This film explores the life of the main
character, Michael Oher, and his journey from a sense of dislocation and alienation from those
around him, to feeling acceptance and a sense of self identity towards himself. Aspects of belonging
explored in this ... Show more content on Helpwriting.net ...
* The long slow motion shot of Michael Oher introduces Michael to the story, with his town home
within the background of the shot. The effect of Flashbacks at the moment when Michael was
separated from his mother is to give a short insight as to what Michael Oher had experienced. * On
Michael's journey to the new Christian School that will eventually become a second home for
Michael there is a panning shot of Michael in the back seat of the car. Visually we can see that
Michael's body language is conveying a sense of shyness, worry and alienation, as if Michael was in
a completely different world. This shot also displays the new opportunity that is about to infold for
Michael– new place and new opportunity. * The close up shot of Michael observing the 'new world'
clearly conveys the curiosity and separation form the new town that surrounds him. * Dialogue–
"It's a brave kid". "For wanting to come here." "For wanting a quality education". "I can tell you
most young lads with his background wouldn't come within 200 miles of this place".
The teachers within the Christian School discuss Michaels want to start an education. The teachers
state that 'Most' young lads with his background...", would not be interested in aiming to achieve
something. The automatically judge Michael without knowing who

Inspector Li And Ah Jong
In John Woo's The Killer, Inspector Li and assassin Ah Jong form an intimate bond while navigating
Hong Kong and its colonial and criminal power structures (Tan 60). Both Li and Ah Jong struggle
within these organizations, and at the center of the intimacy between Li and Ah Jong is the
compassion and passion that Li witness in Ah Jong, despite his violent profession. Li has a sense of
justice but he lacks passion and compassion. Through Ah Jong, Li discovers how passion and
compassion allow him to resist the unjust system that he is a part of (Tan 60). This gives him a sense
of personal power despite the contradictions in his identity. Li's quest for identification reflects the
postcolonial need for a fluid identity in Hong Kong: in "The ... Show more content on
Helpwriting.net ...
When he is reprimanded for it, Li does not express remorse. Tan See Kam describes Hong Kong
during this chase scene as a "'metropolitan wilderness'" where "multicolored neon lights, street
lights, and the headlights of motor vehicles create and orgy of light–scape signifying the attractions,
promises, seduction, dangers, and ambivalences of the metropolis and modernity" (61). The public
display of violence by Li shows his role in the "danger and ambivalence" of modern Hong Kong by
causing violence when his job is to subvert it. At the police station when he is confronted with the
death of the woman, Li is angry. The camera tracks in from a medium, high angle shot of Li in a
chair across from internal affairs as he defends himself– he had been trying to catch the guy for
ages! Do they not see that his job is hard and important? When the camera stops tracking in and
tilting down from a long shot to a close up of Li's face, he asks, about the cop that the criminal
killed, "was his death in vain? Who can his family complain to?". He appears defeated and sits back
in his chair, and the shot becomes a medium close up. Li then offers to quit. He feels like the lives of
civilians are being placed above police officers, which makes him feel disempowered (Tam 61) by
the same forces he used to disempower the woman with a

Analysis of 'Raise the Red Lantern'
Yi–Mou Zhang 's Raise the Red Lantern, is a beautiful and brilliantly made film in its own right. If,
however, the team of Orson Welles and Greg Toland had produced the same film it would take on an
entirely different look and feel. The film would reflect Wells love for creating physical
representations of thematic metaphors and the long take and Toland 's brilliant use of deep space
photography and mobile framing. Under the direction of the Wells–Toland team, the film would take
on subtle, yet significant differences from the very beginning. In the opening scene, with Songolian
and her stepmother, the focus of the camera would still be a medium close up of Songolian; but, the
previously unseen mother would now be seen in the extreme ... Show more content on
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As the lanterns are being lit, the central chandelier above the bed would probably be shot from a
bird 's eye perspective as it was being lowered and then a floor shot as it was being raised. The
change in distance would make Songolian seem even smaller in the huge room, a tiny woman
surrounded buy countless, huge red lanterns signifying the family traditions. When the husband is
finally introduced into the film, the W–T team would shoot the husband as a faceless character, just
as Zhang had done. The technical difference, however would be that W–T, would use a
shot/reverse–shot sequence with the husband in order to better display the distance between himself
and Songolian. This would be a perfect opportunity for Toland 's mastery of the use of deep space.
Shooting close to the husband from below shoulder level toward Songolian would create a better
physical metaphor for the emotional distance between the two. Frequently in the film there are shots
of the inner court–areas of the houses of various wives, shown with the red lanterns burning against
the darkness of the night. Zhang, in his version, shoots these from a high angle and the camera is
fixed in the inner courtyard. W–T would shoot this as a tracking shot, moving from a high angle
shot of at least one of the dark inner courts and then pulling back to pan across the darkened
compound, then moving to another high angle shot of the court with the lit lanterns. There are
frequently points

Theme Of Bravery In IM Not Scared
The film Life is Beautiful directed by Roberto Benigni and Niccolò Ammaniti's film I'm not Scared
explore the theme of bravery of their protagonists in their comparatively dissimilar settings. The
1997 Italian film Life is Beautiful follows the life of a charming man who uses his humor to win
over the woman of his dreams and bravely save his family from the tragedy in Italy during the
Second World War. Also set in the late 1970s in rural southern Italy, the film I'm not Scared
encompasses imprisonment and the developing friendship of Michele and Filippo who is kidnapped
for ransom. Filippo is chained up and hungry when Michelle discovers him in a pit near an
abandoned house and he helps the boy out. Bravery is prominently explored in both texts through
dialogue, colour, and setting.
Benigni and Ammaniti present bravery through the dialogue presented by the protagonists Guido
and Michele. The dialogue that Guido speaks reveals plenty about his personality and nature and
gives the audience a firm understanding of his character. The beginning of the film presents a lot of
humor and the audience is introduced to a fairytale like story. Guido constantly uses his wit and
comedic nature to impress his lover Dora, and often on their encounters he enthusiastically exclaims
"Buongiorno Princess!" By referring to Dora as a princess illustrates that Guido believes she is
perfect and seeing as he repeatedly says this phrase also conveys his ability to appear when least
expected. Despite the transition in the film to a completely different setting and situation, dialogue
plays a key role in communicating to the audience Guido's ability to lift the hopes and provide
ongoing love and sacrifice for those around him. When Guido and son Joshua are separated from
Dora at the concentration camp they shout "Buongiorno Princess!" into the microphone. A reaction
shot is then used to show Dora's familiarity with these words and her understanding that her
husband and son are alive. The use of this common greeting is effective in this film because it
conveys that despite the sudden change of lifestyle for Guido and his family, Guido's personality
ensures his humor and devotion are expressed until the very end of the film which shows

North By Northwest Essay
The film North by Northwest was released in 1959 and is a suspenseful film, directed by Alfred
Hitchcock. The films protagonist is actor Cary Grant as Roger Thornhill. He plays New York City
ad executive pursued by ruthless spy Phillip Vandamm after Thornhill is mistaken for a government
agent. Hunted relentlessly by Vandamm's associates, the harried Thornhill ends up on a cross–
country journey.
In the opening scene Hitchcock uses the opening credits to create a scene of suspense and contrast.
He uses the crisscrossing lines in the opening credits and then turns this display into the side of a
building.
An establishing shot is used whenever a new scene occurs, Hitchcock applies an establishing shot to
provide indication to a scene. There ... Show more content on Helpwriting.net ...
This smoothness effect lets the scene cuts seem more natural which keeps the viewer engaged to the
story. North by Northwest is a film where the location of the key characters often changes
frequently. It is therefore important to incorporate the technique of 'establishing shots' to ensure the
viewers know what is taking place in the scene. The film North by Northwest uses a wide range of
camera techniques throughout the film in order to create a feeling of suspense and danger. The
establishing shots, close ups, medium shots, and shot–reverse–shots all play an significant role in
conveying suspense to the audience, while also creating continuousness as well as adding a
believable element.
Hitchcock avoids the killing scene cliché by placing Roger Thornhill in the middle of nowhere
rather than a cliché, for example, placing him in a dark street, with only the light from the street
lamp, the killer then comes from behind, emerges from the darkness and kills him. Instead
Hitchcock places Roger Thornhill in the uncommon position to most suspense films, a crop field.
This creates questions from the viewers, what's going to happen

Harrison Bergeron And 2081 Comparison
The film 2081 directed by Chandler Tuttle is an adaptation of the short story 'Harrison Bergeron' by
Kurt Vonnegut Jr. which looks into a dystopian society where everyone is finally equal. Vonnegut
wanted to show us how absurd the world will become when everyone is equal and Tuttle has
conveyed that perfectly in his adaptation. The story is told from George Bergeron's perspective as he
watches his son Harrison perform his act of rebellion and his own requiem. Tuttle uses Harrison to
criticise how absurd perfect equality is and uses George to show how the media can control our lives
and dictate how we view of our society.
Tuttle uses various film techniques to emphasise character emotion and their view about the society
they are in. In the ... Show more content on Helpwriting.net ...
In the film, all of the main events are being broadcast on television. George also saw his son shot
death and even the face of the killer, but George forgot all of these in a matter of seconds. Even
though he is wearing the headphones, the emotions and impact of someone close to you get kill is
not something you can forget with just some noises. He could not tell Hazel what was sad on the
television and got on with his life to get another beer. This idea of our propensity to forget things
that are irrelevant or sad for us are common at the present time. When we tune into news either from
television or other media platforms, we are presented to the crisis around the world and how
horrible they are but the day after you wouldn't even remember half of the crisis around the world
nor thought of how relevant it is to you. Media is designed to tell the public what to think about the
current issues around the world. They can give us the full story or hide some facts from us to
persuade us to the way they want the mass to think about their stories. As much as the irrelevant
news that people forget in between commercials, people usually forgot someone who passed away
after a while and carry on with their life. It is in human nature that we want only happiness but
sometimes sadness is important to our way of life. As Vonnegut wants to convey how absurd true
equality is, Tuttle has reinforced that and also criticise our propensity to forget and sway by the
media. Everyone has done it once. As the saying "history repeats

Breaking Bad Analysis Essay : Breaking Stupid
Breaking Bad Analysis Essay A man wearing nothing but his underwear and a gas mask swerving
his RV down the sandy highway of the New Mexico desert. In the RV , there is a Teenager with a
gas mask passed out in the front seat and two men dead on the floor of the RV. The RV has crashed
into the ditch and the driver who is wearing a gas mask,Walter White, climbs out gasps for air. He
put on a shirt that was hanging from the side of the window and ran back into the RV to grab a video
camera, wallet and a gun. He then records a video message to his family saying that he loves them
and saying goodbye. meanwhile ,he heard the sirens approaching so placed the video camera and
wallet down side by side and walks into the road with a gun in hand. Through the camera angles ,
changing of behavior and family interactions Walter White, who is diagnose with cancer, changes
from a healthy dad and husband to a dangerous meth cooker. In the Breaking Bad episode Pilot,
there is lots of scenes with different camera angles. The camera angle shows the specific location
where the camera is set to take the shot. Camera angles can also show the mood of the scene or the
characters' point of view. The main shot that is use in many scenes are the low angle and the high
angle. Of course , there are other angles too, like the extreme long shot, long shot, medium shot,
close up shot and the extreme close up shot. Each of those individual angle has a different mood, it
describes the mood and

Wes Anderson : A Creative And Unique Filmmaker
Wes Anderson is widely known as a creative and unique filmmaker, who focuses his distinctive
style mostly on narratives and symmetry. Anderson has made a name for himself through several
films that depict unusual, yet comical characters, and also connect with the audience through visual
aspects. As a young director, Anderson began his amateur career with his debut film Bottle Rocket,
and quickly rose to fame by winning several awards, including an AFI Award for Movie of the Year
for his 2012 film, Moonrise Kingdom. This particular film expresses Anderson's quirky style by
following the love story of two rebellious teenagers who run away together following their parents'
disapproval, causing the whole town to go out and search for them. ... Show more content on
Helpwriting.net ...
This can be known as an establishing shot, which shows the viewers where the next few events or
scenes will take place. Establishing shots are often used at the beginning of scenes, to give the
viewer an idea of what kind of setting the following action will occur in. The next scene shows the
interior of the house, taking the audience on a tour by panning from room to room. In order to do
this steadily, a dolly is used so that the vertical movement is kept at a minimum, and the camera can
move horizontally instead. A dolly shot consists of a camera set up on a wheeled cart traveling on a
specific track to create smooth movements. In the film, the dolly shot prompts the audience to feel
as though they are inside the house as well, experiencing a slight dollhouse perception. As the dolly
moves throughout, it stops at several rooms showing the objects and the blocking of characters in
them. By the last room scene, the dolly pauses and zooms in to a close up of Suzy reading a book.
After a few seconds, Suzy is seen opening the window curtain. The camera then switches views
from the interior of the house to the exterior, with Suzy looking out of the window with her
imperative binoculars. The camera then zooms out at a relatively fast pace into an extreme long shot
of the house on the water. This shot mirrors the opening scene of the house painting, while
maintaining Suzy directly in the middle of the shot, creating the aspect of symmetry. The extreme
long shot, also called

Essay about The Sixth Sense by Manoj Night Shyamalan
The Sixth Sense by Manoj Night Shyamalan Through close analysis of the restaurant scene and the
scene where Dr Crowe is in the hose with both Cole and his mother, discuss the techniques used to
make the audience believe that Dr Crowe is alive. The Sixth Sense made in 1999, a suspense drama
thriller directed by Manoj Night Shyamalan. Dr Malcom Crowe (Bruce Willis) is a child
psychologist, one night he and his wife were celebrating his award, for his "recognition of
outstanding achievement in the field of child psychology", was visited by Vincent Grey an ex–
patient. Before Grey committed suicide, he shot Dr Crowe. A year passes and he is signed on to a
boy called Cole Sear played by Haley ... Show more content on Helpwriting.net ...
This technique is a good one to show that Dr Crowe is alive when he is not. Then she lifts her head
up but we cannot see her face, she then moves it despondently to the side, this makes the audience
think– is she ignoring him for being late? After this shot, he says "I thought the other Italian
restaurant I asked you to marry me in" then tilts his head quizzically to the side trying to gauge her
expression. She does not respond. The audience are, wondering why she isn't responding to him.
The shot is still an over the shoulder shot, Dr Crowe sits down mouthing the work "ok". This
illustrates to the audience that he has accepted her being in a mood. They can see that Dr Crowe is
still upset about Anna not replying. Then Dr Crowe tries again "I'm sorry I just don't seem to be able
to keep track of time" He is tired "and I didn't have a very good session today. I" he sighs "they're
both similar, same mannerisms, same expressions ect. ect". This shot is an interview shot because
the audience cannot see the reactions from Anna, so the camera stays on Dr Crowe, who changes the
subject so he can get a reply from Anna about his day. Dr Crowe then shakes his head and leans
back "I think it might be some kind of

Country Music Video Analysis
When thinking of a country music video, what comes to mind? Most would think of an old dirt road,
beer, trucks, and girls. That's not what a country music video is about, it's about showing what the
song is trying to say, through a video. A music video shouldn't be about how good or bad the song
is; you shouldn't even hear the song when you watch the video. It should be about helping to tell and
show the story, the way the artist wants the viewer to see it. A great country music video consists of
three things: a narrative, visual effects, and the camera and lightening of it. Sturgill Simpson's music
video of "Brace for Impact" is not a typical country music video, but it is a country music video. It
is an extraordinary and effective video, ... Show more content on Helpwriting.net ...
There are different types of camera angles used throughout Simpsons video. In a video there are
three camera angles that are used to add different effects to it (Davis). When Sturgill is singing and
it shows him from eye level it's creating a drama filled effect. Then when it shows him from a high
angle it's creating a weaker effect. It also shows him from a low angle which creates a dominating,
strong effect. The lighting of "Brace for Impact" is dark. The lighting of video's can modify, or alter,
the mood of it (Davis). Simpson is shown playing and singing in a concealed room, with little light,
meaning he wants the mood of the video to be gloomy and tragic. The camera angle and lighting of
"Brace for Impact" help to set the mood and effects, of what Simpson wants you to feel, when
watching this music

They Lived Movie Analysis
In the movie, They Lived, massive amounts of stylistic elements are used in the film. The film starts
off with some music that gives the viewer this western feel, almost as if this person is a traveler or is
on the move from town to town. The entire intro, this man is walking with a camera pointed into the
direction he is either walking or where he just came from. The film uses color for what is seen by
the naked eye. When the main character puts on the glasses, everything turns black and white letting
the viewer know that they are on without physically showing the character putting them on. The
tone of the film seems serious. The character sees none of his actions a joking matter. For example,
the character is confronted by the "police", as

Charlie Chaplin The Gold Rush Analysis
Sent from my iPhone
Begin forwarded message:
From: sherrelle lewis
Date: July 14, 2017 at 8:29:59 PM CDT
To: Sherrelle Lewis
Subject: chap
Reply–To: sherrelle lewis
Charlie Chaplin The Gold Rush , is a silent comedic film about going after the American dream and
the hardships one must endure while trying to survive against all odds. As usual Chaplin plays his
famous character , the tramp , a dim–witted under dog. He is a lone prospector who falls in love
with a dance hall girl. Chaplin effectively used mise–en–scene for cinematic communication in
server scenes in this film. In this film, viewers see hardship through the perspective of disillusion
and starved gold hunters that travel to Alaska in search of riches . Chaplin's effectively uses mise–
en–scene with using the right mixture actors/actresses, background sets, costumes, camera angles,
and editing styles.
When the lights fade at the theatre , the title of the film shows up on the screen. The font uses bold
characters which are outlined or shadowed to create a 3–d effect. This can be compared how
Chaplin's character lived in his whole world that was sometimes fantasy. Editing techniques such as
credits texts fading in and out , and the color and umbre of text were constantly being used in this
film. Creating smaller film dimesions then the screen it been shown on and filling it with black
background made the credits test stand out . Using an establishing shot Chaplin delivered his
prologue of an iris–in

Film Analysis Of Don Lockwood's'singin 'In The Rain'
"If you've seen one, you've seen them all," remarks Kathy Selden about movies after first meeting
silent film star Don Lockwood in the beginning of Singin' in the Rain (Singin' in the Rain 17:38).
While Kathy was slightly off base when saying that all movies are the same, movies belonging to
the same genre often do share certain conventions which author Bernard F. Dick discusses in his
book Anatomy of Film and Tim Dirks confirms in his assessment of the genre for the American
Movie Classics Company. What do one of the best musicals ever made and the newest musical to
receive raving reviews have in common? With 64 years separating Singin' in the Rain (1952) and La
La Land (2016), the advancements in film technology are apparent, but the ... Show more content on
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In Singin' in the Rain, one of the best examples of the plot motivating a song or dance happens a
little over halfway through the movie. Don, Kathy, and Cosmo have just returned from the test
premiere of Don's newest movie and first talkie. The audience hated the movie, and Don now feels
like his career is over. While Kathy and Cosmo try to cheer him up, they come up with the idea of
turning his movie into a musical. As they celebrate this new idea, they realize it is past midnight
which brings about "Good Morning." 1:01:00 This number gives the characters a physical and
verbal way of showing their glee concerning the idea of turning the movie into a musical. When
speaking specifically about Singin' in the Rain, Dick says, "The other musical numbers in the film
also advance the plot and are not merely occasions for an actor to break into a song or dance" (Dick
123). "Good Morning," like the other numbers in Singin' in the Rain, advances continues to drive
the plot. Likewise, in La La Land as Dom walks Mia to find her car after they meet at a party, Dom
begins singing about what a lovely night it is which evolves into a full on song and dance. 33:20
The dance comes to a close as the pair comes face to face, and Mia's cellphone ringing breaks the
moment. These numbers, like other numbers in integrated musicals, can make a normal part of the
plot more exciting and memorable to the audience by showing how the characters are

Scene Analysis: Tris
Close up shot of Erick looking down to Tris, this shows that Tris is in vulnerable state when Erik is
around without Four. High angle shot of Erick on a stand above all the recruits, the use of the
dialogue 'four lines' shows the authority he has over the character Four as he is absent in this scene.
The use of his name in a different context shows the betrayal, control and corruption he has. The
crane shot after this shot shows that the recruits are like ants to Erick, vulnerable and get trapped
easily. Over the shoulder shot and point of view shots show us the panic that has arisen within Tris
in this particular scene. This is coupled by diegetic sounds to show us the vulnerability and
intimidation she is faced around Erick. Mid shot ... Show more content on Helpwriting.net ...
They are under control and manipulation the same way the the music and sound is. The music
becomes heavier, louder and more instruments with a bass are played to reinforce the scene that is
unfolding. There is a panning shot of the recruits sitting on the edge of there beds doing the same
actions and mirroring each other. During this scene they are in all darkness, there is dull lighting and
a high pitched ringing however, Tris is shown in brighter lighting and is only just getting out of bed.
The use of lighting reflects the mindset of the recruits who are being controlled and the recruits who
are divergent. This demonstrates how they are unique in their own way and offer something
different to the world as they are able to over power the transmissions being sent out through the
'tracking device'. The predominant colours within this scene are blacks, dark greens and yellow. This
resembles the colour of a robot or someone who is under control. The yellow tone represents the
serum that they are injected with (tracking device) the blacks represent the darkness of the Erick's
and Abnegations' mind sets. However, the dark green represents Tris and Four as it is a colour of
compassion and

Essay Analysis of the Gladiator Trailer
Analysis of the Gladiator Trailer
Trailers are important to films for a number of reasons. They promote a film and present it to the
target audience, in order to encourage them to watch the film. Trailers also give the audience
expectations of the film. The audience like to know what to expect of a film before they go and see
it. The audience is given a taste of the story and the basic plot. This is done by showing an array of
clips that are edited to a certain degree. The trailer normally ends with a 'cliff–hanger'. This is a term
used to explain when an audience is not told the ending of a story. This makes them wonder in
suspense as to what the possible endings could be, therefore drawing them ... Show more content on
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I am looking at the camera shots/angles, colours, lighting, sound, plot, target audience and genre.
The film Gladiator is an epic, action, war film with some romance and a lot of history. The opens
image is of the 'universal' logo, an instantly recognisable big name. This is where the film was
made. The following image is of the 'DreamWorks' logo. This is a Steven Spielberg company with a
credible reputation. This is a distribution company. A dramatic drumbeat is heard at the start of the
opening image which tells us instantly the genre of the film, an epic war film. This is because a
heavy drumbeat is a reminiscent of battle.
The first actual shot of the trailer is of the words 'THE GENERAL' is then shown in bold whit
capital letters. I t stands out upon the black background. The words move back and eventually fade
into the background. At the beginning of this shot the music builds up, trumpets now accompany the
drums. This gives out a sense of defiance and strength. The audience associates this with war and
battle. This next shot is a mid shot of a man walking boldly with his head up high. He is walking
through lines of soldiers in big strides. He is also dressed in armour, so we assume he is the general.
The general has a stern, solemn expression he seems secure and confident. The lighting is bright but
creates the sense of an austere atmosphere and a

Laid In America Film Analysis
Movies have a lot of work put into them in which us the audience tend to not really pay attention to.
In the movie Laid in America (2016) directed by Peter Vass uses editing, Cinematography, and
sound to grab its audience so that they can enjoy the film. These elements in film are combined to
portray two of the characters Olajide Olatunji's character (Duncan) and Casper Lee's character
(Jack) in which their dilemma starts off by them coming to America as foreign exchange students in
which their ultimate goal would be for them to get laid before they return back to the U.K. While
this is there mission they run into a bit of trouble when they use an app to get girls and find
themselves getting kidnapped for faking that they have money in order ... Show more content on
Helpwriting.net ...
Even the little things that people tend to ignore can make the major difference in a film. Editing
which combines all the shots together in which it takes various cuts to get to the final product, then
cinematography which gives us the views of the moving images in the film whether it being
characters or any important point of view that they are trying to show. Lastly sound which helps the
film feel more real and grab its audience with background music if they have any, to follow it would
also show its mood to introduce the characters or set the pace of the film or perhaps link scenes and
set the time and place. All of these elements weren't as in depth in the past as they are now, which
indeed has transformed the way we see movies

Do The Right Thing Is A Beautifully Intense Film Directed...
Do the Right Thing is a beautifully intense film directed by the talented Spike Lee, which revolves
around the very diverse community of the Bedford–Stuyvesant district of Brooklyn on a hot summer
Sunday. Throughout the entire film, characters are faced with obstacles and injustices that bring up
the grand question of what the "right thing" even is. One scene in particular sums up the whole
premise of the film into a concise and poetic speech spoken by the one and only Radio Raheem.
This scene is imperative to have in the film as well as for the viewers. Without this scene, the film
itself would not have the same impact and possibly the same message it has already given all of its
spectators. Radio Raheem is definitely an interesting character to say the least, just like many of the
characters in this film; they individually embody an aspect of the microcosm they reside in. Some
characters can be as apparent as "Buggin' Out". Not only is his name a term for losing control, but
the character himself seems to cause trouble whenever he see's a social injustice [no matter right or
wrong on the subject]. Some can be more intricate like working man Mookie who lazes away day
by day just waiting for his money at the end of it all. Although he is a man of the streets, a man that
viewers like myself have grown fond of towards the films progression, Mookie is still a working–
class man in this society, nothing more, and nothing less. As for Radio Raheem, he is a walking
contradiction

Film Analysis : ' The Film '
Spatial Horror
A movie is a series of images shown very rapidly one after another. Each frame is just a flat two–
dimensional image, yet with certain formal elements directors can create a sense of a three–
dimensional space. Some techniques utilized by filmmakers are the same as those painters' use;
things such as lighting, color, contrast, and shadows. Yet when the painting starts to move a whole
new world of spatial elements open up, giving a filmmaker many ways to bring a two–dimensional
image to life. The space created by such elements can be used to make the audience feel a certain
way about a scene or movie as a whole. In the Swedish horror film Let the Right One In there are
three scenes in which the vampire Eli murders people. The director Tomas Alfredson uses space
differently in each of these scenes, evoking different emotions in the audience each time and
escalating the horror sequentially as the film progresses. In the first, the audience is shown
everything; Alfredson uses a single take and a motionless camera in a wide angle to show the entire
attack. Secondly, the audience is taken around a small dimly lit house and is subjected to a jump
scare when Eli attacks her victim (I will be referring to Eli as "her" despite the fact that her gender is
left ambiguous). In the final murder scene, almost the entirety of the horror is done in an off–screen
space. In Let the Right One In the use of varying camera angles, sounds, lighting, and editing
establish space in each

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