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Question 7:

Looking back at your preliminary task,
 what do you feel you have learned in
  the progression from it to the full
              product?
Preliminary task
• When we started in September we were promptly put into
  groups and given the preliminary task- to capture short
  footage of a character entering a room, having a conversation,
  then leaving. In the process of the task I learnt the importance
  of the 180 degree rule and continuity as well as using shot
  reverse shot in order to film a conversation with its reactions
  without breaking the 180 rule. The process began with
  planning by story boarding and creating a shot list, then going
  on to get the required props and camera equipment and we
  went out filming. Prior to the task we had some time getting
  used to the cameras and taking practising shots which helped
  me as previously had little experience with cameras.
180 degree rule:

                   When the camera
                   stays on one side
                   of the mise en
                   scene because if
                   the camera
                   crosses over the
                   imaginary line it
                   could confuse the
                   audience i.e.
                   tennis/football
                   match.
Planning
• From the preliminary task we learnt how to more effectively plan a
  production, even though this one was much bigger. We began by
  brainstorming ideas as a group and then coming up with individual
  storyboards and shot list which we combined in order to get one
  refined group idea. We then took inspiration from aspects of our
  research and attempted to pay respect to that in "Of The Night” by
  using inter textual references. We had a clear idea/theme in mind
  and from then on were able to make informed decisions effectively
  over our use of lighting (ambient, non ambient, noir, chiaroscuro),
  sound (sound bridge, non diegetic, diegetic), costumes, and actors. I
  disliked using story boards however preferred using shot lists which
  can be easily adapted to and do not require great drawing skills to
  describe what you want to portray in mise en scene. The shot lists
  came in very handy and mean that we could structure our shoots to
  make the most of the tight deadlines and unavailability of actors.
Shooting
• We had a very big problem when shooting with actors being unavailable
  which meant that after we had shot half, with tight deadlines and same
  actors unavailable we had to re-shoot for continuity reasons. However
  from this I have learnt not to rely on availability of actor/external forces to
  effect the film and found a way around the problem by playing the villain
  myself in the end by wearing the same coat and not showing my face. This
  solution not only solved our shooting issue but meant we were able to
  complete and edit our film before the deadline. Another problem we
  encountered was cars on the shoot location meant that filming kept
  having to be paused to avoid traffic although we solved his by filming later
  on when shots close which fits more with the title “Of The Night”. In order
  to keep continuity I learnt from the preliminary that the location, costume
  and lighting etc. were all identical to how they were on the last shoot.
  Without continuity the film would lack realism and look unprofessional
  not to mention confuse the audience.
Editing

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Question 7.

  • 1. Question 7: Looking back at your preliminary task, what do you feel you have learned in the progression from it to the full product?
  • 2. Preliminary task • When we started in September we were promptly put into groups and given the preliminary task- to capture short footage of a character entering a room, having a conversation, then leaving. In the process of the task I learnt the importance of the 180 degree rule and continuity as well as using shot reverse shot in order to film a conversation with its reactions without breaking the 180 rule. The process began with planning by story boarding and creating a shot list, then going on to get the required props and camera equipment and we went out filming. Prior to the task we had some time getting used to the cameras and taking practising shots which helped me as previously had little experience with cameras.
  • 3. 180 degree rule: When the camera stays on one side of the mise en scene because if the camera crosses over the imaginary line it could confuse the audience i.e. tennis/football match.
  • 4. Planning • From the preliminary task we learnt how to more effectively plan a production, even though this one was much bigger. We began by brainstorming ideas as a group and then coming up with individual storyboards and shot list which we combined in order to get one refined group idea. We then took inspiration from aspects of our research and attempted to pay respect to that in "Of The Night” by using inter textual references. We had a clear idea/theme in mind and from then on were able to make informed decisions effectively over our use of lighting (ambient, non ambient, noir, chiaroscuro), sound (sound bridge, non diegetic, diegetic), costumes, and actors. I disliked using story boards however preferred using shot lists which can be easily adapted to and do not require great drawing skills to describe what you want to portray in mise en scene. The shot lists came in very handy and mean that we could structure our shoots to make the most of the tight deadlines and unavailability of actors.
  • 5. Shooting • We had a very big problem when shooting with actors being unavailable which meant that after we had shot half, with tight deadlines and same actors unavailable we had to re-shoot for continuity reasons. However from this I have learnt not to rely on availability of actor/external forces to effect the film and found a way around the problem by playing the villain myself in the end by wearing the same coat and not showing my face. This solution not only solved our shooting issue but meant we were able to complete and edit our film before the deadline. Another problem we encountered was cars on the shoot location meant that filming kept having to be paused to avoid traffic although we solved his by filming later on when shots close which fits more with the title “Of The Night”. In order to keep continuity I learnt from the preliminary that the location, costume and lighting etc. were all identical to how they were on the last shoot. Without continuity the film would lack realism and look unprofessional not to mention confuse the audience.