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By using rule of third, the shot will be in a church. The blue is 
the hand which is out of focus. The coin will be thrown into 
main focus of the shot and shown in slow motion falling. 
Leading lines which show the women 
walking away. The camera will start at 
the back of the shoes and will stay low to 
the ground as she walks forward. 
The shot is taken from behind with a main 
focus on the backs of the people however 
the shot is focused slightly to the left. The 
female is closely seated with her feet up 
so her emotions can be seen from this 
angle. 
Close-up/mid-shot of the couple 
to show body language. I.e. as 
they are dancing together they 
appear in love and intimate. 
Headroom 
Wide-shot, focus pull on the 
female character. Deep focus 
shows her on the phone also 
tracking may follow her out of the 
room to the positioning on the 
rule of third. 
Focus pull as a long-shot so can 
still see other people dancing 
in the background. Both main 
characters placed on the rule 
of third. 
The rule of third is used mainly on the 
male because it shows how he is most 
affected in this scene. It creates tension 
as he is angry at Emma for leaving. The 
road is used as a leading line down the 
road signifying how they may take 
different paths. 
A light focus is put on the male character, 
showing how the female is walking away 
in the distance. The shot type is a wide-mid 
shot which creates tension because 
they appear so far apart. 
Close-mid shot to show how the male 
has his hands on his face and is gutted 
because Emma has left him and their 
relationship is over. He is placed 
accurately on the rule of third. 
Wide-shot using shallow focus to show 
the mess in her room. The character is 
not so much of a main focus it is the 
state of her room and how she is 
alone. Panning may be used to show 
the state of the room.
The long/wide shot is used from a high 
angle to see how James is fitting back 
into his bachelor lifestyle. Zoom may 
be used to show James and how he is 
fitting in. Placed on the bottom of the 
rule of third. 
The shot will be filmed from an angle from 
the left mainly focused on a long shot of the 
lift from a low angle showing how Emma is 
leaving. It may cut to a mid-shot during a 
scene of dialogue between Emma and 
another lady. Also a focus pull. 
The yellow shape shows where the camera 
would be positioned in order to film the 
shot. As if from the perspective of those at 
the table. It shows Emma in a professional 
environment and creates an atmosphere of 
success. 
Wide-shot showing the scene 
which will cut to an over the 
shoulder shot as she places the 
drink down onto James’s desk. 
Composition shows James and Emma in a bar 
and in a home. The shots will be wide shots. 
In Emma’s shot the camera will pan from the 
left onto Emma to show how she is relaxed in 
contrast to James’s environment where a 
handheld camera will be used moving from a 
wide shot to tracking James reflecting how he 
is drunk and disorderly. 
Mid-shot showing James 
near the toilet. High angle 
shot showing Emma is bed. 
Placed on the rule of third. Camera 
positioned slightly from the right to 
see the females’ facial expressions in 
the mid-close up as the male 
character kisses her forehead. 
Point of view shot/eyeline match for the 
first time James ever see’s Emma. The 
composition of the shot shows Emma 
slightly to the left of the shot and shows 
how he has noticed her and immediately 
has feelings towards her signifying the 
romance of how they first met. 
Tracking from a slight angle at the side 
following the couple out of the building. 
Only the door of the building is mainly 
seen as it closely follows the movement 
and laughter of the two characters. 
Deep focus on the wine 
glasses suggesting a 
relaxed, intimate 
atmosphere. 
The coin is followed using pan as it falls 
on to the door step. The door step is to 
the right of the shot giving a sense of 
where the coin is going too. I.e. that the 
door step is of someone significant. 
Focus onto the hand which 
blurs the background out. The 
background is the person 
whom was in the house having 
picked up the coin.

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Storyboard

  • 1. By using rule of third, the shot will be in a church. The blue is the hand which is out of focus. The coin will be thrown into main focus of the shot and shown in slow motion falling. Leading lines which show the women walking away. The camera will start at the back of the shoes and will stay low to the ground as she walks forward. The shot is taken from behind with a main focus on the backs of the people however the shot is focused slightly to the left. The female is closely seated with her feet up so her emotions can be seen from this angle. Close-up/mid-shot of the couple to show body language. I.e. as they are dancing together they appear in love and intimate. Headroom Wide-shot, focus pull on the female character. Deep focus shows her on the phone also tracking may follow her out of the room to the positioning on the rule of third. Focus pull as a long-shot so can still see other people dancing in the background. Both main characters placed on the rule of third. The rule of third is used mainly on the male because it shows how he is most affected in this scene. It creates tension as he is angry at Emma for leaving. The road is used as a leading line down the road signifying how they may take different paths. A light focus is put on the male character, showing how the female is walking away in the distance. The shot type is a wide-mid shot which creates tension because they appear so far apart. Close-mid shot to show how the male has his hands on his face and is gutted because Emma has left him and their relationship is over. He is placed accurately on the rule of third. Wide-shot using shallow focus to show the mess in her room. The character is not so much of a main focus it is the state of her room and how she is alone. Panning may be used to show the state of the room.
  • 2. The long/wide shot is used from a high angle to see how James is fitting back into his bachelor lifestyle. Zoom may be used to show James and how he is fitting in. Placed on the bottom of the rule of third. The shot will be filmed from an angle from the left mainly focused on a long shot of the lift from a low angle showing how Emma is leaving. It may cut to a mid-shot during a scene of dialogue between Emma and another lady. Also a focus pull. The yellow shape shows where the camera would be positioned in order to film the shot. As if from the perspective of those at the table. It shows Emma in a professional environment and creates an atmosphere of success. Wide-shot showing the scene which will cut to an over the shoulder shot as she places the drink down onto James’s desk. Composition shows James and Emma in a bar and in a home. The shots will be wide shots. In Emma’s shot the camera will pan from the left onto Emma to show how she is relaxed in contrast to James’s environment where a handheld camera will be used moving from a wide shot to tracking James reflecting how he is drunk and disorderly. Mid-shot showing James near the toilet. High angle shot showing Emma is bed. Placed on the rule of third. Camera positioned slightly from the right to see the females’ facial expressions in the mid-close up as the male character kisses her forehead. Point of view shot/eyeline match for the first time James ever see’s Emma. The composition of the shot shows Emma slightly to the left of the shot and shows how he has noticed her and immediately has feelings towards her signifying the romance of how they first met. Tracking from a slight angle at the side following the couple out of the building. Only the door of the building is mainly seen as it closely follows the movement and laughter of the two characters. Deep focus on the wine glasses suggesting a relaxed, intimate atmosphere. The coin is followed using pan as it falls on to the door step. The door step is to the right of the shot giving a sense of where the coin is going too. I.e. that the door step is of someone significant. Focus onto the hand which blurs the background out. The background is the person whom was in the house having picked up the coin.