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THEORETICAL EVOLUTIONOF
PRODUCTIONS / AUDIENCE
EVALUATION
AudienceTheory
■ Uses of gratification theory:
■ Blumler and Katz 1959
■ Entertainment and diversion = escape
■ Personal companion = media is a friend, caring about the star or cast.
■ Personal identity = how do I fit in?
■ Surveillance = finding out what is happening in the world.
■ Music videos should be entertaining not challenging to watch, branding is engaging
and fits the genre.
CultivationTheory:
■ Gerbner and Gross 1975
■ Audience consume media and gradually develop views about the world, some of
which are false.
■ Impacts on the audiences understanding of representation – gender, sexuality, young
people and ethnic groups.
■ Stereotypes influence interpretation through media.The music video “smack your
bitch up” challenges the way of consumption.
Reception Analysis:
■ Hall 1980
■ Audiences make sense of media texts according to their social position.
Eg.
– Gender,
– age,
– class,
– ethnic background.
Copycat or ModellingTheory
■ Copycat or ModellingTheory:
■ Coleman 2004
■ Audiences are influenced by the media texts they consume.
■ More of an assumption used by journalists to explain an individuals negative behavior.
Negative attributes -
LongTailTheory:
■ Anderson 2006
■ This theory describes how the internet has influenced audiences consumption.
■ Since broadband was introduced in 2004, these impacts have been most prominent. –
the volume of state size of audience has fallen as niche audiences re now easy to
market too.
■ The niche audiences are no longer economically unviable.After 2004 niche audiences
became significant.
Audience & Data
■ Understanding and constructing your audience:
– Surveys are a beneficial way to understanding your target audience.
■ Qualative data – psychographic information.
■ Quantative data – demographic information.

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Theory and audience

  • 2. AudienceTheory ■ Uses of gratification theory: ■ Blumler and Katz 1959 ■ Entertainment and diversion = escape ■ Personal companion = media is a friend, caring about the star or cast. ■ Personal identity = how do I fit in? ■ Surveillance = finding out what is happening in the world. ■ Music videos should be entertaining not challenging to watch, branding is engaging and fits the genre.
  • 3. CultivationTheory: ■ Gerbner and Gross 1975 ■ Audience consume media and gradually develop views about the world, some of which are false. ■ Impacts on the audiences understanding of representation – gender, sexuality, young people and ethnic groups. ■ Stereotypes influence interpretation through media.The music video “smack your bitch up” challenges the way of consumption.
  • 4. Reception Analysis: ■ Hall 1980 ■ Audiences make sense of media texts according to their social position. Eg. – Gender, – age, – class, – ethnic background.
  • 5. Copycat or ModellingTheory ■ Copycat or ModellingTheory: ■ Coleman 2004 ■ Audiences are influenced by the media texts they consume. ■ More of an assumption used by journalists to explain an individuals negative behavior.
  • 6. Negative attributes - LongTailTheory: ■ Anderson 2006 ■ This theory describes how the internet has influenced audiences consumption. ■ Since broadband was introduced in 2004, these impacts have been most prominent. – the volume of state size of audience has fallen as niche audiences re now easy to market too. ■ The niche audiences are no longer economically unviable.After 2004 niche audiences became significant.
  • 7. Audience & Data ■ Understanding and constructing your audience: – Surveys are a beneficial way to understanding your target audience. ■ Qualative data – psychographic information. ■ Quantative data – demographic information.