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Collective
Identity
What is it?
How does the media influence it?
Learning Objectives:
ā€¢ Gain an overview of the exam.
ā€¢ Begin to understand what youth collective
identity means.
The exam ā€“ G325
Section B:
ā€¢ One hour.
ā€¢ Long essay.
ā€¢ Choice of two questions ā€“ answer one only.
G325 Section B
ā€¢ Contemporary Media issues.
ā€¢ We will be looking at Media and Collective
Identity.
ā€¢ The group we will be looking at is: youth.
Big Questions
ā€¢ How are teenagers and young people in
the media portrayed?
ā€¢ Are these portrayals accurate?
ā€¢ How does the intended audience influence
the messages sent about youth in the
media?
ā€¢ How do young people create their own
representations? How are these different
to those created and aimed at adults?
Starter Discussion
ā€¢ Who is your favourite young person in the
media? (real or fictional)
ā€¢ Why do you like them?
Hebdige (1979)
ā€¢ Studied sub- cultures in 1970s.
ā€¢ Subcultures allow youth to express
opposition to society and challenge
hegemony.
ā€¢ Style is key aspect of subculture ā€“ attempt
to resist hegemony.
ā€¢ Representations tend to be limited: Youth
as fun or youth as trouble.
Who are
you?
Who arenā€™t
you?
Subculture
Fashion:
Clothing, hairstyle
Opposition/ resistance
To dominant culture
Lifestyle/
practices
Music, art
counterculture
Dialect/ slang
Place, gender, class, race
Subculture
ā€¢ Bands
ā€¢ Writers
ā€¢ Magazines
ā€¢ Artists
ā€¢ Fashion
What subculture are you? What
social groups are you a part of?
ā€¢ These groups have a ā€˜collective identityā€™.
Article on pop tribes:
http://www.guardian.co.uk/music/2
010/feb/25/emo-pop-tribes-mods-
punks
Jacques Lacan
ā€¢ Mirror stage ā€“ child begins to develop their identity
ā€“ recognise themselves in a mirror at around 6
months, helps to develop sense of self.
Just like the recognition of the mirror, images
on screen offer:
ā€¢ Identification
ā€¢ Aspiration
ā€¢ What are potential issues with this?
A Brief History of the
Teenager
1945-60: Birth of the Teen
ā€¢ 1940s ā€“ WWII = demand for labour = young people with
disposable income
ā€¢ Economic potential is obvious ā€“ market of the future
ā€¢ But also the first negative stereotypes
ā€¢ Youth simultaneously represented ā€œa prosperous and
liberated futureā€ and ā€œa culture of moral declineā€
ā€¢ First sign of adult cultureā€™s dichotomous image of
teenagers
ā€¢ Film example: ā€˜The Wild Oneā€™
Generation gap
ā€¢ Hegemony = a dominant social group
keeps an oppressed group in their
subservient position by making them feel
this position is ā€˜normalā€™ or desirable.
ā€¢ Adult mainstream exploited the image of
the ā€˜rebel teenā€™
ā€¢ Sold to teenagers as aspiration
ā€¢ Sold to adults as a fear
James Dean ā€“ an accurate
portrayal of youth?
ā€¢ First celebrity to capture the
dissonance of youth;
ā€¢ ā€˜Rebel Without A Causeā€™ ā€“
lots of delinquent behaviour.
Conforms to adult fears.
ā€¢ But: Deanā€™s character isnā€™t a
ā€˜bad boyā€™ ā€“ confused,
sensitive, frustratedā€¦ and
very handsome.
ā€¢ ā€˜Live fast, die youngā€™ = the
start of adults fetishising
youth?
Decade Movement (s) Films Event Media
1950s
1960s
1970s
1980s
1990s
2000s
Each pair will be assigned a decade.
You need to use the internet to complete your row of this chart:

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Slideshare collective identity intro

  • 1. Collective Identity What is it? How does the media influence it?
  • 2. Learning Objectives: ā€¢ Gain an overview of the exam. ā€¢ Begin to understand what youth collective identity means.
  • 3. The exam ā€“ G325 Section B: ā€¢ One hour. ā€¢ Long essay. ā€¢ Choice of two questions ā€“ answer one only.
  • 4. G325 Section B ā€¢ Contemporary Media issues. ā€¢ We will be looking at Media and Collective Identity. ā€¢ The group we will be looking at is: youth.
  • 5. Big Questions ā€¢ How are teenagers and young people in the media portrayed? ā€¢ Are these portrayals accurate? ā€¢ How does the intended audience influence the messages sent about youth in the media? ā€¢ How do young people create their own representations? How are these different to those created and aimed at adults?
  • 6. Starter Discussion ā€¢ Who is your favourite young person in the media? (real or fictional) ā€¢ Why do you like them?
  • 7. Hebdige (1979) ā€¢ Studied sub- cultures in 1970s. ā€¢ Subcultures allow youth to express opposition to society and challenge hegemony. ā€¢ Style is key aspect of subculture ā€“ attempt to resist hegemony. ā€¢ Representations tend to be limited: Youth as fun or youth as trouble.
  • 8. Who are you? Who arenā€™t you? Subculture Fashion: Clothing, hairstyle Opposition/ resistance To dominant culture Lifestyle/ practices Music, art counterculture Dialect/ slang Place, gender, class, race
  • 9. Subculture ā€¢ Bands ā€¢ Writers ā€¢ Magazines ā€¢ Artists ā€¢ Fashion What subculture are you? What social groups are you a part of? ā€¢ These groups have a ā€˜collective identityā€™.
  • 10. Article on pop tribes: http://www.guardian.co.uk/music/2 010/feb/25/emo-pop-tribes-mods- punks
  • 11. Jacques Lacan ā€¢ Mirror stage ā€“ child begins to develop their identity ā€“ recognise themselves in a mirror at around 6 months, helps to develop sense of self. Just like the recognition of the mirror, images on screen offer: ā€¢ Identification ā€¢ Aspiration ā€¢ What are potential issues with this?
  • 12. A Brief History of the Teenager
  • 13. 1945-60: Birth of the Teen ā€¢ 1940s ā€“ WWII = demand for labour = young people with disposable income ā€¢ Economic potential is obvious ā€“ market of the future ā€¢ But also the first negative stereotypes ā€¢ Youth simultaneously represented ā€œa prosperous and liberated futureā€ and ā€œa culture of moral declineā€ ā€¢ First sign of adult cultureā€™s dichotomous image of teenagers ā€¢ Film example: ā€˜The Wild Oneā€™
  • 14. Generation gap ā€¢ Hegemony = a dominant social group keeps an oppressed group in their subservient position by making them feel this position is ā€˜normalā€™ or desirable. ā€¢ Adult mainstream exploited the image of the ā€˜rebel teenā€™ ā€¢ Sold to teenagers as aspiration ā€¢ Sold to adults as a fear
  • 15. James Dean ā€“ an accurate portrayal of youth? ā€¢ First celebrity to capture the dissonance of youth; ā€¢ ā€˜Rebel Without A Causeā€™ ā€“ lots of delinquent behaviour. Conforms to adult fears. ā€¢ But: Deanā€™s character isnā€™t a ā€˜bad boyā€™ ā€“ confused, sensitive, frustratedā€¦ and very handsome. ā€¢ ā€˜Live fast, die youngā€™ = the start of adults fetishising youth?
  • 16. Decade Movement (s) Films Event Media 1950s 1960s 1970s 1980s 1990s 2000s Each pair will be assigned a decade. You need to use the internet to complete your row of this chart: