100 Years of Indian Cinema: A Brief History

100 Years of Indian Cinema
100 YEARS OF INDIAN CINEMA
Indian Cinema has now completed 100 years on April 21, 2012, a country where over 1,000 films
are made every year, in several languages. During these long years Indian cinema has broken many
new grounds and established several milestones. The Times of India, India's major newspaper
then, hailed it as "the marvel of the century". As writer and essayist Mukul Kesavan wrote, "The
art of the cinema was fashioned in India at the same time as it was developed in the West". The
first Indian motion picture Raja Harischandra was produced and released in India in 1913, Directed
by Dada Saheb Phalke, barely a year after the world's first motion picture was made in 1912. Those
were the days of silent movies. There were...show more content...
India has its own distinct multi–lingual, multi–hued crop of films, some of them entertaining, some
made for aesthetic pleasure, but all of them for your eyes only, for people like us.
Pather Panchali(1955) directed by Satyajit Ray was among the earliest Indian films to have received
global recognition (it got 11 international awards). Indian cinema has an identity that is very unique
and unmatched. We have moved from the black and white silent films to 3D, but our cinema
continues to retain its basic essence – to thrill.Perhaps we would be better equipped to define Indian
cinema if we get to see good films in Tamil, Telugu, Kannada, Bhojpuri, Marathi, Bengali, and
Assamese with subtitled versions in multiplexes, or on national television.
Cinema and films are very popular in India. Indian film industry is second only to that of America.
Hundreds of films are made every year in India in Hindi and other regional languages. They are
screened in the cinema halls, telecast on television network and then there are their video versions.
Films are the cheapest and most popular means of entertainment. Films are the craze among the
youth. Besides feature films there are documentaries and cartoon films. There are foreign
co–productions as well. For example, Gandhi directed by Sir Richard Attenborough and Salaam
Bombay by Mira repair and Unit are two very successful films of this category. India exports films to
over 100 countries.
After the Silent Period of films, became the
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Television Vs Movies Essay
Before there was television and motion pictures (movies), people used to spend their leisure time
listening to the radio. They were offered little variety and often routinely listened to the same things.
In the late 1800's and early 1900's, motion pictures and television were invented, respectively. In the
beginning, they were considered luxuries. As time wore on, they became increasingly more and
more popular. Today they are both extremely common forms of entertainment. Though they are both
very popular, they are also very different.
Going to the movies offers a complete escape from everyday life for a few hours at a time. In
movies, a story can usually be told from beginning to end in a short period of...show more content...
There are dozens of different movies to choose from but once you make that decision, for the most
part, you are stuck with it. Choosing which movie to see is also often an issue. When there are
several people involved, deciding on which movie to see is often difficult. Also, when people go to
the movies, they do not have the luxury of being in their own homes. Frequently, people choose to
stay home and watch television over going out to the movies.
Television offers many things that going to the movies does not. TV offers viewing in the comfort
of one's own home. When watching TV, one has the option of doing several other tasks at the same
time. You might prepare dinner, do some homework, or talk on the phone, all while watching TV.
The time that you invest in TV is completely variable. You might watch a program for a half an
hour or you might watch a TV movie for two hours. There is no commitment involved in
watching TV. If for some reason you do not like the program that you are watching, at any time
you can simply change the channel and watch something else. If something comes up and you are
unable to watch a program, you can easily insert a video tape in to your VCR and record the
program to watch at a later time. There is always a variety of programs to watch and there is
always something for everyone. Television shows rely on stories that last for long periods of time
to keep viewers interested. They keep going on and on, sometimes for

What Is The Importance Of Cinema
Since the advent of cinema, art critics have noted that cinema is simultaneously unique but similar
to other arts. For instance, film scholar Ricciotto Canudo praised cinema for being a "superb
conciliation of the Rhythms of Space and the Rhythms of Time" (25). As a result of cinema's wide
variety of elements, different authors and directors have varying views on what its unique resources
and possibilities are and how they should be showcased. While Gunning, Dulac, and Clair all
primarily agree that the art's visual components make cinema unique, Gunning and Dulac view these
visuals as a means to attract the attention of viewers and express emotions respectively, while Clair
recognizes that sound, if appropriately utilized, could be a key asset in cinema. According to film
scholar Tom Gunning, before the dominance of narrative films, there existed a "cinema of
attractions." This "cinema of attractions" served to capture the attention of spectators, drawing them
in with the visual spectacle of movement (121). Past film historians felt that early films either
adopted the Lumiere tradition, which focused on reality and the optical experience, or the Melies
tradition, which ventured into the fantastic and the narrative. However, Gunning argues that the
audience of this early period understood that they were witnessing a sort of "illusion" and that all
early films used its unique resource of visual movement to impress viewers (123). For instance, the
first film ever created,

Essay Cinema of Attraction
When one contemplates the concepts of cinema and attractions, the ideas of the modern day
blockbuster film might come to mind. World disasters, car chases, and high profile police
investigations are just some of the story lines that attract people to theatres year round. The term
"cinema of attraction" introduced by Tom Gunning into the study of film is defined more precisely.
To quote Gunning, a cinema of attraction: "directly solicits spectator attention, inciting visual
curiosity, and supplying pleasure through an exciting spectacle" (p.230). This spectacle may be
demonstrated through dance, song or offscreen supplements, such as sound effects and spoken
commentary. Rather than a straightforward entertainment purpose, a film may seek to...show more
content...
The ending (or the beginning В– it was interchangeable) helped place the film in history books. The
scene involved one of the bandits shooting his pistol towards the audience creating a spectacle as
the viewers, seeing this for the first time, believed they were being shot at. Many audience
members were startled by this cinema tactic and the action shot became a great innovation in film
(Dirk, 2007). The Great Train Robbery used a number of inventive techniques; including parallel
editing, minor camera movement and location shooting. The director was one of the first to utilize
jump cuts or cross cuts which displayed two separate lines of action or events happening
continuously at identical times but in different places (Dirk, 2007). For instance, the film is
intercut from the bandits beating up the telegraph operator (scene one) to the operators daughter
discovering her father (scene ten), to the operators recruitment of a dance hall posse (scene
eleven), to the bandits being pursued and splitting up the booty and having a final shoot out (scene
thirteen) (Dirk, 2007). Furthermore, The Great Train Robbery was also the first film in which
gunshots forced someone to dance, which is now a clichГ©d action in many western cinemas.
Additionally, the use of colour was a spectacle seen in some of the women's attire, the gun shots
and the explosions in the train. Overall as the film worlds first linear narrative The Great Train
Robbery made way for several future filming

Modern Day Cinema At The Turn Of The 20th Century
The turn of the 20th century saw the whole nation at the peak of a major transformation, especially
in the sector of moving pictures. With major technological inventions at the end of the 19th century,
such as Thomas Edison's Kinetoscope, a type of peep–show device, that had already established a
presence in the film scene, and devices such as the Vitagraph, Panoptikon and Biskop projectors,
Mutescope flip frames, the Kinora, the Cinecosmorama, Street Cinematograph, Biokam,
Graphonoscope, Kinemacolor and a host of of other equipments over the years. But the major
development to modern day cinema as we know it was the pioneering work of the Lumiere brothers
– Auguste and Louis, who invented the Cinematographe, a combination of camera and projector,

Essay on Cinema Versus the Home Theater
It seems that watching movies has become the most frequently mentioned pastime that is enjoyed
by people from around the world. This is no surprise either, because everyone undeniably enjoys an
experience when they can escape the daily reality for a little while, and fantasize about anything
they wish or at least about what the movie being watched is offering. To live out these fantasies, two
contrasting options are available; a trip to the cinema or staying at home. After a movie theater with
its play–list is found, a movie is picked, and the trip is made, customers are faced with the almost
certain minimum cost of $8.50 per person to get in. That means a family of four, would have to pay
over $35 just for movie tickets. Once inside, if...show more content...
Long available IMAX and now 3–D movies, offer an ever immersing movie picture with extra
details, and will soon be the norm. In a recent Time interview James Cameron, an internationally
acclaimed director with recent blockbusters such as Titanic and Avatar, stated that, "Certainly every
film I'm planning to do will be in 3–D." This statement appears to be the common dogma of
everyone in Hollywood and Silicon Valley. However, despite all these great features, sometimes the
theater–movie is diminished or even ruined by distractions. There could a person who enjoys
commenting on events occurring in the film, a baby could start crying, or a group of teenagers who
will not stay still, might continue to bump the back of the chair or play on their cell–phones.
Alternatively, a film is released for rent or purchase after a short period; usually no more than a
month and sometimes even two weeks, depending on the generously supplied critique of the
audience who went to the cinema. Provided on DVD, Blue–Ray, or digital format, a film can be
rented for around $5 or even purchased for about $20. With an average $15 per month membership,
even a cheaper and more convenient option, are online companies like Netflix. They provide
unlimited rentals on all formats, and free options of regular mail delivery or digital download. If a

Movies are one of the biggest entertainment sources for anyone in the world, and for the same
reason film industry is the largest of any industries with India making the most number of movies
per year than any other country. People watch movies at home on their television or in the theaters
on a big screen where the film is been displayed with a movie projector onto a large projection
screen at the front of the auditorium. Watching a movie at home or in theater is an enjoyable
experience for everyone depending on personal preferences.
In a theater, one can watch movies as soon as they are released without having to wait until they are
released on a DVD or shown on a local television channel. At the same...show more content...
It can be easier for parents to exercise their control over children if they are watching a movie at
home. If a movie scene is not appropriate for a child, then they have the choice of fast forwarding
it or stopping the movie whereas one does not have that choice in the theater. Movie theaters make
it more difficult on parent's pockets by having a huge variety and display of goodies for children.
The food items are overly priced in a theater and that could be a big dent in the pocket if added on
to the price of entrance ticket.
Some theaters give people and option to go movie hopping where one can see as many movies with
one theater entrance purchase. This is very economical for people who wait for all their favorite
movies to accumulate and watch all of them together in day. This is difficult to do if one wants to
wait for the television channels to telecast them.
There is a broad variety of types of theaters available– conventional theaters, IMAX and drive in's.
Going to a theater is a good change for a person in contrast to watching it at home. Theaters are a
popular dating spot for person any age. One can choose between the types of theater one wants to
go to and what suits their needs, but a home television might not be able to give you all these
options. One does not even have to spend extra money on special glasses or other accessories
needed to watch

What is Cinema?
A cinema or a movie, or you may say it as a motion picture, which includes the art of moving
images through a visual medium that tells stories and exposes or expresses reality. Cinema is the
world's most recent art form that was created in the 19th century. It is the world's most complex,
collaborative, and costly artistic expression.
Initially, the first two versions of the film camera used were the kineto–graph and its European
counterpart, the cinematograph to record daily events like a train arrival at a station and an
electrocuting elephant. It was after that when Documentary filmmaking was then born and
tremendously explored. Average men were instructed on how to use the recently–created camera and
were hired to go for journeys around the globe and capture all the exotic images so as of the
pyramids in Egypt.
To say that the first movies were documentaries is a mistaken belief that too a big one. The first
one–reelers were no more than a minute long, and they were called actualities. They were recordings
of almost pointless daily events. Documentary filmmaking was something far more elaborated
versions than actualities that was developed later. Documentaries are the complex films that are
structure and purposed differently. Perhaps the only valid argument for calling the first actualities as
"documentaries" is on the account of a specific style of documentary that is cinГ©ma vГ©ritГ© (in
French for "truthful cinema") that is characterized by a

The Art Cinema As A Mode Of Film Essay
Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film
Bordwell, D. (1979). The art cinema as a mode of film practice. Film Criticism, 4(1), 56–64. вЂЁ
David Bordwell wrote his article 'The Art Cinema as a Mode of Film' in an effort to convey the main
idea that "art cinema" can be considered as a distinct mode of film practice, through its definite
historical existence alongside other cinematic modes, set of formal conventions, and implicit
viewing procedures. Rather than searching for the source of the art, or what drives the art in film,
Bordwell compares art cinema to the classical narrative cinema, and highlights the differences in
narrative structure. Bordwell makes the assumption that it defined itself against the classical
narrative mode; especially with the way it deals with space, time, and the cause and effect link of
events.
To support this idea, Bordwell illustrates how art cinema motivates its narratives differently, through
two principles: realism and authorial expressivity. Firstly he proposes the notion that art films reflect
realism in their characters, space, and time. Psychologically complex characters are present in real
worlds dealing with true–to–life situations. Art cinema is concerned with the characters 'reaction' to
these situations, rather than their 'action'. Thus it bares an element of psychological subjectivity as
the characters survey the world they are in, which aids the realisation of the distress of

Cinema In European Cinema
Cinema is seen as being a sort of art form, especially in European culture. Although Hollywood
became the movie capital of the world, directors in Europe made a huge impact on the cinemas of
the world. Not even war could stop Europe's groundbreaking films, in fact, it may as well have
provided directors with the willpower to create such dynamic works all over European countries.
First, let's take a look at the beginnings of the cinemas in general. Motion pictures began with
Eadward Muybridge's task to find out if all four hooves of a horse ever left the ground. He
discovered that indeed they did, by lining up twelve cameras and having the horse trigger them
when it broke the strings. Consequently, Muybridge inspired Edison to figure out a way to have real
projection and in 1893 he did just that with the help of Laurie Dickson, calling it the Kinetoscope.
Edison then built a film studio that "could rotate to let in the light of the sun through the open roof,"
(McMahan pg. 25). Moreover, others such as Max Skladanowsky built off this idea, he
experimented with 'living photography' and made a working camera and shot footage with it in
1887. Through his warm–gear system "invention he solved the problem of transporting images
through a projector, while simultaneously bringing them to a momentary standstill for the split
second of actual projection," (McMahan pg. 27). At the same time, the Lumiere brothers invented
the cinematograph and received the credit of being the first to

Essay on The Study of National Cinema
The study of national cinema and the way in which its defined has been a topic of discussion that
many scholars have debated. Stephen Crofts 'Concepts of National Cinema,' Susan Hayward's
'Reframing National Cinema' and Andrew Higson's 'Limiting the imagination of National Cinema'
attempt to define the tricky boundaries of what the term national cinema means and the impacts it
has on the way in which audiences perceive these types of films.
One of the key areas of debate in the discussion is determining what the idea of nationalism and the
nation–state mean in a world that is becoming globalised. Crofts uses Anderson's concept of
'imagined communities, ' which alludes to the idea of an individual having their own image of their
affinity...show more content...
This is essential to the audience being able to understand and interpret film.
This is where Crofts article could be read as a criticism of an article like Hayward's.
Hayward's close affiliation with French Cinema (she wrote a book French National Cinema )
means one can assume the majority of her ideas on national cinema could be bias, or somewhat
based on the French national cinema. This is shown in her article where she refers to very few types
of national cinema.
At this point I would like to bring in my third reading from Andrew Higson's article in 'Limiting the
imagination of National Cinema.' Higson agrees with Crofts argument of interpreting national
cinema from a global perspective by admitting that his own specialised knowledge of British
Cinema could lead him to giving an "Anglocentric version of what a national cinema might be. "
One of Higson's main arguments focuses on the idea of films becoming transnational and penetrating
the boundaries of the reflectionist ideas of the National Cinema. Higson provides examples
including that of Evita (1996), a Hollywood production of an Argentinean hero to prove how
problematic framing national cinemas is and to further his idea on the increasing relevance of the
term transnationalism. However, Higson stops short of coining the term national cinema obsolete
when he says, "to

Essay on Cinema and the Digital Age
"Film has shaped the new media to accommodate it"
–David Bordwell, Kirsten Thompson, p.730.
Since the introduction of Digital Cinema in the late 90's, it is fair to say that we are well and truly
immersed in a new digital age for film. Despite some filmmaker's objection to the introduction of
digital cinema, and an overall wariness of the conversion from traditional films to digital, nowadays,
the majority of films that we see in the cinema are digitally made.
"The next ten years may witness the almost complete disappearance of celluloid film stock as a
recording, distribution, and exhibition medium." (Roderick. The Virtual Life of Film (2007))
Furthermore, many classic films such as Walt Disney's "Snow White and the Seven Dwarves"...show
more content...
Bordwell and Thompson argue that "Far from killing movies, digital media have allowed them to
leave the theatre and our living rooms." (p730) and I completely agree. Why not avail of the
technology that is there and watch a movie on your commute to work. John Belton argues that
digital cinema lacks novelty value and that "it does not transform the experience that spectators
have of moving images and sound in the theatre the way sound, colour, 3D and widescreen did. It
merely duplicates the experience spectators always had with 35mm film." (Belton. Film History.
Vol.24. Issue 2 (2012) I however disagree with this statement. I believe that digital cinema truly has
revolutionised not only film quality and experience, but has also made 3D cinema much more
enjoyable and easier to watch. No longer do we encounter the blurriness of quick paced movement,
or feel the need to take off the 3D glasses to give our eyes a break. Furthermore, I feel that the
novelty which Belton thinks that digital cinema lacks is in fact there. The novelty is that we can
easily watch movies on our phones etc, something that would not have been possible without the
induction of digital cinema.
New media is defined as" products and services that provide information or entertainment using
computers or the internet, and not by traditional methods such as television and newspapers"
(Cambridge Dictionary (2012)) and I feel that Film has most certainly been reshaping the new media
in recent years.

Essay on The Magic of Music in Film
The importance of music in movies is highly regarded for manipulating the viewer's emotions and
helping them immerse into the story. Music is one of the prime elements in cinema. Without it a
movie would feel dull and unexciting. There are three elements in a movie: one is acting, the
second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack
of sensation and excitement. Both acting and picture can stand independently from one another, but
music is the one that makes the movie memorable. There are thousands of movie composers in the
music industry, a few who triumph and whose work is well known to almost half of the world. One
example of that can be the famous Maestro John Williams. John...show more content...
If the composer puts action music in a thrilling scene; by logic, it would be wrong. The audience
would not feel the punch of the scene. That is why there must be an emotion linked to the melody,
so that the music reaches the deepest sensations. While well–crafted sound design and sound effects
are so very necessary in the creation of a film, music touches the emotion, the psyche, and the things
you cannot see. Sound design and effects don't do this nearly as efficiently and naturally. Without
music it would be much more difficult to follow the emotional ups and downs of a film. (Freer)
This clearly explains the significance of music and the role that has in motion pictures. Music has to
match the emotions that the actors are showing and the environment they are in. If fail to do so, the
movie could be a dreadful thing to watch. Another facet of movie music is the leitmotifs. "Wagner's
chief technical innovation was the development of the leitmotif system in which short, recognizable
musical phrases become associated with narrative and thematic ideas and develop symphonically to
mirror the development of the drama". Composers use this to identify characters, environments,
emotions or ideas. One example of that could be the score for Lord of the Rings. Each character has
its main musical theme. One of the most recognizable would be the leitmotifs themes of the
character Gollum. "The theme is based on a

Cinema And Neorealism In Cinema
Post World–War II, there were many harsh realities that were beginning to come into play in
Europe. There were countries that had been destroyed by the war economically, structurally, and
governmentally. Italy was no stranger to these harsh realities and through these unharmonious
times there was a neorealism movement in cinema that some argue showed the true bitterness of
what war can do to a country through their own lenses. In films like Bicycle Thieves directed by
Vittorio De Sica, you are taken inside the competition for employment and shown the extremities
people are willing to go to in order to be able to provide for their family. There is this adamant
portrayal of the individual in the film, but due to the realistic aspects of the filming you cannot
help but to see the struggles of the people that are all around. There is a clear battle between
morality and survival in Italy and this results in a number off issues for families in lower classes. In
order to gain a true historical glance into post–war Italy, it is essential to understand the importance
of the neorealist period following the war and the impact of being able to see these things in
cinema. Bicycle thieves is able to capture that something as small as a bicycle is able to change
the entire course of a family's ability to survive, and show the larger picture of what life was like
after the war. This essay will aim to observe the extent to which this film shows a factual glimpse
into their society. This

Essay on Cinema's Role in Society
Cult. Change & Comm Tech Essay 1: Cinema/Film
Many young people today are learning about their world through electronic means – radio, television,
video movies, computer games, virtual reality games and the Internet. In particular the visual
environment of the electronic media is greatly attracting the print media in all its forms. How many
children read comic books these days? Most would rather watch cartoons, or play arcade games or
hand–held video games. We will be focusing on cinema and how it has culturally played a role in
society.
The 1990s have been a significant time for film and video. Nineteen ninety–five was the
one–hundredth birthday of the movies (Film theory and criticism, 1985). In 1996 the movie...show
more content...
It is now understood how societal attitudes at the time of a film's making influenced its content.
The World of Apu, a 1958 film from India shows two young married couples that are clearly in love
but they never kiss. Censorship regulations in India at the time prohibited kissing, so they had to
show affection by other means (Readings, Cinema)
Audiences sometimes take the view that they are watching simply to be entertained. Many
children in particular take this approach with film, video and TV. Their approach is largely a
passive one where the viewer does not think about, and is not critical of, what is being viewed.
Once viewers understand that filmmakers work under forces that influence the shape and content of
the finished films, viewers are less likely to misjudge a film for not exploring a political, religious,
or sexual subject in greater depth when that may not have been an option (Understanding Movies,
1976). Viewers who know when and where a film was made and under what conditions are also more
likely to notice when filmmakers follow conventions and when they depart from them. They are
more likely to understand how the film's budget may leave out certain options and how the available
filmmaking technology and the audio and visual presentations of competing media and electronic
entertainment may influence the film (Understanding Movies, 1976).
Novels and other print forms of narrative are usually the work

1960s Cinema And Its Impact On Cinema
1960s Movies 1960s cinema reflected the good and the bad of the decade. 1960s cinema
influenced many of the films we have today. 1960s cinema brought attention to movie musicals,
which were movies that had many song and dance numbers along with dialogue and blocking.
Three of the biggest hits of the decade were movie musicals. Some of the decade's biggest hits,
including the movie musicals, are still popular today. In the 1960s, there were many popular
movies, both in theaters and on television, which were produced with money and lots of work.
However, 1960s cinema also had a downfall. Popular Movies of the 1960s 1960s cinema reflected
the tremendous social changes, transitional cultural values, fun, fashion, and rock 'n' roll of the
...show more content...
"The 1960s began with a number of movies that were set in World War в…
Ў, in which the United
States and its armed forces were portrayed as heroes" (Benjamin 23) Since Hollywood could not
always predict which films would do well and which ones wouldn't, what worked in the past
would not always work in the present (Dirks) Maybe no other type of movie demonstrates the
changing times of the 60s more than movies built around the talent of rockstars. For example, by
1960, Elvis Presley had already been cast as leads in four different movies, all with predictable plots
where Elvis played a variety of upper class admirable characters (Benjamin 24). Another type of
movie that was very popular in movies are movie–musicals. "Three of the biggest hits of the decade
were musicals: My Fair Lady (1964), Mary Poppins (1964), and The Sound of Music (1965). Funny
Girl (1968) and Hello, Dolly! (1969) were also successful movie musicals" (Benjamin 33). There
were many other movies made in the 1960s that are still popular today, and tv movies started to
become very popular in the 60s. Television Films By mid to the end of the decade, tv

Thesis On Film And Architecture
Film and Architecture
ABSTRACT:
Film and architecture are similar. Both involve space, movement and time. Architecture is one of the
great hinges on which the world of the film turns. Architecture and film are works of art, but they
also inspire creative art practices.
Space and time can be related to each other beautifully when it comes to Film and Architecture. They
both engage the viewer, one by projecting moving images while the viewer is still, the other by
being still while the viewer moves. Both architecture and film play an important role in influencing
how we physically and imaginatively interact with the world around us.
This thesis intends to investigate the interplay of film and architecture by following two paths.
The first involves...show more content...
It is mostly used as a backdrop or a prop to support the main action. The use of architecture in film is
a spatial perception of physical space either using real space or designed spaces (Film set).
INTENTIONS:
This thesis intends to showcase the process and techniques through which a film is created and the
potential to provide theories that can be reincorporated into architectural design.
This thesis intends to establish a program for both film creation and display.
This thesis intends to investigate films through the questions,
What is filmed?
How the medium of film achieved the manipulation of space?
How can these film techniques can be reincorporated into architectural design?
SITE:
This project intends to deal with the proposal of film creation and display
GOALS & OBJECTIVES:
This thesis aims to
RESEARCH QUESTIONS:
How the medium of film achieves the manipulation of space?
Is there a way that film techniques can be reincorporated into architectural practice?
What are the concerns related to selection of the

Reflective Essay On Cinema
Every human being at a very young age is introduced to some type of cinema one way or another.
Whether it's a play or film we all experience these prescreened scripts early on. The types of
cinema that we seem to enjoy the most are ones in which give us the best memories and those that
seem to coincide with our personalities. For example, starting at a very young age I've always been
the jokester in the family. Therefore I seem to gravitate towards comedies on the big screen because
of my personality.
It never stops there, humans are a creature of habit and we tend to enjoy films that remind us of
events or people close to us. This is why films based off true events seem to always have the
biggest numbers behind them. I personally love viewing films about some historical significance
that I was not able to experience in real life. It's something about a true story that gives me the chills
when a director is recreating something with immense significance.
At the very beginning of my enrollment in this film analysis class I had no idea what to expect.
Other than knowing we would be analyzing films and likely writing reviews on them of some
sort. I was pretty much up in arms as to what kind of films we would be viewing and how the
class would pan out. After viewing "Imperial Dreams" the first day, it reassured me that this was
the correct class to be in. Like most young people around me, I have always enjoyed watching films
over reading the books before it. For the fact that

Descriptive Essay About Cinema
If you love movies and the theatre's that show them then read no further. For I'm about to tell you
haunts me. We are to go on a journey one for those that enjoys watching movies and going to
theaters to see them will be a difficult one. The Place I am talking about is the dreaded Frank
Theatre Coastal Cinemas. This is by far the worst establishment I have ever been to in my life. It
is 34,888 SF, was built in 2003 and is only one story tall. This horror show of a building is nested
right off Ocean High Way 17 West in the small town of Shallotte NC. The address is 5,200
Bridges Road, zip code 28470. I will later get into the details of why I detest this place so much
but first let me tell you about the exterior and interior of the theatre. When you first drive into the
parking lot you will notice the parking, lot has ample space to fit the movies goers who visit it.
The exterior is made up of two different tones of brick. The one that stands out the most is the
darker shade of sandy brown and the other a lighter color. The name on the front is Coastal
Cinemas their color a faded red due to sun exposure through the years. In between the name is a
wave the color once a light blue but sun exposure has faded its color as well. There are four palm
trees out in front of the building two on the left and two on the right. The movie showcases that are
currently playing line the walls of the front building, and nestled right in the middle in the ticket
booth. After one pays for their

Cinema Paradiso
Film and Culture
27 September 2010
Cinema Paradiso: Feeling the Love Through Music and Sound Cinema Paradiso was made in
1988, and was written and directed by Giuseppe Tornatore. It won the Oscar for Best Foreign
Language Film in 1989. Cinema Paradiso follows the life of Salvatore Di Vita from the time he was
a boy to his successful career as a film director. Love truly is what the movie is about. Whether it
is to have a love of film, love of someone else, or having a love for what you do, it is the driving
force in this movie that causes everything to happen. The music and sound effects in Cinema Paradiso
enhance the emotions and plot of the movie. Two of the most important sound effects in the movie
deal with the use of bells and...show more content...
In a way, I think it was a way to help Salvatore let go of the memories that that building held for
him. The "Love Theme" of this movie is a turning point for many pivotal scenes. The first is when
Alfredo shows the movie the crowd wants to see in the piazza right before the film catches fire. It
was showing a time where everything was perfect in the movie before everything went wrong, at
least for the first half of the movie. The "Love Theme" also plays on New Year's Eve when
Salvatore is first rejected, then kissed by Elena. This was the point in the second half of the
movie where everything was right before life's troubles kicked back in for Salvatore. In terms of
moving the plot along, the last time the "Love Theme" is played to advance plot is when Salvatore
is considering going back to Rome. The song "Childhood and Manhood" is played as the young
Salvatore leaves Giancaldo, and as the adult Salvatore returns to Giancaldo at the end of the movie.
Not only does the music advance the plot, but it the source of feeling throughout the movie. The
music enhances the emotions felt by the characters and really allows the audience to feel the
emotions too. There were two main songs that were played throughout the film. The theme music,
called "Cinema Paradiso", has a sense of journey to it. It is the music that is played the most in the
film; it has a constant flow like a river.

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