Lord Of The Rings The Fellowship Of The Ring Essay

Lord Of The Rings The Fellowship Of The Ring Essay
The Lord of the Rings the Fellowship of the Ring In ancient times the Rings of Power were crafted by the Elven–smiths, and the Dark Lord, forged the
one ring, filing it with his own power so that he could rule all other. But the one ring was taken from him, and though he sought it throughout
Middle–Earth, it remained lost to him. After many years it fell into the hands of Bilbo Baggins, a hobbit of all creatures. In a sleepy village in the
Shire, young Frodo Baggins finds himself faced with an immense task as his elderly cousin entrusts the ring to his care. Frodo must leave his home
and make a perilous journey across Middle–Earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. Gandulf,
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The hobbits run to the top of the hill, and they begin to fight. Frodo is stabbed by a ringwraith, and then Strider comes and begins to fight them off.
Once the Ringwraiths are gone, Strider goes to Frodo and tries to help him, but he can't. Frodo has been stabbed with a Morgual Blade; the only
person who can save Frodo is Lord Elrond, who lives in Rivendell. Once Frodo wakes up he realizes that he is in Rivendell, and Elrond had saved
him from dying. Elrond tells Frodo to stay in bed, and rest until the council meeting in the afternoon. In the afternoon all creatures of Middle–Earth
come to the meeting, and discuss what to do with the ring. Of course they deicide that they must destroy it, but the problem is none will volunteer
themselves to go into the Lands of Mordor, and throw it into the Cracks of Doom. The council begins to fight, and then suddenly Frodo stands up
and says, "I will take the ring to Mordor, though I do not know the way." So Gandulf decides he will go so does Strider, Merry, Pippin, Sam, and
three others from the council. Boromir, Legalous, and Gimil, Elrond decides to name these nine creatures The Fellowship of the Ring. They next day
they head off, taking the passage way of the South, near Minias Tritih in Gondor. This would be Boromir's home, he wants to get the ring and give it
to Gondor to
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Lord Of The Rings: Fellowship Of The Ring
The box–office hit Lord of the Rings: Fellowship of the Ring by director Peter Jackson is an epic fantasy film full of fascinating lore, deceptive plot
twists, and terrifying monsters. Apart from the breathtaking cinematics, a crucial piece of the film's greatness is derived from the music score by
composer Howard Shore. The film's score is composed primarily of recurring musical elements, which are played at crucial and symbolic scenes in the
movie. As the film is 3 hours and 48 minutes, the 11+ musical elements are both justifiable and serve to benefit the story.
Both Peter Jackson and Howard Shore made the correct decision in using an excessive number of musical themes throughout the movie. The movie
encroaches on nearly 4 hours in length

The Lord Of The Rings
Introduction "How do you pick up the threads of an old life? How do you go on, when in your heart you begin to understand...there is no going
back. There are some things that time cannot mend. Some hurts that go too deep, that have taken hold." In The Lord of The Rings, Frodo's journey
is one of persistent sorrows. His mind is conflicted between his will to do the right thing and the Ring's seductive call. Towards the end of his
journey, his will breaks and he gives in to the Ring's power. While he ends up succeeding on his quest, it is a pyrrhic victory. He returns home a shell
of a person. The things he used to love he now scorns. The places where he found rest are now alien to him. In the aftermath of trauma, he no longer
knows where... Show more content on Helpwriting.net ...
Defining Post Traumatic Stress Disorder In The Diagnostic and Statistical Manual of Mental Disorders (DSM), the definition of PTSD is rather
unusual in that it lists the etiology of the disorder. The DSM–III states: "the essential feature [of PTSD] is the development of characteristic symptoms
following a psychologically traumatic event that is generally outside the range of usual human experience." PTSD affects up to 20% of people who
experience trauma. However, among people who are victims of a severe traumatic experience, 60 – 80% will develop PTSD. According to the Israel
Trauma Center for Victims of Terror and War, "Every person has certain limits and it is almost certain that any person would develop PTSD if
exposed to a sufficiently severe trauma." There are three types of symptoms that must be present to diagnose PTSD. According to the DSM, "The first
group requires that the veteran has intrusive thoughts about the event...nightmares or flashbacks in which the veteran feels like he...is reliving the
event." "The second group requires that the veteran avoids reminders of the trauma by either deliberately trying not to think about it, or avoids places
and people that serve as reminders of it." "The third group requires that the veteran experiences chronic physiological arousal as evidenced by
difficulties sleeping, [or] outbursts." The trauma Odysseus experiences can certainly be classified as severe trauma, considering he witnesses men torn to

Peter Jackson who is producer, director, and co scriptwriter adapted the J.R.R.Tolkien's epic novel The Lord of the Rings into the film version. This
series of movies has become one of the most famous topics of this time. The basic narratives– the free peoples of Middle–Earth defeat the Dark Lord
Sauron and his monster army which he creates to control Middle–Earth. The concept of morals in these films is that there is always hope in the world
of darkness through the events in the two main threads, Frodo–Sam and the War (Aragorn) which illustrate in a final movie The Lord of the Rings: The
Return of the King.
The Lord of the Rings is the story of the unexpected hero Frodo–Sam on the hero's journey as Ringbearers who have to go to Mordor and ... Show more
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In the movie The Return of the King, Frodo overcomes his sacredness three times. One is the moment that Gollum, Sam and Frodo start to climb up
on the mountain. Second is a time when Gollum guides Frodo to the cave to kill and take the Ring away from Frodo and the last time is in the
Mordor Mountain where Sam and Frodo have given up but Frodo tries to stand up and keep moving forward.
In the War of the Rings, Sam and Frodo struggles more with internal conflicts that they must overcome through strength of will and character with
the dangers they encounter along the road. The first scene of the film opens with Sam asleep and Frodo awake. After looking around, Frodo pulls
at his shirt collar and pulls out the Ring as an expression of conflicted longing. The internal conflict of Sam and Frodo is in truth. Frodo's struggle
is to escape the power of the Ring while Sam's struggle is to stop Frodo from loosing himself to the Ring's will. In discussing the relationship
between Frodo and Sam, Peter Jackson instilled in Sam the hope and purity of soul that allow Frodo corrupt will of the Ring by a true, devoted
friend. Although Gollum succeeds working ceaselessly to poison Frodo against Sam, Sam still follows and supports Frodo through their joined efforts
that Frodo makes it as afar as he does.
In the Lord films, Sam saves Frodo

In the Greek civilization of Sparta, having your name on your grave was allowed to two classes of people: mothers who died during childbirth and
men who died in battle. Though they were still slaves to their gender roles, both genders shared a commitment to the preservation of their civilization.
Today these stereotypical roles have drastically changed, but social normality of each gender remains the same. This idea that each gender has a role
in society, but that the role is a vital part is apparent in Peter Jackson's adaptation of J.R.R Tolkien's bookThe Lord of the RIngs. Through his portrayal
of both male and female characters that conform to and stray from social normality, Jackson attempts to appeal to both sexes and demonstrate that both
genders can share characteristics and still contribute to society.
Even with the films appealing nature to both genders, being an action/epic type movie causes some immediate bias to be in favor of males. Due to
defeminising movies such as the James Bond 007 and other action pictures which tend to contain a stereotypical handsome main character male with
an overly sexualized female bystander. However, Jackson combats this standard by including two contrasting female characters who are both willing to
fight for what they deserve. The introduction of Arwen occurs during Aragorn 's flight from the "Black Riders." She flees from her assailants with
Frodo (a young hobbit who is mortally wounded), and then attacks them using her

The One Ring In Tolkein's The Lord Of The Rings
The One Ring is perceived as the machine that has the ability to tempt any individual into using it due to its great powers: "`It is by our own folly
that the Enemy will defeat us,' cried Boromir. `How it angers me! Fool! Obstinate fool! Running wilfully to death and ruining our cause. If any mortals
have claim to the Ring, it is the men of NГєmenor, and not Halflings. It is not yours save by unhappy chance. It might have been mine. It should be
mine. Give it to me! '" (Tolkein). Tolkein conveys the concept and illustrates the power of fellowship throughout Frodo's journey to Mordor. Although
the Ring entices Frodo when he and his companions encounter the Black Riders, Frodo withstands the temptation to use the Ring. Tolkein
demonstrates how fellowship is... Show more content on Helpwriting.net ...
After they encountered one of the Black Riders, Frodo admits that they are looking for him and it is not safe for him to stay in the Shire, which causes
the hobbits to volunteer to follow Frodo wherever he plans to go: "'You can trust us to stick to you through thick and thin – to the bitter end. And you
can trust us to keep any secret of yours – closer than you keep it yourself. But you cannot trust us to let you face trouble alone, and go off without a
word'" (Tolkein 103). As they progressed, the journey became more dangerous and ironically, Merry, Pippin, and Sam grew greater desire to
accompany Frodo. At Elrond's Council, this gives Gandalf the impression that the hobbits should be members of the Company: "'I think, Elrond, that in
this matter it would be well to trust rather to their friendship than to great wisdom. Even if you chose for us an elf–lord, such as Glorfindel, he could
not storm the Dark Tower, nor open the road to the Fire by the power that is in him'" (Tolkein). Gandalf believes that fellowship would be greater
protection to Frodo against evil than to choose three other individuals with great

The Lord Of The Rings Essay
"The murder of DГ©agol haunted Gollum, and he had made up a defense, repeating it to his 'precious' over and over" (The Fellowship of the Ring
62). This quote gives a look into the strongest moment of shock that impacted young SmГ©agol's life forever. Gollum is a fictional character unlike
any other in The Lord of the Rings series, as he is portrayed as having undiagnosed Post–Traumatic Stress Disorder. There are six recurring symptoms
that must happen in conjunction with traumatic factors in order for someone to be diagnosed with PTSD, and unfortunately for SmГ©agol his
actions and history sync perfectly into the diagnosis. Due to the fact that Gollum is a fictional character out of a book, it seems that the author, J.R.R.
Tolkien, may have purposely given these attributes to Gollum to display PTSD. Though Tolkien may argue that his time in the war did not highly
influence his books, subconsciously Tolkien, like many who were in the war, could have had undiagnosed PTSD or known someone who did. As a
combat veteran, Tolkien and his friends were more likely to develop PTSD. This may have resulted in portraying these symptoms on to one specific
character, Gollum. Post–Traumatic Stress Disorder "is a disorder that develops in some people who have experienced a shocking, scary, or dangerous
event" (NIMH), just as Gollum had and continues to be put through. He has had a rough past of loss and exile, as well as continuously trudges through
horrific events and torture in which he must

Lord Of The Rings: The Fellowship Of The Ring
The Lord of the Rings: The Fellowship of the Ring
Prompt #1: Define "fellowship"
I believe that the term "fellowship" describes a group of individuals who feel companionship for one another and do what is best for the entire team,
no matter what obstacles they may face. In the film The Fellowship of the Ring, directed by Peter Jackson, four hobbits, two men, one elf, one dwarf,
and one wizard formed a company to destroy the evil ring of Sauron at Mount Doom in Mordor.
The concept of "fellowship" was demonstrated many times throughout the movie, such as when Frodo volunteered to take the ring from Rivendelle to
Mordor. Even though he had already completed his task of taking it away from the Shire, Frodo had felt obligated to get rid of

The most appealing character in the movie The Lord of the Rings: The Fellowship of the Ring (2001), directed by Peter Jackson, was the Ring of
Power. Once greater attention is payed to the Ring, there are many hints at it's consciousness, from the statement that the ring has a will of it's own to
the hints at Sauron's very soul being part of the ring. With it's will to dominate and direct alliances to Sauron, it's obvious why the Ring is so enticing
as a character. The One Ring is an extension of Sauron himself, having a certain duality with Mordor's dark lord. While Frodo and Gandalf were
speaking in Bilbo Baggins's house, Gandalf stated, "The spirit of Sauron has endured. His life force is bound to the Ring and the Ring survived ...
Sauron needs only this Ring to cover all the lands in the second darkness. ... Show more content on Helpwriting.net ...
For the Ring yearns, above all else, to return to the hand of its master: they are one, the Ring and the Dark Lord." If Sauron's life force is tied to the
Ring, wouldn't that have to mean the Ring is alive as well? The Ring yearns, a response that is inherent to living things. Not only does it feel desire,
but in Galadriel's introduction for the film it is explained that the very essence of the Ring is cruelty, malice, and the will to dominate all life. Then,
only moments later, it is explained that the Ring did not intend for a hobbit to pick it up. An inanimate object cannot have intent or will. The mystery
of what fuels the Ring's desire for control and the intense power it carries is something that tempts the humans in Mordor and sparks curiosity in those
who are watching the

Darkness extended over all of Middle–Earth like a veil during the time of war. New laws were enforced and the citizens' freedom was taken away.
Frodo's magic ring represents the unsustainability of the environment, and the characters of Middle–Earth. In The Lord of the Rings, Tolkien uses the
magic ring to reflect the politics of sustainability, by drawing from his own life experiences. Two philosophers, Scruton and Hart write their recipes for
sustainability. Scruton believes that finding the right balance between beauty and piety can result in a love of place and sustainability. Hart writes
about anarcho–monarchism and states that finding the balance between anarchy, monarchism, and dictatorship, can lead to a sustainable culture. In ...
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Once the magic ring was destroyed, the dark spell was lifted, the battlefield action ceased, and the war was over. War is unstable, both for people
physically and mentally, and for the environment. Once a war is started, environmental sustainability is not a big priority. Destroying the enemy is the
purpose of war, but even when we use precise weapons, additional damage also occurs. This unintentional damage can destroy ecosystems, and
disregards the importance of protecting recourses. To be sustainable, humans must stop destroying the natural systems. (Cairns, 2)
Frodo's magic ring symbolizes unsustainability. The ring caused war and brought out the greed for power in individuals. Obtaining an object such as
the ring causes isolation of the carrier, and the feelings of desire and temptation are overwhelming (Carpenter, 431). Anarcho–monarchists believe
societies should have a person to represent the culture of the community as a whole. Their job does not include possessing more authority than others;
the representative would have no power. Other members of the community would owe the representative nothing. David Hart related this idea of a
powerless ruler, to the king piece in a game of chess. The king is "the most useless piece on the board, which occupies its square simply to prevent
any other piece from doing so, but which is somehow still the whole game". The second principle of the Earth Charter addressed the importance of
caring for the community with

Everyone tells story. Most are about things that are not real and unnatural. Look at the Brothers Grimm. If they were alive today, they would be
making a fortune because of all the movies and books there are. Jonathan Tolkien dreamt about an alternate world, with a mix of languages and songs.
The stories grabbed the minds of thousands and grew an empire. The Lord of the Rings series was by far one of the most successful books series in
history. The main issue in the entire series is the One Ring. The one that Frodo and Bilbo Baggins carried around. However if you look into it closely,
the main point to the One Ring is to represent power and temptation.
I.Biography
Childhood of Tolkien
John Ronald Reuel Tolkien was born in Bloemfontein, South Africa, on January 3, 1892, to Arthur Tolkien and Mabel Suffield Tolkien. After his dad
died from peritonitis three years later, Mabel took Tolkien, and his younger brother Hilary, to Sarehole, near Birmingham, England. Mabel started to
teach Tolkien at an early age. She taught him about botany. Tolkien liked to draw landscapes, but he had a great interest in languages, such as Greek,
Anglo–Saxon and Finnish. He could read by age four and could write soon afterwards. He disliked Treasure Island and The Pied Piper. He did like
the works of George MacDonald and Alice's Adventures in Wonderland. When Mabel died in 1904 from diabetes, the two brothers were sent to live
with the family's Catholic priest, Father Francis

Comparing Sauron's Ring And The Lord Of The Rings
At its core, Manicheans believe that the universe is centrally dominated by two competing forces of good and evil. The good forces represent the
light side while the bad/evil forces are the dark side. By taking a Manichianist view, we are acknowledging an idea that evil is a real force/presence in
its own right. According to this view,evil is equally as powerful as the good and the two sides are in a state of eternal war. I think a movie like The
Lord of the Rings can arguably represent a Manichean story. Specifically, I think that Sauron's Ring represents something that is inherently evil. In this
case, Sauron's Ring does not represent something that lacks goodness, but is rather some type of evil force that has no other purpose besides pure
evil. The entirety of the series depicts the struggle between to forces of good (i.e. the ... Show more content on Helpwriting.net ...
This view contends that everything that exists is inherently good and thus anything that is viewed as evil simply means that it's inherent
"goodness" is lacking and/or absent and/or corrupted. Another facet of this Platonic thought towards this "form of the good" is that Plato also
asserts the claim that the less perfect that something is, or the less amount of goodness that a person/object contains, the less real that thing is in
the physical world. In this case, evil is simply an illusion instead of some powerful force that is pitted against the good. Perhaps this is why
Christians were so willing to accept it. If all evil is simply a result of a lack of goodness, then all things are able to be saved if we can find a way to
restore the goodness of an individual or an object through the work of ministry. According to Rowlands, Plato's thought of the forms also instilled a
notion of the non–physical existence of a soul and Christians utilized Plato's ideas of perfect forms to envision what heaven would be

Tzvetan Todorov, the author of The Fantastic: A Structural Approach to a Literary Genre, defined fantasy as "the creation of a moment of hesitation
between two worlds"(qtd. Kelly, Course Introduction 2). This description of the genre compliments J.R.R Tolkien's The Lord Of The Rings trilogy due
to the author's use of sub–creation to construct his alternate world. Tolkien believed that the way to create a believable, all–encompassing world was to
combine fragments of reality, or the "primary world", together to construct a new, seemingly credible "secondary world". Sub–creation, if successful,
forms an alternate but parallel world to reality, "which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of the... Show
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Here, Tolkien signifies that humans were moulded in the likeness of God, the ultimate creator; therefore we are able to, and should, create. This
quotation highlights how his Catholic belief deeply influenced his personal philosophy, which in turn affected his writing of The Lord Of The Rings.
Numerous parallels can be drawn between Christianity and the trilogy, such as that between God and The Creator Eru, who was the source of all life
on Arda. Furthermore, like God, all that was created by Eru was once good, even Sauron, and it is outside forces such as power, corruption and greed
that twist what is good and make it bad. Tolkien's creationist philosophy is evident and his embedded Christian messages were his attempt to reinforce
his religious beliefs on a world that he felt had become too secular.
It is widely known that Tolkien detested the allegorical assumptions made about his work. The author insisted that allegory was restrictive to readers
and he preferred 'history, whether real or feigned'(Tolkien I, 12). As Ursula Le Guin states "
fantasy is nothing but the writer's view of the world"
highlighting that fact that Tolkien's life experiences heavily influenced his work (qtd Kelly, 27). Tolkien's work reflects and comments on 20th Century
Western society and in doing so, enlightens his readers of a past time. In fact, this is demonstrated outright by

On Tolkien's "The Lord of the Rings
Final Paper– Evaluation Argument A Paper on the Complete Awesomeness of The Lord of the Rings by J.R.R. Tolkien A good book according to
Jim Menick, a writer for Reader Digest, must have believable and lovable characters, narrative drive, and stories that are entertaining rather than
disturbing (Menick). A story's characters must have depth, and feel real to the reader. If a character seems false, the whole book will. A book has to
have a captivating storyline or readers will lose interest, it has to hold their attention; a good story line is the backbone of any good book. Finally, a
good book must transport the reader into the world of the story, whether it is a future civilization, a past society, a current civilization, or a... Show more
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Around the time of World War I and World War II Tolkien could see that the world was becoming more globalized, industrialized, and that many
cultures and nations were being overshadowed by others that thought themselves superior. The Lord of the Rings has a hidden point to be made,
a point that goes farther that the Ring or the Fellowship; it is that language is just as important and as much a part of culture as the people and
histories themselves, and it must be preserved. Tolkien uses much imagery in The Lord of the Rings, so much that reading the book almost
becomes like reading a geography book. David Day wrote A Tolkien Bestiary in which is an alphabetical list of all of the creatures, peoples, places,
and plants mentioned throughout Tolkien's books, notes and letters. In Day's book he created a map of Middle Earth and the Undying Lands using
Tolkien's descriptions in his works. Figure http://aidanmoher.com/blog/page/3/ Few books on the market today provide such stunning details about
the settings features, few authors think it matters, but it really adds to the story and can make a reader feel as if they have just fallen through a
portal into another world. Though the complete history of Middle Earth and its people are not given fully in any of The Lord of the Rings books,
Tolkien comprised an actual history for this world. In most books a character will say, "I'd tell you the whole story, but it's far too long, so I'm only
going to tell you a part of

"The pent waters spread out into a long oval lake, pale Nen Hithoel, fenced by steep grey hills.... At the far southern end rose three peaks. The
midmost stood somewhat forward from the others and sundered from them, an island in the waters, about which the flowing River flung pale
shimmering arms. Distant but deep there came upon the wind a roaring sound like the roll of thunder heard far away... I hear the endless voice of
Rauros calling."
Effectively, J.R.R. Tolkien's description of the scenery that surrounds enormous, cascading Falls of Rauros from Lord of the Rings: The Fellowship
of the Ring could serve as a metaphoric review for any album that the black metal band Falls of Rauros release. Since 2005, the band have been
incorporating flourishes ... Show more content on Helpwriting.net ...
Aaron' Charles catches you off–guard as traumatic shrieks erupt from acoustic passages in "Labyrinth Unfolding Echoes" which in turn signals a
drone–like interlude of isolated drums and cavernous bass. "Impermanence Streaked Through Marble" also displays this progressive nature. Due to the
mellifluous riffs and increasingly tortured vocals and subtle choir–like synth, the sylvan atmosphere is more tangible on this song than its predecessors.
It's in these last final moments that "Vigilance Perennial" wraps its cold embrace around your spirit and lifts you into the skies. If the entire album
resembled the last 3 minutes, there'd be no denying its

Lord Of The Rings : Synopsis
пЃ¶Chapter 1 Many Meetings
пѓ Frodo wakes up a couple days later in Rivendell
пѓ He sees Gandalf sitting next to his bed
пѓ Elrond who is the Master of Rivendell healed him
пѓ The piece of the Black Riders knife penetrated his shoulder and was moving to his heart
пѓ If it hit his heart he would be like the black riders
пѓ The riders are Ringewraiths
п‚§Are at the command of the Lord of the Rings
п‚§The riders were hit by water and were taken away from the help of Elron and Gandolf who released the water from The Bruinen River
пѓ Frodo goes to dinner with Elrond at his table
пѓ Elrond's daughter is Arwen Evenstar
пѓ Frodo starts talking to a dwarf named Gloin who tells him the history if the Dwarves
пѓ Bilbo is at the party as well and asks to see the ring
пѓ Frodo refuses to how it to him
пѓ Prediction: Bilbo will try to steal the ring
пѓ Going to sleep is awaken by Bilbo song
пѓ Goes back to sleep to be ready to see the Council
пЃ¶Chapter 2 The Council of Elrond
пѓ Frodo and Bilbo go to the Council
пѓ Gloin is worried something happened to the Dwarf King named Balin who went to the Mines of Moria to bring together the lands like it used to be
пѓ A massager from Mordor wants to make peace and join forces by offering them Rings of Power to tell him news about a particular hobbit
пѓ Elrond tells the history of the these Rings and how Sauron had one to rule the rest of the rings
пѓ These rings were made by Elven Smiths in the Second Age
пѓ A great battle occurred and Isidur cut the ring the ring

Allusions In Lord Of The Rings
Among other things, Tolkien was perhaps chiefly a scholar of mythology, and despite his dislike of allegory, his universe is shot through with
mythological archetypes. Among Tolkien's obvious mythological influences (Biblical, Celtic, Norse, and Arthurian mythologies, etc.), I believe
Biblical held the most significant effect on The Lord of the Rings, albeit Finnish/Nordic appears more so than any other. Additionally, Tolkien wanted
to publish The Silmarillion and The Lord of the Rings together, since he saw them as connected mythological cycles. To a degree, one's reading of The
Lord of the Rings, is deepened by a knowledge of The Silmarillion, not just on the level of setting or context, but in terms of literary theme, symbol, and
characterization. ... Show more content on Helpwriting.net ...
This theme is related to that of when Jesus calls you to do a job are you willing to leave everything behind to accomplish it, even if it means
sacrificing your house, possessions, your own life, or even your child's. To a degree, one's reading of The Lord of the Rings, is deepened by a
knowledge of The Silmarillion, not just on the level of setting or context, but in terms of literary theme, symbol, and characterization. In terms of
symbolism, without reading The Silmarillion beforehand, one would not truly understand the severity of certain character's explanations. For example,
in the chapter Shadow of the Past, Sam Gamgee depicts elves setting sail and leaving for the west. "And I've heard tell that Elves are moving west.
They do say they are going to the harbours, out away beyond the White Towers...Grey Havens, from which at times elven–ships set sail, never to return.
They are sailing, sailing, sailing over the sea, they are going into the West and leaving us" (Tolkien 45.) To the average reader of Lord of the Rings,
one might just assume, "oh...they are going to sail westward to another land. No big deal, why is Sam freaking out over such a small detail." When in
reality, Sam was recalling the tale of the elves sailing west toward Valinar, as they left Middle
–Earth after the destruction caused in the First Age, all
coincidentally when Elves are

The Hobbit And The Lord Of The Rings
The purpose of my timeline is to explore the illustrative work produced by J.R.R Tolkien in his life time including his great literary works The
Hobbit and The Lord of the Rings and how each was developed from its humble beginning as sketched and visualised thoughts as aids to a complex
story to the massively popular film and gaming franchise it has become. More specifically I shall be investigating how the nature of Tolkien's art work
originally produced for his stories has shifted in societies field of perception and has essentially branched into a new means of representation due t
modern developments in technology.
I shall be reviewing and analysing 3 books in this literature review, this includes 2 books focused on J.R.R. Tolkien as an... Show more content on
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Tolkien edited by 2 of the most prolific and renowned Tolkien scholars of the modern age, Wayne G. Hammond and Christina Scull. These 2 writers
and scholars were also responsible for the publication of the source I spoke of previously, J.R.R Tolkien Artist and Illustrator and so similar images
and a familiar writing style appear in this

Analysis Of ' The Lord Of The Rings '
Danielle McDermott
Dr. Oldakowski
College Writing
Research Paper
12/3/14
J.R.R Tolkien and WWI Influence in The Lord of the Rings War has affected the lives of people since the beginning of civilization. Even General
Sherman, famous for his March to the Sea in America 's Civil War, was known for his saying, "War is Hell." That idea would only prove to be all too
true for the soldiers of World War I. J.R.R Tolkien was among the young men that struggled for survival in the damp and deplorable trenches as
enemy fire hailed from the sky and bombs decimated the terrain around them. Many soldiers returned home, physically and mentally traumatized.
J.R.R. Tolkien was no different, and returned home from the war after losing two of his closest friends, suffering from trench fever, and struggling to
acclimate back into normal civilian life (Wood 7). The war left an imprint on him, just as it did many other WWI writers, such as Ernest Hemingway
and Robert Graves (Ott 1). Tolkien used his writings as a way to escape his trauma, but the scars followed him even into his mythopedia of
Middle–earth as he wrote The Lord of the Rings. Sam, Frodo, and other characters, like Aragorn, suffered through similar physical tribulations such as
horrid sights of rotting corpses, as well as emotional struggles, such as feelings of despair, similar to the soldiers of World War I (Ott 5). The various
emotional and physical vicissitudes that Sam and Frodo encountered were similar to those suffered by

The Lord of the Rings series is arguably John Ronald Reuel Tolkien's (aka J.R.R. Tolkien) most notable work. J.R.R. Tolkien's story was impactful due
to his creation of rich, profound mythological worlds. His religious and moral beliefs are carefully crafted into the narrative by representation of
Christian–inspired themes such as sin, salvation, redemption, etc. The series' influence expanded past the written work into a film trilogy written by
Peter Jackson. The films further explored the story's religious influences through the visual and auditory medium. The Lord of the Rings was influenced
by Christian and Catholic ideologies. вЂЁTolkien was an English poet, professor, philologist, and writer. It is apparent that many of his writings...
The sense of wonder and boundless inspiration for the world of The Lord of the Rings was sparked in a dark, war–ridden environment in
correspondence with his spirituality and the teachings of his Roman Catholic upbringing. J.R.R. Tolkien's friendship with Clive Staples Lewis was
another significant influence to the development of this tale. This companionship was mutually beneficially. The two friends both J.R.R. Tolkien (left),
C.S. Lewis (right) took interest in the communication of supernatural components in fiction literature. While Tolkien expressed to Lewis the
importance of Gospel narratives in fiction, Lewis ultimately impacted the Tolkien's confidence. Tolkien's ideas were deeply rooted in his personal
beliefs and often kept his work to small audiences. He was afraid the philosophical nature of his work would do poorly with the public. In addition,
Tolkien was concerned his work would be interpreted as paganism instead of the careful Christian–influenced balance he intended. However, C.S.
Lewis was confident in Tolkien's work. Lewis encouraged him to publish and share his work with the masses. This outside assurance spurred J.R.R.
Tolkien to continue writing and publishing his stories.вЂЁBetween 1937 and 1949, an epic fantasy book series was being conceived by J.R.R. Tolkien.
This series is known today as The Lord of the Rings. To summarize, the fate of the Middle Earth is put in the hands of Frodo Baggins, the Ringbearer,
an unlikely hero, by

Some stories can affect people emotionally, but once in a while a story can call a person to escape to it. The Lord of the Rings is an enchanting story
with masterful use of setting and sensational characters that engages readers and can move them to experience life in a deeper way. As a child J.R.R.
Tolkien lived in Africa until his father passed away. Then his mother moved them to England. Mrs. Tolkien made certain that her children learned
literature and languages. It was probably due somewhat to his mother's influence that Tolkien became who he was: an author and a linguist (Corday).
Tolkien had a special interest in "obscure" languages, even to the point of creating his own. He called it High–Elven and often in his stories he used
the language. Tolkien also invented an entire world called Middle Earth where The Lord of the Rings takes place. Because he had invented this world
it had to bow to his will and rules. He was an accomplished linguist and this greatly helped his ability to vividly portray and create in the reader's
mind Middle Earth, a place that no person has ever been (Corday).
Charters defines setting as "the place and time of the story." Also according to Charters, "When the writer locates the narrative in a physical setting, the
reader is moved along step by step toward acceptance of the fiction" (Charters 1008).
Tolkien's setting gives the reader a sense of goodness or malevolence. Unlike an environment that is removed from the work, Tolkien's setting

The darkness that had extended over Middle–Earth, lifted like a veil the moment the magic ring was destroyed. New laws were enforced and the
citizens' freedom was taken away. In The Lord of the Rings, Tolkien uses the magic ring to reflect the politics of sustainability, therefore exploring the
hardships of an unsustainable community. Frodo's magic ring represents the ruthless actions of the creatures of Middle–Earth. Two philosophers,
Scruton and Hart write their recipes for sustainability. Scruton believes that finding the right balance between beauty and piety can result in a love of
place and sustainability. Hart writes about anarcho–monarchism and states that finding the balance between anarchy, monarchism, and dictatorship, can
lead ... Show more content on Helpwriting.net ...
He had carried the ring for so long, his will power began to fade. (Tolkien 947) War is unstable, both for people physically and mentally, and for the
environment. Once a war is started, environmental sustainability is not a big priority. Destroying the enemy is the purpose of war, but even when we
use precise weapons, additional damage also occurs. This unintentional damage can destroy ecosystems, and disregards the importance of protecting
recourses. To be sustainable, humans must stop destroying the natural systems (Cairns 2).
Frodo's magic ring symbolizes unsustainability. The ring caused war and brought out the greed for power in individuals. Obtaining an object such as
the ring causes isolation of the carrier, and the feelings of desire and temptation are overwhelming (Carpenter 431). In contrast to the power that the
ring gave to the wearer, Anarcho–monarchists believe societies should have a person to represent the culture of the community as a whole. The
representative's job does not include possessing more authority than others and does not impart any power on the individual. Other members of the
community would owe the representative nothing. David Hart related this idea of a powerless ruler, to the king piece in a game of chess. The king is
"the most useless piece on the board, which occupies its square simply to prevent any other piece from doing so, but which is somehow still the whole
game". This way of ruling

One might argue that attaining great power exists as one of the main goals of life, where one gains an amount of control and keeps that control to
bask in one's own success of the manipulation. Whether power be raising a family or a farm, controlling a business, or ruling a nation, power can
often be seen as a gauge of success, and once one obtains power, renouncing that power remains generally out of the question. A few remarkable events
in history and literature demonstrate how individuals who come into great power have a great enough will to then leave their posts of command. An
example of this in the history of the United States is when George Washington renounced his post as Commander in Chief after two four year terms,
then setting the precedent for all Presidents to follow. Arguably some of the most profound examples of the renunciation of power in literature are
written by J.R.R. Tolkien inThe Lord of the Rings, where the ultimate power source created contains enough power that the master of the Ring
becomes in turn the master of Middle Earth, and absolute power follows in accordance to absolute corruption of he who possesses it. Many a man
and creature wields the Ring, falling to the temptation of its power and the poison of its possession, bringing about death and evil life to the masters
of the Ring.In Tolkien's The Lord of the Rings, the wizard Gandalf renounces the power of the Ring offered to him by Frodo on the account that
Gandalf's appointed task stands not

The Lord Of The Ring Essay
It takes time for a person to developed, no one knows who they are from the very beginning. People/characters go through events in their life that
changes them for better or for worse. In The Lord of the Ring by J.R.R Tolkien we encounter many character that shows growth but one character that
develops for the better is Aragorn. The first thing we are told about Aragorn is fromGandalf letter to Frodo "Not all gold glitter" which tells the reader
to not underestimate him, but when Aragorn is first introduced in the story, we assume he is just a ranger and nothing more, he doesn't seem like
someone which much help or of use but it turns out that he is actually Isildur heir which makes him the rightful king of Gondor, and as we later see in
the novel one of the biggest help they could of find. Aragorn's character grows so much from his motivation to protect middle earth, his interaction
with the people around him and finally his acceptance as role of king. The first key characteristic for Aragorn character would have to be his
motivation to protect middle earth form Sauron evil. Throughout the novel we see how Aragorn motivation encourages him and pushes him to continue
on with his mission and the journey. His first mission was to get Frodo to Mordor to destroy the ring. which he does with the company of the ring. but
even when they get separated Aragorn does not let the journey end. He knows It can't just end without doing anything so he takes action to complete

The Lord Of The Rings: The Fellowship Of The Ring
I enjoyed reading the excerpt from J.R.R. Tolkien's Lord of the Rings: the Fellowship of the Ring since it was an exciting story, unlike the other
readings. In English Part One and Part Two, most of the readings were nonfictional, and those that were fictional were mostly short stories with simple
plots. However, I enjoyed The Hobbit since it was a part of a novel. Unlike the other short stories, the plot had many facets and was action–packed;
therefore, it was more intriguing to read.
The Fellowship of the Ring is teeming with literary devices that intensifies the story and allows the reader envision the scene. In the lines, "Everything
looked fresh, and the green of Spring was shimmering in the fields and on the tips of the trees' fingers," ... Show more content on Helpwriting.net ...
During the visit, the wise and knowledgeable Gandalf explains the quest to the ignorant Frodo. He is dumbfounded and bombards him with one
question after another asking, "In what way ... How terrifying ... How long have you known all this ... I would get all right in time, wouldn't I?"
Frodo's reaction to the Gandalf's lengthy explanation of the quest reminded me of experience journeying through Algebra. High school Algebra has
never been my strongest subject. My Algebra teacher is much richer in knowledge than me so I would always pay close and careful attention to the
teacher's lessons (like Frodo attentively listening to Gandalf), but they would often leave me with a lot of questions, including feelings of terror and
self–doubt. Initially Frodo complains about the situation he is in by saying, "I am not made for perilous quests. I wish I had never seen the Ring!
Why did it come to me? Like Frodo, I would also complain about how I needed to study Algebra and think, "I am unfit to do this. Why do I have to
do this? Perhaps I should just get a job at McDonalds..." Despite the doubts, Frodo agrees to the journey, and I continued to focus on improving my
algebra

People are always looking for good ways to entertain themselves. Over the past few hundred years, several art forms have become a commonplace
in society, such as plays, music, drawings, books, and, more recently, movies. Books and movies are two that have stomped their way into society
with no remorse. They have been great ways to express people's opinions, make social statements, and most importantly, entertain audiences. Both of
these have had a profound effect on the world, whether it be through changing a way of life or just by making time pass for a few hours. Certain
books and movies have played great roles in the world and had many influences. The Lord of the Rings has had a massively positive effect on both
literature and film. Its creation has led to many positives and in doing so has become one of the most influential stories ever created. It has also led to
some major impacts outside of literature and the film industry as well.
Fantasy books have been around for a long time; however, the fantasy that people think of today has only been around for close to a century.
Modern fantasy can very much be credited to J.R.R. Tolkien and his Lord of the Rings book series. According to author Katie Behrens' article
"Myth, Fairy Tales, & Children: A Brief History of Fantasy", The Lord of the Rings has had a profound effect on shaping fantasy into what it is today.
She states in her article that the fantasy genre began with classics from mythology as they explored tales of

In a letter to one Milton Waldman, J.R.R. Tolkien explains that "myth and fairy
–story must, as all art, reflect and contain in solution elements of moral
and religious truth (or error), but not explicit, not in the known form of the primary 'real ' world." As The Lord Of The Rings is, by Tolkien's
definition, a fairy–story, it would be correct to assume that it, too, contains "elements of moral and religious truth." However, many who read Lord Of
The Rings dispute the trilogy's religious content. Tolkien states, "The Lord Of The Rings is of course a fundamentally religious and Catholic work...
That is why I have not put in, or have cut out, practically all references to anything like 'religion'..." Tolkien sprinkles bits of Christianity into Middle
Earth to create an ultimately Christian work through his creation of a tripartite Christ figure, his inclusion of pity as a means of self–sustainment, and
his working of providence throughout his characters' toils. Tolkien has written a Christian work largely reinforced by the tripartite Christ figure he
created among the characters of Aragorn, Gandalf, and Frodo. The three–character Christ figure is symbolic (as opposed to a single or two–part Christ
figure) as each of the three characters represents a portion of the Holy Trinity: Father, Son, and Holy Spirit.
It is Aragorn who takes the part of The Father: he is the King and the heir of Isildur. When he was young, his father was killed, so his mother brought
him to be under

Review Of ' The Lord Of The Rings '
The incredible complexity of Gollum is evident to anyone who watches the Lord of the Rings trilogy. Although he is a CGI character, he offers great
emotional depth. There is never any doubt that he is just as real and important as the movies' non CGI characters. Clearly, animators painstakingly
created Gollum to achieve this realism; however, what audiences are less aware of, myself included, is the extremes that Andy Serkis, the actor behind
Gollum, went to in order to create him. Now, Serkis is well known as an actor who can achieve incredible physical transformations. Roles including
Gollum in the Lord of the Rings and Hobbit movies, King Kong in King Kong, and the ape Caesar in the Planet of the Apes movies have made Serkis
a household ... Show more content on Helpwriting.net ...
They look up on–screen and see me in those roles" (cite NPR) To achieve his masterful physical transformation into Gollum, Serkis started with the
character's voice. Serkis states that he wanted "to find the construction in [Gollum's] throat, the source of his pain" (cite Guardian). He viewed
Gollum's voice as intrinsically linked to his physicality, with Gollum's body being controlled by the ring and then his voice and the gollum sounds
he makes being an involuntary manifestation. Accidently, Serkis used his own pet cat to create Gollum's distinctive voice. He noticed how when his
cat threw up a furball, it was "like the whole body writhes from the tip of the neck to the tip of the tail and convulses. And you see this ripple goes
down its spine" (cite NPR). Although Serkis started with Gollum's voice, the character's voice and his physicality were always linked. This technique
is reminiscent with our own experiments with animal masks in class. While working on our character pieces, we picked an animal that matched that
character and then experienced the character as that animal. This method proves to be incredibly helpful because it allows the actor to uncover a
hidden side of the character––that animal nature we all have but suppress as civilized members of society. Watching Serkis' performance

The Lord Of The Rings: The Fellowship Of The Ring
J.R.R. Tolkien's novel The Lord of the Rings: The Fellowship of the Ring is an epic adventure through the mythical world of Middle Earth and the
kingdoms that encompass it. The world is in turmoil, a dark and powerful enemy named Sauron has returned. This story includes many diverse races
throughout this vast continent. Hobbits, elves, dwarves, wizards, and men must once again work together to defeat this long–forgotten adversary. The
ring of power has been found, and the Dark Lord desperately wants it back. The ever–present evil of the ring entices even the most selfless individuals'
desire to possess the ring and to utilize its power. True wisdom is the ability to recognize personal weaknesses and to resist the temptation of the ring....
With their help the hobbits make it to Rivendell where they are re–united with Gandalf and Bilbo. The Elven Lord Elrond convenes a council where
the ring is discussed at great length and Frodo learns how powerful it truly is, because even the wise wizard Saruman the White has been possessed
by Saruman. "It is perilous to study too deeply the arts of the Enemy, for good or for ill." Saruman's desire for knowledge of the ring left him
vulnerable to Sauron's evil, and now he has become a pawn to the Dark Lord. Also present at this council is Boromir from the kingdom of Gondor.
When he learns of the power of the ring, he immediately desires it and asserts that he will use its great power to destroy their enemy and bring
peace. Elrond wisely responds, "We cannot use the Ruling Ring. That we now know too well. It belongs to Sauron and was made by him alone,
and is altogether evil. Its strength, Boromir, is too great for anyone to wield at will, save only those who have already a great power of their own.
But for them it holds an even deadlier peril. The very desire of it corrupts the heart." It is decided the ring must be destroyed in the place that it was
made, Sauron's kingdom of Mordor. Frodo agrees to accompany and hold the ring, and he is escorted on this quest by: Gandalf, Aragorn, Gimli,
Legolas, Boromir, Pippin, Merry, and Sam. Elrond thusly titles the nine of them to be

"Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be so eager to deal out death in judgment." –
Gandalf, in the Lord of the Rings: The Fellowship of the Ring, by J.R.R. Tolkien. Many people question whether the death penalty is right or
wrong. Issues regarding the possibility of putting an innocent person to death based on faulty investigative work and a flawed legal system are
often explored. References to the concept of lex talionis are made, wondering why rapists are not raped and sadists are not beaten in a legal system
that kills killers. So, is the death penalty genuinely considered justice, or is it blood thirst? Now considering the unpredictability of the American
criminal justice system, meaning that laws are constantly being subject to individual judgment or preference by a court or judge rather than a
specific law or statue, there is great room for error in both the conviction and execution of the accused. On the other end of the spectrum, let us not
forget society pressuring overworked law enforcement officers to solve crimes leading to mistakes and failure to follow all evidence just to close a
case to satisfy society. As humans, we are an inevitable force of error. However, when a life is at stake, error should not be an option. Some would
argue that there are more than enough roadblocks in the judicial system to protect the innocent, and that the American justice system follows the motto
'innocent until

The Lord of The Rings Universe
Dark, imposing, devious, powerful beyond measure, Sauron is evil personified in the Lord of the Rings universe. He is the be all and end all
when it comes to villiany in the Lord of the Rings tale. He is a major reason that the Lord of the Rings is regarded as a pinnacle of epic fantasy
story telling. But he is not an overly complex villain, with morally gray motivations that some may say are required if an evil character, especially the
central one, is to be regarded as important and beneficial to the plot. But the genius of Sauron's villaint is his absence of complex reasoning or motives
that could be seen as not entirely evil. His one goal is to destroy the world of men. He can't be reasoned with or sympathized with, and this is ... Show
Gandalf describes how it would corrupt him when Frodo asks him to take it, saying "Do not tempt me! For I do not wish to become lie the Dark
Lord himself. Yet the way of the Ring to my heart is by pity, pity for weakness and the desire of strength to do good." This is an important aspect
of Sauron's evil, as it is shwon throughout the story that while there are many that wish to do good, they are not strong enough to resist the Ring, or
what it would do to them. When these characters fail, such as Boromir, it allows the reader to see just how twisted Sauron is, and how heroic and
steadfast the other protagonists, such as Frodo must be in order to accomplish their goals. Frodo isn't the only prominent character to be forced to
become someone greater than who they begin as because of the unstoppable evil of Sauron. Aragorn also comes from humble beginnings to change
for the better. When we are first introduced to his character, he is a ranger. Quiet, lonely and brooding, no one knows much about him, and he keeps
to himself. He described by Frodo as a "strange–looking, weather–beaten man, sitting in the shadows near the wall." This isn't the description one
would think of when describing the heir to the throne of the Kingdom of men, but at the beginning of the story, Aragorn does not fulfill that role. He
is afraid to take responsibility to care for anyone but himself. This is why he is afraid to claim

The Lord Of The Ring
The Lord of the Ring
J.R.R Tolkien
Setting the western, middle, and southern region of Middle earth in the third age
Character
Frodo – a Hobbit with the one ring and has to take it into the land of Mordor and throw it into Mount Doom
Sam – a Hobbit who is Frodo's best friend who helps Frodo on his journey and come with him to the end
Peregrin Took– a Hobbit call Pippin, who is Frodo's friend and he helps Frodo on his journey
Merry – a Hobbit who is Frodo's friend and he helps Frodo on his journey
Gandalf the GrayWhite – a wise gray wizard who helps Frodo on his journey and die in Moria and then he turns into a white wizard and gets stronger.
Legolas – an elf who helps Frodo on his journey
Gimli – a dwarf who helps Frodo on his journey
Aragorn – the heir to Gondor 's throne who helps Frodo on his
Boromir – The stewards son who helps Frodo on his journey
Journey who is killed
Bilbo – Frodo's uncle
Elrond – an elf who helps Frodo
Galadriel – The queen of Lothlorien
Chelaborn – The king of Lothlorien
Arwen – Aragorn 's girl friend
Hardir – The leader of the Galadhrim
Faramir – The stewards son who helps Frodo on his journey
Beregond – Pippin's friend
Imrahil – The prince of Dol Amroth
Denethor – The steward

Halbarad – The flag bearer of the Gray Company
Theoden – The king of Rohan
Eomer – The Third Marshal of the Mark
Eowyn – Theoden's daughter
Sauron – The dark Lord
Saruman – Leader of the White Council
Wormtongue – Saruman's assistant
Gollum – a deformed hobbit

The Hobbit And Lord Of The Rings
Once upon a time, before more mainstream genre–defining fantasy works such as The Hobbit and Lord of the Rings, before there even existed an
actual fantasy genre at all, Lord Dunsany masterfully crafted the fantastical The King of Elfland's Daughter, an opulent tapestry of a tale of what could
happen in a typical fairy tale following the "happily ever after." Writing in the early years of the twentieth century, Lord Dunsany was a pioneer in the
fantasy genre. He very much belonged to an earlier, perhaps more enlightened age, when fantasy writers were known for the beauty of their prose as
much as the fantastical nature of their stories. In her essay "From Elfland to Poughkeepsie," Ursula K. Le Guin, author and fanatic of fantasy ... Show
Le Guin sees the act of speech in fantasy as the act of creation – only the author can create (95), and Lord Dunsany is a masterful creator in this sense.
Since the rules of our world cannot be used to understand fantastical realms, it is entirely fitting that our language is not adequate for fantasy,
either. "To create what Tolkien calls 'a secondary universe' is to make a new world. A world where no voice has ever spoken before; where the act
of speech is the act of creation. The only voice that speaks there is the creator's voice. And every word counts" (Le Guin 95). Because of his lack of
dialogue, this statement is especially true for Dunsany, who Le Guin maintains is the "most imitated, and the most inimitable, writer of fantasy" (88).
Dunsany's descriptions of landscape, and the words his characters inhabit, make up the majority of The King of Elfland's Daughter. We cannot rely on
the characters to explain how the world they live in works, nor can we infer this information through character interaction. We must rely almost entirely
on the words Dunsany uses in his descriptions to understand his worlds. Typical sentence structure and vocabulary cannot give the reader the sense of
wonder Dunsany aims to convey about his worlds, whether they be "typical English woods," or Elfland. Dunsany's language functions in a poetic and
musical style, and the repetition of certain phrases helps give his language this effect. It is

Is Lord Of The Rings Allegorical?
Is Lord of the Rings allegorical?
Perhaps the most common comment about J.R.R. Tolkien's, Lord of the Rings, is that it is an epic allegory of the battle between good and evil.
This comment may come naturally after the first reading of the book, however a deeper and more serious analysis could show a more complex
version of the literary text. J.R.R Tolkien wrote 'Lord of the Rings' in between of the two World Wars. Essentially, it is justifiably considered as a book
that allegorically captured what the author and the rest of the civilizations faced by that period of time.
First of all, the horror and the stress of a war, the brutalisation and the constant try not to lose hope. It's also worth of mentioning that the enemy is
coming from the East and threatens to destroy the culture of the West. Then there is the eye ofSauron which can be easily related to the New Order of
the Second World... Show more content on Helpwriting.net ...
Moreover, the nature of evil and the mechanisms of action are an important issue in the text, but it is not the only one. 'Lord of the Rings', the most
mature and complex of the texts Tolkien had completed, might not be based on a well structured philosophy, but in the most orthodox principles of
Catholic ideology. The cosmogony of Middle Earth, the pervasive concerns about defeat, the endorsement of the death and the elevation of human
existence, the idea that human beings must lose something in order to achieve what is really worthy, are some of the issues and motivations that drive
the plot of the text. The author himself had mentioned the term 'strictu sensu' which is the christianic ideology, 'the sole creator is God.' Within this
theological context, it's expected to approach the nature of evil of the

Essay on The Lord of the Rings
The One Ring to rule them all
Thought–paper on
J. R.R. Tolkien's
The Lord of the Rings
By
Francis Byron P. Abao
97–06526
English 146
Inst. Emil Flores
Department of English and Comparative Literature
University of the Philippines
Diliman, Quezon City.
Submitted on
October 14, 2002.
The One Ring to rule them all
The Lord of the Rings is a three part epic fantasy by J.R.R. Tolkien about the struggle to destroy the One Ring of Power. Published in 1954, the work
remains as relevant today as ever, when the question of power and its consequences is concerned. In fact, the ... Show more content on Helpwriting.net

...
To the rulers of the three races (elves, dwarves, and men) Sauron gave the rings as gifts. The fourth race of Middle Earth, the hobbits, was perhaps too
small and inconsequential for him. In secrecy, Sauron forged the One Ring–––a master ring that would rule all the other rings and bring their wearers
under the domination of Sauron himself. It was the One Ring that would grant absolute power. But, as the story goes, Sauron's plan was
discovered before he could complete it, and the other races (the elves and dwarves) resisted him. Men were more easily corrupted by the rings,and
the rulers of men at that time became Ringwraiths, the most powerful and fearsome of Sauron's servants. Then there was a great war, for the
freedom of Middle Earth, a last alliance of men and elves (and dwarves, and all who resisted Sauron). In that war, the leader of men named Isildur
managed to sever Sauron's hand, cutting off the connection between Sauron and his One Ring. The effect was that Sauron's physical form was
destroyed, his spirit fled elsewhere, and his armies crumbled. In that moment of victory, Isildur had the chance to destroy the One Ring forever, by
throwing it into the flames of Mount Doom where it had been created. He refused. Isildur claimed the One Ring as his by right, and departed, much to
the dismay of the elves and all the others. But the Ring eventually betrayed

The story began as a consequence to Tolkien 's 1937 fantasy novel The Hobbit, but eventually improved into a much larger employment. Written in
stages between 1937 and 1949, The Lord of the Rings is the second pick–selling surprising ever written, with over 150 million carbon copy sold. The
Lord of the Rings is an epopoeia exalted–imagination recent written by English subcreator J.
The toil was initially intended by Tolkien to be one roll of a two–volume put, the other to be The Silmarillion, but this idea was dismission by his
publisher. For economic reasons The Lord of the Rings was proclaim in three volumes over the passage of a year from 29 July 1954 to 20 October
1955. The three volumes were titled The ... Show more content on Helpwriting.net ...
The Lord of the Rings has since been reprinted rhythmical times and interpret into 38 languages. Tolkien 's duty has been the subject of extensive
analysis of its themes and origins. The Lord of the Rings in its turn is considered to have had a great effect on recent fantasy; the impact of Tolkien 's
product is such that the use of the words "Tolkienian" and "Tolkienesque" have been recorded in the Oxford English Dictionary. The enduring
popularity of The Lord of the Rings has led to man references in popular educate, the founding of many societies by fans of Tolkien 's manufacture, and
the divulgation of many packet concerning Tolkien and his manufacture.
The Lord of the Rings has inspired, and continues to breathe, artwork, descant, nebula and plebvision, video games, and subsequent literature.
Award–attracting adaptations of The Lord of the Rings have been made for radio, theatre, and film. In 2003, it was named Britain 's pick–lief
surprising of all time in the BBC 's The Big Read.
Thousands of donkey's before the events of the novelty, the Dark Lord Sauron had fake the One Ring to rule the other Rings of Power and corrupt those
who wear them: the leaders of Men, Elves and Dwarves. He was inferior confute in battle by an alliance of Elves and Men led by Elendil and
Gil–galad. Isildur, a rule of Men, cut the One Ring from Sauron 's finger, assert it as an heirloom for his line, and Sauron squandered his medicinal
figure. When Isildur was

The Hobbit, And The Lord Of The Rings
The interaction of fate and free will in the primary world is a very complex, intertwined phenomenon. However, in Tolkien's works The Silmarillion,
The Hobbit, and The Lord of the Rings, there is a recognizable pattern that is set. More specifically this pattern regarding fate is established
cosmologically through his story of creation (the "Ainulindale"), and the precedent is set for how individual choice affects the events that follow. This
pattern will be used to establish how Tolkien views the effect of determination on determinism throughout his other works. According the story of the
"Ainulindale", the Valar Melkor attempted to go against the harmony of the song of Illuvatar.1 To this end he left to Middle Earth upon its creation to
...
Feanor chose freely to pursue the Silmarils, just as easily as he could have chosen to destroy the Silmarils. This calls into question the cosmology in The
Silmarillion, because Feanor essentially went against the will of the gods on Middle Earth at the time, and forsook his happy life for greed over a
physical object. He was allowed to make this choice however, and not even the gods stepped in the way to change his decision.6 Ultimately it was
irrelevant, however, due to the oath he invoked he was fated never to obtain the Silmarils, in fact they were eventually lost to everyone and caused
more death and chaos than the beauty they were intended to be.7 One such event that was spurred on by the chase for the Silmarils was the murder of
Thingol by the dwarves. This led to animosity that was prevalent in The Hobbit, which was thousands of years later.8 The acquisition of the Ring by
Bilbo is another matter of ambiguity when it comes to fate and free will, however it was stated explicitly that the Ring had agency and it's primary
goal was to return to it's master.9 The fact that the Ring exerted a type of free will in it's choices of bearers is an extraordinary feat, but ultimately it
serves the will of Sauron, so even

The Lord of the Rings by Peter Jackson is a trilogy series based off of the novel by J. R. R. Tolkien. It is about Frodo Baggins (Elijah Wood), a
hobbit, and his travels across the land to take a ring to a volcano. The purpose of his journey is to destroy the one ring that rules them all. The ring
is very dangerous, and takes over anyone that wears it. At first, many people were with this hobbit on his journey. After a while, the hobbit and his
neighbor, Samwise Gamgee (Sean Astin), split off the original group to take the ring themselves. The trilogy also has subplots filled with raging
wars and love. This trilogy is enjoyable for me to watch. The scenery and graphics are all believable and beautiful. They chose places with beautiful
backgrounds filled with hills, fields, and mountains. The story has many hidden details, too. J. R. R. Tolkien created languages for his story. He
created an ancestry line to each character along with backstory for why they are there. It is amazing to think of this trilogy in its entirety, with the
hidden details as well as the visible details. The creation of the storyline took many years to build. It all ties together to creat the trilogy we see filled
with every detail. The Lord of the Rings has an amazing soundtrack and adventurous subplots, but the main plot is drawn out and annoying to watch.
The soundtrack in The Lord of the Rings is one of the most memorable soundtracks of all time. The melodies along with the harmonies are perfect.

The Lord Of The Ring
Tom Bombadil placed the magic ring on his finger; everyone waited for him to disappear, but nothing happened, and he handed the ring back to
Frodo without a slight hesitation. Frodo offered Galadriel the ring and she grew into a horrible creature towering over Frodo, but fought the ring's
strong temptation, and finally decreasing back to her normal self and declined the powerful ring. Both Tom and Galadriel, in The Lord of the Ring,
portray Tolkien's respect for nature and strong spirituality, because they are powerful creatures, yet able to live a balanced life.Tom Bombadil was the
master of the forest he lived in, and Frodo's magic ring had no effect on him. Lady Galadriel was an Elf ruler and was able to withstand the temptation
of the magic ring. The magic ring symbolizes the corruption and power, leading to an unsustainable world. For example, society has an unsustainable
demand for oil. Oil pipelines, such as the Keystone, have lessened the beauty of nature where they have been built. Companies believe they have the
right to construct pipelines across the US at the expense of the environment. Humans must remember to value the beauty of nature.
Tom Bombadil lived in the Old Forest, taking care of the nature, and singing ridiculously silly songs. Tom, who lived with his wife Goldberry,
provided a place for Frodo, Sam, Marry, and Pippen to stay for the night. During the evening, Frodo asked Goldberry, who Tom was. She replied that
Tom was the master of the forest, the

Lord Of The Rings The Fellowship Of The Ring Essay

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Lord Of The Rings The Fellowship Of The Ring Essay