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Art Workers Visual Archive

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Our aim is to create a visual archive of different actors and movements around the globe focused on art labour. We think this is will grow into a great resource and encourage all persons working in art and culture to submit their materials to this public archive.

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Art Workers Visual Archive

  1. 1. Artists Union, Paris Commune, The Destruction of the Vendôme Column, MayArtists Union, Paris Commune, The Destruction of the Vendôme Column, May 18711871
  2. 2. William Morris and the Socialist League, 1885William Morris and the Socialist League, 1885
  3. 3. Vhutemas, May 1st Banners, 1919Vhutemas, May 1st Banners, 1919
  4. 4. Model of Tatlin’s Monument to the Third International used in May 1st 1925Model of Tatlin’s Monument to the Third International used in May 1st 1925 demonstration, St. Petersburgdemonstration, St. Petersburg
  5. 5. Yakov Guminer, May 1st, lithograph,Yakov Guminer, May 1st, lithograph, 19281928
  6. 6. Diego Rivera and Frida Kahlo march with artists on May Day, Mexico City, May 1, 1929. Photo by Tina ModottiDiego Rivera and Frida Kahlo march with artists on May Day, Mexico City, May 1, 1929. Photo by Tina Modotti
  7. 7. Front page of A-I-Z, nº 17,1931. Photography: Tina ModottiFront page of A-I-Z, nº 17,1931. Photography: Tina Modotti
  8. 8. Artist Union, New York, 1935Artist Union, New York, 1935
  9. 9. Stuart Davis and Roselle Springer among Artists' Union demonstrators, Division IX,Stuart Davis and Roselle Springer among Artists' Union demonstrators, Division IX, May Day Parade, Communist Party route, New York City, May 1st, 1935May Day Parade, Communist Party route, New York City, May 1st, 1935
  10. 10. Atelier Populaire, May 68 - The BeginningAtelier Populaire, May 68 - The Beginning of a Prolonged Struggle, posterof a Prolonged Struggle, poster Anonymous poster, “The police postAnonymous poster, “The police post themselves at the School of Fine Arts – the Finethemselves at the School of Fine Arts – the Fine Arts' students poster the streets,” May 1968Arts' students poster the streets,” May 1968
  11. 11. Art Workers’ Coalition (AWC), 1969Art Workers’ Coalition (AWC), 1969
  12. 12. The Puerto Rican Art WorkersThe Puerto Rican Art Workers Coalition (PRAWC), 1970Coalition (PRAWC), 1970
  13. 13. Women Artists in Revolution (WAR), 1971Women Artists in Revolution (WAR), 1971
  14. 14. PASTA (Professional and Administrative Staff Association) of The Museum of Modern Art on strike with members of the AWC, 1973
  15. 15. Artists Meeting for Cultural Change, 1975Artists Meeting for Cultural Change, 1975
  16. 16. ““The refusal to labour is the chief weapon of workers fighting the system; artists canThe refusal to labour is the chief weapon of workers fighting the system; artists can use the same weapon. To bring down the art system it is necessary to call for yearsuse the same weapon. To bring down the art system it is necessary to call for years without art, a period of three years - 1977 to 1980 - when artists will not producewithout art, a period of three years - 1977 to 1980 - when artists will not produce work, sell work, permit work to go on exhibitions, and refuse collaboration with anywork, sell work, permit work to go on exhibitions, and refuse collaboration with any part of the publicity machinery of the art world. This total withdrawal of labor is thepart of the publicity machinery of the art world. This total withdrawal of labor is the most extreme collective challenge that artists can make to the state. The yearsmost extreme collective challenge that artists can make to the state. The years without art will see the collapse of many private galleries. Museums and culturalwithout art will see the collapse of many private galleries. Museums and cultural institutions handling contemporary art will be severely hit, suffer loss of funds, andinstitutions handling contemporary art will be severely hit, suffer loss of funds, and will have to reduce their staff. National and local government institutions will be inwill have to reduce their staff. National and local government institutions will be in serious trouble. Art magazines will fold. The international ramifications of theserious trouble. Art magazines will fold. The international ramifications of the dealer/museum/publicity complex make for vulnerability; it is a system that is keyeddealer/museum/publicity complex make for vulnerability; it is a system that is keyed to a continuous juggling of artists, finance, works and information - damage oneto a continuous juggling of artists, finance, works and information - damage one part, and the effect is felt world-wide.”part, and the effect is felt world-wide.” Gustav Metzger, Art Strike(1977-1980), 1977Gustav Metzger, Art Strike(1977-1980), 1977
  17. 17. Art Strike Action Committee (SF), 1989Art Strike Action Committee (SF), 1989
  18. 18. Jakob Jakobsen, Unionising Workshop, 2004Jakob Jakobsen, Unionising Workshop, 2004
  19. 19. May Day Congress ofMay Day Congress of Creative Workers,Creative Workers, May 2010, MoscowMay 2010, Moscow
  20. 20. November 10, 2010: National Day of Action, LondonNovember 10, 2010: National Day of Action, London
  21. 21. Espace Temporaire, art laboratory for collective actions, May Day, 2010, Geneva
  22. 22. Anti-Cuts Activists Disrupt Sotheby’sAnti-Cuts Activists Disrupt Sotheby’s Contemporary Art Auction, February 2011Contemporary Art Auction, February 2011
  23. 23. May Congress of CreativeMay Congress of Creative Workers, 2011, MoscowWorkers, 2011, Moscow
  24. 24. M1ArtStrike! Coallition, May 2011M1ArtStrike! Coallition, May 2011
  25. 25. Art Workers UNITE!, published in Artist Bloc, 2011Art Workers UNITE!, published in Artist Bloc, 2011
  26. 26. Rally "Casa 13 en Casa 13" towards the City of Arts, December 2011. Có rdoba, Argentina
  27. 27. Jason Cieply, May Day posters and banners, 2012
  28. 28. Mayday 2012 Casa 13's open house day. Radio broadcast and replanting of a tree. Có rdoba, Argentina.
  29. 29. Ulf Aminde Strike: Opera #3,Ulf Aminde Strike: Opera #3, Museum of Contemporary Art LeipzigMuseum of Contemporary Art Leipzig December 2013December 2013
  30. 30. KURS, 71%* of young artists does not have enough funds to purchase materials for the work (*Republic of Serbia Institute for Statistics) KURS, 59%* of young artists are engaged with other work inKURS, 59%* of young artists are engaged with other work in order to fill their own budget (*Republic of Serbia Institute fororder to fill their own budget (*Republic of Serbia Institute for Statistics)Statistics)
  31. 31. Mayday 2013 Casa 13's open house day. Press conference. Có rdoba, Argentina.
  32. 32. Artists Union England launch, May 1st, 2014Artists Union England launch, May 1st, 2014
  33. 33. School of Engaged Art “Chto Delat?”, St. Petersburg, May 1st, 2014School of Engaged Art “Chto Delat?”, St. Petersburg, May 1st, 2014
  34. 34. MAY DAY | TODO BAJO CONTROL is an exploration of art as a "labour of love" ("por amor al arte") and the reframing of cultural production as a site of labour, struggle, wages and organization. May 1st, 2014, Boston, MA.
  35. 35. pen house day. Reading club, assembly mapping and release of new version of L'Internationale (conc

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