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MOBILE VIDEO
JOURNALISM
yes… all of this can be
done with just your
phone
shooting video
• Rule of thirds

• Landscape lines in the lower third; 

• keep focal points on horizontal + vertical
intersections

• Use the rule of thirds feature on your phone (you
can turn it on and off on your camera)
framing: the rule of thirds
shooting video
• Leading lines (watch the nose and where it faces)

• Horizontal

• Be stable (tripod or monopod help; if not, brace with your
fingers and hold with your elbows)

• Start early, go late (applies to all parts of this profession)
using audio
Two ways:

1. On-camera interviews which fade into b-roll and
voice over (must use rule of thirds)

2. Direct voice over using your voice or an interview

• 2-3 sentences

• Include 2-3 facts you found out about the
story
your interview
• TELL ME

• Say your name and spell it

• Where we are

• What’s happening

• What you know about this topic

• A follow up on something they just said to dig deeper

• Anything else you would like to add
b-roll
• non-interview

• Oftentimes environment to set scene or emotion, track
movement

• Meant to advance a story and is usually accompanied by
a voice over

• Do not record fewer than 10 seconds
five is the magic number
THE SEQUENCE (w/o on-screen interviews included)
1. Wide Shot (full frame/environmental; ex: a group
walking down a hallway)

2. Medium Shot (focused on a subject and action; ex: a
teacher working with a student w/o full environment)

3. Tight Shot (another name for a close up)

4. Medium Shot

5. Wide Shot
a story is still a story
• You still need a beginning, a middle and an end

• Video storytelling follows the same structure as the
written piece; it just includes moving images instead of
stationary words

• Engage, sustain, emote

• Three minutes is a really long time; 30 seconds to two
minutes is good as gold
tips
• Motion = Emotion

• Make sure to record each shot for at least 10 seconds

• Try not to record inanimate objects; find movement or
action

• Utilize the rule of thirds for both b-roll and on-camera
interviews
let’s practice
• Find a new friend who you are going to practice the
five-shot sequence (Wide-Medium-Tight-Medium-
Wide)

• Tell the story of that person (who is he/she) using five
shots and, if possible, try a voice over helping us to
meet your new friend.

• My students are here to help
for tomorrow
• Everyone should report, as well as take photos and video

• Respond to the prompt you were provided—New Humans of
Shanghai (no tourists or people who lived here their whole lives)
—and use the requirements provided (2-3 minutes, maximum).

• Use the reporting tips to report; the writing and caption tips to
write your captions for your photo gallery and subtitles and
credits for your video; the video tips to shoot video (1080, as
required).

• The American students are a part of your group to help you edit
and guide the process of producing your multimedia packages
(they’re reporting about your reporting while you’re reporting)
for tonight
• You will be with your team for your multimedia journalism projects—plan for what you want
to accomplish tomorrow.

• What is your story going to be about in 25 words or less (the angle)?

• Who are the faces of the story (who are the people that will make or break your story
tomorrow; anticipate need)?

• What additional sources are you going to want to look for or need to prepare for
your trip? What will you need when you’re there.

• Define roles for production.

• Use your faculty adviser for guidance and advice (we are also doing critiques on your
investigative projects); your American student is an exceptional resource to plan and guide.

• See your page on Global Student Square for the reporting/writing, photo and video tips.
www.globalstudentsquare.org/jea-china/ (and use your password)

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Video journalism by Patrick Johnson/Antioch Community High School

  • 2. yes… all of this can be done with just your phone
  • 3. shooting video • Rule of thirds • Landscape lines in the lower third; • keep focal points on horizontal + vertical intersections • Use the rule of thirds feature on your phone (you can turn it on and off on your camera)
  • 4. framing: the rule of thirds
  • 5. shooting video • Leading lines (watch the nose and where it faces) • Horizontal • Be stable (tripod or monopod help; if not, brace with your fingers and hold with your elbows) • Start early, go late (applies to all parts of this profession)
  • 6. using audio Two ways: 1. On-camera interviews which fade into b-roll and voice over (must use rule of thirds) 2. Direct voice over using your voice or an interview • 2-3 sentences • Include 2-3 facts you found out about the story
  • 7. your interview • TELL ME • Say your name and spell it • Where we are • What’s happening • What you know about this topic • A follow up on something they just said to dig deeper • Anything else you would like to add
  • 8. b-roll • non-interview • Oftentimes environment to set scene or emotion, track movement • Meant to advance a story and is usually accompanied by a voice over • Do not record fewer than 10 seconds
  • 9. five is the magic number THE SEQUENCE (w/o on-screen interviews included) 1. Wide Shot (full frame/environmental; ex: a group walking down a hallway) 2. Medium Shot (focused on a subject and action; ex: a teacher working with a student w/o full environment) 3. Tight Shot (another name for a close up) 4. Medium Shot 5. Wide Shot
  • 10. a story is still a story • You still need a beginning, a middle and an end • Video storytelling follows the same structure as the written piece; it just includes moving images instead of stationary words • Engage, sustain, emote • Three minutes is a really long time; 30 seconds to two minutes is good as gold
  • 11. tips • Motion = Emotion • Make sure to record each shot for at least 10 seconds • Try not to record inanimate objects; find movement or action • Utilize the rule of thirds for both b-roll and on-camera interviews
  • 12. let’s practice • Find a new friend who you are going to practice the five-shot sequence (Wide-Medium-Tight-Medium- Wide) • Tell the story of that person (who is he/she) using five shots and, if possible, try a voice over helping us to meet your new friend. • My students are here to help
  • 13. for tomorrow • Everyone should report, as well as take photos and video • Respond to the prompt you were provided—New Humans of Shanghai (no tourists or people who lived here their whole lives) —and use the requirements provided (2-3 minutes, maximum). • Use the reporting tips to report; the writing and caption tips to write your captions for your photo gallery and subtitles and credits for your video; the video tips to shoot video (1080, as required). • The American students are a part of your group to help you edit and guide the process of producing your multimedia packages (they’re reporting about your reporting while you’re reporting)
  • 14. for tonight • You will be with your team for your multimedia journalism projects—plan for what you want to accomplish tomorrow. • What is your story going to be about in 25 words or less (the angle)? • Who are the faces of the story (who are the people that will make or break your story tomorrow; anticipate need)? • What additional sources are you going to want to look for or need to prepare for your trip? What will you need when you’re there. • Define roles for production. • Use your faculty adviser for guidance and advice (we are also doing critiques on your investigative projects); your American student is an exceptional resource to plan and guide. • See your page on Global Student Square for the reporting/writing, photo and video tips. www.globalstudentsquare.org/jea-china/ (and use your password)