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DECLAN WHITEBLOOM
BIO




 Declan Whitebloom was born and raised in London and came from a family
 obsessed with films. His elder brother was one of the seminal music video &
commercial directors of his day and he spent much of his formative years ‘on
   set’ absorbing the process. Declan started from the ground up, working in
  every department till he found his initial calling. After a few years with Bob
Girladi’s editor he struck out on his own editing hundreds of music videos, he
 was finally offered the opportunity to actually direct his first music video. He
  described the transition as if a light had gone off, saying that as soon as he
 ‘got behind the camera’ he knew he didn’t belong in editing. Now 3 years on
Declan has become a succesful video and commercial director with his videos
     for Taylor Swift, One direction, Sugarland, The Fray and many others.
STYLE


 Though Declan has a variety of styles within his music videos, his consistent
collaboration with Taylor Swift shows a repetitive style that was clearly created
 between the two of them. When in an interview both Declan and Taylor said
  that together they agreed on the ideas they would each bring up and it was
  very much a team effort between the artist and director to create the music
  video. The style is quite childlike, to appeal to the teenage girls that Taylors
 music would mostly draw in, both the video and lyrics itself portray a theme
  of teenagers ‘first love’ and shows the complications teenagers go through
  with this in a very creative and positive way. The quirky, unique videos are
 something of a trend with young artists these days as they appeal to the right
                                      audience.
TAYLOR SWIFT – WE ARE NEVER
  GETITNG BACK TOGETHER
VIDEO ANALYSIS


This video presents the many different feelings that the stereotypical teenage
girl would go through with her ‘first love’ ending badly. The video shows the
 split between fantasy (by dressing the band as woodland creatures and being
set in a forest at parts) and reality (which is shown with her in her pyjamas, in
 her bedroom) this split enhances lyrics such as ‘I used to think that we were
 forever’ which is very much like the fairytale ideology that a relationship will
last ‘happily ever after’ and then the lyrics and video both show the reality of
    the ‘first love’ ending unexpectedly. Though this video is not like all of
Whiteblooms other music videos, it is his joining with swift and her ‘country’
style music that has allowed them to create this interesting ‘storybook’ music
video. The storybook is the way that the video is all one shot, and the use of
props ie. The bed standing up when she is on the phone that make it look as
 if the pages of a book are being turned – the pictures are what make it look
                                    fairytale-like.
Declan Whitebloom: Music Video Director

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Declan Whitebloom: Music Video Director

  • 2. BIO Declan Whitebloom was born and raised in London and came from a family obsessed with films. His elder brother was one of the seminal music video & commercial directors of his day and he spent much of his formative years ‘on set’ absorbing the process. Declan started from the ground up, working in every department till he found his initial calling. After a few years with Bob Girladi’s editor he struck out on his own editing hundreds of music videos, he was finally offered the opportunity to actually direct his first music video. He described the transition as if a light had gone off, saying that as soon as he ‘got behind the camera’ he knew he didn’t belong in editing. Now 3 years on Declan has become a succesful video and commercial director with his videos for Taylor Swift, One direction, Sugarland, The Fray and many others.
  • 3. STYLE Though Declan has a variety of styles within his music videos, his consistent collaboration with Taylor Swift shows a repetitive style that was clearly created between the two of them. When in an interview both Declan and Taylor said that together they agreed on the ideas they would each bring up and it was very much a team effort between the artist and director to create the music video. The style is quite childlike, to appeal to the teenage girls that Taylors music would mostly draw in, both the video and lyrics itself portray a theme of teenagers ‘first love’ and shows the complications teenagers go through with this in a very creative and positive way. The quirky, unique videos are something of a trend with young artists these days as they appeal to the right audience.
  • 4. TAYLOR SWIFT – WE ARE NEVER GETITNG BACK TOGETHER
  • 5. VIDEO ANALYSIS This video presents the many different feelings that the stereotypical teenage girl would go through with her ‘first love’ ending badly. The video shows the split between fantasy (by dressing the band as woodland creatures and being set in a forest at parts) and reality (which is shown with her in her pyjamas, in her bedroom) this split enhances lyrics such as ‘I used to think that we were forever’ which is very much like the fairytale ideology that a relationship will last ‘happily ever after’ and then the lyrics and video both show the reality of the ‘first love’ ending unexpectedly. Though this video is not like all of Whiteblooms other music videos, it is his joining with swift and her ‘country’ style music that has allowed them to create this interesting ‘storybook’ music video. The storybook is the way that the video is all one shot, and the use of props ie. The bed standing up when she is on the phone that make it look as if the pages of a book are being turned – the pictures are what make it look fairytale-like.