2. Motivation(s)
Present Digital Cinema reality and its changes w/r to 35mm
Propose an adaptation of the DCI (Hollywood’s model to
Digital Cinema) to Europe’s diversity (cultural, geographical,
financial)
Have an end-to-end security approach, instead of the
exhibitor-centric DCI approach
Issue security recommendations for a secure chain within
Europe’s context
EDCINE White Book at IDIFF 2008
3. Making Of
EDCine European Project (14 private and public partners)
10 technical experts (authors)
A survey about Digital Cinema sent to European
professionals (1700 answers to 134 questions)
5 personal interviews to professionals
L-P. Capelle (Hoverlord Digital Post Production – BE )
P. Grandclaudon (XDC – BE )
M. Guiu (Cinemes Guiu – SP )
J-P. Laakso (Pirkanmaa Film Centre – FIN )
A. Vanderbergh (Foxority Filmarena – NL )
EDCINE White Book at IDIFF 2008
4. Chapters 1 - 3
Chapters 1 to 3: Introduction to European Digital
Cinema Security
Chapter 1: Introduction to Digital Cinema and Security
Chapter 2: European Cinema Specificity
Chapter 3: From Celluloid to Digital in Europe
EDCINE White Book at IDIFF 2008
6. Chapters 4 and 5
Chapter 4
Trust models
In 35mm and Digital Cinema
Chapter 5
Digital Cinema Standards
EDCINE White Book at IDIFF 2008
7. 7
Trust Model Illustration
Trust Model (Distr/Exhib) Delegation Model w/ System
EDCINE White Book at IDIFF 2008
8. 8
Chapter 6: TAMAT Methodology (Thomson)
EDCINE White Book at IDIFF 2008
9. 9
TAMAT Example of Attack Tree
Example: Camcord Playout
Bribe
EDCINE White Book at IDIFF 2008
10. 10
Example: Steal Content at Production
EDCINE White Book at IDIFF 2008
11. 11
TAMAT Risk Aversion Table
EDCINE White Book at IDIFF 2008
12. 12
Chapters 7 & 8
Beyond DCI/SMPTE security
Security and financial issues not taken into account by
DCI and SMPTE
Recommendations
10 guidelines to create a European Digital Cinema model
that is viable, secure and respects all players in the
European fragmented landscape
EDCINE White Book at IDIFF 2008
13. 13
EDCine Web Site
www.edcine.org
EDCINE White Book at IDIFF 2008