Art Has The Power Of Transcend Life

Art Has The Power Of Transcend Life
There is no doubt that art has the power to transcend life. But artist themselves have had the daunting tasks, as historical scribes, to record time, space,
and attitudes in their works. The "Capitalist Realism" movement is no different – if not one of the best examples of this visual history.
As a play on the term social realism, the artists of the movement included Gerhard Richter of whom's work the Lab currently features. Alongside such
artists as Manfred Kuttner, Sigmar Polke, and Konrad Lueg, Capital Realism was action and reaction to a Germany's division between East and West.
The collaborations of the group were exhibited in spaces that further perpetuate the manifestations of the time period with stark abattoirs, abandoned
shopping malls and the like. Though the collective's art now is increasingly popular, very few of them went on to create a living out of it; Richter was
one.
Born in Dresden in 1932, Gerhard Richter came of age after World War II. In the villages of Reichenau and Waltersdorf, where his father taught school
before being mobilized, Richter had a provincial childhood that mixed Tom Sawyer escapades in the forests of Saxony with compulsory membership in
the Hitler Youth and a catch–as–catch–can education. His mother, the daughter of a gifted pianist and a bookseller prior to her marriage, read Goethe,
Nietzsche and the classics of German literature, listened avidly to the great 18th– and 19th–century composers and encouraged her son 's
... Get more on HelpWriting.net ...

Analysis Of Paul Cezanne's ' Mont Sainte Victoire '
One of the most influential painters of the twentieth century was Paul Cezanne. He was willing to break the traditionally accepted artistic practice in
order to better portray his artistic creativity. Cezanne was became part of the movement that followed the Impressionists called the Post–Impressionism
movement. The artists who were the driving forces behind this movement were Gauguin, Van Gogh, Seurat, and Cezanne. These artists were placed in
this grouping because they were the avant–garde artists of the time period, who wanted to be able to express their emotions rather than simply
representing what they saw. Cezanne's Mont Sainte–Victoire seen from The Bibemus Quarry was painted in 1985. Mont Sainte–Victoire is a mountain
that is in the South of France and overlooks the Aix–en–Provence, which happens to be the hometown of Paul Cezanne. This work exemplifies the
Post–Impressionistic techniques because Cezanne utilized the avant–garde techniques, while at the same time demonstrating the relationship between
the artist and the work. This work embodies the period style because it contains avant–garde geometric shapes to define the forms, colors, and
interpretations that were important to the Post–Impressionists. First off, the harshness of the lines goes hand in hand with the shapes that exist in the
work. The shapes tend to be simplified shapes, which demonstrates that Cezanne wanted things to appear as if they could be broken down. Cezanne
utilizes an array of geometric

The Armorer 's Shop By David Teniers
Conservation Study
While there were several works of art that I had liked, the artwork and album finally chosen from Noelle Ocon's album for this particular study was The
Armorer's Shop by David Teniers the Younger and Jan Brueghel the Younger. The goals for the study of this painting were to delve into topics such as
subject matter, spectrum bands used to reveal information about the painting, and conservation efforts in general. As such, this study will start with the
subject matter and style of presentation.
The Armorer's Shop's medium and materials are oil paints applied to connected wood panels. The artwork was painted circa 1640–1645 ("The
Armorer's Shop."), and depicts an armorer's shop as the title suggests. To go further into ... Show more content on Helpwriting.net ...
Interestingly, outside of The Armorer's Shop, there is virtually no evidence that Brueghel and Teniers ever collaborated with each other (Woll.)
As seen in the visible light photographs, the painting was flaking in some areas. The key issue here, however, is not necessarily the flaking paint.
Instead, it is the fact there were also two barely noticeable lines that were particularly noticeable from the back of the painting. At the time of these first
few pictures, The Armorer's Shop had been strictly attributed to Teniers the Younger, with no mention of Brueghel (Huskinson).
The painting was first analyzed using visible light, which can only show some surface details through techniques like grazing. However, a couple of
other bands of the spectrum that can be used to obtain information about the painting in question are infrared, in the form of infrared reflectography, and
x–ray. These were both utilized in this case to analyze The Armorer's Shop. Infrared can be used to see through the paint layers to the underdrawing
and also to detect details in the painting that may have changed color since being painted ("Infrared (IR) Light."). X–ray can be used to see through the
entire painting to detect its base and find possible weaknesses or damages to the painting's

The Impact Of Photography On The 19th Century
Name:
Title:
Institution:
Thesis Statement
Painting is a workmanship that has existed since 16th century. Different spots leads by Philadelphia have the accumulations of craftsmanship painting
that reflects occasions that have occurred, individuals and society. All work of art shows impact from the general public in which the specialists live,
the materials accessible to them, and also the innovation of their times. Ancient man utilized cavern dividers as ground and shades produced using
ocher, and his topic was impacted by superstition and nature. Throughout the history of Philadelphia, painting as an art has advanced and there are
plenty of collections of gallery artistic pictures belonging to most peculiar artists such as Charles Willson Peale and Benjamin West.
Introduction
The late eighteenth century introduced the Industrial Revolution. Craftsmen in Western countries in this period profited from a surge in innovative
advancement with paint in tubes and also from a more assorted customer base found inside the inexorably well off white collar class. Generally as
altogether, the improvement of photography impacted workmanship in the second a large portion of the nineteenth century. The cam 's impact was
obvious in the visual qualities of sketches, the topic, and the effective course in which specialists had the capacity take their inventive visions (Barker,
1999).
Most genuine collectors in Philadelphia were more disposed to gain representation or verifiable canvases

Tom Thomson History
In the early 20th century, In their early careers a group of men with the exception of two, had a job w/ the Grip Engraving Co. as commercial artists,
earning about $2.50 a week, discovered that they shared a common artistic interest. Together, these men would retire on weekend sketching trips and/or
socialize at the Arts and Letters Club in Toronto.
This group of men ( or more commonly known as the Group of Seven) consisted of Franklin Carmichael, Alexander Young Jackson, Arthur Lismer,
Lawren Harris, James Edward Hervey Macdonald, Frank Johnston, Frederick Varley, and Tom Thomson (Tom Thomson was never officially in the
Group of Seven due to his mysterious death, although he played a major influence on the rest of the Group of Seven). ... Show more content on
Helpwriting.net ...
He founded the Canadian Group of Painters which later, many members of the Group of Seven converted when the Group of Seven disbanded. He was
mostly famous for his watercolor paintings.Carmichael also founded the Ontario Society of Painters in Watercolour in 1925. His most famous painting
is the Lone Lake, fetching up to $350 000.
As a young boy A(lexander)Y(oung) Jackson worked as an office boy for a lithograph company (the process of producing a picture, writing, on a
flat, specially prepared stone, with some greasy or oily substance). Like the rest of the members, Jackson made a momentous contribution to the
development of art in Canada. In World War I, he served as a war artist. In 1925 he taught at the Ontario College of Art in Toronto. After, in 1967,
Jackson was delegated as a Companion of the Order of Canada. His most famous painting is the "Red Maple" which costs as much as $319,900 –
$650,900+.
Arthur Lismer was an a official war artist like A.Y. Jackson. When he was 13, he apprenticed at a photo engraving company. Later, he served as
president of Victoria college art. He was largely influenced by pre–canadian experience of his. His most famous painting is the RMS

How A Partial Biography Could Be Harmful For A Painter?...
"How a partial biography could be harmful for a painter? Lorenzo Lotto's peripatetic career in Vasari's Lives" (I still need a better title)
Why do we read Vasari's Lives? Surely not for the historical accuracy of the data he provides us nor for his scientific approach to the artist's
biographies. We read what we consider a masterpiece of Italian literature mainly because, instead of concentrating on long tedious enumeration,
exegetical and philological details or monotonous galleries of portraits, Vasari preferred to choose according to his taste, to stick to what he was given
to know, to carefully consider and judge the paintings with his intelligence, sensibility and enthusiasm. This explains why it is interesting to analyse
even a scanty biography as the one of Lorenzo Lotto in both the editions of the lives. Lotto's biography may be considered especially interesting in
order to understand how an artist, who developed his own pictorial poetic, diametrically different from that of his fellow citizens, and who worked
mainly in peripheral centres, entered the ranks of those painters, sculptors and architects whose memory Vasari has sought to preserve.
In either edition of the Lives, Vasari devotes to Lotto a scanty biography shared with Jacopo Palma, also knew as Palma il Vecchio. In the Torrentini's
edition, Lotto's life is particularly concise, to use a euphemism. Vasari literally reserves the artist's biography a one–tenth of the lines he uses to
describe Palma's Life.

Lawren Harris Research Paper
Lawren Harris is an iconic Canadian painter. Best known for being a member of the group of seven, his landscape paintings are still admired by
millions of people today. Harris was born on the 23rd of October, 1885 in Brantford, Ontario. His parents were Thomas and Anna Harris and he was
born into a wealthy family. He attended St. Andrew's College and then went on to study art in Berlin. He married Beatrice Phillips in 1910 and they
had three children together. Harris divorced Beatrice and married Bess Housser in 1934. He became friends with J.E.H MacDonald in 1911 and
together they formed the Group of Seven in the early 1920's. Harris died on the 27th of January, 1970 at the age of 84.
The Group of Seven helped pioneer a distinctly Canadian

The Orange Trees By Gustave Caillebotte
The first artwork made by Gustave Caillebotte is called The Orange Trees, the painting was measured to be 61 by 46 inches and the creation was
made with oil on canvas. It was launched in 1878 and is currently held at the Aubrey Jones Beck Building. The second artwork created by Paul Ranson
is called the Apple Tree with Red fruit, the painting was measured to be 33 ВЅ by 46 Вѕ inches and the frame was measured 41 ВЅ by 55 Вј inches.
Just like Caillebotte created The Orange Trees, it was created with oil on canvas. The artwork was launched c. 1902 and is also currently kept at
the Aubrey Jones Beck Building. Caillebotte's artwork represents the relaxation in Paris, in a garden at the family villa. He painted "his brother
Martial, in a straw hat and purple slippers, and their young cousin ZoГ«, dressed in striped chiffon and red boots" to show a sense of fashionable
leisure. (MFAH). The style of the painting is impressionism because the artwork shows the recreation of the view that the artist was trying to give
an impression of. Martial, Caillebotte's brother is sitting on a chair and appears to be larger than ZoГ« to emphasize that he would be closer to us in
the view of the artwork. Caillebotte's also uses curved lines to create the base of the table and chairs. The Orange Trees artwork is definitely
representational because it shows that they are supposed to represent actual objects. The artwork to me appears to be asymmetrical due to everything
mainly being on the left side of

Museum Paper
Museum Paper I went to the Cantor Center for Visual Arts on Stanford Campus on 2/28/13. I saw a lot of sculptures and vases there. They are very
beautiful and interested. The most interested one I think was Kleophon Painter, "Volute Krater", ca. 430 BCE, Greece, red–figure terra cotta vase, size
26' Вѕ" * 19' *19'. Hazel D. Hansen Fund, 12, 1972 Cantor Arts Center at Stanford University. This vase is located in the Iris & B Gerald Cantor
Center from the classical period between 479–323 BCE in Greece. The Kleophon Painter is an anonymous Athenian vase painter in red figure style.
The name he is named because of a youth named "Kleophon". He is also good at Achilles Painter; a number of "black figure" works in the
mid–to–late 5th... Show more content on Helpwriting.net ...
Herakles has the upper hand. The giant's face is a mask of pain. His eyes roll and his teeth are bared. His right arm is paralyzed, with the fingers
limp." This vase is the most expensive vase ever purchased. Euphronios's panel is not creating a two–dimensional one; instead, his panel is to bring
imagines moving into three–dimensional space–a new conception of what a picture is supposed to be. It shows a very detailed story connected to the
gods. According to the Britannica, "Euphronios experimented with new ideas, forms, and designs within the context of the Archaic tradition, especially
the adoption and exploration of the new red–figure technique. Generally, Euphronios's earlier works were signed as painter and his later works as
potter."(Euphronios, Britannica, http://www.britannica.com/EBchecked/topic/195461/Euphronios) Compare to another vase from the textbook in
chapter 5, page 121, Andokides Painter, Achilles and Ajax playing a dice game (Athenian bilingual amphora), from Orvieto, Italy, ca. 525
–520 BCE.
Black figure side (left) and red–figure side (right). It is 1' 9" high, Museum of Fine Arts, Boston. This two sides of vase shows both black–figure and
red–figure in one vase. It has two handles painted in red and black–figure on the shoulder. The differences between the two techniques can best be
studied on a series of experimental vases with the same composition painted on one black and one red–figure. According to the textbook,

Anthony Van Dyck And His Influence During The Baroque Period
This essay focuses on Anthony Van Dyck and his influence during the baroque
period, his portrayal of people through portraiture and the work that focuses on depicting
religious and mythological paintings such as Daedalus and Icarus, around 1620. As well as
exploring his life and influence through portraiture.
The artist, Anthony Van Dyckknown most notably for his impact within the
baroque period, around 1621–72. Was known for his portrayal in religious works as well as
his portraits. He was the pupil of Hendrick van Balen, a Flemish baroque painter and
stained–glass designer; this allowed him to flourish as an artist at such an early age. Soon
after, he became Peter Paul Rubens assistant; Rubens another ... Show more content on Helpwriting.net ...
The baroque period was very important piece European art history, in which all
forms of art was changed under the influence of "religious and ideological movements of
the Catholic Counter–Reformation in Europe." (Sandywell, 1st Edition, 2011) This era
lasted from early 1600 to late 1800. The baroque period can also be broken down into two
sub categories: Italian baroque and Spanish baroque. The paintings during the baroque

period this time heavily focused on building and expanding their work on "naturalistic
tradition reestablished during the Renaissance" (Lagasse, 2017) specifically in ways art
was more focused on playing with depth and space. Letting the eye perceive something
with greater depth or space through the use of color manipulation. This really impacts the
viewer, and helps them receive a sense of emotion through art. Works had "A heightened
sense of drama was achieved through chiaroscuro", (Lagasse, 2017) playing with tints and
tones or lightness and darkness within a piece of painting. The added effect of depth
through colour was really thought out and changed art during this era. To create a realistic
piece that portrays emotion caught the attention of people. Compared to older works of art
that had been used for propaganda, building incredible structures, or to worship their God;
the

The Renaissance : Mannerism
The Renaissance: Mannerism
In 1517, the Catholic Church split into two branches of Christianity: Protestantism and Catholicism. Martin Luther's list of grievances, called the 95
Theses, listed the issues with the Catholic Church. These problems include the rigid hierarchy in the Church that ultimately promoted an elitist culture
within the religion. Almost all Christian Bibles were written in Latin, meaning only the wealthy and educated could have a relationship with God.
Additionally, Luther and his followers believed that Christian art produces idolatry and therefore distracts an individual from developing a personal
relationship with God. This clashes with the Catholic belief that visual imagery promotes piety, ultimately heightening one's chances of going to
Heaven if an individual chooses to be a patron to Christian art. As a result, Pope Paul III held a series of meetings over the course of almost twenty
years. Called the Council of Trent, these meetings lasted from 1545 to 1563 and consisted of various Catholic leaders seeking to improve the Church's
declining reputation. This Catholic Counter–Reformation paved way for new forms of art. One of these forms of art is Mannerism. Derived from the
Italian word "maniera" meaning "manner" or "style," the style first developed in Italy and spread to other countries. This form of art started in the
1520 and lasted until about 1600, a time period in which many know as the late Renaissance. Supported by the elite class,

Art history essay on Adopting an approach
Martin Robertson and Mary Beard's manuscript, Adopting an Approach, focuses on the study of Athenian pottery. The manuscript begins, by
describing Sir John Beazley and his revolutionary method of studying Greek vases. The Beazley Method focuses on the technical conventions of
Greek Vases such as naming the artist, dating the pieces and then grouping them based off of similar characteristics. Beazley "provided for the first
time a comprehensive framework of analysis for Athenian painting, and a way of dating and classifying." (Pg. 16) However, what Beard's main
argument suggests is that it is not the artists that help us understand the importance of the vases because even if a vase is assigned to a specific time
period or artist, there is ... Show more content on Helpwriting.net ...
This particular kylix is a good example because it shows how the women contradict each other and through this piece we can understand the jobs of
each type of woman and we can speculate how they balanced one another out in Athenian society.
Adopting an Approach has many strong arguments and claims throughout the manuscript. Particularly in the beginning, Beard does a great job of
enticing the assumed college–level reader and relating to that specific audience. She does this when explaining, "understanding the images around us,"
by talking about a French perfume advertisement. By doing this, she relates to the age group that would be reading this manuscript by combining
something that they might be familiar with, to something they are unfamiliar with. Although this is initially a strong way to go about attracting the
reader, it needs to be done at the right moments. On pages fourteen and fifteen, she gives many more unrelated examples, which ultimately, causes the
reader to forget the original point trying to be made. Beard's claim needed to be made quicker, before the reader loses sight of what the article is
about. If this article were to be published in the Undergraduate's Guide to Art History, I would eliminate a lot of the extra examples that aren't
necessary to get

The Most Famous Work Of Art
The 13th and 14th centuries in Italy are as known as the early Renaissance. Several artists remain well recognized from this period in art history.
Duccio di Buoninsegna was an Italian painter, active in the city of Siena. His most famous work of art is the Maesta Altarpiece located in the
Cathedral of Siena. At that time, Siena was very competitive with Florence. The greatest Florentine painter was Giotto di Bondone. He was a couple
years younger than Duccio. Giotto's crowning achievement is a series of fresco murals painted in the Arena Chapel. Duccio and Giotto were two
astonishing artists.
Duccio's Maesta and Giotto's fresco painting in the Arena Chapel both tell us a narrative story of the life of The Virgin Mary and Christ. Both... Show
more content on Helpwriting.net ...
His stillness is in contrast to the crowd, it allows scenes flow around him. Judas reaches and kisses Christ from the left, there appear to be regret in
Judas face. There is not apparent though his aggressive posture. Christ's right hand is pointing forward. This may express Christ's future forgiveness
of Judas. Duccio's depiction leaves more space for imagination for the viewer. In Giotto's painting, Christ is in profile. This allows for eye contact
between Christ and Judas. Christ is a little taller than Judas, and he gaze silently upon Judas's face. From the gaze of the Christ, we can feel a sense
of forgiveness and sorrow. Moreover, we can feel Juda feels sorry for what he has done. Their expressions make the painting more emotional, they
emphasize the nobility of the Christ and let viewer have a better connection to this emotional content.
Both Duccio and Giotto captured the act of Saint Peter slicing an ear off of a roman solider. Duccio is telling the story of the arrest of Christ
though a passing of time. In Duccio's painting, we can clearly see the anger on Peter's face, he is next to Judas on his left. The viewer will draw their
attention to Peter after viewing the moment of the kiss of Judas. Duccio made it a separate moment from the main scene. In Giotto's painting, Peter is
in the crowd he raises up his right arm, which is holding a knife and reaches behind the

The Collection At The Museum Of Fine Arts
RESEARCH
Integrated into the Permanent Collection at the Montreal Museum of Fine Arts, Pieter Brueghel the Younger 1620's painting Return from the Inn,
illustrates an outdoor winter scenery of rustic peasant life in early seventeenth century Belgium. Born in 1564 or 1565 in Brussels, Belgium, Pieter
Brueghel the Youngerwas a Flemish painter best known for being the oldest son of the notable sixteenth–century Netherlandish painter Pieter Brueghel
the Elder and Mayken Coecke van Aelstv (Artnet, 2016). Following the passing of both of his parents, Brueghel the Younger and his siblings Marie
and Jan went to live with their grandmother Mayken Verhulst, a reputable painter of watercolors. It was her who acquainted Brueghel the Younger to
painting. Around 1578, the family relocated to Antwerp, Belgium, where Brueghel the Younger settled down and started a family. Also during this time,
Brueghel the Younger was practicing painting in the studio of a landscape painter, Gillis van Coninxloo (Artnet, 2016).
The flourishing art market of this era and the high demand of Pieter Brueghel the Elder's paintings drove his son to dedicate his time to recreating a
body of low–priced and inspired replicas of his father's peasant scenes works (ArtUK, 2016). Akin to his father, he painted sceneries, religious matters,
axioms and small town landscapes. The paintings were sold for local sale and export and were generally noted as missing humanism and nuance. In
addition, he did create authentic

Rennie Harris Research Paper
Uduak UbomDance 2303 Professor Shani Sterling May 30, 2018 PUREMOVEMENT BY RENNIE HARRIS Rennie Harris was born on January 28,
1964 in Philadelphia, Pennsylvania. Rennie was raised in an African–American community, Rennie Harris was inspired by Don Campbell Lockers after
seeing them on the popular TV show called "Soul Train". He started dancing socially as a kid but when Rennie turned 12 years he officially started a
dance group called Cobra III with his brother and childhood friend nicknamed "Brainy". Cobra lll entered and won a local church talent show, this
marked the beginning of Harris' life commitment to dance. In 1992 he founded Rennie Harris Puremovement, a hip–hop dance theater company... Show
In my opinion the dance and Harries intent was successful because it personally made me view hip–hop differently rather than rap, swag and sway and
act like a gangster, I realized that real hip–hop dancers do not have time to do all that because they are doing party dances, with vocabulary and steps
and partner. Harris was able to take street dance and put it on the stage. The hip–hop dancers were trained and they delivered the dance professionally.
The design of the dance was magical, there was concentration, cooperation, communication and creativity. The dancers maintained the rhythm and the
shape of the body was shown by the body and the way it made use of time and space. They costumes being a key component in the moves matched the
description of the dance and this made the choreographer's idea successful. The lighting was appropriate for the dance; the colors from the lighting
portrayed a recent picture and engaged the audience

Return From The Inn
Part of the Permanent Collection at the Montreal Museum of Fine Arts, Pieter Brueghel the Younger's painting Return from the Inn made around 1620,
illustrates an outdoor winter landscape of rural peasant life in early seventeenth century Belgium. Born in 1564 or 1565 in Brussels, Belgium, Pieter
Brueghel the Younger was a Flemish painter best known for being the oldest son of the famous sixteenth century Netherlandish painter Pieter Brueghel
the Elder and Mayken Coecke van Aelstv (Artnet, 2016). Following the passing of both of his parents, Brueghel the Younger and his siblings Marie
and Jan went to live with their grandmother Mayken Verhulst, a well–established painter of watercolors. It was her who introduced Brueghel the
Younger to painting. ... Show more content on Helpwriting.net ...
At first contact with the painting, my eyes were immediately drawn to the center of the painting where a dominant figure of a man is highlighted not
only by his large size, but also by his bright red jacket which invokes a strong presence in the painting. In contrast, the other peasant–like characters'
wear muted, dark colors while the child's clothing in the far bottom left of the painting is almost indecipherable among the dark tree trunk. The use of
the primary color red at the center of the painting emphasizes a sense of tension, urgency and motion (Herberholz, & Herberholz, 2002, p. 29).
However, I also observed the emanating warm palette of colors associated with this Flemish renaissance era (Pastro, 2005, p. 51). The colors are
"cozy" and reassuring. In truth, the blue sky, light ochre buildings and the terracotta–colored church, all covered with crisp white snow gives the
painting its arresting quality, presenting a peaceful winter country scene. Overall, the painting presents a wide range of values and tones of colours. For
instance, shades of yellow and gray are strategically painted onto the snow to represent the shoe prints of the characters. Interestingly, unlike his father,
Pieter Brueghel the Youngerdepicted detailed objects in the painting through the use of representational shapes. In these artwork, the emphasis is on
the realistic presentation of the subject matter. The people, objects, or landscape look very real and may be considered an imitation of nature
(Herberholz, & Herberholz, 2002c, p. 90). In fact, artists frequently use realistic shapes in a two–dimensional artwork to represent three dimensional
object–forms–that they see in the natural world (Herberholz, & Herberholz, 2002b, p. 34). In addition, the actions of the prominent figures give the
painting a series of clear lines that are sharp and even perhaps violent. In the book Artworks for

Racial Discrimination In Education Case Study
Discrimination According to the free advice staff (2016), "racial discrimination in education refers to any harassment of students based on race,
color, or national origin" (Para. 1). The actions of discrimination are nothing new. Discrimination takes on many forms and have occurred over many
years. Discrimination has even been brought back to focus through the media coverage of current events. Discrimination of the 1950's represented an
age of equal opportunities in education. One such educational opportunity pursued was at the University of Texas Law School where a student
wanted admission but because of his color was denied access. The fight for equal education is then established and the case of Sweatt v Painter
begins. The Reason cited in Complaint Sweatt v Painter is a case that shifted equality in education to new standards of admission and enrollment for
African Americans. The complaint in this case was in the automatic application denial of admission for Herman Marion Sweatt to the University of
Texas Law School. According to the state law of the time, blacks could not have access to the University. The institutions way of resolving the issue
was to offer him acceptance through a separate facility. The facility was the School of Law of the Texas State University... Show more content on
Helpwriting.net ...
As a practical matter, it greatly facilitated the demise of segregation in universities, graduate, and professional schools" (p. 67–68). Other cases that
followed continued the awareness and pushed for equal education. Cases such as Cumming v. Richmond County Board of Education, Plessy v.
Ferguson, Berea College v. Kentucky, Henderson v. United States, and McLaurin v. Oklahoma State Regents for Higher Education stood against
physical isolation of blacks who were admitted to facilities open to

The Elder Sister By William Bouguereau's The Elder Sister
This essay reviews the painting by William Bouguereau's The Elder Sister. It reviews the elements of design and principles practiced in the artwork.
This essay assesses the correct use of the elements and the influence that they have on the entire perception of the painting. The artist has applied an
amazing background as well as perfect balance of the piece. The elder sister's arm balances with her leg, the baby's foot balances with older sisters
foot, the clouds balance with the bushes. This explains the initial acclaim of this painting. Upon viewing the picture one gets a feeling that the artist
meant to depict a young girl who is captivated by her little sibling. This is clear from the use of the angelic almost celestial background that
unquestionably creates an affectionate mood. The enchanting smile across the young girl s face communicates the elder sisters bliss. The painter has
accomplished quite a bit with the use of the fundamentals in this painting.
The heavenly portrayal of the background and foreground shows a flawless use of space. The distance between the foreground and background was
well selected for this piece. This is die to the fact that the two children are not close enough to exaggerate the way they look but they are also not too
far away. The distance covered in the background communicates a message of clarity and relaxation that is evident in the children's faces. Two
dimensional portrayal of the painting appears to fit the calculated purpose. The

William Bouuerau's The Elder Sister, By William Bouguereau
This essay reviews the artwork by William Bouguereau in the painting The Elder Sister. It examines the elements of design and principles practiced
in the artwork. This essay assesses the appropriate use of the elements and the effects that they have on the overall perception of the painting. The
artist has applied an amazing background as well as a perfect balance of the piece. The elder sister's arm balances with her leg, the baby's foot
balances with older sisters foot, the clouds balance with the bushes. This marks the cause of the initial acclaim of this painting. Upon viewing the
picture one gets a feeling that the artist meant to depict a young lady who is captivated by her little sibling. This comes out clearly from the use of the
angelic almost celestial background that unquestionably creates the mood of affection. The enchanting smile on the face of the young girl
communicates the elder sisters bliss. The painter has accomplished a lot concerning the use of the elements in this painting.
The heavenly portrayal of the background and foreground shows a flawless use of space. The distance of the foreground was well selected for this
painting. This is because the two children are not close enough to exaggerate their physical appearance but they are also not too far away. The distance
covered in the background communicates a message of clarity and relaxation that is evident in the faces of the painting. The two–dimensional portrayal
of the painting appears to fit the

Losing Sight Analysis
William Kraft, a musical composer and conductor, once said, "When you go to the theater, if you're really involved in the play, you don't think about it
– you're in it." This quote from William Kraft is especially true for the One Act plays I attended. The smaller theater space and closer proximity to the
stage allowed you to more involved in the play than if you were seated farther away. In the following response, a synopsis and critique of three of the
plays I saw will be given.
The first act of the night was a play titled "Losing Sight." To summarize this play, there was a talented painter with diminishing vision. Because of his
impending blindness, the painter tried to seclude himself from and push away all his family and friends. With the help of his deceased grandfather and
ex–girlfriend, the painter learned to accept his fate and return to life in the company of others.
The plot of "Losing Sight" is constructed around the painter's search for a new identity after his old identity, which was found in painting, was taken
from him. The plot follows a normal plot structure beginning with an exposition and ending with a resolution. The three characters in the play worked
off each other nicely. The painter brought seriousness and sadness to the play while the grandfather added a comedic side to the play that kept it from
feeling overwhelmingly depressing. The third character in the play was the painter's ex–girlfriend who gave the painter something/someone to hold onto

David Tenier Research Paper
Flemish artist, David Teniers– David Teniers II or David Teniers the younger– was one of the most famous and prominent artist of peasant life in the
17th century. He was born in Antwerp and his works were influenced by his father, David Teniers the Elder, and his father
–in–law, Jan Brueghel. In
1632, Teniers became a master of a guild in St. Luke. He was later chosen to preside over the same guild in St. Luke in 1644 ("David Teniers the
Younger"). Teniers achieved noble status in 1663 and also successfully lobbied for the establishment of an art school in his city (Van Vlieghe).
Teniers is believed to have over 2,000 paintings. One of those paintings is called Winter Scene with a Man Killing a Pig circa 1650. The medium is
oil on canvas, with ... Show more content on Helpwriting.net ...
Teniers flourished during the Dutch Golden Age, which was a period that roughly spanned the17th century. This particular piece of art by David
Teniers as well as most of his other artworks can be described as a genre painting. Genre paintings are artworks that depict ordinary life ("Genre
Painting"). Genre art depict everyday scenes, such as that of Winter Scene with a Man Killing a Pig. It shows the motions of everyday life: market
settings, domestic settings, party scenes, streets, inns, etc.; all that is associated with the "peasant life." In this particular painting, it tells the story of
a winter day in a peasant village where a ritual of life and death is occurring. There's also another interesting aspect to the painting. The row of
houses as well as the people are painted in warm earthy colors, which juxtaposes the cool silvery tones of the rest of the painting ("Winter Scene with
a Man Killing a Pig"). By doing this, the viewer's eyes immediately look at the row of houses, then to the family, slaughtering the pig, which is the
story of the painting, the main focus. Also, eating pig for Christmas dinner was customary in medieval

Essay on Lawren Harris
Lawren Harris was a Canadian artist who was born in Brantford, Ontario in the year of 1885. Lawren Harris plays a very important role in art
history as he was one of the best known landscape painters as well as the leader of the Group of Seven. The group of seven began in the twentieth
century and is a group of artists who were brought together by the common interest of art. These men today are Canada's most famous artists as their
works symbolizes Canada's identity. Lawren was also the founding member and the first president of the Canadian Group of Painters. He was very
influential on many people and artists including Jock MacDonald which led to many others. Lawren Harris was a very modest artist. He did not create
paintings to become ... Show more content on Helpwriting.net ...
Harris became an artist just like his father. While Lawren was still married to Beatrice, 14 years later he fell in love with another women who's
name was Bess Houser. Bess also was married to a man named F.B. Housser. They were both unsure of what to do as if they both got divorced and
then married each other, it would result in a huge scandal. After 24 years of being married to Beatrice, he left her for Bess Houser who Lawren
ended up marrying in 1834. Beatrice's family threatened Lawren to charge him with bigamy which is the act of entering a marriage while you are
still legally in one. Lawren ended up moving to the United States of America later that year with Bess. They then moved again in 1940 to
Vancouver, British Columbia. That is when Lawren began to make abstract paintings. Twenty nine years later, Lawren was made a Companion of
the Order of Canada. The next year, Harris died in Vancouver and was buried on the grounds of the McMichael Art Gallery where his work is
displayed. His work will always be remembered and still continued to sell years later. His paintings have very high values and has been sold for a
record of 2,875,000 in 2007. Lawren was a very inspirational artist and his work will never be forgotten.
Lawren's paintings are very recognizable as they use the same types of techniques. His paintings are abstract landscapes of rural Ontario showing an
appreciation for where he is from. The style of Lawren's paintings were use of bright, yet

Essay about Salome and Cupid
The paintings Salome with the Head of St. John the Baptist, by Guido Reni and Cupid Chastised, by Bartolomeo Manfredi are both 17th century
visual representations of a story. The story behind Salome is the interesting biblical story of the beheading of St. John the Baptist, as it's title suggests.
The story goes that Salome performed a dance for the king and his guests. Herod Antipas saw Salome's dance and was so impressed, and drunk, that he
promised to give her whatever she asked of him. After consulting her mother, Salome asks Herod for the head ofJohn the Baptist. Herod delivered on
his promise, and had the head of John the Baptist delivered to her on a platter, as she asked. Reni's painting depicts a contented Salome being ... Show
The cool green and grays that surrounds Salome can symbolize her cool, calm, staid disposition, and almost blasГ© attitude in light of what is before
her, the head of a dead man. The two women in the back left of the plane are wearing more vibrant colors but are muted by a shadow. Salome is the
focal point of the piece, therefore receiving more light and wearing brighter colors than the other figures in the painting. She and the head of John the
Baptist are the only figures that are not crossed by a pronounced shadow, both are illuminated by the light that extends from the right of the
composition. This value construction puts emphasis on the two main characters, the figures that hold the most narrative weight.
Goldish yellow, pink and white are the colors of Salome's dress. The yellow in Salome's dress can be taken as a reflection of her confident and
satisfied posture and facial expression. Pink can symbolize femininity or sexuality, a major factor behind the events of the story. For it was Salome's
display of these qualities, in her dance, that moved Herod so much as to grant her any request. These vibrant colors also provide contrast to the cool
background, with pink (a tint or red) serving as a contrast to green, further emphasizing the protagonist woman and relating to the viewer her
significance in the story behind the depiction. Similarly, in Cupid Chastised vibrant foreground colors contrast a neutral background. Mars' fiery red
garment stands

Journal Entry Week 12 : Pieter Bruegel, The Elder
Journal entry week 12
Pieter Bruegel, the Elder. The Hunters in the Snow (January) c. 1565, Oil on panel. Kunsthistorisches Museum, Vienna
This week I chose The hunters in the snow. I found that it reminds me of some more recent paintings of northern landscapes depicting the winter
months with the colours that are used. This painating is from a series of 6 paintings depicting the months of the year, of which only 5 survive today. It's
neat how there is many little stories or scenes going on throughout the painting and not just the hunters in t he foreground. When you look into the
middle ground of the painting there are a group of people around a fire, although I am unsure of what there are doing. And when you look further into
the ... Show more content on Helpwriting.net ...
In the distance, figures ice skate, play hockey with modern style sticks and curl on a frozen lake; they are rendered as silhouettes.
http://en.wikipedia.org/wiki/The_Hunters_in_the_Snow
This is the first of a series of paintings of the Months, of which only five remain. This painting representing January reveals winter 's firm grip on the
countryside. Three hunters return with only a rabbit to show for their efforts. Their feet press into the powdery snow. Nearby rabbit prints mark its
recent passage. The tired dogs shiver against the cold. Snow blankets the world. Bruegel deftly dusted the bushes and tree branches in white. The
ponds below are frozen, and great icicles hand from the millwheel on the lower right. Leafless trees dot the countryside. Bruegel subtle colour palette
with its muted earth tones perfectly evokes the season. It also masks the obvious cross–diagonal construction of the landscape. The four trees in the
foreground conveniently diminish in perspective. The figures are not the picture 's primary subject, yet we, like the child at left, eagerly watch the
roaring fire or mentally prepare to join the skaters below. Figures transverse distant fields. Others attempt to douse the chimney fire in the farmhouse
just beyond the village church. Although Bruegel recounted a particular time of year, there is a timeless quality about the picture.
The painting may strike the observer as a natural view of the landscape, but in fact it reveals Bruegel 's great

Characterization And Internal Characterism In Kurt...
The world isn't perfect, true but it shouldn't have to be, we are humans and we make mistakes. Sometimes we wish everything could be perfect, yet
that may end up making things worse. We shouldn't try to be perfect like Dr. Hitz thinks it should be. We should just be thankful for what we have
now. In "2BRO2B," Kurt Vonnegutuses characterization and internal conflict to stress the idea sometimes things aren't as perfect as they seem. Kurt
Vonnegut uses Characterization to develop the fact that things aren't as perfect as they seem. He does this by mentioning different points of views for
different characters. "He or she is going to live on a happy, roomy, clean, rich planet, thanks to population control." Dr. Hitz says how good of a life
Wehling's child is going to live due to population control, this shows how he views population control. Dr. Hitz believes that having set up the very
first gas chamber for population control is an accomplishment. Leora Duncan admires Dr. Hitz and that's why she's beyond thankful to stand next to
him in the portrait being painted of the happy garden of life. This shows how some people feel about Dr. Hitz and honor him for making the first gas
chamber. Wehling, on the other hand, thinks it's wrong when he has to pick which of his three children he wants to live because he only has one
volunteer to be executed in the gas chamber. "All I have to do is pick out which one of the triplets is going to live, then deliver my maternal
grandfather to

Analysis Of A Harbor In Moonlight
Claude–Joseph Vernet is a very largely known French artist from the early 1700's. He has been known to be one of the best landscape painters of all
time. Vernet paints from a different perspective than many artists and his art leaves a lasting impact on viewers' minds. Many of his paintings are
famous including "A Harbor in Moonlight" which is located at the St. Louis Art Museum.
A Harbor in Moonlight stood out as a very interesting piece. What initially caught my eye was the different lighting and shades of every color in
this painting. My first reaction was a sense of calmness and relief. There are many reasons that I got the initial first feelings that I did. The biggest
reason is the arrangements of lighting. Vernet does a good job of incorporating lighting into every part of this piece. I feel that the lighting plays the
biggest role in this artwork because without it, it is very dull and dark. The result of a dull and dark painting would not be anywhere near the same
result as the lighting.
It almost seems like the lighting is meant to say something or symbolize something. Just by looking at it, each light has a different role and level of
importance in the picture. The main sources of light that stood out to me were the fire, moon, lighthouse, and even the reflection of light on the
surface of the water. All of them provide a different sense of feeling in this scene. The fire gives me a feeling of security and safety, because people
gather around a fire and come

Analysis Paper : Paul Cezanne
Contextual Analysis Paper: Paul Cezanne One of the most influential painters of the twentieth century was Paul Cezanne. He was willing to break the
traditionally accepted artistic practices in order to better portray his artistic creativity. Cezanne became part of the movement following the
Impressionists called the Post–Impressionism movement. The artists who were the driving forces behind this movement were Gauguin, Van Gogh,
Seurat, and Cezanne. These artists were grouped together because they were the avant–garde artists of the time period, who wanted to be able to
express their emotions rather than simply representing what they saw. Cezanne's Mont Sainte–Victoire seen from The Bibemus Quarry was painted in
1985. Mont Sainte–Victoire is a mountain that is in the South of France and overlooks the Aix–en–Provence, which happens to be the hometown of
Paul Cezanne. This work exemplifies the Post–Impressionistic techniques because Cezanne utilized the avant–garde techniques, while at the same time
demonstrating the relationship between the artist and the work. This work embodies the period style because it contains avant–garde geometric shapes
to define the forms, colors, and interpretations that were important to the Post–Impressionists. First off, the harshness of the lines goes hand in hand
with the shapes that exist in the work. The shapes tend to be simplified which demonstrates that Cezanne wanted things to appear as if they could be
broken down. He utilized an

Lawren Harris Analysis
1.0 Introduction: Lawren Harris is a Canadian artist (1885–1970) was a member of group of seven.As a result to his talent and creatavity he become a
leadre for the group of seven.He was also the artist who captured uniuqe landscapes of Canada.Harris's painting focused manily on the North of Canada.
2.0 Brief biography: Lawren Harris was born 23 october,1885,in Brantford,ON,died on 29 January,1970,Vancouver,BC.Lawren's father was Thomas
Morgan Harris,Lawren was wealthy since he was born.After studying in ST.Andrew's college,Harris continued his studying at the University of
Toronto,he was encouraged by his mathematics professor to study art in Berlin.After four years of studying,he went back to Canada.Also,he was
catalyst and

Rogier Van der Weyden Essay
Rogier Van der Weyden was a Flemish painter of the mid
–15th century. Rogier was chiefly influenced by his first teacher, Robert Campin. Although
details of his early training are sketchy, it is generally accepted that he entered the workshop of Robert Campin, the foremost painter in Tournai and
dean of the painters' guild, in 1427 at the age of 27 (http://www.belgium.be). Rogier remained in Campin's studio for five years, becoming an
independent master of the guild on August 1, 1432. Van der Weyden was not permitted to sell his artwork while studying in Campin's shop. From
Campin, Rogier learned the ponderous, detailed realism that characterizes his earliest paintings, and so alike are the styles of these two masters that
critics still do ... Show more content on Helpwriting.net ...
Campin was not the only source of inspiration in Rogier's art. Jan van Eyck, the great painter from Bruges, also profoundly affected the developing
artist, introducing elegance and subtle visual refinements into the bolder, Campinesque components of such early paintings by Rogier as St. Luke
Painting the Virgin. It was in Bruges, where Rogier may have resided between 1432 and 1435, that he became thoroughly acquainted with van Eyck's
style (http://humanitiesweb.org). The spiritual essence of a scene was displayed with similar technical virtuosity by Van der Weyden. His international
renown was exceeded only by that of Hugo van der Goes, who united van Eyck's naturalism with penetrating studies of humanity(Eyewitness Books,
Renaissance, 20.) Rogier may well have also been influenced by the writings of Thomas a Kempis, the most popular theologian of the era, whose
"practical mysticism," like Rogier's paintings, stressed empathetic response to episodes from the lives of Mary, Christ, and the saints (http:
//www.ibiblio.org/wm/paint/auth/weyden/). By translating the main ideas of Gothic Art into the new, lifelike style, Rogier did a great service to
northern art. He saved much of the tradition of lucid design that might otherwise have been lost under the impact of Jan van Eyck's discoveries (The
Story of Art, 276).
While on a pilgrimage to Italy in 1450, Rogier apparently tutored Italian

Essay On E-Painting
INTRODUCTION
You might have read and come across different books and articles that are being uploaded and sold on different websites and platforms that talk about
tips and tricks that aids successful painting. Well, we can't dispute the fact most of these e–books are more like instructional manuals that do not
critically explain most challenges faced by painters, and for beginners, it might not present itself as the best to opt for. My grandfather happened to run
the painting business for many years, and I am also a witness to many of his amazing works, both in and outside United States.
I developed passion to start painting too, and I have also done quite a number of jobs, although, I haven't really been getting it right because I ... Show
This guide will cover application, guidance and demonstrations of techniques, knowledge and skills that have been acquired over time. I believe
you'll be able get the support and encouragement needed to explore your creativity and talents at specific areas of interest in painting. Irrespective
of the fact that this guide has been designed to look like a learning atmosphere for people to gain innovative painting related ideas and knowledge, it
will be explained and delivered in a friendly and more relaxed atmosphere, one which will give readers the chance to work at their own desired ability
and pace.
Some of the following questions that have been on your mind for a long time will be provided answers to; all from this guide.
Questions like;
What kind of paint do you use?
How do you go about paint application?
How do you decide on certain colours that'll fit the background and surface you want to paint?
How do you make your painting appealing to people? That is, how do you create and develop visual interest?
Read on to get answers to these questions and many more that may have been burning you for a long time now. Truth is, you won't know until you
take a bold step to learn more than you think you already know. Happy reading!!! CHAPTER ONE
GETTING STARTED
My grandfather felt it would be wrong if I didn't know what being a painter meant, because a lot of people really think painters go

The Adoration Of Saints
The Adoration of Saints
Baroque is important in regards of European philosophical art history, generating identifiable and stylistic changes in: painting, sculpture and
architecture throughout the periods of the late sixteenth century to the early eighteenth. Dominant particularly in the regions of southern Europe such
as: Italy, Spain, Portugal, Austria and southern Germany.Baroque is a stylistic movement that often exaggerated motion to: illustrate drama, tension
and grandeur features such as exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism" through various
art forms.
Baroque art did not really depict the life style of the people at that time; the era was rather intimately integrated along the religious philosophies of the
Catholic Counter Reformation: instituting a program of restoration and a new way of living, in Europe and its colonies. Its popularity and success was
highly encouraged by the Catholic Church and was made as a responsive movement made by the Council of Trent towards the Protestant
Reformation–the two differed: Protestant reformers wanted to reassess doctrines such as justification and sweep away medieval practices such as the
adoration of saints.
Alinaqi 2
Such as Albrecht's Durer's copy of Ostendorfer's print of the Virgin Mary, due to the supposed miracle that this print held of a workman who injured
himself while constructing at church by falling from great height of a ladder– his legs

Differences Between Raymond Carver 's They 're Not My...
Introduction
Introductory Statement (Hook & Harness):
Insecurity influences one's mental state substantially and impacts their ability to make reasonable decisions and may change the outlook on life. The
individuals in these stories struggles with insecurity as other's opinions fear them. In these tales, challenges represents things the character faced.
Thesis:
Despite of the differences between Raymond Carver's "They're not my husband" and Dino Buzzati's "The Falling Girl", there includes differences and
similarities in the setting, theme of insecurity and main message.
Body Paragraph #1
Argument #1 (Both Texts): Setting of the Story
Class division – In the story "The Falling Girl", the setting occurred in the city where ... Show more content on Helpwriting.net ...
The opposite situation occurred where Doreen achieved her goal by losing weight.
First and foremost, the setting of the story depicts class division, social standards and the author's point of views. Class division represents the how
wealthy a person makes. In the story "The Falling Girl" the setting occurs in the city where Marta falls, interpreting a party filled with wealthy
individuals. On the other hand, in "They're not your Husband" businessmen are seen socializing with the middle class people in the coffee shop. The
differences between these stories is the different social hierarchies. In Marta case, she had a desire to be with the rich, but they excluded her. While,
the businessmen ate at the coffee shop instead of an expensive restaurant. This clearly displays the divided aspect in "They're not my husband". In
addition to class division, the women in the story must meet these social standards set in place by society. In "They're not your husband" Earl tells his
wife "I think you'd better consider going on a diet. I mean it. I'm serious you could stand to lose a few pounds" (Carver 2). This example clearly
shows the comments from the businessmen impacted Earl wanting his wife Doreen to look a certain way and fit in with society. Similar to Earl's

situation, Marta and other women falling were praised for their looks and beauty. Furthermore, these two author's viewpoint of reality contradict each
other. While in the story of "They're not my Husband" the

The Poems Of Andrea, Fra Lippo, And The Artistic Life At...
Browning's intellectual curiosity and vivid interest in men were allied with a singular aloofness from the movements and revolutions of his time.
Browning's mind was impervious to doubt, and his confidence in the value of life was constitutionally unshakable, "it means intensely, and means
good:"(Browning, Fra Lippo Lippi, line–314). His vision is so clear and comprehensive that he viewed his subject on numerous planes. He makes his
readers see and understand each of his characters in their habit as they lived and thought and purposed. The poems of Andrea, Fra lippo are an
epitome of the city's artistic life at the zenith of its fame. Browning's attitude towards Art follows certain characteristic. Firstly, he derives pleasures
from every exercise of creative power like the swiftly emerging conception in Fra Lippo's mind, Secondly; he maintains a consistent attitude towards
both technique and connoisseurship. The faultless drawing of Andrea del Sarto. Simply betray the impotence when called upon exercise the crucial
function of the artist. Duke of Ferrara is soundly equipped with critical taste and knowledge. But he toils not, neither does he spin; he contributes
nothing; he is content with the mere pride of possession. Thirdly, creation, technique, is all of them of less significance to him than the soul of artist.
This is partly because the artist is in many ways the symbolic figure of humane for him. In Fra Lippo Lippi and Andrea del Sarto he presents the

What Is The Visual Analysis Of Assembly At Wanstead House
The essay is devoted to the visual analysis of the painting Assembly at Wanstead House. The painting was created by the British artist William
Hogarth and refers back to the time period approximately from 1728 to 1731. Wlliam Hogarth is a famous British painter who lived during the period
of 1697 – 1764. While Hogarth is most widely known as the painter, the works he created contribute to the understanding of his creation through the
prism of social criticism and pictorial satire. During his life, the painter managed to create a wide range of various works, starting with the realistic
portraits and to the comic–strip–like images series.
William Hogarth was born in a family of a poor school teacher who later was prisoned for debts. Since his ... Show more content on Helpwriting.net ...
The inclusion of this element in the painting helps to deliver an idea about the widely spread practice of gambling in England of the 18th century.
Gambling was so common a feature of daily life that it can be included in conversation portraits such as Assembly at Wanstead House without any hint
of the scandal (Richard 3). It is also crucial to note that everything occurs in a calm atmosphere and does not express signs of passion, which may
also be viewed as an attribute of the higher society. The guests are gathered there playing cards and drinking tea, which appears to be a common
practice for England of respective time. It is important to note that the events seem to take place in the evening, and it is signified through the view
outside and the fact that chandelier is lighted. Such parties were not uncommon among the representatives of the class of nobilities, and the grand
parties were usual practice for the aristocrat like the Lord, and the account of one of such parties could be found when he was elevated another rank
in peerage and became Earl Tylney (Marks 5). Hence, the painting provides the viewers with a clear account of the life of the richest people of
England during the 18th

Neil Harris Research Paper
Neil Patrick Harris is a famous American actor, comedian, singer, and director. This popular actor has now net worth of $35million dollars. Biography
& Wiki He was born on June 13, 1973, and known primarily for his comedy roles on the television and also performs on the musical stage roles. He is
well known for his best serial DoogieHowser which was shown in 1989–1993. Career In childhood, Harris begin his career as a child actor which was
discovered by the playwright name Mark Medoff and it was a drama camp organized in Las Cruces, New Mexico. After this, Medoff cast him in
the drama film "Clara's Heart". In Clara's Heart Harries earned the Global Globe nomination. In the same year, he was starred as children fantasy
in Purple People Eater. IN 1995, Harries does his first film role in 'Animal Room'. Awards & Achievements Neil Patrick Harris wins the limitless
awards in his life. IN 1989, Neil wins the best leading young actor in a feature film as "Young Artist Award". Along with this, he wins the Golden
Globe Award for his best performance by an actor in a supporting role. Patrick consequently wins the awards in 1989, 1990, 1991 and 1992. After
this Patrick win the award in 2007 of Teen Choice Award as choice TV actor in comedy serial. He wins the Primetime Emmy Award for his
best–supporting actor in a comedy series. Net Worth of Name... Show more content on Helpwriting.net ...
He is a great celebrity and best known for his role as Barney Stinson on the television series "How I met Your Mother". In this television series,
Patrick received four Emmy nominations. Patrick appeared in the films such as Starship Troopers, Beastly, The Smurfs and The Smurfs 2. His
name appeared as one of Time magazine's 100 most influential people in 2010. Along with this Patrick was awarded as a star on the Hollywood
Walk of Fame in September 2011. Patrick won the best actor in a musical in which he starred as the title role of Hedwig and the Angry Inch on

The Immaculate Conception : Painting By Antonio De...
In the painting The Immaculate Conception (Figure 1) painted by Antonio de Palomino y Velasco, there is a prominent central figure found in the
middle of the canvas. The figure is a woman draped in white and blue garments with red accents and surrounded by cherubs and doves. The woman
is the Virgin Mary and has a crown of 12 stars around her head. Both cherubs and doves are often used as religious symbols and this piece of art is
Biblical in that it illustrates Mary very much like she is described in the book of Revelation. Revelation 12:1 reads that "...a great sign appeared in
heaven: A woman clothed with the sun and, the moon under her feet, and on her head a crown of twelve stars." During the time period that Antonio
Palomino created this piece, there were countless other artists painting similar works with their own spin on things. Notable artists include the likes of
Juan de Valdes Leal and Bartolome Esteban Murillo. In this time period, the counter–reformation was taking place and I believe that, as a response to
the protestant reformation, the painting of religious images was used to reignite growth in the Catholic Church.
Antonio de Palomino y Velasco was a Spanish painter of the Baroque period in addition to being an art historian. Originally from Bujalance, Antonio
Palomino later studied lessons in painting under a major seventeenth century artist in Juan de Valdes Leal during the 1670s. After he completed his
studies of art at Cordoba University,

Art Has The Power Of Transcend Life

Recommended

Recommended

More Related Content

Similar to Art Has The Power Of Transcend Life

Similar to Art Has The Power Of Transcend Life (7)

More from Barbara Taylor

More from Barbara Taylor (20)

Recently uploaded

Recently uploaded (20)

Art Has The Power Of Transcend Life