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IN DOCUMENTARIES
GENRE AND STYLE
OBSERVATIONAL
• filmmaker appears
to be 'invisible'
• they observe what
happens around
them but don't
intrude
• often called 'fly on
the wall' or 'cinema
verite' (French for
'film truth’)
PROPAGANDA AND ADVOCACY
• made with the
explicit purpose of
influencing an
audience to a
particular point of
view
• only shows one side
of the story
• often commissioned
by organisations to
get their message
across
PERSONAL JOURNEY
• biographical or
autobiographical
story
• about an individual
or a group of people
• often features a
specific event or an
aspect of their life
• may use archival
footage and
interviews with those
who knew the subject
USING ARCHIVE
• most of the material
already exists
• story is developed
through use of still
photos, documents
and footage from
television, newsreel,
and fictional films
• music and sound used
to set the atmosphere
• wide use of interviews
and voiceover
narration
USING DRAMA
• use actors, sets, and props
to recreate historical events
• based on eyewitness
accounts, historical
evidence, transcripts, or
even hearsay
• normally used when actual
footage of the event is hard
to find, expensive to use, or
simply doesn't exist
• critics debate the extent to
which this blurs the
boundaries of fact and
fiction
SOCIAL ISSUE
• focuses on issues
that are important
within a local or
global community
• filmmakers who are
passionate about
an issue believe
their documentary
could be a
powerful tool to
influence change
USING COMEDY
• filmmaker makes their
point using humor
• they do this by using
surprising characters,
unusual locations,
parodying other
styles of
documentary, or by
using satire
• often use humor to
convey a serious
message
DOCO ESSAY
• a stylised film
representing a
filmmaker's strong point of
view on an issue,
problem, or argument
• presents a thesis, informs
audience by putting
forward developed
arguments
• forms these arguments by
research into a wide
range of source material
• filmmaker may use
narration or even be an
active participant
MY GROUP’S DOCUMENTARY
• The most appropriate style for our documentary
would be “PROPAGANDA AND ADVOCACY” and
“SOCIAL ISSUE”
• This is because we are trying to raise awareness of
the social issue of stray dogs in Sai Kung.
• We are also trying to advocate the Sai Kung Stray
Friends charity to try and encourage more people
to help them out.

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Documentary Genre and Style

  • 2.
  • 3. OBSERVATIONAL • filmmaker appears to be 'invisible' • they observe what happens around them but don't intrude • often called 'fly on the wall' or 'cinema verite' (French for 'film truth’)
  • 4. PROPAGANDA AND ADVOCACY • made with the explicit purpose of influencing an audience to a particular point of view • only shows one side of the story • often commissioned by organisations to get their message across
  • 5. PERSONAL JOURNEY • biographical or autobiographical story • about an individual or a group of people • often features a specific event or an aspect of their life • may use archival footage and interviews with those who knew the subject
  • 6. USING ARCHIVE • most of the material already exists • story is developed through use of still photos, documents and footage from television, newsreel, and fictional films • music and sound used to set the atmosphere • wide use of interviews and voiceover narration
  • 7. USING DRAMA • use actors, sets, and props to recreate historical events • based on eyewitness accounts, historical evidence, transcripts, or even hearsay • normally used when actual footage of the event is hard to find, expensive to use, or simply doesn't exist • critics debate the extent to which this blurs the boundaries of fact and fiction
  • 8. SOCIAL ISSUE • focuses on issues that are important within a local or global community • filmmakers who are passionate about an issue believe their documentary could be a powerful tool to influence change
  • 9. USING COMEDY • filmmaker makes their point using humor • they do this by using surprising characters, unusual locations, parodying other styles of documentary, or by using satire • often use humor to convey a serious message
  • 10. DOCO ESSAY • a stylised film representing a filmmaker's strong point of view on an issue, problem, or argument • presents a thesis, informs audience by putting forward developed arguments • forms these arguments by research into a wide range of source material • filmmaker may use narration or even be an active participant
  • 11. MY GROUP’S DOCUMENTARY • The most appropriate style for our documentary would be “PROPAGANDA AND ADVOCACY” and “SOCIAL ISSUE” • This is because we are trying to raise awareness of the social issue of stray dogs in Sai Kung. • We are also trying to advocate the Sai Kung Stray Friends charity to try and encourage more people to help them out.