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Evaluation Question 3

What have you learned from your
      audience feedback?
-From Pre-Production to Post-Production-

•   The road in between the two defining moments of the process is
    made easier by the feedback of one’s audience. My partner and I
    took into account people’s opinions on how we should shape the
    characters. For instance: most people said in the pre-production
    questionnaire that we should have some sort of narrative to guide
    the viewers through the short journey. However, some people said
    that they didn’t want any particular storyline. To resolve this issue,
    my partner and I decided to create a broken storyline, whereas
    there is no clear structure or understanding. Though this confused
    the audience, they seemed to enjoy the challenge it presented. We
    also asked them if the inclusion of a masked character would add
    mystery to the video. Of course, a resounding ‘yes’.
-Initial research-
•   At first, we believed that our audience would be comprised mostly of
    16-25 year old males, falling somewhere in the working/middle class
    boundary. However, upon further inspection and questioning we
    realised the females were actually interested in the idea of a
    mysterious progressive-metal (or rock, in this case) video. We also
    came to the realisation that we would, in fact, not fall into Young and
    Rubicam’s theory of ‘mainstream’. We were thankful for this as we
    were in fact trying to keep ourselves away from the normal
    conventions of today’s pop videos, a move which a lot of our
    audience seemed to enjoy.
-How did we appeal to our target audience?-

• To go against normal conventions of music
  videos and appeal to our audience proved to be
  a very fragile task. We had to ensure that we
  could add elements to keep the audience fixated
  on our work. We were successful in the end, or
  so the post-production questionnaires claim.
-Post-Production-
• This was to be our finest, or worst, hour. We showed
  them the video, attempting to appeal to all the
  preferences they presented in the pre-production stage.
  It seemed that the masked character was the main
  interest of the video, as was our aim. The result was a
  fairly brilliant average of 7.5 (based on a viewer count of
  22) from the audience.
-Final Research-
• Upon finishing my Digipack and website, I
  sent it to as many of my friends as
  possible, asking them whether or not they
  felt it suited the video. From a study of 10,
  8 believed that the cover worked well with
  the video. From that same study, 7 people
  said that the website keyed in with the
  video.
-Final Research-
• Upon finishing my Digipack and website, I
  sent it to as many of my friends as
  possible, asking them whether or not they
  felt it suited the video. From a study of 10,
  8 believed that the cover worked well with
  the video. From that same study, 7 people
  said that the website keyed in with the
  video.

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Evaluation Question 3

  • 1. Evaluation Question 3 What have you learned from your audience feedback?
  • 2. -From Pre-Production to Post-Production- • The road in between the two defining moments of the process is made easier by the feedback of one’s audience. My partner and I took into account people’s opinions on how we should shape the characters. For instance: most people said in the pre-production questionnaire that we should have some sort of narrative to guide the viewers through the short journey. However, some people said that they didn’t want any particular storyline. To resolve this issue, my partner and I decided to create a broken storyline, whereas there is no clear structure or understanding. Though this confused the audience, they seemed to enjoy the challenge it presented. We also asked them if the inclusion of a masked character would add mystery to the video. Of course, a resounding ‘yes’.
  • 3. -Initial research- • At first, we believed that our audience would be comprised mostly of 16-25 year old males, falling somewhere in the working/middle class boundary. However, upon further inspection and questioning we realised the females were actually interested in the idea of a mysterious progressive-metal (or rock, in this case) video. We also came to the realisation that we would, in fact, not fall into Young and Rubicam’s theory of ‘mainstream’. We were thankful for this as we were in fact trying to keep ourselves away from the normal conventions of today’s pop videos, a move which a lot of our audience seemed to enjoy.
  • 4. -How did we appeal to our target audience?- • To go against normal conventions of music videos and appeal to our audience proved to be a very fragile task. We had to ensure that we could add elements to keep the audience fixated on our work. We were successful in the end, or so the post-production questionnaires claim.
  • 5. -Post-Production- • This was to be our finest, or worst, hour. We showed them the video, attempting to appeal to all the preferences they presented in the pre-production stage. It seemed that the masked character was the main interest of the video, as was our aim. The result was a fairly brilliant average of 7.5 (based on a viewer count of 22) from the audience.
  • 6. -Final Research- • Upon finishing my Digipack and website, I sent it to as many of my friends as possible, asking them whether or not they felt it suited the video. From a study of 10, 8 believed that the cover worked well with the video. From that same study, 7 people said that the website keyed in with the video.
  • 7. -Final Research- • Upon finishing my Digipack and website, I sent it to as many of my friends as possible, asking them whether or not they felt it suited the video. From a study of 10, 8 believed that the cover worked well with the video. From that same study, 7 people said that the website keyed in with the video.