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Documentation What is it? Why do you need it?
Ideas generation Anything and everything that allows the recording of
ideas generation and development at the beginning of
a project
Typicaldocumentation includes lists, writing, mood
boards, spider diagrams, very rough first drafts,
intertextuallinks (we’re going to make something like
THIS)
Writer and directors would be responsible for ideas
generation
Before you have ideas set out you don’t have anything
You need a record of the development of your ideas
so you can see what you were trying to do and think
about how well you’re achieving it.
You need to have something concrete to show
investors / employers from the word go
Proposal
Script
Storyboard  A visual shot by shot plan of the film or a
section of the film, containing a visual plan,
timings, information about shot movement
and movement within the shot, diagetic and
non-diagetic sound, special and visual effects
and editing.
 It will be created by the director almost all of
the time – it’s not the writer’s job to decide
how to turn the written script into the audio-
visual film.
1. It provides a visualisation of your written
plans – what do you think your ideas are going
to actually look like through a lens.
2. It organises a scene in a script very specifically
into shots rather than narrative beats
3. It allows you to effectively time the different
shots – based on how much content there is in
the shot – and so lets you consider in more
detail the pace of the scene
4. It allows you to make sure that you are paying
attention to the grammar of a scene – the 180
Rule, the use of Shot/Reverse POV/Shot (the
Kuleshov Effect), line of sight shooting…
5. It allows you to check the logistics of your
planned movement within the shot and of
camera movement within the shot
6. It allows you to plan for the use of sound –
both diagetic and non-diagetic – within the
shot
7. It allows you to plan the editing linking shots
8. Along with a production script it provides a
detailed blueprint for the departments
managing the practical aspects of production
planning – costume, location, props…
Lighting Plans
Production
Schedule
Location Recce
Risk Assessment
Budget
Call Sheets
Equipment
Booking Forms
Contributor
Release Forms
A standard form that everybody involved in
production needs to sign
It confirms their consent to the involvement in their
role
It confirms that they do not have any rights –
copyright or Intellectual Property rights- tothe
project beyond their contract rights.
It will almost always be the job of the 1st Assistant
Director or the Producer and their assistants to
manage these documents.
It’s necessary toconfirm the consent of everyone
involved so if they object to the final project they
don’t have any rights to change or affect it.
It’s necessary for everybody towaive any question of
them having a stake in the ownership of rights,
beyond that given to them in their contract.

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Documentation table

  • 1. Documentation What is it? Why do you need it? Ideas generation Anything and everything that allows the recording of ideas generation and development at the beginning of a project Typicaldocumentation includes lists, writing, mood boards, spider diagrams, very rough first drafts, intertextuallinks (we’re going to make something like THIS) Writer and directors would be responsible for ideas generation Before you have ideas set out you don’t have anything You need a record of the development of your ideas so you can see what you were trying to do and think about how well you’re achieving it. You need to have something concrete to show investors / employers from the word go Proposal Script Storyboard  A visual shot by shot plan of the film or a section of the film, containing a visual plan, timings, information about shot movement and movement within the shot, diagetic and non-diagetic sound, special and visual effects and editing.  It will be created by the director almost all of the time – it’s not the writer’s job to decide how to turn the written script into the audio- visual film. 1. It provides a visualisation of your written plans – what do you think your ideas are going to actually look like through a lens. 2. It organises a scene in a script very specifically into shots rather than narrative beats 3. It allows you to effectively time the different shots – based on how much content there is in the shot – and so lets you consider in more detail the pace of the scene 4. It allows you to make sure that you are paying attention to the grammar of a scene – the 180 Rule, the use of Shot/Reverse POV/Shot (the Kuleshov Effect), line of sight shooting…
  • 2. 5. It allows you to check the logistics of your planned movement within the shot and of camera movement within the shot 6. It allows you to plan for the use of sound – both diagetic and non-diagetic – within the shot 7. It allows you to plan the editing linking shots 8. Along with a production script it provides a detailed blueprint for the departments managing the practical aspects of production planning – costume, location, props… Lighting Plans Production Schedule Location Recce Risk Assessment Budget Call Sheets Equipment Booking Forms
  • 3. Contributor Release Forms A standard form that everybody involved in production needs to sign It confirms their consent to the involvement in their role It confirms that they do not have any rights – copyright or Intellectual Property rights- tothe project beyond their contract rights. It will almost always be the job of the 1st Assistant Director or the Producer and their assistants to manage these documents. It’s necessary toconfirm the consent of everyone involved so if they object to the final project they don’t have any rights to change or affect it. It’s necessary for everybody towaive any question of them having a stake in the ownership of rights, beyond that given to them in their contract.