3. Equipment
• I am going to use a cannon (number) camera, which I will request from college. It
is available on Wednesday the 6th of April, until the 25th of April.
• I am also borrowing lighting equipment, which I will get from college by filling out
the required form. It is available on Wednesday the 6th of April, until the 25th of
April.
• I am also planning to use an iPhone and and Hoheim iPhone gimble, which I own
myself and will not have to wait for.
• Camera stands, I own two of them so I do not need to request this equipment.
• For the Cannon camera I am going to need batteries for it, which I am getting from
college and my Grandparents. My grandparents should be accessible most days
and times, with college being available on Wednesday the 6th of April, until the
25th of April.
4. Facilities
• I will edit my videos in both my bedroom at
my dads, and the college classroom, as both
have access to the necessary software
(premier pro, photoshop and other adobe
products + Microsoft office software).
5. Personnel
Crew:
Charlie Stevens (me)
Strengths: Good use of cameras and composition, creative
Weaknesses: Gets distracted, doesn’t always explain things clearly
Always free
Jenson(little brother who will help do the camera work for one scene)
Strengths: Knows how to hold the camera, follows instructions
Weaknesses: is young and easily distracted
Free on weekends and after school
Cast:
Harvey: available on 13/04/2022 from 12:15 pm too 8pm, no cost, we will eat at Whither
spoons Harrogate and get a train to Harrogate and back to knaresborough
Henry: available on 13/04/2022 from 12:15 pm too 8pm, no cost, we will eat at
Whither spoons Harrogate and get a train to Harrogate and back to knaresborough also
available 30/04 for the whole day, will be fed at my house and will be picked up by his
parents.
7. Style Sheet for posters and leaflet
Tisa Offc Serif Pro
Dreaming
Outloud Script
Informal R oman
8. What I want the posters to
reflect/audience feel
• When people see the posters, I want them to
feel that the movie am advertising is
interesting and comedic. I want a sense of
intrigue as to what could be going on to arise.
10. 2nd Poster Layout
Title
A CJ stevens
production
Ft henry
graham
Image will be
black and white,
with red text and
highlights.
clock
Henry’s
character
Sofa
11. Flyer layout
Image in a cartoony red outline
Title name
Date of the movie
releasing in Europe
13. The story
The main character gets kicked out of his house and then arrested after getting
into a public fight. To avoid time in juvie, he is forced to take council therapy with a
snarky therapist/councilor (who probably shouldn't be in that position). They start
off hating each other and slowly become friends over a period.
The trailer itself is a segment of the main character meeting the therapist for the
first time, and having the therapist briefly confirm his activities in a way that tells
the audience some of the prior narrative, and ends with a comedic scene of henrys
character ‘David Prost(is polish for dumbass)’ having puppy therapy.
The is also an interview with my character of an actor who plays the therapist (as in
I am pretending to be the actor who plays the part) having an interview with a
company called ‘hired’(based of ‘wired’), where he gets asked questions about the
movie, like ‘what was your favorite behind the scenes moment’ and then he voices
his opinions, and I use footage from the trailer during it. At the end of the
questions the will be a scene of the therapist getting ready and reading David
Prost's file, as a never before seen clip to accompany the end of the promotional
interview .
14. Cinematography:
The fight scene will be shot and filmed to be visually dramatic,
moving with action and using cinematic bars to sell the effect.
Colour:
The colour of the video footage will be quite light and cool, this is to
match the tone with the strobe effects from my fight scene. Also,
because the cold tone is meant to signify that it is in a relatively cold
country (England).
Lighting:
The lighting in the interview will eb set up at a 45-degree angle, with
the natural light also coming at an angle from the other direction.
The therapy scene will use natural light from the window, to create
more of a moody atmosphere.
16. 1 3
4
2
5 6
Therapist asks how long it has been since Prosts last
out-brake. Medium close-up.
Therapist says ‘I see’ and takes some notes. Close
up on his face, then hand, then zoom-out.
Prost answers saying it has been a week . Medium
close-up.
Concerned by the note taking and asks what is the
problem. Medium close-up.
Note book is shown to be filled with childish and
silly drawings. Close up on note book
Prost throws a punch at Jake Percy. Jake Percy
retaliates by grabbing Prost's shoulder and shoving
him towards wall. Mid range.
17. 1 3
4
2
5 6
Prost slams into wall, and we see his hand brace
himself to try and stop the impact. Therapist voice
asks if he got kicked out house. Extreme close-up.
Therapist says that it is unfortunate in a sarcastic
tone. Therapist says all seems to be in order.
Medium close up.
Prost runs out door getting kicked out, while
answering therapist question with voice over, the
door slams and stops the music. Close up/mid
Prost stands up to leave. Medium close-up.
Therapist closes notebook. Therapist tells him to
hold his horses as he stops Prost from leaving and
hands him letter. Behind/ to the side low shot
This scene switches between prosts face and the drawing
of a puppy that he opens from letter. Zooms in more
each time, until it fades out to actual puppy
18. Shot
#
Interior
or
Exterior
Shot Camera Angle Camera
move
Audio Subject Description
1 Int Medium/
close-up
Eye-Level Zoom out Voice +
Music
Therapist Therapist asks how long it has been since
Prostslast out-brake
2 Int Medium/
close-up
Eye-Level Static Voice +
Music
Prost Prost answers saying it has been a week
3 Int Close-up on
face
Eye-Level Static Voice +
Music
Therapist Says I see
4 Int Close-up on
hand
Eye-Level
Slightly above
Static Voice +
Music
Therapist’
s
hand/pen
Takes notes
5 Int Medium/
close-up
Eye-Level Static Voice +
Music
Therapist Takes notes,
6 Int Medium/
close-up
Eye-Level Static Voice +
Music
Prost Concerned by the note taking and asks what is
the problem
7 Int Medium/
close-up
Eye level Zoom in Voice +
Music
Therapist Complains and says that Prost has an attitude
8 Int Close up Above Shoulder/
High angle
Zoom in Voice +
Music
Note
book
Note book is shown to be filled with childish
and silly drawings.
9 bank Black screen none Fade in none Blank
screen
A black screen to break between clips and
music fading in/out.
10 Ext Mid range Side shoulder
level
Hand/move
with shot
Music +
voice
Prost
+Jake
Prost throws a punch at Jake Percy
11 Ext Mid range Over shoulder Move with Music + Prost + Jake Percy retaliates by grabbing Prosts
19. Shot
#
Interior
or
Exterior
Shot Camera Angle Camera
move
Audio Subject Description
12 Ext Extreme
close-up
Side/slightly
bellow shoulder
Move to
right with
impact
Music +
voice
Prost's
hand
Prost slams into wall, and we see his hand
brace himself to try and stop the impact.
Therapist voice asks if he got kicked out house
13 Ext Mid range
of door
Slightly to the
side, straight on
shot
Hand held Music
out
+voice
Prost/
door
Prost runs out door getting kicked out, while
answering therapist question with voice over.
14 Ext Close up of
door
Slightly above
focus, to the side
Hand held Door
slam
door Door slams
15 Int Medium/
close-up
Eye-Level Zoom out Voice +
Music
Therapist Therapist says that it is unfortunate in a
sarcastic tone
16 Int Close-up
on face
Eye-Level Static Voice +
Music
Therapist Therapist says that it is unfortunate in a
sarcastic tone
17 Int Medium/
close-up
Eye-Level Static Voice +
Music
Therapist Therapist says all seems to be in order
18 Int Medium/
close-up
Eye-Level Static Voice +
Music
Prost Prost stands up to leave
19 Int Medium/
close-up
Eye-Level Static Voice +
Music
Therapist Therapist closes notebook
20 Int Behind/ to
the side
shot
Lowish angle
shot
Hand held Voice +
music
Therapist
and Prost
Therapist tells him to hold his horses as he
stops Prost from leaving and hands him letter
21 Int Medium/
close-up
Eye-Level Static Voice +
Music
Prost Prost ask what it is
22 Int Behind/ to
the side
Lowish angle
shot
Hand held Voice +
music
Therapist
and Prost
Therapist says it is prosts perscription
20. Shot
#
Interior
or
Exterior
Shot Camera Angle Camera
move
Audio Subject Description
23 Int Close-up Above Still Music
+open
sound
drawing Opens leaflet to reveal puppy drawing
24 Int Close-up Bellow Still Music Prost face Stares at it
25 Int Extreme
close-up
Above Still Music drawing Closer on puppy drawing to indicate focus
26 Int Extreme
close-up
Bellow Still Music Prost face Stares at it
27 Int Super
Extreme
close-up
Above Still/fade
out
Music drawing Super closer on puppy drawing to indicate
focus, fade out to puppy face where it is
28 Int Decide on
day
Decide on day Decide on
day
Music Puppy
and Prost
A few shouts of the puppy that I will improvise,
as it depends how he wants to behave as to
what I can do. Will have messages over it with
text though.
29 blank Text will
get bigger
on black
screen
Black screen Still/ zoom
in?
Music text More text on blank screen
21. Interview
For my interview I will set up a camera in one spot, so
that will be the one camera angle I need, with black
screens and other bits of footage from the rest of my
project being used to interrupt it.
The main shot will be a mid ranged shot, where you will
see my torso and the back ground.
22. Props/Costume/therapist
Props: Note pad + pen (taking notes
and doodling in therapy scene),
envelope (to hand over
prescription).
Costumes: Suit, Jeans and a black
shirt
The character seems professional
with the suit, while also looking a
bit unprofessional with the jeans
and black shirt.
23. Props/Costume/therapists actor
Props: glass cup of water
Costumes: Light blue polo shirt, jeans
The character is dressed casually smart. You do not see the lower torso of the
character, as this is shot from the waist up.
24. Props/Costume/Jake Percy
Props: none
Costumes: Black hoodie (hood up),
blue or black tracksuit bottoms,
chav trainers.
The character is dressed a bit like a
chav/thug. This is to make the
character seem more
threatening/dislikeable.
25. Props/Costume/Prost - fight
Props: none
Costumes: Gray over coat, trainers,
dark blue/black jeans.
The character is dressed to seem
smart and coordinated. This is to
make him more likeable as a
character, as we generally perceive
people who dress well as being well
mannered. This helps to put the
viewer on his side of the fight.
26. Props/Costume/Prost - Therapy
Props: puppy
Costumes: Black overcoat, black cap,
grey ripped jeans
The character is dressed in black to
indicate that his mood is quite dark. His
ripped jeans are supposed to reflect the
fight that he has just been in, with the
jeans representing the physical and
mental damage to the character.
The puppy is an oxymoron, showing
something cute and happy with
someone dark and hurt.
28. Script pt1
Therapist/councillor – an Arse whole who feels little empathy
Make this first section seem serious
Start with zoom in on note pad. And then a pan up to henrys character. Include quite a few zooms in on characters
faces and a lot of camera movement.
Therapist: So, Mr Prost how long has it been since your last outbreak?
About a week. (grumpyish)
(Takes some notes for an uncomfortably long amount of time while looking at Prost and making hmm sort of
questioning sounds and say I see).
What? What is it?
(Whispers attitude)
Show he has literally been drawing something like a race car
Fwoosh sound transition
End clip
Have edgar wright fast shots of him going to sleep and waking up and the process and it ticking by for days and days
with him literally just going on computer and stuff and then end it with hands coming in from the side of the screen
and pulling him off screen
Have voice over now
So you got kicked out the house
(Show him getting thrown out and door slamming with him and his PJ’s on)
Got in a fight
(Fight scene)
Then got arrested?
(Something like this – can change if difficult to pull off)
29. Script pt2
Back to therapy
Prost : yuppp! (lip smack on the p sound)
Therapist: boy that’s unlucky (pretends to care, but fails badly)(takes some notes)
Therapist: have you got a place to stay?
Prost: yeh, my grandparents are letting me live with them.
Therapist: ok, all seems to be in order.
Prost (GETS Up TO LEAVE)
Therapist: hold your horses
Therapist: jeeze, kids these days (joke is because the actor of therapist is a child)
T: here you go
P: what is this?
T: your prescription
(see the thing which is a doodle of a dog)
Cut scene
Prost is holding a puppy and someone says welcome to puppy therapy in a feminine voice
End with a really close zoom on prosts face an then cut to info about movie
End the trailer with a clip of the therapist telling him “you know prost means dumbass in Romainian?” look at P face
and have T laugh “your whole family are dumabsses”
30. Script – Interview
Base my character off henry cavil
Do an interview with one of the characters (played by me). The questions will be asked at the top of the screen and then I will
answer in a way like I have been asked the question, but they cut out the person asking (a bit like wired.
“Hi there, I’m Chunk Nervous, and I’m here today to promote the newest hit film I’ve been involved with called: Stagnant Water”
Show some of the posters and articles
“What is the film about? Well to put it simply the story is about a therapist and this teenage boy, whose lives parallel each other a
bit. The boy goes through an ordeal after getting kicked out his house, and meets the therapist after getting arrested. The therapist
is a bit of an arse at first, but eventually the warm up to one another.”
Throughout the last segment show some clips
“What did I think about the cast?”
“A lot of talented individuals were working on this project, both on and off screen. My co-stars Harvey Holmes and Henry Graham
are both extremely talented individuals, who definitely helped to bring a lot of energy and enthusiasm on screen. Henry in particular
as the actor I spent the most time with was a bundle of laughs both on and off screen”
-Show clips of henry laughing
What was my favourite moment of the movie?
“Interestingly enough, my favourite moment of the movie is a scene that I’m not actually in. The was a particular scene where
Henrys character … Prost has a fight against Harvey’s character, before getting arrested. The visuals and pace on that where quite
well done, and it was quite funny to watch them behind the scenes pretending to fight each other.” – show a bit of the fighting
What’s my favourite behind the scenes moment?
My favourite behind the scenes moment has to be when the director, Charlie Stevens started a fight with a seagull that was
preventing the camera men from getting a certain shot. He chased it a way in the end, and when we came back his car was
covered in seagull poop.
Oh, looks like we’ve got through all the questions.
Thank you Hired for having me, and I hope to see you guys on the big screen next. Here is a never before seen clip from the
movie.
-show the fight scene.
32. Production Group Info
• Include names, contact info, and defined roles at difference stages of production,
using a table is suggested
Names: Phone
number:
Email: Roles on set: Roles Post-
production
Henry Graham 07713 385461
Henry-
Graham@student.york
college.ac.uk
Actor – main characters
friend / equipment currier
Consultant for
feedback
Harvey Holmes 07494 140620
Harvey-
Holmes@student.york
college.ac.uk
Actor – main character /
equipment currier
…
Me/
Charlie Stevens
07943 155276
charliestevens04@gm
ail.com Director / Camera
Operator / Fight
Choreographer
Editor
33. Location information
• Information and images of your location[s] for
filming/recording/shooting.
• This means when you will arrive, when it will be
available, when you model/cast should arrive, when
you will finish, access to food/water, access to toilets,
nearby travel links etc.
• You should have address details, clearance/permissions
for filming, recce photos and floorplans [including
camera, equipment and cast/crew layouts]
• Where possible, have a plan B fallback location option
• Assess each location for any issues and suggest
solutions
34. Locations/Recce
-Knaresborough/dad’s house/landing
The is a limited amount of space to work with in
this location, as it is in a narrow area of the house.
A solution may be to set up the camera at a
diagonal angle to give myself some more working
room.
The risks of this area include interruption by family,
noise from family or neighbors, rain/a storm/wind
interrupting the sound, light coming from
conservatory.
In order to manage this, I will choose a well
forecasted day to film on, and if the do end up
being interruptions I will simply reshoot the scene,
as I will be breaking it down into smaller shots. I
can also reshoot on other days if needed be, and I
plan to use the conservatory light to my advantage.
The location is easy for me to access, as it is a room
in my house, and so the is hardly any distance for
me. Furthermore, one of my other actors lives just
down the road in case I need any help. The is no
cost included, and I can access this room easily at
any time.
35. Locations
-Knaresborough/dad’s house/landing
I will arrive at 9 am on the 13th of may
2022, and will finish before 12 am.
It is available all day and is located right
next to a stocked kitchen, with toilets
being on the floor above.
No travel is required for me to get here,
except going through some rooms and
down some stairs.
I have clearance permissions as a
resident of this location. The address is
11 Kirkhamcourt.
My plan B backup location is the sofa
located in my bedroom.
36. Locations/Recce
-Starbeck/mother’s house/living room
The is a limited amount of space, however the is enough to do
mid shot, to close shot range, and since I do not need any
particularly long shots this is ok.
The risks include noise neighbors, interruption by family,
interruption by cat or puppy, rain or other weather interrupting
the audio.
In order to combat this, I will invite my friend over on a well
forecasted day and can reshoot if needs be. I will also choose a
day where my mother is bringing the dog with her and keep the
doors to the room locked, so that the cat does not interrupt us.
If the are any unnecessary interruptions, I will simply restart the
scene from a cut point and go from there.
The distance for me is not much, as it is a room in my mother's
house, however for henry it is a 10-minuet drive. To solve this
issue, I will invite him to sleep over the night prior to filming
and give him a lift. The is no cost associated with using this
location, and I can access it easily at any time.
37. Locations
-Starbeck/mother’s house/living room
We will arrive at 10 am on the 30th of April 2022,
and will finish before 2 pm.
It is available all day and is located next to a
stocked kitchen, with a toilet also being located on
the same floor.
No travel is required for me to get here, except
going through some rooms and down some stairs.
My actor will receive a lift to and from said
location.
I have clearance permissions as a resident of this
location. The address is 11 Kirkhamcourt.
My plan B backup location is the living room of my
grandparents house, located at 10 terisblabla road
38. schedule
Day Day Day Day Day Day Day Day Day Day Day Day Day Day Da
Task 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Filming/Photography
Checking
Fiming/Photography
Checking
Contengancy
Photoshop
Contengancy
Editing
Contengancy
Checking Powerpoints
Contengancy
Diary
Day Day Day Day Day Day Day Day Day Day Day Day Day Day Day
13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
39. Clearance and Permissions LOCATION
Land Owner
I, the undersigned hereby grant permission to Charlie Stevens and Henry Graham the right to enter and remain upon 10
Tyson Place(the Property), which shall include not only real property but any fixtures, equipment or other personal property
thereat or thereon, located at 10 Tyson Place, with personnel and equipment (including without limitations, props,
temporary sets, lighting, camera and special effects equipment) for the purpose of photographing scenes and making
recordings of said Property in connection with the production of a digital media text on the following date(s): any date This
permission includes the right to take motion pictures, videotapes, still photographs and/or sound recordings on and of any
and all portions of the Property and all names associated there with or which appear in, on or about the Property. This
permission also grants all rights of every nature whatsoever in and to all films and photographs taken and recordings made
hereunder, including without limitation of all copyrights therein and renewals and extensions thereof, and the exclusive right
to reproduce, exhibit, distribute, and otherwise exploit in perpetuity throughout the universe (in whole or in part) such films,
photographs and recordings in any and all media, whether now known or hereafter devised, including without limitation in
and in connection with the documentary video and the advertising and other exploitation thereof. I certify that I have the full
right and authority to enter into this agreement and grant the rights herein granted, and that the consent or permission of no
other person, firm, or entity is necessary in order to enable you to exercise or enjoy the rights herein granted.
40. Clearance and Permissions - Harvey
Actor Crew
I, the undersigned hereby grant permission to YOUR NAME the right to capture my images and likeness in the production of
a digital media text on the following date(s): Thursday the 7th of April to 25th April. This permission includes the right to take
motion pictures, videotapes, still photographs and/or sound recordings. This permission also grants all rights of every nature
whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all
copyrights therein and renewals and extensions thereof, and the exclusive right to reproduce, exhibit, distribute, and
otherwise exploit in perpetuity throughout the universe (in whole or in part) such films, photographs and recordings in any
and all media, whether now known or hereafter devised, including without limitation in and in connection with the
documentary video and the advertising and other exploitation thereof. I certify that I have the full right and authority to enter
into this agreement and grant the rights herein granted, and that the consent or permission of no other person, firm, or
entity is necessary in order to enable you to exercise or enjoy the rights herein granted.
41. Clearance/Permissions - Henry
Actor Crew
I, the undersigned hereby grant permission to Henry Graham the right to capture my images and likeness in the production of
a digital media text on the following date(s):Thursday the 7th of April to 25th April This permission includes the right to take
motion pictures, videotapes, still photographs and/or sound recordings. This permission also grants all rights of every nature
whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all
copyrights therein and renewals and extensions thereof, and the exclusive right to reproduce, exhibit, distribute, and
otherwise exploit in perpetuity throughout the universe (in whole or in part) such films, photographs and recordings in any
and all media, whether now known or hereafter devised, including without limitation in and in connection with the
documentary video and the advertising and other exploitation thereof. I certify that I have the full right and authority to enter
into this agreement and grant the rights herein granted, and that the consent or permission of no other person, firm, or
entity is necessary in order to enable you to exercise or enjoy the rights herein granted.
42. Health and Safety/Risk assessment
Potential Issue How will the issue be
avoided?
My actors may get injured during their fight
choreography.
This will be avoided by using professional
techniques, like framing it right so that they can
be 2m apart and still look like they are fighting.
The will be a lot of heavy equipment, so the
I a risk of people straining themselves to
carry it.
The solution for this is to split up what is
being carried between everyone, and only
bring the necessary equipment.
The is a risk of slipping if anyone of the
locations end up being wet due to rain.
Choose the timings well, and if it is raining then
make sure to wear appropriate foot ware.
My personnel and actors may act in ways
that put themselves or others at risk.
I will make sure to enforce rules and good
behaviour, while also not being oppressive or a
rude director.
The is a risk of the equipment being
dropped, which could result In damaging
equipment and or people.
In order to stop this, I am going to leave
equipment in its required bag or protective
case, and only get it out when needed.
The puppy may nibble on peoples fingers,
which could hurt and possibly result in
injury.
Keep the puppy relaxed and if he is
misbehaving then he will be put in hiss
travel box.
Editor's Notes
What do you need? E.g. equipment, resources? Mostly from college, but who do you need to speak to get this kit? What is available? When?
Look at equipment hire places, etc
Where will you edit your video? Do you need any other specialist facilities…? Software?
CREW: What is you team? Who is in it? What are each team members strengths/weaknesses? When are they available?
CAST: Do you need any external performers? When are they available? Cost implications? Will you have to feed them? Transport them?
Other personnel? Is anyone else helping you?
Add rationales for creative choices. Use images and descriptions. One slide per character/outfit.
Add rationales for creative choices. Use images and descriptions. One slide per character/outfit.
Add rationales for creative choices. Use images and descriptions. One slide per character/outfit.
Add rationales for creative choices. Use images and descriptions. One slide per character/outfit.
Add rationales for creative choices. Use images and descriptions. One slide per character/outfit.
Black out all contact details as this will be going online, but you will still need to collect these.
You need to identify locations and plan a recce.
What are the limitations and risks, eg distance, access, cost, weather? How will you manage this?
You need to identify locations and plan a recce.
What are the limitations and risks, eg distance, access, cost, weather? How will you manage this?
You need to identify locations and plan a recce.
What are the limitations and risks, eg distance, access, cost, weather? How will you manage this?
If under 16 a parent must confirm this. One agreement per model/actor
If under 16 a parent must confirm this. One agreement per model/actor