Dezyne E'cole College. www.dezyneecole.com

1. Dimpal Chouhan
2nd Year Diploma Fashion Technology (NSQF Level-6 Of NSDC)
Dezyne E’cole College, www.dezyneecole.com

2. The origins of contemporary ,conceptual fashion may well be credited to the
Japanese designer rei Kawakubo , yohji yamamoto and issey miyake .
For decades , these designers have been producing the most intriguing
,provocative fashion by creating new ways of cutting and construction.
Conceptual collections are often beautiful ,timeless and dislocated from
most visual narratives . However , they can also be too challenging , abstract
or unrelenting in identity , diminishing their influences on fashion trends .
Designers Hussein chalayan, helmut jil sander are all know for a minimalist,
exacting aesthetic, which owes much to the rigors and precision of
innovation architecture are reductive product design .
There is usually little or no decoration to obscure the essence of the
proportions’core components and construction.
Conceptual Influence

3. Yves Saint Laurent
Fashion From The 1970s Were Based On The 1920s, And 1940s. Hollywood Produced Period Films Conjuring Up Past Styles
That People Rushed To Emulate, Particularly The Godfather And The Great Gatsby. Under The Direction Of Diana Vreeland,
A Former Editor Of Vogue, The Costume Institute At New York’s Metropolitan Museum Of Art Staged Major Exhibitions Of
Costume History, Beginning With A Retrospective Of The Spanish Couturier Cristobal Balenciaga.
Laura Ashley, Ralph Lauren, Punk, And New Wave Fashions All Shared Elements Of Nostalgia, But Clearly The Motivations
Behind Their Use Of The Past Were Very Different. Differences Between Authentic Secondhand Clothes And The
Contemporary Designs Based On Classic Lines From The 1930s And 1940s, Using Tweeds, Crepes, Gabardines And Gauzier
Silks For Formal Daytime And Romantic.

4. While studying about the creations of various designers I got
attracted to creation of one of the great French designer , Yves
Saint Laurent who had created a jellaba dress which was my idea
for the collection.

5. Look Book

6. Brainstorming

7. Mood Board

8. Fabric Manipulation

9. Material Board

10. Final Dress
Front View Back View Side View

12. Specification Sheet
Plain Weave
Circular Sleeve
Boat Neck
Surface Design
Technique
Picot

13. Season Phase Size Range Factory
Summer 1 34-36 -
One Piece Dress With Circular Sleeve
DESCRIPTION
Item Description Supplier Quan. (Meter) Price (Rs.) Unit Cost
Cloth Muslin
Lining
Threads
Brand Label
Size Label
Care Label
Packing
Cloth
Cloth
Bengalori Silk (Yellow)
Bengalori Silk (Orange)
Cotton (Grey)
3
3.5
1.5
2
60
60
60
20
Regular
Geslin-4
Geslin-4
Plastic Bag
-
-
-
-
Stock
Stock
Stock
Stock
Plastic Packet
3
1
1
1
1
2
2
3
3
3
180
210
90
40
9
0.1
Production Minute Price Cost Production
Materials
Total Cost
Profit
FINAL COST
Cutting
Sewing
Specials
Finishing
10
30
20
20
4
6
4
4
40
120
80
80
32080
320
200
3
0.18
0.12
532.4
852.4
1052.4

15. THANK YOU
DIMPAL CHOUHAN
2nd Year Diploma Fashion Technology (NSQF Level-6 Of NSDC)
Dezyne E’cole College, www.dezyneecole.com