SlideShare a Scribd company logo
1 of 4
-Digeticsound ( Netflix logoappearingontv
withfamoussoundeffect)
-Around5 seconds longandfrom a lowangle
to the TV- lookingupto the logoand givingit
a sense of poweroverthe audience- we
have to lookup tothe TV inthisshotwhich
issomwhatrepresentitiveof the
documentary’smeaning.
-Montage of differentNetflix showsfrom
theirtrailers
-Backgroundmusic“You’ve gottime”Regina
Spektor(theme fromOrange isthe New
Black- anotherNetflixoriginal)
-Voiceoverstartsintroducingthe
documentary
-Title sequence (name of documentary,
director,musiccredits)
-Musicincreasesandnarrationstopsfor
now.
-Montage of silenterafilm
-Displaysarange of filmbeingmade,silent
filmtextcards,Germanexpressionism
-Voiceoverexplainstrendsof the silentera
time
-‘Sidewalksof New work- NatShilkret
orchestra’playsas backgroundmusic- a
popularsongfromthese times.
-Montage of the rise of Hollywood
-Musicchangesto ‘Baby’sbirthdayparty’
Guy Lombrado- a popularsongfromthis
nextera
-NarrationexplainsTrendsof thistime
-Includesthingsuchasthe introductionof
colourusingclipfromWizard of Oz but
sloweddown asshe opensthe door- as a
representative thatthese timesintroduced
colour.
-Montage of the Goldeneraand showsthe
flexibilitybetweenblackandwhite and
colour.
-Musicchangesto ‘It’sa Wonderful Life’
soundtrack
-Narrationexplainstrendsof the time and
how the competitionwithTV affected
cinemasales
-Some clipsof advertisementsforhome
televisionsets,matchingthe narration.
-Montage of the start and currentmodern
film.
-Musicchangesto ‘You’re the one that I
want- Grease’
-Narrationexplainstrendsoverthe time,
such as the start of videoandDVDsales.
-Montage matchesup withnarrationsuchas
advertisementsforVideotapes,new atthe
time.
-Montage of modernera take over
-Narrationexplainstimelines,which is
backedup onscreensuch as the most
populargenre graph,zoominginoncomedy
and drama whichshowsdemandvsoutput.
-Musicchangesto ‘Changes- CharlesBradley’
fromthe Netflixshow ‘BigMouth’
-Binedit(ownfootage) showingthe change
insociety’sfilmwatchingtrends. Thiswas
made with an eyelinewiththe bincovering
-3 differentbitsof interview footageis
integratedintothe nextsection‘Dominance
of Netflix’
-NoNarrationbutInterview audiois
included,Musicisverysubtle underneath
-Questionsare shownastextbefore being
answered,Textbackgroundisthe interview
screengrab blurredunderthe text.
-Cameraanglesare eyelineforbothsubjects,
creatinga connectionbetweenthe audience
and the interviewee- someonewhois
reflectingonatrendtheyare involvedin.
-Montage betweeninterview footage for
‘dominance of netflix’
-Narrationexplainshow Streamingservices
are takingoverthe worldof film.
-Montage includesthingssuchastrailersand
the editI made withthe greenscreenclip
withpng‘no entry’signandanimations.
-Backgroundmusic:Breakfastclubtheme
song
-Montage alsoincludessome of myown
researchsuch as proof of my ownresearch
surveys/how filmsfromsome centuriesare
missedwhichare screengrabswithsome
editingoverthe top- forexample some of my
ownanimationssuchas the redcircles using
adobe stockgraphics.
-Narrationandmusicremains.
-Onscreeniswhat isbeingtalkedaboutin
narration,suchas the Netflixeffectonsome
actors such as interviewfootage with
VictoriaPedretti whoistalkedaboutinthe
‘Netflixeffect’narrationsection.
half of the screensothat disposalscan
clearlybe seen.Asthiswasn’tone bigtake,
editingthisisanattemptat replicatingthis-
movingthe videoaroundtothe screenand
dissolvingthemsoitwas asssubtle as
possible.
-Rollingcredits
-Narrationstops
-Musicincreasesoverthe topof credits.
-Companylogousingfadesin/out.

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Storyboard

  • 1. -Digeticsound ( Netflix logoappearingontv withfamoussoundeffect) -Around5 seconds longandfrom a lowangle to the TV- lookingupto the logoand givingit a sense of poweroverthe audience- we have to lookup tothe TV inthisshotwhich issomwhatrepresentitiveof the documentary’smeaning. -Montage of differentNetflix showsfrom theirtrailers -Backgroundmusic“You’ve gottime”Regina Spektor(theme fromOrange isthe New Black- anotherNetflixoriginal) -Voiceoverstartsintroducingthe documentary -Title sequence (name of documentary, director,musiccredits) -Musicincreasesandnarrationstopsfor now. -Montage of silenterafilm -Displaysarange of filmbeingmade,silent filmtextcards,Germanexpressionism -Voiceoverexplainstrendsof the silentera time -‘Sidewalksof New work- NatShilkret orchestra’playsas backgroundmusic- a popularsongfromthese times. -Montage of the rise of Hollywood -Musicchangesto ‘Baby’sbirthdayparty’ Guy Lombrado- a popularsongfromthis nextera -NarrationexplainsTrendsof thistime -Includesthingsuchasthe introductionof colourusingclipfromWizard of Oz but
  • 2. sloweddown asshe opensthe door- as a representative thatthese timesintroduced colour. -Montage of the Goldeneraand showsthe flexibilitybetweenblackandwhite and colour. -Musicchangesto ‘It’sa Wonderful Life’ soundtrack -Narrationexplainstrendsof the time and how the competitionwithTV affected cinemasales -Some clipsof advertisementsforhome televisionsets,matchingthe narration. -Montage of the start and currentmodern film. -Musicchangesto ‘You’re the one that I want- Grease’ -Narrationexplainstrendsoverthe time, such as the start of videoandDVDsales. -Montage matchesup withnarrationsuchas advertisementsforVideotapes,new atthe time. -Montage of modernera take over -Narrationexplainstimelines,which is backedup onscreensuch as the most populargenre graph,zoominginoncomedy and drama whichshowsdemandvsoutput. -Musicchangesto ‘Changes- CharlesBradley’ fromthe Netflixshow ‘BigMouth’ -Binedit(ownfootage) showingthe change insociety’sfilmwatchingtrends. Thiswas made with an eyelinewiththe bincovering
  • 3. -3 differentbitsof interview footageis integratedintothe nextsection‘Dominance of Netflix’ -NoNarrationbutInterview audiois included,Musicisverysubtle underneath -Questionsare shownastextbefore being answered,Textbackgroundisthe interview screengrab blurredunderthe text. -Cameraanglesare eyelineforbothsubjects, creatinga connectionbetweenthe audience and the interviewee- someonewhois reflectingonatrendtheyare involvedin. -Montage betweeninterview footage for ‘dominance of netflix’ -Narrationexplainshow Streamingservices are takingoverthe worldof film. -Montage includesthingssuchastrailersand the editI made withthe greenscreenclip withpng‘no entry’signandanimations. -Backgroundmusic:Breakfastclubtheme song -Montage alsoincludessome of myown researchsuch as proof of my ownresearch surveys/how filmsfromsome centuriesare missedwhichare screengrabswithsome editingoverthe top- forexample some of my ownanimationssuchas the redcircles using adobe stockgraphics. -Narrationandmusicremains. -Onscreeniswhat isbeingtalkedaboutin narration,suchas the Netflixeffectonsome actors such as interviewfootage with VictoriaPedretti whoistalkedaboutinthe ‘Netflixeffect’narrationsection. half of the screensothat disposalscan clearlybe seen.Asthiswasn’tone bigtake, editingthisisanattemptat replicatingthis- movingthe videoaroundtothe screenand dissolvingthemsoitwas asssubtle as possible.