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Romani (Gypsy) Music
Key Facts
• Scholars believe Roma came from India 1,000
years ago
• “Gypsy” – derogatory, Europeans believed they
came from Egypt (used in UK, Spain)
• “Tsigan” – heathen (used in Germany and eastern
Europe)
• Politically-correct name is “Roma” – meaning
“man” in Romanes, the language of Roma
• CDs – often constructed as a “journey” from India
to Europe (each track features Gypsy music from a
country “along the journey”
Romani Flag / Indian Flag
Marketing Gypsies -
nomadism, cultural difference,
shared history
A DVD /documentary, 2008
2 CD set that features
Gypsy music from different
countries, 1995
Romani Musicians
• “Gypsies” – musicians, fortune-tellers,
dancers, horse-traders, NOMADS
• Accepted as entertainers, shunned in
everyday life
• Historically hired to perform non-Roma and
Roma music for nobility, at weddings, in
restaurants
What is “real” Gypsy music?
• Roma have private and public music
repertoires
• Non-Roma (gadje) are familiar mostly with
non-Roma repertoires as performed by
Roma
• Private music – rituals for funerals, personal
songs, songs as expressions of individual
emotion (for instance, sorrow)
Romani instruments
• Hungary – cimbalom
• Russia – seven-string guitar
• Serbia – brass bands
• Romania – string bands
• Spain – flamenco - guitar
* Roma musical bands are often very similar to
those of the non-Roma majority
Different types of Romani musicians
Taraf de Haidouks –Romania (top
left)
Esma Redzepova – Macedonia (top
right)
Gipsy Kings – Southern France
(originally from Spain)
(bottom left)
Django Reinhardt (1910-1953)
France (bottom right)
Taraf de Haidouks (Romania)
• Taraf - Turkish word meaning “ensemble”
• Haidouk – Turkish word (derogatory)
meaning highwayman/ freedom fighter
(against Ottoman and Habsburg authorities)
• Troup of lautars (professional Romani
musicians) from Clejani, Romania
• “discovered” by Swiss ethnomusicologist/
producer Laurent Aubert
1999 album cover
Fanfare Ciocarlia (Romania)
• Ciocarlia (skylark) – famous lautar tune
• Brass band from northeastern Romania,
village of Zece Prajini
• “discovered” in 1996 by German sound
engineer and producer Henry Ernst
• Trumpets, tubas, tenor and baritone horns,
saxophones, bass drum, percussion
• Fuse Turkish, Bulgarian, Serbian, and
Macedonian musical styles
Fanfare Ciocarlia
(always play “old” instruments on stage)
Esma Redzepova (Macedonia)
• Born into a Muslim Romani family in Skopje,
Macedonia in 1943
• Married Stevo Teodosievski (gadje – non-
Roma)
• First to sing in Romani language on stage in
Yugoslavia
• Fostered 49 male children, taught them
Romani music (performs with her adopted
sons on stage)
Flamenco - from Andalusia
Granada – Gypsy caves
Inside a modern cave
Musical Influences- 18th cent.
Spanish – contemporary flamenco rooted in local
styles
Romani – became associated with Gypsies
Moorish – Arab/North African - microtones
Sephardic – Jewish (not Ashkenazi)
Songs of the lower classes
Golden Age -(1869-1910) style solidified in late 19th
cent in cafes (emotion, hope, pain)
Characteristics
• Microtonal inflections
• Narrow range of notes
• Timbre
• Chromaticism
• Improvisation
• Sad texts
• Polyrhythms (guitar differs from voice
emphasis)
Gipsy Kings
• From southern France - fled Andalusia in
the 1930s during the war
• rumba flamenca - fusion of Cuban rumba
and flamenco
20

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Romani (Gypsy) MusicKey Facts• Scholars believe Ro.docx

  • 1. Romani (Gypsy) Music Key Facts • Scholars believe Roma came from India 1,000 years ago • “Gypsy” – derogatory, Europeans believed they came from Egypt (used in UK, Spain) • “Tsigan” – heathen (used in Germany and eastern Europe) • Politically-correct name is “Roma” – meaning “man” in Romanes, the language of Roma • CDs – often constructed as a “journey” from India to Europe (each track features Gypsy music from a country “along the journey” Romani Flag / Indian Flag Marketing Gypsies - nomadism, cultural difference, shared history
  • 2. A DVD /documentary, 2008 2 CD set that features Gypsy music from different countries, 1995 Romani Musicians • “Gypsies” – musicians, fortune-tellers, dancers, horse-traders, NOMADS • Accepted as entertainers, shunned in everyday life • Historically hired to perform non-Roma and Roma music for nobility, at weddings, in restaurants What is “real” Gypsy music? • Roma have private and public music repertoires • Non-Roma (gadje) are familiar mostly with non-Roma repertoires as performed by Roma • Private music – rituals for funerals, personal songs, songs as expressions of individual emotion (for instance, sorrow)
  • 3. Romani instruments • Hungary – cimbalom • Russia – seven-string guitar • Serbia – brass bands • Romania – string bands • Spain – flamenco - guitar * Roma musical bands are often very similar to those of the non-Roma majority Different types of Romani musicians Taraf de Haidouks –Romania (top left) Esma Redzepova – Macedonia (top right) Gipsy Kings – Southern France (originally from Spain) (bottom left) Django Reinhardt (1910-1953) France (bottom right) Taraf de Haidouks (Romania) • Taraf - Turkish word meaning “ensemble” • Haidouk – Turkish word (derogatory)
  • 4. meaning highwayman/ freedom fighter (against Ottoman and Habsburg authorities) • Troup of lautars (professional Romani musicians) from Clejani, Romania • “discovered” by Swiss ethnomusicologist/ producer Laurent Aubert 1999 album cover Fanfare Ciocarlia (Romania) • Ciocarlia (skylark) – famous lautar tune • Brass band from northeastern Romania, village of Zece Prajini • “discovered” in 1996 by German sound engineer and producer Henry Ernst • Trumpets, tubas, tenor and baritone horns, saxophones, bass drum, percussion • Fuse Turkish, Bulgarian, Serbian, and Macedonian musical styles Fanfare Ciocarlia (always play “old” instruments on stage)
  • 5. Esma Redzepova (Macedonia) • Born into a Muslim Romani family in Skopje, Macedonia in 1943 • Married Stevo Teodosievski (gadje – non- Roma) • First to sing in Romani language on stage in Yugoslavia • Fostered 49 male children, taught them Romani music (performs with her adopted sons on stage) Flamenco - from Andalusia Granada – Gypsy caves Inside a modern cave Musical Influences- 18th cent.
  • 6. Spanish – contemporary flamenco rooted in local styles Romani – became associated with Gypsies Moorish – Arab/North African - microtones Sephardic – Jewish (not Ashkenazi) Songs of the lower classes Golden Age -(1869-1910) style solidified in late 19th cent in cafes (emotion, hope, pain) Characteristics • Microtonal inflections • Narrow range of notes • Timbre • Chromaticism • Improvisation • Sad texts • Polyrhythms (guitar differs from voice emphasis) Gipsy Kings • From southern France - fled Andalusia in the 1930s during the war • rumba flamenca - fusion of Cuban rumba