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The Digital Research Video
Project
Suzanne Pilaar Birch
Joukowsky Institute for Archaeology
and the Ancient World
Brown University
The Theme
• Social Media & Activism
• Open Access and Accessibility
• Harvard call, NIH, and RCUK
• Personal Twitter use
Workshop
• Approximately 15 participants,
archaeology and non-archaeology
humanities split
• Led by professional research
communicator
• Academic vs. non-academic titles
• “Translating” abstracts
• Group storyboards
• Social media use and online profiles
Videos
• Competition (small)
• Last 3-4 minutes in
duration
• Participants wrote their
own script with editing
help (eliminating jargon!)
• Identified clearly as part
of a larger project out of
Cambridge (credibility)
Social Media Sharing and Online
Presence• Videos are available:
• www.smke.org and SMKE YouTube channel
• humbox.ac.uk
• Figshare.com
• Individual (Spry-Marques) & organization blogs
• Social media sharing
• Twitter and YouTube (analytics)
• Facebook (personal; no analytics).
• “Influential” and “highly influential” tweets
• Other media
• Announcements on appropriate academic email listservs
(discipline and department-based)
• Radio interview of Pia Spry-Marques in Madrid, Spain.
• University of Cambridge website (shared over 100 times
on Facebook and over 65 times via Twitter since 30 May)
• poster presentation at the 2013 Society for American
Archaeology
Response, anecdotal and analytics
• humbox.ac.uk: collectively had 44
hits and 14 downloads as of 30 May
• viewed in over 65 countries, with the
most views occurring in the US and
UK. Croatia (110), Serbia (12), and
Peru (9)
• Retweets added “I loved this!” or
“great project”
• Original tweets: “a SUPERB new
digital video on Ice Age [link] by the
lovely [handle] - for historians &
scientists” and “What Do Bones Say
About Beliefs?” [link] does a great
job in explaining the #taphonomy of
#humanbones”.
• Emails to researchers
Reflections on audience and impact
• Nature of the audience
• Who is the audience?
• Defining the “public”
• How far did we really reach?
• How can we reach better?
• Impact on…?
• Researchers felt it beneficial
• Echo chamber
• Translations
Conclusions and Further Directions
• Replicability: Canon scanner for
line drawings, SmoothDraw
(downloadable freeware) and
Adobe Premier Elements for
editing (free 30-day trial; 40GBP to
own)
• Sustainability: Videos posted on a
number of online websites
(YouTube) and publication in
Internet Archaeology means videos
will be placed in digital data
repository
• But-what about data surrounding
videos? Tweets? Analytics?
• Funding and time obstacle to the
creation of further videos

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The Digital Research Video Project for SMKE

  • 1. The Digital Research Video Project Suzanne Pilaar Birch Joukowsky Institute for Archaeology and the Ancient World Brown University
  • 2. The Theme • Social Media & Activism • Open Access and Accessibility • Harvard call, NIH, and RCUK • Personal Twitter use
  • 3. Workshop • Approximately 15 participants, archaeology and non-archaeology humanities split • Led by professional research communicator • Academic vs. non-academic titles • “Translating” abstracts • Group storyboards • Social media use and online profiles
  • 4. Videos • Competition (small) • Last 3-4 minutes in duration • Participants wrote their own script with editing help (eliminating jargon!) • Identified clearly as part of a larger project out of Cambridge (credibility)
  • 5. Social Media Sharing and Online Presence• Videos are available: • www.smke.org and SMKE YouTube channel • humbox.ac.uk • Figshare.com • Individual (Spry-Marques) & organization blogs • Social media sharing • Twitter and YouTube (analytics) • Facebook (personal; no analytics). • “Influential” and “highly influential” tweets • Other media • Announcements on appropriate academic email listservs (discipline and department-based) • Radio interview of Pia Spry-Marques in Madrid, Spain. • University of Cambridge website (shared over 100 times on Facebook and over 65 times via Twitter since 30 May) • poster presentation at the 2013 Society for American Archaeology
  • 6. Response, anecdotal and analytics • humbox.ac.uk: collectively had 44 hits and 14 downloads as of 30 May • viewed in over 65 countries, with the most views occurring in the US and UK. Croatia (110), Serbia (12), and Peru (9) • Retweets added “I loved this!” or “great project” • Original tweets: “a SUPERB new digital video on Ice Age [link] by the lovely [handle] - for historians & scientists” and “What Do Bones Say About Beliefs?” [link] does a great job in explaining the #taphonomy of #humanbones”. • Emails to researchers
  • 7. Reflections on audience and impact • Nature of the audience • Who is the audience? • Defining the “public” • How far did we really reach? • How can we reach better? • Impact on…? • Researchers felt it beneficial • Echo chamber • Translations
  • 8. Conclusions and Further Directions • Replicability: Canon scanner for line drawings, SmoothDraw (downloadable freeware) and Adobe Premier Elements for editing (free 30-day trial; 40GBP to own) • Sustainability: Videos posted on a number of online websites (YouTube) and publication in Internet Archaeology means videos will be placed in digital data repository • But-what about data surrounding videos? Tweets? Analytics? • Funding and time obstacle to the creation of further videos