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SHIGERU BAN
JAPANESE ARCHITECT
S H I G E R U B A N , A C O N T E M P O R A R Y A R C H I T E C T
P R E S E N T A T I O N B Y J A N V I B O R E L E A N D
R O S H N I B A I D Y A
CONTENT
M A T E R I A L
I N T R O D U C T I O N
P H I L O S O P H Y & C O N C E P T
P R O J E C T S
I N F L U E N C E S
C O N S T R U C T I O N T E C N I Q U E
INTRODUCTION
OF SHIGERU BAN
SHIGERU BAN AN INTERNATIONAL ARCHITECT; THIS IS EVEIDENT
FROM THE MOMENT HE DISCOVERD AND DEVELOP THE
CHARACTERISTICS OF PAPER.
HE IS KNOWN BY HIS PERFECT ARCHITECTURE OF LUXURIOUS
AND PRESTIGIOUS AESTHETIC AND WELL STUDIED AREA.
SHIGERU BAN IS A JAPANES ARCHITECT WHO BOUGHT A NEW
APPROACH TO CONTEM[PRARY MODERN ARCHITECTURAL DESIGN
WITH HIS MATERIAL SELECTION AND TECHNIQUES..
PHILOSOPHY
Work reflects blend of his
AMERICAN ARCHITECTURAL
training and his native
JAPANESE INFLUENCES.
Adopts a construction method
in which the structure is
integrated into an over all
design.
Innovative exploration and
integration of material so as
to enhance their structural
potential.
Material ranging from Paper,
Wood, Bamboo and Steel.
PHILOSOPHY AND CONCEPT
IS TO CREATE UNIQUELY FREE AND OPEN
SPACES WITH CONCRETE RATIONALITY OF
STRUCTURE AND CONSTRUCTION METHOD.
THE EXISTING CONSTRUCTION METHOD
BY USING EASILY OBTAINABLE OFF-THE-
SHELF MATERIALS IN INNOVATIVE AND
UNPRECEDENTED
STRUCTURAL/CONSTRUCTION SYSTEMS.
HARMONIZE THE NATURE WITH ARCHITECTURE
RESPECTING THE ENVIRONMENT .
HOLD UP AND ENCOURAGE THE INNNOVATION
OF ASIAN CULTURE GENERALLY AND JAPENESE
PARTICULARLY .
MATERIAL
AND CONSTRUCTION TECHNIQUES
Ban designed a cylindrical paper Arbor built from a series of tubes mounted
on a concrete base and topped by a roof with a compression ring. The tubes
were coated with paraffin wax and strengthened with glue.
PAPER
Ban found that paper's structure integrity was better than
most material .Paper tubing being one of the cheapest
materials, especially during reconstruction houses for
disaster relief, was used by Shigeru Ban for such
rehabilitation projects . In these projects, he has used paper
not for being unorthodox but for the economy.
WOOD
Apart from being famous as the Paper Architect'. Shigeru Ban
is one of the famous architect in the world working in wood.
Not only does he build for the rehabilitation victims but also
for wealthy patrons of art. when paper tubes fail to work , he
moves on to wood. Wood may be more expensive than steel
and concrete, but building with timber actually speed up the
construction process. Which ends up cutting costs by the time
the projects is completed. "Steel, concrete - we are just
consuming from a limited amount. Timber is the only
renewable material." he quotes
BAMBOO ROOF
PAPER TUBE STRUCTURE
In 1994, Ban proposed a shelter made of cardboard tubes . After the great Hansobe-
Awaji earthquake in 1995 left 310,000 people homeless, he created the first "Paper Log
House" using cardboard tubes for walls and beer cartons weighed by sandbags as
foundations. That would become the prototype for cheap, comfortable, and beautiful
disaster relief buildings.
MATERIAL
AND CONSTRUCT TECHNIQUES
As the installation process is done using fittings and ties, it
is easy to disassemble and reassemble. It's simple and quick
installation means that it is not necessary that the
workmanship is specialized. In addition, the tubular shape
offers the possibility of embedding hydraulic and electrical
systems and optimizes thermal and acoustic resistance (as a
function of the air wall inside the tubes).
MATERIAL
AND CONSTRUCT TECHNIQUES
IN 1994, HE PROPOSED A CHANGE IN THE CONCEPT AND DESIGN OF ‘SHELTERS’ AND
TEMPORARY BUILDINGS USING HIS PAPER-TUBE TECHNOLOGY.
THE TUBES ARE COATED FOR WATER RESISTANCE. FOR INSULATION, AN
ADHESIVE WATERPROOF SPONGE TAPE IS SANDWICHED BETWEEN THE TUBES
MATERIAL
AND CONSTRUCT TECHNIQUES
IN THE YEAR 2001, IN INDIA, THE CONSTRUCTION
DIFFERED IN MANY WAYS FROM IN JAPAN. SHIGERU
BAN ADAPTED TO THE LIMITATIONS OF MATERIALS
IN THE CONTEXT. HE BUILT THE WALLS OF THE
PAPER TUBES, BUT FOR THE FOUNDATION, THEY
TOOK RUBBLE FROM A COLLAPSED BUILDING AND
MADE TRADITIONAL MUD FLOORS. BAN ALSO
DESIGNED A MORE NOVEL ROOF, UTILIZING THE
NEARBY BAMBOO TO PATTERN AN INTRICATE
VAULTED ROOF AND WHOLE BAMBOO TO THE
RIDGE BEAMS. A LOCALLY WOVEN CANE MAT WAS
PLACED OVER THE BAMBOO RIB VAULTS WHICH
WAS ACCOMPANIED BY A CLEAR PLASTIC
TARPAULIN TO PROTECT FROM RAIN AND HARSH
WIND. GABLES WERE USED TO PROVIDE
VENTILATION, WHERE SMALL HOLES IN THE CAN
MAT ALLOW AIR TO CIRCULATE.
Refer to the history and ancient architecture
and especially Greek architecture, using
cardboard tubes
INFLUENCES
He is the person who is inspired by things around him in the implementation of project
The Chinese hat and the Japanese roofs
TRADITIONAL CHINESE HATS AND THE
CENTRE POMPIDOU METZ’S ROOF SYSTEM
BAN’S MOUNT FUJI
WORLD HERITAGE
CENTER IN SHIZUOKA,
WHICH OPENED TO THE
PUBLIC IN 2017. THE
STRUCTURE RESEMBLES
AN UPSIDE-DOWN
MOUNTAIN, AND ITS
MOST VISIBLE
MATERIAL IS LOCAL
CYPRESS
PAPER
LOG
HOUSE
KOBE
1 9 9 5
It is economical and able to depend upon the
availability of the commonly found material.
Can be built by unskilled labourers, or to say, by
anybody.
possible for these houses to be easily
dismantled.
About four rows of beer crates are used to build
the foundation of the Paper Log House by also
making it flood-resistant.
emergency shelters in response to the
severe needs of the people in need.
PAPER
LOG
HOUSE
INDIA
2 0 0 1
built the walls of the paper tubes, but for
the foundation, they took rubble from a
collapsed building and made traditional mud
floors.
bamboo to pattern an intricate vaulted roof
and whole bamboo to the ridge beams.
Gables were used to provide ventilation,
where small holes in the can mat allow air to
circulate.
T H E J A P A N E S E
P A V I L I O N :
H A N N O V E R ,
G E R M A N Y .
2 0 0 0
F I R S T D E S I G N T H A T U S E D P A P E R
T U B I N G I N V E R Y L O N G
D I M E N S I O N S
L O C A T I O N
H A N N O V E R , G E R M A N Y
Y E A R
2 0 0 0
T H E F I R S T S T R U C T U R A L I D E A W A S F O R A T U N N E L
A R C H O F P A P E R T U B E S , S I M I L A R T O T H E P A P E R
D O M E . H O W E V E R , T H E P A P E R D O M E W A S L I M I T E D
B Y T H E H I G H C O S T O F W O O D E N J O I N T S .
T H E T U N N E L A R C H W O U L D B E A B O U T 7 3 . 8 M
L O N G , 2 5 M W I D E , A N D 1 5 . 9 M H I G H .
T O D E V E L O P T H E R O O F ’ S G R I D S H E L L S Y S T E M
I N S T E A D O F T H E P A P E R D O M E D E S I G N H E H A D
P R E V I O U S L Y U S E D P A P E R T U B E S , 4 0 M I N L E N G T H
W I T H A R A D I U S O F 1 2 M , A N D U S E D I N T H E T U N N E L
A R C H A N D C O N N E C T E D B Y L A M I N A T E D
W O O D A N D P O L Y E S T E R F A B R I C T A P E
L A M I N A T E D W O O D , P A P E R T U B E S
A N D P O L Y E S T E R F A B R I C T A P E
T H E U S E O F T H E G R I D S H E L L
S Y S T E M D E V E L O P E D B Y B A N ,
R E D U C E D C O S T S B Y M I N I M I Z I N G
T H E U S E O F W O O D E N J O I N T S .
T H E R O O F W A S M A D E O F A
F I R E A N D W A T E R R E S I S T A N T ,
T R A N S L U C E N T M E M B R A N E .
A L O N G W I T H E C O L O G I C A L
M A T E R I A L S , B A N U S E D T H E
T R A D I T I O N A L J A P A N E S E
A R C H I T E C T U R A L
U N D E R S T A N D I N G O F S H O J I ,
O R R O O F S Y S T E M , T O
B E N E F I T F R O M N A T U R A L
L I G H T A N D S A V E E N E R G Y
T H E T H R E E - D I M E N S I O N A L
G R I D , A N A N G L E W O U L D O P E N
A N D A S U I T A B L E A M O U N T O F
T E N S I O N W O U L D B E A P P L I E D
THE
PAPERTAI
NER
MUSEUM:
SEOUL,
SOUTH
KOREA
2 0 0 6
The Papertainer Museum was built at the Seoul
Olympic Park as a temporary exhibition hall to
celebrate the thirtieth anniversary of the South
Korean publishing company, Design House.
Its area is
3,455 m2.
The structure has three main parts:
two exhibition halls in the masses where the
containers and paper columns are.
In the middle, there is an
open space that is its focal point
The use of paper and
metal, which are fully
recyclable and easily
available, contributed to
Ban’s ecological design.
The choice of wood and pebbles for the floor,
the use of paper tubes in the structure and the
design of space with containers emphasize the
significance of choosing ecological materials
in Ban’s design.
7 1 0 - 7 9 4
Industrial textile products
placed angularly in the
upper part of the
containers both makes the
facade more vibrant and
increases natural light.
T H E G A T H E R I N G O F T H E P A P E R
T U B E S A N D T H E M A S S E S I N
W H I C H T H E C O N T A I N E R S A R E
L O C A T E D C R E A T E D A " D "
S H A P E , A G R E E N O P E N S P A C E
T H A T I S A C T I V E L Y U S E D B Y
V I S I T O R S . T H U S , B A N C R E A T E D
U N I T Y B Y P R O V I D I N G F L O W
B E T W E E N I N T E R I O R A N D
E X T E R I O R S P A C E
AWARDS
H I S W O R K I S C R O W N E D W I T H N U M E R O U S A W A R D S , S U C H A S :

2 0 0 4 : G O L D M E D A L O F A R C H I T E C T U R E A C A D E M Y .

2 0 1 1 : W O R L D A R C H I T E C T U R E A W A R D .
2 0 1 4 : P R I T Z K E R A W A R D .
CONCLUSION
T H E A R C H I T E C T I S N O T W H O E V E R
B U I L T W I T H E X P E N S I V E A N D R A R E
M A T E R I A L B U T H E I S W H O U S E S
P O O R A N D A V A I L A B L E M A T E R I A L S T O
B U I L T G L A M O R O U S A N D L U X U R I O U S
B U I L D I N G S .
T H E D I F F I C U L T I E S E N C O U N T E R E D I N
T H E A R C H I T E C T U R E S H O U L D B E A
S T R O N G P O I N T F O R T H E A R C H I T E C T
T H E P A P E R T U B E S Y S T E M D E V E L O P E D
B Y B A N M A D E F U N D A M E N T A L
C O N T R I B U T I O N T O S U S T A N I B I L I T Y
D E S I G N .
B A N D E M O N S T R A T E S H I S
S E N S I T I V I T Y B Y C O N S I D E R I N G
C L I M A T E , A N A L Y Z I N G M A T E R I A L S
W E L L A N D U S I N G M A T E R I A L S T H A T
D O N O T H A R M H U M A N H E A L T H .
THANK YOU!
" D R A W I N G A P L A N I S O N L Y 1 % O F T H E A R C H I T E C T ' S
W O R K " - S H I G E R U B A N

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Shigeru Ban's Innovative Use of Materials

  • 1. SHIGERU BAN JAPANESE ARCHITECT S H I G E R U B A N , A C O N T E M P O R A R Y A R C H I T E C T P R E S E N T A T I O N B Y J A N V I B O R E L E A N D R O S H N I B A I D Y A
  • 2. CONTENT M A T E R I A L I N T R O D U C T I O N P H I L O S O P H Y & C O N C E P T P R O J E C T S I N F L U E N C E S C O N S T R U C T I O N T E C N I Q U E
  • 3. INTRODUCTION OF SHIGERU BAN SHIGERU BAN AN INTERNATIONAL ARCHITECT; THIS IS EVEIDENT FROM THE MOMENT HE DISCOVERD AND DEVELOP THE CHARACTERISTICS OF PAPER. HE IS KNOWN BY HIS PERFECT ARCHITECTURE OF LUXURIOUS AND PRESTIGIOUS AESTHETIC AND WELL STUDIED AREA. SHIGERU BAN IS A JAPANES ARCHITECT WHO BOUGHT A NEW APPROACH TO CONTEM[PRARY MODERN ARCHITECTURAL DESIGN WITH HIS MATERIAL SELECTION AND TECHNIQUES..
  • 4. PHILOSOPHY Work reflects blend of his AMERICAN ARCHITECTURAL training and his native JAPANESE INFLUENCES. Adopts a construction method in which the structure is integrated into an over all design. Innovative exploration and integration of material so as to enhance their structural potential. Material ranging from Paper, Wood, Bamboo and Steel.
  • 5. PHILOSOPHY AND CONCEPT IS TO CREATE UNIQUELY FREE AND OPEN SPACES WITH CONCRETE RATIONALITY OF STRUCTURE AND CONSTRUCTION METHOD. THE EXISTING CONSTRUCTION METHOD BY USING EASILY OBTAINABLE OFF-THE- SHELF MATERIALS IN INNOVATIVE AND UNPRECEDENTED STRUCTURAL/CONSTRUCTION SYSTEMS. HARMONIZE THE NATURE WITH ARCHITECTURE RESPECTING THE ENVIRONMENT . HOLD UP AND ENCOURAGE THE INNNOVATION OF ASIAN CULTURE GENERALLY AND JAPENESE PARTICULARLY .
  • 6. MATERIAL AND CONSTRUCTION TECHNIQUES Ban designed a cylindrical paper Arbor built from a series of tubes mounted on a concrete base and topped by a roof with a compression ring. The tubes were coated with paraffin wax and strengthened with glue. PAPER Ban found that paper's structure integrity was better than most material .Paper tubing being one of the cheapest materials, especially during reconstruction houses for disaster relief, was used by Shigeru Ban for such rehabilitation projects . In these projects, he has used paper not for being unorthodox but for the economy. WOOD Apart from being famous as the Paper Architect'. Shigeru Ban is one of the famous architect in the world working in wood. Not only does he build for the rehabilitation victims but also for wealthy patrons of art. when paper tubes fail to work , he moves on to wood. Wood may be more expensive than steel and concrete, but building with timber actually speed up the construction process. Which ends up cutting costs by the time the projects is completed. "Steel, concrete - we are just consuming from a limited amount. Timber is the only renewable material." he quotes BAMBOO ROOF PAPER TUBE STRUCTURE
  • 7. In 1994, Ban proposed a shelter made of cardboard tubes . After the great Hansobe- Awaji earthquake in 1995 left 310,000 people homeless, he created the first "Paper Log House" using cardboard tubes for walls and beer cartons weighed by sandbags as foundations. That would become the prototype for cheap, comfortable, and beautiful disaster relief buildings. MATERIAL AND CONSTRUCT TECHNIQUES As the installation process is done using fittings and ties, it is easy to disassemble and reassemble. It's simple and quick installation means that it is not necessary that the workmanship is specialized. In addition, the tubular shape offers the possibility of embedding hydraulic and electrical systems and optimizes thermal and acoustic resistance (as a function of the air wall inside the tubes).
  • 8. MATERIAL AND CONSTRUCT TECHNIQUES IN 1994, HE PROPOSED A CHANGE IN THE CONCEPT AND DESIGN OF ‘SHELTERS’ AND TEMPORARY BUILDINGS USING HIS PAPER-TUBE TECHNOLOGY. THE TUBES ARE COATED FOR WATER RESISTANCE. FOR INSULATION, AN ADHESIVE WATERPROOF SPONGE TAPE IS SANDWICHED BETWEEN THE TUBES
  • 9. MATERIAL AND CONSTRUCT TECHNIQUES IN THE YEAR 2001, IN INDIA, THE CONSTRUCTION DIFFERED IN MANY WAYS FROM IN JAPAN. SHIGERU BAN ADAPTED TO THE LIMITATIONS OF MATERIALS IN THE CONTEXT. HE BUILT THE WALLS OF THE PAPER TUBES, BUT FOR THE FOUNDATION, THEY TOOK RUBBLE FROM A COLLAPSED BUILDING AND MADE TRADITIONAL MUD FLOORS. BAN ALSO DESIGNED A MORE NOVEL ROOF, UTILIZING THE NEARBY BAMBOO TO PATTERN AN INTRICATE VAULTED ROOF AND WHOLE BAMBOO TO THE RIDGE BEAMS. A LOCALLY WOVEN CANE MAT WAS PLACED OVER THE BAMBOO RIB VAULTS WHICH WAS ACCOMPANIED BY A CLEAR PLASTIC TARPAULIN TO PROTECT FROM RAIN AND HARSH WIND. GABLES WERE USED TO PROVIDE VENTILATION, WHERE SMALL HOLES IN THE CAN MAT ALLOW AIR TO CIRCULATE.
  • 10. Refer to the history and ancient architecture and especially Greek architecture, using cardboard tubes INFLUENCES He is the person who is inspired by things around him in the implementation of project The Chinese hat and the Japanese roofs TRADITIONAL CHINESE HATS AND THE CENTRE POMPIDOU METZ’S ROOF SYSTEM BAN’S MOUNT FUJI WORLD HERITAGE CENTER IN SHIZUOKA, WHICH OPENED TO THE PUBLIC IN 2017. THE STRUCTURE RESEMBLES AN UPSIDE-DOWN MOUNTAIN, AND ITS MOST VISIBLE MATERIAL IS LOCAL CYPRESS
  • 11. PAPER LOG HOUSE KOBE 1 9 9 5 It is economical and able to depend upon the availability of the commonly found material. Can be built by unskilled labourers, or to say, by anybody. possible for these houses to be easily dismantled. About four rows of beer crates are used to build the foundation of the Paper Log House by also making it flood-resistant. emergency shelters in response to the severe needs of the people in need.
  • 12.
  • 13. PAPER LOG HOUSE INDIA 2 0 0 1 built the walls of the paper tubes, but for the foundation, they took rubble from a collapsed building and made traditional mud floors. bamboo to pattern an intricate vaulted roof and whole bamboo to the ridge beams. Gables were used to provide ventilation, where small holes in the can mat allow air to circulate.
  • 14. T H E J A P A N E S E P A V I L I O N : H A N N O V E R , G E R M A N Y . 2 0 0 0 F I R S T D E S I G N T H A T U S E D P A P E R T U B I N G I N V E R Y L O N G D I M E N S I O N S L O C A T I O N H A N N O V E R , G E R M A N Y Y E A R 2 0 0 0 T H E F I R S T S T R U C T U R A L I D E A W A S F O R A T U N N E L A R C H O F P A P E R T U B E S , S I M I L A R T O T H E P A P E R D O M E . H O W E V E R , T H E P A P E R D O M E W A S L I M I T E D B Y T H E H I G H C O S T O F W O O D E N J O I N T S . T H E T U N N E L A R C H W O U L D B E A B O U T 7 3 . 8 M L O N G , 2 5 M W I D E , A N D 1 5 . 9 M H I G H . T O D E V E L O P T H E R O O F ’ S G R I D S H E L L S Y S T E M I N S T E A D O F T H E P A P E R D O M E D E S I G N H E H A D P R E V I O U S L Y U S E D P A P E R T U B E S , 4 0 M I N L E N G T H W I T H A R A D I U S O F 1 2 M , A N D U S E D I N T H E T U N N E L A R C H A N D C O N N E C T E D B Y L A M I N A T E D W O O D A N D P O L Y E S T E R F A B R I C T A P E
  • 15. L A M I N A T E D W O O D , P A P E R T U B E S A N D P O L Y E S T E R F A B R I C T A P E T H E U S E O F T H E G R I D S H E L L S Y S T E M D E V E L O P E D B Y B A N , R E D U C E D C O S T S B Y M I N I M I Z I N G T H E U S E O F W O O D E N J O I N T S . T H E R O O F W A S M A D E O F A F I R E A N D W A T E R R E S I S T A N T , T R A N S L U C E N T M E M B R A N E . A L O N G W I T H E C O L O G I C A L M A T E R I A L S , B A N U S E D T H E T R A D I T I O N A L J A P A N E S E A R C H I T E C T U R A L U N D E R S T A N D I N G O F S H O J I , O R R O O F S Y S T E M , T O B E N E F I T F R O M N A T U R A L L I G H T A N D S A V E E N E R G Y T H E T H R E E - D I M E N S I O N A L G R I D , A N A N G L E W O U L D O P E N A N D A S U I T A B L E A M O U N T O F T E N S I O N W O U L D B E A P P L I E D
  • 16. THE PAPERTAI NER MUSEUM: SEOUL, SOUTH KOREA 2 0 0 6 The Papertainer Museum was built at the Seoul Olympic Park as a temporary exhibition hall to celebrate the thirtieth anniversary of the South Korean publishing company, Design House. Its area is 3,455 m2. The structure has three main parts: two exhibition halls in the masses where the containers and paper columns are. In the middle, there is an open space that is its focal point The use of paper and metal, which are fully recyclable and easily available, contributed to Ban’s ecological design.
  • 17. The choice of wood and pebbles for the floor, the use of paper tubes in the structure and the design of space with containers emphasize the significance of choosing ecological materials in Ban’s design. 7 1 0 - 7 9 4 Industrial textile products placed angularly in the upper part of the containers both makes the facade more vibrant and increases natural light. T H E G A T H E R I N G O F T H E P A P E R T U B E S A N D T H E M A S S E S I N W H I C H T H E C O N T A I N E R S A R E L O C A T E D C R E A T E D A " D " S H A P E , A G R E E N O P E N S P A C E T H A T I S A C T I V E L Y U S E D B Y V I S I T O R S . T H U S , B A N C R E A T E D U N I T Y B Y P R O V I D I N G F L O W B E T W E E N I N T E R I O R A N D E X T E R I O R S P A C E
  • 18. AWARDS H I S W O R K I S C R O W N E D W I T H N U M E R O U S A W A R D S , S U C H A S :  2 0 0 4 : G O L D M E D A L O F A R C H I T E C T U R E A C A D E M Y .  2 0 1 1 : W O R L D A R C H I T E C T U R E A W A R D . 2 0 1 4 : P R I T Z K E R A W A R D .
  • 19. CONCLUSION T H E A R C H I T E C T I S N O T W H O E V E R B U I L T W I T H E X P E N S I V E A N D R A R E M A T E R I A L B U T H E I S W H O U S E S P O O R A N D A V A I L A B L E M A T E R I A L S T O B U I L T G L A M O R O U S A N D L U X U R I O U S B U I L D I N G S . T H E D I F F I C U L T I E S E N C O U N T E R E D I N T H E A R C H I T E C T U R E S H O U L D B E A S T R O N G P O I N T F O R T H E A R C H I T E C T T H E P A P E R T U B E S Y S T E M D E V E L O P E D B Y B A N M A D E F U N D A M E N T A L C O N T R I B U T I O N T O S U S T A N I B I L I T Y D E S I G N . B A N D E M O N S T R A T E S H I S S E N S I T I V I T Y B Y C O N S I D E R I N G C L I M A T E , A N A L Y Z I N G M A T E R I A L S W E L L A N D U S I N G M A T E R I A L S T H A T D O N O T H A R M H U M A N H E A L T H .
  • 20. THANK YOU! " D R A W I N G A P L A N I S O N L Y 1 % O F T H E A R C H I T E C T ' S W O R K " - S H I G E R U B A N