This document provides an overview of modernism in various art forms including literature. It discusses how modernism challenged traditional practices through experimentation and innovation across music, painting, architecture, and literature between 1910-1930. Key modernist literary works rejected realism and chronological plots in favor of stream-of-consciousness techniques, subjective points of view, and fragmented or discontinuous narratives. The document lists some influential modernist writers in English and other languages.
3. MODERNISM
The movement which dominated the arts and
culture of the first half of the twentieth century
Earthquake in the arts – music, painting,
literature and architecture
Major epicentres – Vienna, France, Germany, Italy
and Britain
Challenged and rejected the fundamental
elements of practice in all the arts
4. Music, Painting and Architecture
Music – Melody and harmony put aside
Painting – Perspective and pictorial representation
abandoned in favour of degrees of abstraction
Architecture – Traditional forms rejected in favour
of plain geometrical forms/new materials like
plate, glass and concrete used in the place of
traditional materials
5. Literature
Rejection of traditional realism
Chronological plots/continuous
narratives/omniscient narrators/closed
end-readings abandoned
New and experimental forms
attempted
6. Literary modernism
Period – 1910 to 1930 (period of high modernism)
Shift from traditional forms of literature
Experimentation and innovation in treatment
Reached its high point in the 1920s
Retreated in the 1930s owing to the political and
economic tensions of the decade
Renewal took place in the 1960s
7. Modernist Writers (writing in English)
T S Eliot
James Joyce
Ezra Pound
Wyndham Lewis
Virginia Woolf
Wallace Stevens
Gertrude Stein
8. Modernist Writers ( French & German)
Marcel Proust
Stephane Mallarme
Andre Gide
Franz Kafka
Rainer Maria Rilke
9. Literary Modernism: Characteristics
Emphasis on impressionism and subjectivity
‘How’ we see rather than ‘what’ we see
Stream-of-consciousness technique
A movement away from omniscient external
narration/fixed narrative points of
view/clear-cut moral positions
10. A blurring of the distinction between
genres:
• novels become more lyrical and poetic
• poems become more documentary and prose-like
11. Liking for fragmented forms
Discontinuous narratives
Collages of disparate materials
12. Tendency towards ‘reflexivity’
• Literary texts (poems, plays, novels) show
an inclination for self-reflexivity
• Texts raise issues concerning their own
nature, status and role